Thanks - your file works for me too, and exploring I find, as you did,
that most eps *do* work, I was unlucky.
One thing I recall is that on the file that doesn't work the mouse
pointer changes to a text insertion pointer, so it would seem to be that
there is some text attribute, present in the
Anfang der weitergeleiteten Nachricht:
Von: Mike Solomon m...@mikesolomon.org
Betreff: Aw: Lilypond as a library
Datum: 8. Juni 2014 10:37:49 MESZ
An: Mauren Berti mauren.be...@gmail.com
Kopie: lilypond-user lilypond-user@gnu.org, Dominique Fober
dfo...@gmail.com
On Jun 7, 2014, at
Hello, All--
To start, i'm using LilyPond 2.18.2. To keep this short, here is how i've set
up my score:
\score {
\new GrandStaff
\set GrandStaff.connectArpeggios = ##t
\new PianoStaff
\set PianoStaff.connectArpeggios = ##t
\new Staff = upper
I'm creating a document with Lilypond book and want all the musical
systems in the document to be the same size, but also want to be able to
tune the size to match the document font size settings (I have to
produce the document in both a normal version and a large type
version). So far, I've
b...@wolfcomposer.com b...@wolfcomposer.com writes:
Hello, All--
To start, i'm using LilyPond 2.18.2. To keep this short, here is how i've set
up my score:
\score {
\new GrandStaff
\set GrandStaff.connectArpeggios = ##t
\new PianoStaff
\set
2014-06-09 15:39 GMT+02:00 b...@wolfcomposer.com b...@wolfcomposer.com:
Hello, All--
To start, i'm using LilyPond 2.18.2. To keep this short, here is how i've
set up my score:
\score {
\new GrandStaff
\set GrandStaff.connectArpeggios = ##t
\new PianoStaff
On 09/06/14 14:50, Br. Samuel Springuel wrote:
I'm creating a document with Lilypond book and want all the musical
systems in the document to be the same size, but also want to be able
to tune the size to match the document font size settings (I have to
produce the document in both a normal
Hi, Thomas--
is the following what you want?
\version 2.18.0
\score {
\new PianoStaff
\new Staff = upper { c'''1\arpeggio }
\new Staff = lower { c'' 1\arpeggio }
\new Staff = feet { c'1\arpeggio }
\layout {
\context {
Yeah! Didn't you hear?... next week?... Oh bother.
Just kidding.
Sorry. Confession: I don't really have ANY idea when 2.20 will be released.
I did hear some talk about it, which is why I intentionally used the word
relatively.
In any case, I do think this feature should be included in the next
b...@wolfcomposer.com b...@wolfcomposer.com writes:
Hello, All--
To start, i'm using LilyPond 2.18.2. To keep this short, here is how i've set
up my score:
\score {
\new GrandStaff
\set GrandStaff.connectArpeggios = ##t
\new PianoStaff
\set
Howdy!
How do I get the bass quarter notes to separate from
the middle 8ths? They are fused as 8ths, and
\override NoteColumn.force-hshift = #1
shifts both the middle and bass voices?
\version 2.18.0
voiceone = \relative c' {
{ e2. | }
\\
{ gis,8[ b]
Please *never* take the mailing list off the cc without announcement.
If people notice this after the fact, it means that they have to search
in their archives for the message and resend a copy to the mailing
list. In this case, I resent the wrong message again.
It's a lot of hassle for the
st...@linuxsuite.org writes:
Howdy!
How do I get the bass quarter notes to separate from
the middle 8ths? They are fused as 8ths, and
\override NoteColumn.force-hshift = #1
shifts both the middle and bass voices?
\version 2.18.0
voiceone = \relative c' {
Try putting everything in the same voice with this sort of construct
{{}\\{}\\{}}
regards,
Shane
On Mon, Jun 9, 2014 at 11:55 AM, st...@linuxsuite.org wrote:
Howdy!
How do I get the bass quarter notes to separate from
the middle 8ths? They are fused as 8ths, and
\override
Those options (specifically staffsize) are what I'm using right now, but
they have to be set for each Lilypond command separately. I'm wondering
if there is a way to set them once and have said value apply to the
whole document (which contains multiple Lilypond commands).
This program produces no output. Please include working minimal
examples demonstrating your problem with queries like that.
Ooops sorry.
\version 2.18.0
voiceone = \relative c' {
{ e2. | }
\\
{ gis,8[ b] gis[ b] gis[ b] | }
}
voicetwo = \relative c
Try putting everything in the same voice with this sort of construct
{{}\\{}\\{}}
Doesn't change anything...
-steve
regards,
Shane
On Mon, Jun 9, 2014 at 11:55 AM, st...@linuxsuite.org wrote:
Howdy!
How do I get the bass quarter notes to separate from
make sure you delete the unneeded voice from the score declaration.
guitar = { \voiceone }
On Mon, Jun 9, 2014 at 1:21 PM, st...@linuxsuite.org wrote:
Try putting everything in the same voice with this sort of construct
{{}\\{}\\{}}
Doesn't change anything...
-steve
st...@linuxsuite.org writes:
Ooops sorry.
\version 2.18.0
voiceone = \relative c' {
{ e2. | }
\\
{ gis,8[ b] gis[ b] gis[ b] | }
}
voicetwo = \relative c {
e, e' 4 dis' cis |
}
guitar = { \voiceone } \\ { \voicetwo }
global = {
2014-06-09 19:41 GMT+02:00 David Kastrup d...@gnu.org:
st...@linuxsuite.org writes:
Ooops sorry.
\version 2.18.0
voiceone = \relative c' {
{ e2. | }
\\
{ gis,8[ b] gis[ b] gis[ b] | }
}
voicetwo = \relative c {
e, e' 4 dis' cis |
}
Steve,
Ok, here's what I got your snippet to do:
http://lilypond.1069038.n5.nabble.com/file/n163143/polyphonic-notehead-collision-original.png
I'm not sure how my solution plays into the rest of the piece you are
working on, but this works pretty well for me:
guitar = \relative c' {
{
Mark,
Not sure if it's an artifact of using an older version, but using the
current 2.18.2 gives me consistent ordering regardless of the number of
times:
Drawing systems...
Notes: (-10 9 -12 11 -3 -5 -7 2 4 0 7 5)
Notes: (-10 9 -12 11 -3 -5 -7 2 4 0 7 5)
This doesn't mean that it's the
tisimst tisi...@gmail.com writes:
Mark,
Not sure if it's an artifact of using an older version, but using the
current 2.18.2 gives me consistent ordering regardless of the number of
times:
Drawing systems...
Notes: (-10 9 -12 11 -3 -5 -7 2 4 0 7 5)
Notes: (-10 9 -12 11 -3 -5 -7 2 4 0 7
Thanks for the hints. I've looked at them and have come up with the
following which looks a lot like the original. F. Tarrega's transcription of
Beethoven minuet ( start of the trio ). Not sure if its the best solution
though...
Dear Lilypond users,
A brief followup question regarding this technique of assigning noteheads.
I am using the notehead glyph technique to set noteheads, but have run
into trouble trying to change noteheads within a chord.
Continuing with the cowbell example code that Fredrik originally sent
Hi all,
Frescobaldi 2.0.16 has been released. Frescobaldi is a text editor
dedicated to entering LilyPond music.
Download:
http://www.frescobaldi.org/download
Main new features:
- preference to automatically strip trailing whitespace on save
(issue #274)
- in Tools - Rhythm: new command
Please *never* take the mailing list off the cc without announcement.
If people notice this after the fact, it means that they have to search
in their archives for the message and resend a copy to the mailing
list. In this case, I resent the wrong message again.
It's a lot of hassle
\version 2.19.7
{ f4- fis- fes- f!- }
Why is the accent on the final note (the one with the natural sign before it)
so much farther away from its parent NoteHead than the others? Is this a known
issue?
DR
___
lilypond-user mailing list
2014-06-09 21:01 GMT+02:00 Nick Didkovsky n...@didkovsky.com:
Dear Lilypond users,
A brief followup question regarding this technique of assigning noteheads.
I am using the notehead glyph technique to set noteheads, but have run into
trouble trying to change noteheads within a chord.
On 10/06/2014, at 4:28 am, David Kastrup d...@gnu.org wrote:
Please *never* take the mailing list off the cc without announcement.
Please *never* blame ordinary list users for the idiosyncratic behaviour of the
lilypond-user mailing list.
This is the only list I have ever been on that does
Matthew Collett m_collett at ihug.co.nz writes:
On 10/06/2014, at 4:28 am, David Kastrup dak at gnu.org wrote:
Please *never* take the mailing list off the cc without announcement.
Please *never* blame ordinary list users for the idiosyncratic behaviour of
the lilypond-user mailing
Bonjour Jacques,
je voulais simplifier, en ne mettant qu'une partie de l'oeuvre.
Voici la 1ere partie de l'ensemble; je me suis arrêté des que j'ai aperçu
l'erreur.
\version 2.19.7
\language italiano
\header {
dedication = .
title = .
subtitle = .
subsubtitle = .
Sorry for my english
Thank's for your answer
I try \tuplet instead of \times and it's ok
Thank you
Charles Berger
--
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