In the following situation is the sharp in gis' a mandatory or a
cautionary accidental:
{
\key a \major
g'1 ~
\break
g'2 gis'
}
?
Embarassingly I'm not sure about that right now but have to know.
The original edition I'm copying omits the reminder flat after the line
break and t
On Mon, Oct 21, 2013 at 11:30:57PM +0200, Johan Vromans wrote:
> [Quoting Jim Long, on October 21 2013, 11:42, in "Re: Combining chord "]
> > 3) Instead of #2, and again I haven't tested this (much), could
> > tremoli help you?
>
> No, they do not render as individual notes in the midi.
> E.g.
>
Joram,
My wife the expert refers to the "longbar" as the chanting tone. This
particular notation is from The Plainsong Psalter (
http://www.amazon.com/dp/0898691621),* *though I assume it is used in other
places as well.
You're basically right about what it means, but an example is here (
https://
On 10/20/2013 12:25 AM, Jay Anderson wrote:
On Sat, Oct 19, 2013 at 7:12 PM, Bric wrote:
In 2005 someone asked this -
http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00273.html
Can one generate/access a list of coordinates for each rendered note/chord
(per staff)?
Check out ly2vide
[Quoting Jim Long, on October 21 2013, 11:42, in "Re: Combining chord "]
> The reason your layout gets stretched is roughly because
> LilyPond's chord-suppression logic for repeated chord markups
> effectively makes the chord markup "transparent" rather than
> eliminating it entirely. Thus even th
On Mon, Oct 21, 2013 at 01:59:11PM +0200, Johan Vromans wrote:
> I use a score to produce PDF and MIDI.
>
> To obtain a rhythmic pattern in the MIDI, I write the chords as:
>
> ees8 ees ees ees ees ees bes bes |
> c:m c:m c:m c:m aes aes aes aes |
> ees ees ees ees bes bes bes bes |
> e
This is strange as Frescobaldi does not in any way change the lilypond source
when running LilyPond. Do you have some include path set?
--
Wilbert Berendsen (www.wilbertberendsen.nl)
Oorspronkelijk bericht
Van: Peter Gentry
Datum: 21-10-2013 16:47 (GMT+01:00)
Aan: lily
Hi Gabe,
cool, nice to hear. I will give it a try myself. What do those notes
actually mean? An undefined number of notes (according to the text) with
this given pitch?
I still think there should be some Lilypond built-in functionality for
that, because I do not like the misuse of rests for that.
- Original Message -
From: "Gilberto Agostinho"
To:
Sent: Monday, October 21, 2013 4:16 PM
Subject: Re: Two possible "ugly bugs"
Hi all,
Did anyone check these two bugs I described? Should I report them to the
Issue Tracker or not? And just to confirm, these two codes produce the
s
Hi all,
Did anyone check these two bugs I described? Should I report them to the
Issue Tracker or not? And just to confirm, these two codes produce the same
results with LilyPond 2.17.29 as well.
Regards,
Gilberto
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Two-poss
The problem was caused by the filename Hairpintext.ly works HairpinText.ly does
not. It appears to be converted inside Frescobaldi
to Hairpin Text.ly and the program loops as it cannot find this file.
regards
Peter Gentry
___
lilypond-user mailing l
On Mon, Oct 21, 2013 at 3:17 PM, David Kastrup wrote:
> "Peter Gentry" writes:
>
>> I found it necessary to replace
>> (ly:stencil-aligned-to (grob-interpret-markup grob $text) X
>> CENTER))
>> by
>> (ly:stencil-aligned-to (grob-interpret-markup grob text) X
Do you also have a logfile from a run with Frescobaldi?
In order to narrow it down please tell us:
- does it make a difference if you compile in publication, custom and preview
mode?
- if it should only happen in preview mode or in custom mode with preview
checked: does it make a difference whi
I should have mentioned that if the scheme code is included explicitly before
the music code then it compiles correctly in
Frecobaldi.
>-Original Message-
>From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
>Sent: Monday, October 21, 2013 2:53 PM
>To: 'lilypond-user@gnu.org'
>Subj
I have tried out the HairPin Text snippet after separating into a function
saved in the Includes directory I find. Other functions
in this directory operate as expected.
1) command line invoking the include directory works fine
2) run from Frescobaldi the compliation hangs when cancelled it repo
"Peter Gentry" writes:
> I found it necessary to replace
> (ly:stencil-aligned-to (grob-interpret-markup grob $text) X
> CENTER))
> by
> (ly:stencil-aligned-to (grob-interpret-markup grob text) X
> CENTER))
>
> Using 2.17.26
That's something that convert-l
I found it necessary to replace
(ly:stencil-aligned-to (grob-interpret-markup grob $text) X
CENTER))
by
(ly:stencil-aligned-to (grob-interpret-markup grob text) X
CENTER))
Using 2.17.26
regards
Peter Gentry
__
I use a score to produce PDF and MIDI.
To obtain a rhythmic pattern in the MIDI, I write the chords as:
ees8 ees ees ees ees ees bes bes |
c:m c:m c:m c:m aes aes aes aes |
ees ees ees ees bes bes bes bes |
ees ees ees ees ees ees ees ees |
In the printed score, the chord changes are
easy:
1. search for the two occurences of "CENTER" and replace them with
"RIGHT". search for "Y dir" (hint: it's between the two occurrences of
CENTER) and replace with "Y CENTER".
2. send 5EUR to janek anyway. :)
3. play around with your markup formatting, because putting text
between the hairpin
2013/10/21 Aurélien Bello :
> thanks for the quick answer.
> I knew this snippet, but how to modify it in order to get the text at the
> right place??? It should be right-aligned with the right-edge of the
> crescendo and left-aligned with the left-edge of a diminuendo. And it should
> vertically
thanks for the quick answer.
I knew this snippet, but how to modify it in order to get the text at the right
place??? It should be right-aligned with the right-edge of the crescendo and
left-aligned with the left-edge of a diminuendo. And it should vertically
centered...
If someone with scheme
2013/10/21 Aurélien Bello :
> Hi,
>
> I'm typesetting some Wagner and he uses crescendo and diminuendo hairpins
> with the text inside.
> With a markup and adding extra-offset I got a satisfying graphical result
> but wouldn't it be possible to have a command? I'm afraid it has to be
> programmed i
2013/10/21 Janek Warchoł
>
> There are two things you can do:
> - provide scanned examples of chords showing where super- and
> subscripts are placed. (note that "Finale/Sibelius places them at this
> height by default" will not be convincing for us, as we don't regard
> these programs's default
2013/10/21 Werner LEMBERG
>
> Not \sub, but \sup.
>
>
Sorry Werner it's a typo
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
2013/10/21 Pierre Perol-Schneider :
> Dear Janek,
>
> I'm 100% ok with your code.
> I don't understand Werner's remark : \sub is at the right height even for
> chords.
> I've also compared with Sibelius, Finale, and some books I have here; looks
> fairely good to me.
> Don't know what else to say..
> I don't understand Werner's remark : \sub is at the right height
> even for chords.
Not \sub, but \sup.
> I've also compared with Sibelius, Finale, and some books I have
> here; looks fairely good to me.
Hmm. Look at the attached two images, extracted from
https://code.google.com/p/lilypond/
Dear Janek,
I'm 100% ok with your code.
I don't understand Werner's remark : \sub is at the right height even for
chords.
I've also compared with Sibelius, Finale, and some books I have here; looks
fairely good to me.
Don't know what else to say...
Cheers,
Pierre
2013/10/20 Janek Warchoł
> Hi
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