2014/1/4 Daniel Rosen drose...@gmail.com
-Original Message-
From: Daniel Rosen
Sent: Friday, January 03, 2014 7:48 PM
To: lilypond-user@gnu.org
Subject: \override NoteHead.style in drummode
How can I get just the whole note in the example below to use the xcircle
style?
I noticed that in some places there is remarkable freedom to exchange order
and grouping of commands.
Take the following nesting structure:
addKey = { \key c \major \time 4/4 }
instrOne = { \set Staff.instrumentName = #Superius }
instrTwo = { \set Staff.instrumentName = #Contratenor }
\score
Colin Tennyson colintenny...@outlook.com writes:
I noticed that in some places there is remarkable freedom to exchange order
and grouping of commands.
Take the following nesting structure:
addKey = { \key c \major \time 4/4 }
instrOne = { \set Staff.instrumentName = #Superius }
instrTwo
On 4 January 2014 20:12, Colin Tennyson colintenny...@outlook.com wrote:
ficta = { \once \set suggestAccidentals = ##t }
(Slightly OT): You may be interested in my slightly modified \ficta...
+
\version 2.18.0
\language english
ficta = {
\once \set
Vaughan McAlley wrote
my slightly modified \ficta...
ficta = {
\once \set suggestAccidentals = ##t
\once \accidentalStyle dodecaphonic %{ second subsequent
accidentals in a bar will be printed %}
}
The full 100 measure score does have measure with a repeated ficta. You
pointing out
2014/1/3 Werner LEMBERG w...@gnu.org
Another way to do it is to create a lilypond file that contains
#(ly:font-config-display-fonts)
and typeset it. You will get a list of the fonts in the log window.
Nice. The OP talked about `GUI'; I assume he means Frescobaldi.
Maybe such a
2014/1/3 Frédéric Bron frederic.b...@m4x.org
I wanted to contribute with the 4th symphony of Schumann which was
ready to be submitted. I had spent some time to adjust the page layout
for A4 paper format and was not ready to spend more time to target the
letter paper format. I still would like
2014/1/2 Phil Hézaine philippe.heza...@free.fr
2. Licenses
Currently Mutopia accepts only transcriptions licensed as public domain,
CC
By, CC By-Sa:
http://www.mutopiaproject.org/legal.html
I don't know what led to this decision, but I can imagine that at least CC
By-Sa-Nc would be
2014/1/2 Noeck noeck.marb...@gmx.de
4. Web interface
Currently the contributions are handled via github or by email.
Github is a good way but it's for geeks only. There are currently only
seven contributors:
https://github.com/chrissawer/The-Mutopia-Project/graphs/contributors
I
\version 2.18.0
\language english
{ f'2 r }\\{ r8 c' a4 q8 r d' c' a8[ r q8] } |%m20
The above lily code r on voice two does not lineup. How can that be lineup
properly?
Thanks for your help.
Emmanuel,
Ming___
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MING TSANG tsan...@rogers.com writes:
\version 2.18.0
\language english
{ f'2 r }\\{ r8 c' a4 q8 r d' c' a8[ r q8] } |%m20
The above lily code r on voice two does not lineup. How can that be lineup
properly?
\version 2.18.0
\language english
{ f'2 g'\rest }\\{ b8\rest c' a4 q8 b8\rest d'
Colin Tennyson:
Carl Sorensen-3 wrote
Your music has some durations that cross bar lines. These durations mess
up the bar checks. Is there a reason you don't separate them into tied
groups so there are bar line breaks?
...
The composer, Philippe Verdelot, lived somewhere around 1500, and
From: Federico Bruni [mailto:fedel...@gmail.com]
Sent: Saturday, January 04, 2014 3:11 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: \override NoteHead.style in drummode
please share your solution, others may be interested
I just added another percussion note to the table.
2. Licenses
Currently Mutopia accepts only transcriptions licensed as public domain,
CC By, CC By-Sa:
http://www.mutopiaproject.org/legal.html
I don't know what led to this decision, but I can imagine that at least
CC By-Sa-Nc would be preferred by some.
BY-SA-NC is not approved as a
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Saturday, January 04, 2014 8:12 AM
To: MING TSANG
Cc: lilypond-user mailinglist
Subject: Re: r on voice2
MING TSANG tsan...@rogers.com writes:
\version 2.18.0
\language english
{ f'2 r }\\{ r8 c' a4 q8 r d'
A modern web interface may attract more contributions?
For several years now, I have sketches and ideas how that could work and
look and I always wanted to learn enough web techniques to make a
proposal which can be tested. But so far I still don’t have the
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Wednesday, January 01, 2014 3:22 PM
To: lilypond-user@gnu.org; Daniel Rosen
Subject: Re: No tremolo to end
On Wed, 01 Jan 2014 09:16:09 -0800, Daniel Rosen drose...@gmail.com
wrote:
Is there some kind of
For this time/file, could you finish the text?
There are some words missing in the articulations corner and in the
basso numerato section.
I would then care about re-alignment of the text boxes etc. to make it
look nice again.
ok, find it attached
thanks
Thanks to Federico there is now
I would like to use \paper{two-sided = ##t} in order to have different
margins for even and odd pages. However, when activating this option, odd
pages get larger right margins and even pages get larger left margins. I'd
like to have it the other way around, so that odd pages get larger left
On Sat, Jan 4, 2014 at 12:52 PM, Speldosa l4rs...@gmail.com wrote:
I would like to use \paper{two-sided = ##t} in order to have different
margins for even and odd pages. However, when activating this option, odd
pages get larger right margins and even pages get larger left margins. I'd
like to
I copy and pasted from the current manual (online) the piano template,
thinking that since my template didn't work the current manual would
help.
But due to something I don't understand and can't locate because I
don't understand the piano won't compile.
here's my header
\version 2.18.0
On 2014-01-04 19:32, i...@soundand.com wrote:
I copy and pasted from the current manual (online) the piano template,
thinking that since my template didn't work the current manual would help.
But due to something I don't understand and can't locate because I don't
understand the piano won't
i...@soundand.com writes:
I copy and pasted from the current manual (online) the piano template,
thinking that since my template didn't work the current manual would
help.
But due to something I don't understand and can't locate because I
don't understand the piano won't compile.
here's my
A is missing from the version number.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
i...@soundand.com
Sent: Saturday, January 04, 2014 10:33 AM
To: Lilypond User
Subject: Header
Hello all,
Please consider the snippet included below this email.
1. Is there a better way to “hang indent” the stage-direction, so that the left
parenthesis sits a little to the left of the “left margin” of the text? I
played around with \halign and \hspace until I was blue in the face…
2.
don't know what happened to the missing but it works now thank you
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lilypond-user@gnu.org
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Hi all,
Trying this again without the images… =(
Kieren.
On Jan 4, 2014, at 1:34 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hello all,
Just wanted to let you know two things.
1. I was a guest lecturer at the Michigan State University School of Music
last month.
Dear community,
I've problem with this (shortened) file.
It uses the true type font HE for special microtonal accidentals.I've
found this font somewhere in the web.
Unfortunately the accidentals are too close to the notes.
How can I give them more space?
I tried everything.
When I compile the
Le 04/01/2014 13:27, Federico Bruni a écrit :
2014/1/2 Phil Hézaine philippe.heza...@free.fr
2. Licenses
Currently Mutopia accepts only transcriptions licensed as public domain,
CC
By, CC By-Sa:
http://www.mutopiaproject.org/legal.html
I don't know what led to this decision, but I can
Good job! Thanks (I'll give the links on the French list when updated).
- Commentaire % … und %{ … %}
+ Commentaire % … et %{ … %}
[ ... ]
Perhaps too late, but
alterations doesn't fit to \language français
is - d
ish - sd
isis - dd
isih - dsd
es - b
eh - sb
eses - bb
eseh -
The automatic octaves snippet in the LSR
(http://lsr.dsi.unimi.it/LSR/Snippet?id=445) isn't working on 2.18.0, even
after using convert-ly (I gave it 2.14.0 as the from version). Is someone
able to update it?
DR
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lilypond-user mailing list
Hi Gilles,
Perhaps too late, but
alterations doesn't fit to \language français
Ah, thanks, I missed that. And no, it is not too late, I will update it
within some days. This also concerns the other languages.
Thanks again,
Joram
___
Josh,
Rummaging around I discovered this.
http://lilypond.org/doc/v2.18/Documentation/internals/clusterspannerbeacon
It looks like the y extent is hard coded.
But also found this
http://lilypond.org/doc/v2.18/Documentation/internals/cluster_002dinterface
It seems to indicate that the style can
On 05/01/14 09:50, bart deruyter wrote:
Hi all,
I ran a little test, because I often use svg as output to manipulate
afterwards.
I noticed there seems to be a difference between the pdf and svg output.
To illustrate it, I've made a screenshot. Lilypond 2.18.0 was used,
frescobaldi 2.0.12 on
Shane,
Wow. Thank you! :) What you have provided is certainly MUCH MUCH better
than what I had before...
I will certainly play with this, and report back any substantial finds.
This is very helpful.
IC,
Josh
On Sat, Jan 4, 2014 at 10:47 PM, Shane Brandes sh...@grayskies.net wrote:
Josh,
Stefan Thomas kontrapunktstefan at gmail.com writes:
It uses the true type font HE for special microtonal accidentals.I've
found this font somewhere in the web.
Unfortunately the accidentals are too close to the notes.
How can I give them more space?
I tried everything.
When I compile the
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