Am 27.08.2013 01:53, schrieb Thomas Morley:
2013/8/26 Marc Hohl m...@hohlart.de:
Hi list,
does anyone have a workaround for the following problem?
The small notes in a tempo marking are missing when I use the
preliminary LilyJAZZ version:
\version 2.17.25
\include LilyJAZZ.ily
\relative
On 27 August 2013 08:10, Marc Hohl m...@hohlart.de wrote:
You're probably right here. I am just busy at the moment, but
as soon as time allows, I'll either try to write a suitable
note-by-number routine for LilyJAZZ or a simplified markup command.
Great news!
Could you remember to update
Am 26.08.2013 13:45, schrieb Martin Tarenskeen:
P.S. I am typesetting a lesser known and lesser played, yet Chopin
autograph, version of this Nocturne, with some interesting typesetting issues.
For
example at some point in the score I have to combine two 3/4 bars in the
right
Hi all,
I have a few questions which I need help with.
I not sure what the /relative is for?
Also, how do I make chords?
Here is a little code I'd written below, can some one let me know
if I'm on the right track?
Steph
\relative c {
\clef treble
\key c \major
\time 4/4
} c4 do every from
Am 27.08.2013 11:15, schrieb Martin Tarenskeen:
Am 26.08.2013 13:45, schrieb Martin Tarenskeen:
P.S. I am typesetting a lesser known and lesser played, yet
Chopin autograph, version of this Nocturne, with some interesting
typesetting issues. For
example at some point in the
Hi Stephanie,
I'm not sure where the track is supposed to lead to, so it's hard to say
whether you're on the right one.
The code you've written so far doesn't do anything (and what do you mean with
c4 do every from go from every do c4?).
Anyway, there's a learning manual on the Lilypond
Am 27.08.2013 08:10, schrieb Marc Hohl:
Am 27.08.2013 01:53, schrieb Thomas Morley:
[...]
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with LilyJAZZ.
You're probably right here. I am just busy at the moment, but
as soon
Marc Hohl m...@hohlart.de writes:
Am 27.08.2013 08:10, schrieb Marc Hohl:
Am 27.08.2013 01:53, schrieb Thomas Morley:
[...]
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with LilyJAZZ.
You're probably right here. I am
Here's a discussion of \relative mode:
http://lilypond.org/doc/v2.16/Documentation/learning/simple-notation
The easiest way to enter notes is by using \relative mode. In this mode,
the octave is chosen automatically by assuming the following note is always
to be placed closest to the previous
Is there any possibility to determine the exact x-position of the
leftmost barline in a -dpreview example (well, apart from opening it up
in a graphics program and measure)?
I would like to try out to left-align (or justify) music examples in a
text document on the barline, so the piano or
Am 27.08.2013 16:17, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 27.08.2013 08:10, schrieb Marc Hohl:
Am 27.08.2013 01:53, schrieb Thomas Morley:
[...]
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with
Marc Hohl m...@hohlart.de writes:
Ok, thanks! Now I can just write
\mark\jazzTempoMarkup Blues c4. 60
which looks way neater than
\mark\jazzTempoMarkup #Blues c4. #60
(the numbers still have to be quoted).
Uh, you could have written that even before. The difference is just
that you can
Stephanie sim.musicsch...@gmail.com wrote:
I have a few questions which I need help with.
I not sure what the /relative is for?
Ordinarily, notes in Lilypond specify not only the pitch, but the
octave. Middle C is c' -- third-space C is c'' -- two ledger lines C is
c'''. Similarly, 2nd space
On Tue, 27 Aug 2013, Urs Liska wrote:
My Chopin score can be found here:
https://www.dropbox.com/sh/zqnsijhiwp2ebgr/op8gtlOx9N
(Let me know if the link doesn't work)
So you don't want to know _that_ the link works? ;-)
Nice score. Interesting use of polymetric notation. And
Note that the closing ” were cut off from the end of the example in the
email.
Stan
On Aug 27, 2013, at 12:40 PM, Tim Roberts t...@probo.com wrote:
similar to this:
upper = \relative c' {
___
lilypond-user mailing list
lilypond-user@gnu.org
Hello everyone,
I am working with a score in Lilypond that has a lot of repetitions, where
basically every bar has to be repeated a certain number of times. I would
like to be able to write the number of repeats above every bar, similar to
the score below (which was not created in Lilypond):
On Tue, Aug 27, 2013 at 2:04 PM, Gilberto Agostinho
gilbertohasn...@googlemail.com wrote:
Hello everyone,
I am working with a score in Lilypond that has a lot of repetitions, where
basically every bar has to be repeated a certain number of times. I would
like to be able to write the number
Hi Carl,
I had a look on those, and I was able to get the brackets, but they didn't
look very nice because they were extending from a note to a note, not fro
ma bar line to a bar line. On top of that, the main issue for me here is to
have the 3x centralized above the bar; the brackets will just
Hello to all,
is possible to put some text to the left above a centered note in a bar?
I have to write something like that that you see below. If you think that
everything is OK, no problem.
Ciao
Tommaso
Here's the code:
%-%
\version
Hello:
In the attached snip, the first beat of the second measure has a f4.
without a stem.
The error messages suggests using polyphonic voices. Since I am using \\
, I do not know what that means.
I have tried changing stem direction - \stemUp, \stemDown.
I have tried shifting the
On Tue, 27 Aug 2013, Urs Liska wrote:
Are there any biographical notions that Chopin used that Nocturne (page 2) as
a resource bin for the f minor piano concerto?
Yes there are. I don't know the exact story. I remember having read
somewhere it was written for his sister, as a pre-study for
Am 27.08.2013 18:07, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Ok, thanks! Now I can just write
\mark\jazzTempoMarkup Blues c4. 60
which looks way neater than
\mark\jazzTempoMarkup #Blues c4. #60
(the numbers still have to be quoted).
Uh, you could have written that even
2013/8/27 Gilberto Agostinho gilbertohasn...@googlemail.com:
Hi Carl,
I had a look on those, and I was able to get the brackets, but they didn't
look very nice because they were extending from a note to a note, not fro ma
bar line to a bar line. On top of that, the main issue for me here is
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Hello:
In the attached snip, the first beat of the second measure has a “f4.”
without a stem.
The error messages suggests using polyphonic voices. Since I am using \\
, I do not know what that means.
I have tried changing stem
Carl Smith wrote:
If the fonts are embedded in the PDF, you only need to
have them on your system when you create the file. The
recipient has the fonts, they're in the PDF.
Okay, I appreciate the helpfulness, but a lot of you are
missing the point. The recipients will be editing the files
2013/8/27 Tommaso Gordini illinguista1...@gmail.com:
Hello to all,
is possible to put some text to the left above a centered note in a bar?
I have to write something like that that you see below. If you think that
everything is OK, no problem.
Ciao
Tommaso
Here's the code:
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I insert
the \newVoice just here and revert for the rest of the piece (already
completed).
Mark
-Original Message-
From: Thomas Morley
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I insert
the \newVoice just here and revert for the rest of the piece (already
completed).
Mark
Perhaps:
global = {
Am 27.08.2013 19:42, schrieb Martin Tarenskeen:
On Tue, 27 Aug 2013, Urs Liska wrote:
My Chopin score can be found here:
https://www.dropbox.com/sh/zqnsijhiwp2ebgr/op8gtlOx9N
(Let me know if the link doesn't work)
So you don't want to know _that_ the link works? ;-)
Nice score.
Am 27.08.2013 20:22, schrieb Martin Tarenskeen:
On Tue, 27 Aug 2013, Urs Liska wrote:
Are there any biographical notions that Chopin used that Nocturne
(page 2) as a resource bin for the f minor piano concerto?
Yes there are. I don't know the exact story. I remember having read
somewhere
Mr. Morley:
Thank you. Using your previous suggestion I created the attached
(StemCollision.ly) that prints the stem yet the head collides with the g1.
What would you suggest?
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, August 27, 2013
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you. Using your previous suggestion I created the attached
(StemCollision.ly) that prints the stem yet the head collides with the g1.
What would you suggest?
My snippet! :)
Why did you change it?
-Harm
Mark
Hi Thomas,
Thanks for your answer. About the 1st proposition, it looks great! It is
just a pity I was not able (so far) to write anything but pure numbers
above the bars. It would be great if I manage to add the x after the
number. About the 2nd proposition, those discussions in that link are way
Hi to everybody,
I have found a solution one of my questions on this mailing list, so I
thought it would be nice for me to share it here (in case someone might
look for it one day). It concerns the lack of automatic repeat bar lines
when using \repeat volta N {music} with the following snippet:
Hi Gilberto, Harm--
On Tue, Aug 27, 2013 at 4:06 PM, Gilberto Agostinho
gilbertohasn...@googlemail.com wrote:
Hi Thomas,
Thanks for your answer. About the 1st proposition, it looks great! It is
just a pity I was not able (so far) to write anything but pure numbers
above the bars. It would
Mr. Morley:
Actually I changed it right after your first suggestion and before I got the
one below.
I shall try the code you provided below.
Thank you for your kind attention.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, August 27, 2013
Hi David!
I can't thank you enough for this! It works beautifully :) I already made
some tests now and this is exactly what I needed.
Thanks again and take care!
Gilberto
On Tue, Aug 27, 2013 at 11:31 PM, David Nalesnik
david.nales...@gmail.comwrote:
Hi Gilberto, Harm--
On Tue, Aug 27,
On Tue, Aug 27, 2013 at 4:38 PM, Gilberto Agostinho
gilbertohasn...@googlemail.com wrote:
Hi David!
I can't thank you enough for this! It works beautifully :) I already made
some tests now and this is exactly what I needed.
I'm glad to hear this!
Just be aware that this workaround has its
Hi all? Aside from this:
http://www.lilypond.org/doc/v2.17/Documentation/usage/text-editor-support#emacs-mode
Is there any documentation on all the features, shortcuts and what not of the
Emacs mode for Lilypond?
Thanks!
___
lilypond-user mailing
The best place to look is within emacs: with a .ly file loaded get help on
the mode ( c-h m ). At least that will give you a list of the key-strokes
that will do something LilyPond-ish. By far what I use the most is 'C-c
C-l' to compile a LilyPond file and provide messages from the compilation
in
Glen, this info helps a lot. I'll come back to with specifics if there is
something i can not figure out.
Thanks!
Original message
From: Glen Larsen glenl@gmail.com
Date: 08/27/2013 6:55 PM (GMT-06:00)
To: Alexander Wallace a...@rwmotloc.com
Cc: lilypond-user
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