Thomas Morley-2 wrote
> many thanks for your snippet.
> It has a very useful description!
Hi Harm,
Glad you like it.
Thomas Morley-2 wrote
> Though, two suggestions:
> 1) I'd rename the note-head-stencil. 'diamond is already taken for a
> note-head-style
> 2) The stem-attachment while using this
On Thu, Oct 24, 2013 at 9:10 PM, David Nalesnik wrote:
>
>
> I worked on this a bit more, and I've come up with a snippet which allows
> for better placement and customization.
>
> You call it with
> \slash [angle] [stem-fraction] [protrusion]
>
> (Explanation of these variables is in the comments
2013/10/23 Paul Morris :
> Thomas Morley-2 wrote
>> There are some snippets using 'path'
>> http://lsr.dsi.unimi.it/LSR/Search?q=path
>
> Indeed, I have found them very helpful!
>
>
> Thomas Morley-2 wrote
>> Would be nice to have one with 'make-connected-path-stencil'
>
> Ok, here we go:
> http://
Hi Janek,
I just had time to check your snippet, and it is absolutely fantastic! Thank
you so much for sharing it here with us, I will certainly be using it on my
scores from now on.
Take care,
Gilberto
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Bric writes:
> Although, I must say: it's an awful choice of markup words, given the
> semantics at play:
>
> "\transpose" to change written pitch
Not just written pitch. Everything.
> and
>
> "\transposition" to change the audible, midi pitch
No, to specify the transposition of an instrument
On 10/23/2013 05:07 AM, Rutger Hofman wrote:
On 10/23/2013 10:55 AM, Bric wrote:
For scores with multiple instruments of various tunings, how do you tell
lilypond to to render midi with "normalized" pitch (everything adjusted
to concert pitch, appropriately) — WITHOUT transposing the visual,
w
I totally agree with Peter that the German name shouldn't be taken
literally. The art of interpreting musical ornaments is a complicated one,
particularly with old music (since they were used according to the
geographical and temporal tradition). In Bach, for instance, it is
generally accepted that
On 10/24/2013 09:34 AM, Simon Bailey wrote:
another question, in german these notes are often also called
"vorschlagnoten" [literally "before beat notes"] and are required to
be played before the beat they are associated with. are these notated
any differently? simply asking because i'm currentl
gilberto,
On Thu, Oct 24, 2013 at 12:56 AM, Gilberto Agostinho
wrote:
> When dealing with older music, the grace notes are normally referred as
<...SNIP...>
> When it comes to contemporary music, both types of grace notes tend to be
> interpreted as "play as fast as possible". That said, the slas
