On Thu, 26 Sep 2013, Richard Shann wrote:
You may need to know about Denemo and Frescobaldi which both allow MIDI
input and generate LilyPond output.
Richard
MIDI input (using rumor) in Frescobaldi was dumped in version 2.x
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Date: Thu, 26 Sep 2013 08:12:30 +0200 (CEST)
From: Martin Tarenskeen m.tarensk...@zonnet.nl
To: searchfgold6789 searchfgold67...@live.com
Subject: Re: How to connect Midi keyboard to Lilypond?
On Wed, 25 Sep 2013, searchfgold6789 wrote:
However, I am
Regardless whether using a MIDI keyboard for LilyPond really helps:
`rumor` reports: ALSA port connection error; do it manually using
`aconnect'.
`aconnect -i` says:
$ aconnect -i
client 0: 'System' [type=kernel]
0 'Timer '
1 'Announce'
client 14: 'Midi
I agree, benchmark just the lilypond invocation and you're likely to find it
still takes just a second. More likely, in some following step the server CGI
script writes the HTTP response data but never closes the TCP connection. If
the script exits, perhaps a child process has been forked that
Also, what are you building? I take it that you have seen
http://weblily.net
http://lilybin.com
http://lilypond.org/schikkers
I have tried weblily.net, lilybin.com, and omet.ca.
These are all nice web-based LilyPond applications.
But what I am missing is something like that, but
Here's something like that, but using \postscript instead of \path. I can't
get \path at the right origin. It seems to ignore an initial moveto. Even
\postscript seems to set the origin differently depending on which note the
markup goes on (hence two versions of the markup below).
Cheers,
David Kastrup dak at gnu.org writes:
It's been some time since I last tried, but the basic answer I arrived
at for myself was don't bother. The tools are not good enough right
now to save time.
I have to agree with David here.
When I first started looking at LilyPond, one of my first
Hello list,
I want to create some sophisticated graphical elements with
lilypond-book and latex and postprocess them with inkscape.
The workflow:
lilypond-book --output=out myfile.tex
cd out
latex myfile.tex; dvips myfile.dvi; ps2pdf myfile.ps
cd ..
The tex file contains some pstricks macros,
James Harkins jamshar...@gmail.com writes:
David Kastrup dak at gnu.org writes:
It's been some time since I last tried, but the basic answer I arrived
at for myself was don't bother. The tools are not good enough right
now to save time.
I have to agree with David here.
When I first
To answer my own qestion:
http://lists.gnu.org/archive/html/lilypond-user/2006-02/msg00370.html
I opened the .ps in scribus, exported as .svg and reopened in inkscape.
Am 26.09.2013 11:40, schrieb Marc Hohl:
Hello list,
I want to create some sophisticated graphical elements with
Curt,
Thank you for postscript code. Wow, wonderful. My plan is not to use it with
score pitch (note). It was intended as sort of a logo to put it onto the
\header. I can use fishA or fishB for that purpose. If an eye present in the
fish (use eight-note) will be perfect.
Emanuel,
Ming.
MING TSANG wrote
Sorry, I attached a .ly file with \include private files. I remove those
and the following can compile.
great - it's compiling mow!
but I wouldn't say this is minimal - the next step now is to reduce your
code to get near the offending code.
but - which of the 2 problems
I'd like help getting started with transcribing fiddle tunes with music and
tab.
Here's my initial try (first two measures)
The fingering for the violin is not correct in the tab. Fingering should be:
2 0 0 2 0 0 | 3 1 1 3 0 1 |
I'll attach a jpeg image. Thanks for any help.
Here's my source
R.D. Latimer rdlati...@gmail.com writes:
I'd like help getting started with transcribing fiddle tunes with music and
tab.
Here's my initial try (first two measures)
The fingering for the violin is not correct in the tab. Fingering should be:
2 0 0 2 0 0 | 3 1 1 3 0 1 |
That's a
Anway, my point is: the currently available tools are not good enough
right now to save time.
I'm not saying that this means the idea is doomed. I think that would
be a sour grapes stance. But at the current point of time, the only
convincing reason I see for working with Midi input is if
James Harkins jamshar...@gmail.com writes:
I have to agree with David here.
When I first started looking at LilyPond, one of my first questions was
about MIDI input. But then I realized:
... this is all based on using a MIDI keyboard as the only means of
input.
Personally I'd like to use
Thanks, yes that makes sense from a fret number point of view.
Unfortunately from a violinist/fiddler point of view, the semitone notation
does no good.
For example, on a violin, in the simplest 1st position:
(2nd string) A string: A open, Bb/B 1st finger, C/C# 2nd finger, D 3rd
finger, E 4th
I'm searching for decent examples of violin tab, I don't see many out there
on the web.
Here's one
http://www.jaybuckey.com/pdf/Free%20Tablature/amazing_grace_fiddle_tablature.pdf
It'd be great if Lilypond has this feature,
Thanks again
On Thu, Sep 26, 2013 at 9:45 AM, R.D. Latimer
R.D. Latimer rdlati...@gmail.com writes:
Thanks, yes that makes sense from a fret number point of view.
Unfortunately from a violinist/fiddler point of view, the semitone notation
does no good.
For example, on a violin, in the simplest 1st position:
(2nd string) A string: A open, Bb/B 1st
R.D. Latimer rdlati...@gmail.com writes:
I'm searching for decent examples of violin tab, I don't see many out there
on the web.
Here's one
http://www.jaybuckey.com/pdf/Free%20Tablature/amazing_grace_fiddle_tablature.pdf
It'd be great if Lilypond has this feature,
Thanks again
The problem
David Kastrup d...@gnu.org writes:
R.D. Latimer rdlati...@gmail.com writes:
I'm searching for decent examples of violin tab, I don't see many out there
on the web.
Here's one
http://www.jaybuckey.com/pdf/Free%20Tablature/amazing_grace_fiddle_tablature.pdf
It'd be great if Lilypond has
HI David,
Yes I agree with all you're saying. My motivation right now is I'm
teaching some Fiddle classes to beginner types of students. I can read
music fine. In this folk tradition many/most of the players play by ear,
not by reading sheet music.
I was thinking that a violin tab in 1st
R.D. Latimer rdlati...@gmail.com writes:
HI David,
Yes I agree with all you're saying. My motivation right now is I'm
teaching some Fiddle classes to beginner types of students. I can read
music fine. In this folk tradition many/most of the players play by ear,
not by reading sheet
Hello Peter,
I am sorry for my late reply, I have been away for the past days.
About Frescobaldi, though I am very thankful for you to have implemented the
automatic beams for the grace notes, I have to say I am not very fond of the
idea of installing still two other files before (maybe) being
On Thu, 2013-09-26 at 09:32 +, James Harkins wrote:
- With a MIDI keyboard, I would be back to the Finale hell of
correcting
enharmonic misspellings.
Enharmonic misspellings are a thing of the past if you use Denemo to
play in the pitches from a MIDI keyboard. Firstly, because the set of
David == David Kastrup d...@gnu.org writes:
David It's been some time since I last tried, but the basic answer
David I arrived at for myself was don't bother. The tools are
David not good enough right now to save time.
For me, MIDI input does save time. I cheat and use the numeric
On Thu, 2013-09-26 at 11:52 +0200, David Kastrup wrote:
James Harkins jamshar...@gmail.com writes:
David Kastrup dak at gnu.org writes:
It's been some time since I last tried, but the basic answer I arrived
at for myself was don't bother. The tools are not good enough right
now to
On Thu, 2013-09-26 at 15:41 +0200, Johan Vromans wrote:
James Harkins jamshar...@gmail.com writes:
I have to agree with David here.
When I first started looking at LilyPond, one of my first questions was
about MIDI input. But then I realized:
... this is all based on using a MIDI
Richard Shann richard.sh...@virgin.net writes:
On Thu, 2013-09-26 at 11:52 +0200, David Kastrup wrote:
Anway, my point is: the currently available tools are not good enough
right now to save time.
This very much depends on the sort of music you are working with. Try
typing in the LilyPond
On Thu, 2013-09-26 at 19:16 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes:
On Thu, 2013-09-26 at 11:52 +0200, David Kastrup wrote:
Anway, my point is: the currently available tools are not good enough
right now to save time.
This very much depends on the
Richard Shann richard.sh...@virgin.net writes:
Denemo completely ignores the time-stamps on the midi input
stream. The midi events are serialized into a buffer by a separate
thread, and Denemo just picks them up in the order they appear in the
queue. If you want to generate a LilyPond chord
Hello Gilberto,
No problem, I understand completely. I would also hesitate to go through
that process. It's easier on Ubuntu.
I just wanted to mention it because it was you and this thread who gave
me the idea to add this quick insert.
Best
Peter
On 09/26/2013 05:37 PM, Gilberto
Hi all,
For study purposes, i want to do 128 rithmic patterns composed of 7 basic
rithmic patterns combined via a tie.
Rather than writing the 128 patterns separately I'd love to write the basic 7
as variables and then just reuse them.
Say that I write:
A = \drums { sn8 sn8 }
How could I
Does
A = \drums { sn8 sn8~ }
{ \A \A }
Do what you want?
Alexander Wallace a...@rwmotloc.com schrieb:
Hi all,
For study purposes, i want to do 128 rithmic patterns composed of 7
basic rithmic patterns combined via a tie.
Rather than writing the 128 patterns separately I'd love to write
On Sep 27, 2013 12:10 AM, Richard Shann richard.sh...@virgin.net wrote:
Since introducing this I have had zero enharmonic misspellings in my
transcriptions. But this might not be suitable for some sorts of music,
I confess.
My music only seldom follows common practice tonality, so I'd have to
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