Jim Tisdall writes:
When I call lilypond to compile a score by means of a web page
that is using CGI, lilypond takes about 25 seconds to
*successfully* complete. From the commandline,
same files and flags, under a second; from a similar but non-web
program, under a second.
Are you certain
Hi list,
usually I don't advertise my blog posts on this list, but this time it's
an announcement post for my new package 'lilyglyphs' that makes
LIlyPond's notational elements available as 'characters' in LaTeX text
documents.
Anybody who is authoring text documents about music with LaTeX
Great job Urs, thanks much.
Cheers,
Pierre
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Am 19.09.2013 16:26, schrieb SoundsFromSound:
Urs,
This is wonderful thank you so much for sharing! Although I am receiving a
Service Temporarily Unavailable error when I try to visit CTAN, I'm sure
it'll be up again soon.
At first I was worried, then I realized that you're encountering a
I'm still struggling to figure out how to override the markup of the first
syllable in each system. I have figured out a callback that can add the
underscore to the syllable, but I need to figure out how to know if the
syllable is the first in its system. Does anyone know how to do this?
Here's
Urs,
This is wonderful thank you so much for sharing! Although I am receiving a
Service Temporarily Unavailable error when I try to visit CTAN, I'm sure
it'll be up again soon.
I'll use TeXLive on my KDE box, this is perfect for what I need in my
current text projects.
-Ben
Urs Liska wrote
On Sep 19, 2013, at 06:30 , Urs Liska wrote:
Hi list,
usually I don't advertise my blog posts on this list, but this time it's an
announcement post for my new package 'lilyglyphs' that makes LIlyPond's
notational elements available as 'characters' in LaTeX text documents.
Anybody who
Here is what I want to achieve:
Two small scores (an SATB hymn, followed by an optional descant line) one
after the other on a single page.
My Lilypond file is laid out like this:
/\score {
% music for the first score here (SATB hymn)
}
\score {
% music for the second score here (optional
Excellent, Thank you so much! This works wonderfully.
*Benjamin Bloomfield*
On Thu, Sep 19, 2013 at 12:12 PM, David Nalesnik
david.nales...@gmail.comwrote:
On Thu, Sep 19, 2013 at 11:01 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Benjamin,
[...]
This is what I come up
In the following example the bends are compressed to avoid the bar
numbers. This would seem to be unnecessary. Possible bug? and any
ideas for a workaround?
\version 2.17.26
music = \repeat unfold 16 { c''4\bendAfter #-4 }
sixteens = \repeat unfold 64 { c'16 }
\new Score \with {
} {
\music
Yes, it compiles but has no effect. I just had a more thorough search online
and it looks like there's no official way to do it - annoying!
--
View this message in context:
Gilberto Agostinho gilbertohasn...@gmail.com writes:
Hi David,
I do disagree with you on this one. While I do agree with you on this here
grace notes has no generally fixed relation to musical stresses, I still
think that it is a standard that ALL grace notes of a single note are beamed
Hi David,
I do disagree with you on this one. While I do agree with you on this here
grace notes has no generally fixed relation to musical stresses, I still
think that it is a standard that ALL grace notes of a single note are beamed
together. If there is a note that doesn't have a flag, the
Dominic dominicirv...@gmail.com writes:
Yes, it compiles but has no effect. I just had a more thorough search online
and it looks like there's no official way to do it - annoying!
You don't give an example. You don't specify the version you use.
--
David Kastrup
Dominic dominicirv...@gmail.com writes:
Here is what I want to achieve:
Two small scores (an SATB hymn, followed by an optional descant line) one
after the other on a single page.
My Lilypond file is laid out like this:
/\score {
% music for the first score here (SATB hymn)
}
\score
Hi Benjamin,
On Thu, Sep 19, 2013 at 9:31 AM, Benjamin Bloomfield bhb...@gmail.comwrote:
I'm still struggling to figure out how to override the markup of the first
syllable in each system. I have figured out a callback that can add the
underscore to the syllable, but I need to figure out how
On Thu, Sep 19, 2013 at 11:01 AM, David Nalesnik
david.nales...@gmail.comwrote:
Hi Benjamin,
[...]
This is what I come up with:
[...]
OK, that was unnecessarily roundabout. Why bother with columns when I have
access to all grobs, and I can just compare LyricText grobs?
Try this:
An example of what? I am not reporting a bug, I am asking what the correct
method is to achieve a certain outcome. I listed my attempts in order to
illustrate things I had already tried.
I am using the very latest development version (2.17.26), but I also use the
stable version via lilybin.com
PS: It also worth noticing that 99.999% of all musical cases do not mix
different types of note values when dealing with grace notes, even when we
talk about complex contemporary scores. In this case, it is trivial to
create a standard for beaming: from first to the last. And if an user wants
to
Well, a single grace note upon a single note cannot be beamed since there is
nothing to beam it to. But I imagine you meant a single unbeamed note in
among other grace notes in a complex situation, as in the piano sonata
example you sent, right? So, about it: you are totally right on this one, in
Hi LilyPond users,In my first post to this list, I'm looking for suggestions on how to engrave the brackets seen in the attached image, labeled "even". (Hopefully it's OK to attach small images?) This is an indication in a jazz chart (where eighth notes are normally interpreted as "swung eighths)
Hi Alec,
welcome to this list.
Images of this size are absolutely acceptable because they are very
helpful to show your intention/problem/question.
I'm not sure if that's the best approach, but you could use a pseudo tuplet
and override the text of the tuplet number:
\once \override
Gilberto Agostinho gilbertohasn...@gmail.com writes:
Well, a single grace note upon a single note cannot be beamed since there is
nothing to beam it to.
Tell that to LilyPond:
{ c'8[] }
is valid music.
But I imagine you meant a single unbeamed note in among other grace
notes in a complex
Le 19 sept. 2013 à 16:26, SoundsFromSound soundsfromso...@gmail.com a écrit :
Urs,
This is wonderful thank you so much for sharing! Although I am receiving a
Service Temporarily Unavailable error when I try to visit CTAN, I'm sure
it'll be up again soon.
I'll use TeXLive on my KDE box,
On Sep 19, 2013, at 10:02 AM, Urs Liska u...@openlilylib.org wrote:
I'm not sure if that's the best approach, but you could use a pseudo tuplet
and override the text of the tuplet number:
\once \override TupletNumber #'text = even
\times 4/4 { a8 g16 f }
Depending on your LilyPond
Well David, thanks for your answers and opinions. Even though I really
respect your views (and you certainly know infinitely more about LilyPond
and programming than I do), I still think I am right on this one. I
personally see the lack of slashes on beamed grace notes + the lack of
automatic
- Original Message -
From: Mark Knoop m...@opus11.net
To: lilypond-user@gnu.org
Sent: Thursday, September 19, 2013 4:51 PM
Subject: bendAfter affected by bar numbers - possible bug?
In the following example the bends are compressed to avoid the bar
numbers. This would seem to be
Am 19.09.2013 19:02, schrieb Urs Liska:
Hi Alec,
welcome to this list.
Images of this size are absolutely acceptable because they are very
helpful to show your intention/problem/question.
I'm not sure if that's the best approach, but you could use a pseudo
tuplet
and override the text of
Alec Bartsch alec.bart...@gmail.com writes:
but still be able to do this on occasion:
\triplet 2 { a4 b c a b c }
How do I do the default value properly? My guess doesn't quite work:
triplet = #(define-music-function (parser location tuplet-span
music)((ly:duration? '4) ly:music?)
On Sep 19, 2013, at 12:18 PM, SoundsFromSound soundsfromso...@gmail.com wrote:
The include of english.ly allows you to use English names for sharps and
flats, however you now can use *\language english *instead of the include.
Nice! Thanks.
Alec
Hi Alec,
Welcome to the community! :)
I'm glad you got that question sorted out. One thing I wanted to mention:
The include of english.ly allows you to use English names for sharps and
flats, however you now can use *\language english *instead of the include.
I believe that is the preferred
On Sep 19, 2013, at 11:03 AM, Urs Liska u...@openlilylib.org wrote:
even=
#(define-music-function (parser location music)(ly:music?)
#{
\once \override TupletNumber #'text = even
\times 4/4 { $music }
#})
\even { a8 g16 f }
Maybe it works ;-)
Thanks for the suggestion.
David, please don't get me wrong... LilyPond is wonderful and it is my most
used music software lately (I basically quit using any other software for
engraving my compositions, I used to work with Sibelius for several years
before). The output of LilyPond is infinitely better from any point of
On Thu, Sep 19, 2013 at 07:25:01PM +0200, David Kastrup wrote:
Gilberto Agostinho gilbertohasn...@gmail.com writes:
But I imagine you meant a single unbeamed note in among other grace
notes in a complex situation, as in the piano sonata example you sent,
right? So, about it: you are
On Sep 19, 2013, at 12:35 PM, David Kastrup d...@gnu.org wrote:
4 is a number. You want (ly:make-duration 2 0) instead.
OK, great, this version is going in my jazz \include and will tighten up my
code considerably:
triplet = #(define-music-function (parser location tuplet-span music)
Hi David,
This is nice work… but it doesn't quite work as the OP is expecting, I think:
\version 2.17.25
#(define (my-callback grob)
(let* ((text (ly:grob-property-data grob 'text))
(refp (ly:grob-system grob))
; This returns all grobs in a line.
(all-grobs
Dear community,
is there a font available for special signs like up- and downbeat for the
conductor?
Do You know where to find one?
Thanks
Stefan
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Gilberto Agostinho gilbertohasn...@gmail.com writes:
Well David, thanks for your answers and opinions. Even though I really
respect your views (and you certainly know infinitely more about LilyPond
and programming than I do), I still think I am right on this one.
There are currently
Am 19.09.2013 19:44, schrieb Philippe Massart:
Le 19 sept. 2013 à 16:26, SoundsFromSound soundsfromso...@gmail.com a écrit :
Urs,
This is wonderful thank you so much for sharing! Although I am receiving a
Service Temporarily Unavailable error when I try to visit CTAN, I'm sure
it'll be up
Alec Bartsch alec.bart...@gmail.com writes:
On Sep 19, 2013, at 12:35 PM, David Kastrup d...@gnu.org wrote:
4 is a number. You want (ly:make-duration 2 0) instead.
OK, great, this version is going in my jazz \include and will tighten up my
code considerably:
triplet =
Hi David,I'm not sure what problem this snippet is illustrating... The image provided by the OP shows that a dividing line is inserted between selected selected stanzas, which you can do by adding the override to a specific Lyrics context as you do above, for each instanceneeded. Are you referring
Hi Kieren,
2013/9/18 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Janek,
This is amazing — great work!
Thanks, but more credit should go to David Nalesnik! He wrote the
core of the function, and he wrote \offset function which inspired
this one.
It even seems to Do The Right Thing™
Hi David,Could it be a question of version?Certainly could.I'm running 2.17.26-1.Here's what I get when I add a verse (with v2 and v4 ostensibly 'lined'):Curiouser and curiouser!Kieren.___
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Hi Kieran, David
2013/9/20 Kieren MacMillan kieren_macmil...@sympatico.ca
Hi David,
Could it be a question of version?
Certainly could.
I'm running 2.17.26-1.
Here's what I get when I add a verse (with v2 and v4 ostensibly 'lined'):
Curiouser and curiouser!
Actually not.
The
Hi Thomas,
At least it seems to work.
+1 from here!
Thanks,
Kieren.
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On 17 September 2013 19:55, Davide Liessi davide.lie...@gmail.com wrote:
Dear Guy,
2013/9/17 Guy Stalnaker jimmyg...@gmail.com:
3. run sudo port selfupdate to get things up to date after the clean
and
FileVault issues (this took well over SIX hours -- good gawd)
Are you really saying
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