Re: Midi for instrument turns into percussion

2013-11-28 Thread Ryan McClure
>I make a separate \score{} for the MIDI output, grouping like instruments >on one staff. (If I leave out \layout{} there is no need ot worry about >which is \voiceOne, ..Two, etc.) I can see how this would work. I tried it, and it worked--but it was too much of a messy input for my taste. I'm too

Re: Midi for instrument turns into percussion

2013-11-28 Thread Keith OHara
Ryan McClure gmail.com> writes: > "The MIDI output allocates a channel for each staff, and reserves channel 10 for drums. There are only 16 MIDI channels per device, so if the score contains more than 15 staves, MIDI channels will be reused. " > I have 13 different instrument voices and 2 perc

Re: Midi for instrument turns into percussion

2013-11-28 Thread Ryan McClure
I found this on the documentation, 3.5: The MIDI output allocates a channel for each staff, and reserves channel 10 for drums. There are only 16 MIDI channels per device, so if the score contains more than 15 staves, MIDI channels will be reused. So, I'm guessing that the channel of percussion i

Re: Midi for instrument turns into percussion

2013-11-28 Thread Jim Long
On Thu, Nov 28, 2013 at 11:08:21PM -0500, Ryan McClure wrote: > I have 30 channels I suppose--I have 30 voices that are being typed into > the score. Is there a workaround for that? My exposure to Lilypond's MIDI capabilities is minimal, but my understanding is that this is a limitation of the MI

Re: Midi for instrument turns into percussion

2013-11-28 Thread Ryan McClure
I have 30 channels I suppose--I have 30 voices that are being typed into the score. Is there a workaround for that? -Ryan McClure On 11/28/2013 11:05 PM, Jim Long wrote: On Thu, Nov 28, 2013 at 07:53:33PM -0800, Ryan McClure wrote: I am getting the following warning in my log, and I'm not sur

Re: Midi for instrument turns into percussion

2013-11-28 Thread Jim Long
On Thu, Nov 28, 2013 at 07:53:33PM -0800, Ryan McClure wrote: > I am > getting the following warning in my log, and I'm not sure if this is a clue: > > warning: MIDI channel wrapped around > warning: remapping modulo 16 Check your source code for MIDI channel numbers outside the range of 1 .. 16.

Midi for instrument turns into percussion

2013-11-28 Thread Ryan McClure
I'm just now finishing a work and am listening to the midi output. The tenor sax line, for some reason, is sounding as a snare drum percussion part. I am getting the following warning in my log, and I'm not sure if this is a clue: warning: MIDI channel wrapped around warning: remapping modulo 16

Re: Proposed horizontal spacing adjustment [was Re: film score example]

2013-11-28 Thread Janek Warchoł
2013/9/15 Janek Warchoł : > 2013/9/14 Jim Long : >> On Sat, Sep 14, 2013 at 12:14:55PM +0200, Janek Warcho?? wrote: >>> >>> I think that we should add to LilyPond a simple, user-friendly >>> interface that would allow choosing the "density" of music, so that >>> one could write >>> \layout { \horiz

Re: Ambitus not in the beginning

2013-11-28 Thread Kai Lautenschläger
Hi Patrick, thanks for making that easier to see. Since I am not at all familiar with the procedure once a bug is named a bug (or at least believed to be one), my question would be: is there any ideas for a work-around? I was thinking to somehow manually put the ambitus at the beginning of a s

Re: Ambitus not in the beginning

2013-11-28 Thread pls
On 25.11.2013, at 14:34, Kai Lautenschläger wrote: > As you can see in the following not so tiny example inserting the ambitus > makes the \RemoveEmptyStaves command ineffective. I reduced your example quite a bit and the problem is still there: \RemoveEmptyStaves does not show any effect in sta

Re: automatic chord splitting in piano staff

2013-11-28 Thread Jean-Alexis Montignies
Excellent! I can base my code on extract note. Many thanks! Jean-Alexis On 28 nov. 2013, at 00:33, Eluze wrote: > Jean-Alexis Montignies-2 wrote >> Hi There! >> >> I’m writing a reduction of a big band part. The saxes have to be printed >> into a piano staff. For now I have written everythin