Re: An invitation to a LilyPond powered concert

2013-11-27 Thread Henning Hraban Ramm
Am 2013-11-26 um 23:57 schrieb Marcos Press tdy.p...@gmail.com: I'm completly with you! The thing is Trade Treaties means there are ownership discussion. I do respect Authors but Ownership is a little different. Corporates rats exist everywhere and from any origen. Even here in Argentina

Re: lilypond and midi

2013-11-27 Thread Federico Bruni
Il 26/nov/2013 07:43 Federico Bruni fedel...@gmail.com ha scritto: Il 26/nov/2013 05:19 Stephanie Mitchell sim.musicsch...@gmail.com ha scritto: Hi all, How do I create midi playback using the mac version of lilypond? I am a blind musician and would like to check my scores using midi

Re: invert the colors (to print white score on black paper)

2013-11-27 Thread Federico Bruni
Il 25/nov/2013 22:33 ryanmichaelmcclure ryanmichaelmccl...@gmail.com ha scritto: Give this a try. I used some snippets in the LSR to apply a giant markup black background and changed everything to white. \version 2.17.29 #(define (override-color-for-all-grobs color) (lambda (context)

Re: Discussion: automatic engraving and single-source publishing

2013-11-27 Thread Janek Warchoł
Hi, 2013/11/27 Noeck noeck.marb...@gmx.de: Hi Just a quick but honest thank you from my side to all of you for improving the out-of-the-box quality, tweaking-possibilities (e.g. \shape) and simplifications for users (e.g. the.dot.syntax instead of #')! You're welcome! And i join the

Re: Problems with LilyJAZZ.ily

2013-11-27 Thread Janek Warchoł
2013/11/26 Federico Bruni fedel...@gmail.com: 2013/11/25 Janek Warchoł janek.lilyp...@gmail.com If you'd like to help with getting bend stuff and LilyJAZZ into openlilylib/snippets that would be absolutely awesome! We accept pull requests on github, or you could send us patches. If you

Workarounds for issue 1127?

2013-11-27 Thread Daniel Rosen
My problem is the one documented at http://code.google.com/p/lilypond/issues/detail?id=1127. Looking over that issue, I see that multiple people have offered monies on multiple occasions (as recently as a month ago, in fact) for it to be resolved, but that no one has taken it up yet. What's

Re: Workarounds for issue 1127?

2013-11-27 Thread Keith OHara
Daniel Rosen drosen27 at gmail.com writes: My problem is the one documented at http://code.google.com/p/lilypond/ issues/detail?id=1127. Looking over that issue, I see that multiple people have offered monies on multiple occasions (as recently as a month ago, in fact) for it to be resolved,

Re: Workarounds for issue 1127?

2013-11-27 Thread Kieren MacMillan
Hi Keith, Often each staff has different dynamics in piano music. I leave out the Dynamics context, indicating dynamics on notes or spacer rests in a temporary parallel sequence { c1\p d2 {s4.\ s8\ \!} e2 } To space the dynamics form the staff, \override PianoStaff.DynamicLineSpanner

RehearsalMark and MetronomeMark together… again…

2013-11-27 Thread Kieren MacMillan
Hello all, Given the snippet below, what do I need to do to have RehearsalMark and MetronomeMark grobs sit on the same plane (“as expected)? I’ve asked this question several times before, and believe that I’ve incorporated the most recent “best practices”… but clearly not. In the Do The Right

Re: RehearsalMark and MetronomeMark together… again…

2013-11-27 Thread Kieren MacMillan
Hello again, To be clear, \markLengthOn does not solve the problem. Thanks, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

automatic chord splitting in piano staff

2013-11-27 Thread Jean-Alexis Montignies
Hi There! I’m writing a reduction of a big band part. The saxes have to be printed into a piano staff. For now I have written everything in one music expression. For instance: {g e c a,8 q8 f d b, g,4 ef c a, gf, d b, af, f,8 c a, g, e,8 r8 q4. ~ q4 r4} I would like that every note below c

Re: automatic chord splitting in piano staff

2013-11-27 Thread Eluze
Jean-Alexis Montignies-2 wrote Hi There! I’m writing a reduction of a big band part. The saxes have to be printed into a piano staff. For now I have written everything in one music expression. For instance: { g e c a, 8 q8 f d b, g, 4 ef c a, gf, d b, af, f, 8 c a, g, e, 8 r8

Consistency of engraving of hairpin

2013-11-27 Thread Nick Payne
See below. In bar 1, where the starting point of the hairpin in the top voice is a rest, the hairpin starts at a point midway between that rest and the following note. If the hairpin starts on a note, or if the hairpin is move to another voice consisting of only spacer rests, then the

Re: Consistency of engraving of hairpin

2013-11-27 Thread SoundsFromSound
Nick Payne-3 wrote See below. In bar 1, where the starting point of the hairpin in the top voice is a rest, the hairpin starts at a point midway between that rest and the following note. If the hairpin starts on a note, or if the hairpin is move to another voice consisting of only spacer

Horizontal alignment of MultiMeasureRest markups

2013-11-27 Thread Peter Crighton
Hello List, why is it not possible to horizontal align markups attached to a MultiMeasureRest in the positive direction (i.e. left)? I expected this code to work, but the \halign seems to be ignored (#-5 would work): \version 2.17.29 \new Staff { R1^\markup { \null \halign #5 text

Re: Horizontal alignment of MultiMeasureRest markups

2013-11-27 Thread Kieren MacMillan
Hi Peter, why is it not possible to horizontal align markups attached to a MultiMeasureRest in the positive direction (i.e. left)? It is: \version 2.17.96 \paper { ragged-right = ##f } \new Staff { R1-\tweak #'self-alignment-X #LEFT ^\markup { text } } Hope this helps!

Re: Workarounds for issue 1127?

2013-11-27 Thread Keith OHara
On Wed, 27 Nov 2013 12:34:12 -0800, Kieren MacMillan kieren_macmil...@sympatico.ca wrote: I leave out the Dynamics context, indicating dynamics on notes or spacer rests in a temporary parallel sequence { c1\p d2 {s4.\ s8\ \!} e2 } \override PianoStaff.DynamicLineSpanner #'staff-padding =

Re: RehearsalMark and MetronomeMark together…again…

2013-11-27 Thread Keith OHara
Kieren MacMillan kieren_macmillan at sympatico.ca writes: Given the snippet below, what do I need to do to have RehearsalMark and MetronomeMark grobs sit on the same plane (“as expected)? In the Do The Right Thing™ Department, I would think Lilypond should automatically slide the [first]

Re: RehearsalMark and MetronomeMark together…again…

2013-11-27 Thread Keith OHara
Kieren MacMillan kieren_macmillan at sympatico.ca writes: To be clear, \markLengthOn does not solve the problem. Just for anybody searching the archives, what \markLengthOn *does* do is space the music out to give room for the marks. So it helps when the RehearsalMark and tempo are on

Re: Consistency of engraving of hairpin

2013-11-27 Thread Keith OHara
Nick Payne nick.payne at internode.on.net writes: See below. In bar 1, where the starting point of the hairpin in the top voice is a rest, the hairpin starts at a point midway between that rest and the following note. If the hairpin starts on a note, or if the hairpin is move to another