Wiener Urtext Edition (Schott/UE) uses Y-shaped stems here, too.
On 12.06.2014 22:53, Francisco Vila wrote:
2014-06-12 15:52 GMT+02:00 Mark Stephen Mrotek carsonm...@ca.rr.com:
In both measures the Paderewski Edition (The Fryderyk Chopin Institute) has
two note heads on top of the “Y”
Il 13/giu/2014 07:39 Kevin Tough ke...@toughlife.org ha scritto:
Hi Folks,
I just tried, for some time to write a simple slide on one string. Now I
have numbers in circles appearing above the notes even with all the
extras commented and/or erased. Is there some simple thing I have missed
in
Hi,
I am assuming that the use of grace notes and the Lilypond syntax is
concurrent with proper music theory, which I am slowly starting to
learn. Thanks for your tip Federico!
On Fri, 2014-06-13 at 08:44 +0200, Federico Bruni wrote:
Il 13/giu/2014 07:39 Kevin Tough ke...@toughlife.org ha
- Original Message -
From: Kevin Tough ke...@toughlife.org
To: lilypond-user lilypond-user@gnu.org
Sent: Friday, June 13, 2014 6:32 AM
Subject: Slide from some where undetermined
Hi Folks,
I just tried, for some time to write a simple slide on one string. Now I
have numbers in
Phil just gave me an example but in includes some unwanted marks. I've
got my code just about how I want it. Rather than omitting all of the
String Numbers how would I include the numbers for the notes of the
slide but not other individual notes. Could it be \omit StringNumber and
then \include
2014-06-13 10:58 GMT+02:00 Kevin Tough ke...@toughlife.org:
Phil just gave me an example but in includes some unwanted marks. I've
got my code just about how I want it. Rather than omitting all of the
String Numbers how would I include the numbers for the notes of the
slide but not other
On 13 Jun 2014, at 01:26, Mark Stephen Mrotek carsonm...@ca.rr.com wrote:
Thank you for your detailed and informative response. I shall take time to
study it and the references that you provide.
You are welcome.
In short, one can use any mathematically irrational number and work it back to
- Original Message -
From: Kevin Tough ke...@toughlife.org
To: Phil Burfitt phil.burf...@talktalk.net
Cc: lilypond-user lilypond-user@gnu.org
Sent: Friday, June 13, 2014 9:58 AM
Subject: Re: Slide from some where undetermined
Phil just gave me an example but in includes some unwanted
2014-06-12 23:12 GMT+02:00 Ralph Palmer palmer.r.vio...@gmail.com:
Can you typeset it as a slur? Seems like one, since you're asking them to
behave as two notes.
This seems to work :
%%
\version 2.18.2
{
c''4 -\tweak padding #-2 ^.
-\tweak Y-offset #1 ^~
c''-\tweak
2014-06-12 23:53 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
2014-06-12 23:12 GMT+02:00 Ralph Palmer palmer.r.vio...@gmail.com:
Hi Ralph,
I'm away from my computer, so this will be brief. avoid-slur does not
work on a tie because a tie is not a slur.
See :
Hi,
In a construct like
\parenthesize g bes2.
how can I get the parens to include the dot?
-- Johan
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2014-06-13 13:07 GMT+02:00 Johan Vromans jvrom...@squirrel.nl:
Hi,
In a construct like
\parenthesize g bes2.
how can I get the parens to include the dot?
Hi Johan,
See :
http://lists.gnu.org/archive/html/lilypond-devel/2011-07/msg00906.html
\version 2.18.2
I was going to put it in openlilylib, if that's okay.
Knute Snortum
(via Gmail)
On Thu, Jun 12, 2014 at 10:27 PM, Janek Warchoł janek.lilyp...@gmail.com
wrote:
2014-06-13 0:48 GMT+02:00 David Nalesnik david.nales...@gmail.com:
It actually _is_ possible to modify the control points of
On Fri, Jun 13, 2014 at 8:41 AM, Knute Snortum ksnor...@gmail.com wrote:
I was going to put it in openlilylib, if that's okay.
Sure, I'd appreciate that.
--David
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Hi,
According to the Notation Reference you can use a NullVoice to align
lyrics or to use lyrics with partcombine (section 2.1.2). However, a
midi{} block will throw a confusing error when a NullVoice is used:
fatal error: fatal error. Couldn't find type: Performer_Group
Example program
Is is possible to do smoething like this:
{c'8 d' e' d'}*4 - c'8 d' e' d' | c'8 d' e' d' | c'8 d' e' d' | c'8 d' e'
d' ?
Just to save space I was hoping that repetitive musical patterns could be
repeted with multiplication/asterix sign?
--
View this message in context:
2014-06-13 17:42 GMT+02:00 Hlolli hlo...@gmail.com:
Is is possible to do smoething like this:
{c'8 d' e' d'}*4 - c'8 d' e' d' | c'8 d' e' d' | c'8 d' e' d' | c'8 d' e'
d' ?
Just to save space I was hoping that repetitive musical patterns could be
repeted with multiplication/asterix sign?
Do you know \repeat unfold?
\repeat unfold 4 { c'8 d' e' d' }
or
\repeat unfold 4 { c'8 d' e' d' | }
would do what you want (depending on whether you want bar checks).
Another hint (seems like you’re a LilyPond novice, correct me if I’m
wrong): have you already seen \relative?
\relative c'
Works for me with 2.18.2. No error.
Knute Snortum
(via Gmail)
On Fri, Jun 13, 2014 at 8:11 AM, Johan Vromans jvrom...@squirrel.nl wrote:
Hi,
According to the Notation Reference you can use a NullVoice to align
lyrics or to use lyrics with partcombine (section 2.1.2). However, a
midi{}
2014-06-13 18:09 GMT+02:00 Knute Snortum ksnor...@gmail.com:
Works for me with 2.18.2. No error.
Knute Snortum
(via Gmail)
On Fri, Jun 13, 2014 at 8:11 AM, Johan Vromans jvrom...@squirrel.nl wrote:
Hi,
According to the Notation Reference you can use a NullVoice to align
lyrics or to
bingo, thanks!
Yes I'm novice. After 10+ years of music training, the relative instead of
absolute is less comfortable. But that's just me.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Macro-multiply-notes-tp163291p163297.html
Sent from the User mailing list archive
2014-06-13 17:42 GMT+02:00 Hlolli hlo...@gmail.com:
Is is possible to do smoething like this:
{c'8 d' e' d'}*4 - c'8 d' e' d' | c'8 d' e' d' | c'8 d' e' d' | c'8 d' e'
d' ?
Just to save space I was hoping that repetitive musical patterns could be
repeted with multiplication/asterix sign?
Hello all,
the relative instead of absolute is less comfortable. But that's just me.
When I started with Lilypond (ca. 2003), I immediately latched on to relative
coding, and found absolute coding difficult, confusing, and [I thought] a waste
of time.
Now that I’m cranking out very big
2014-06-13 19:19 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hello all,
Hi Kieren,
I now code everything in absolute mode, and cannot believe how such a
little change has improved my life.
+1
But, as you say, “that’s just me”. =)
Not just you, Kieren... ;)
Cheers,
I'm having trouble getting shapeTieColumn to apply to ties that are not
after breaks. Is this function only for broken ties? If so, I don't have
a solution to my problem. If not, what am I doing wrong?
\version 2.18.2
\include
Thomas Morley thomasmorle...@gmail.com writes:
{ \*3 { \*4 { c'8 d' e' d' \*2 g'4 \bar || } \bar S } }
Allow me to quote David's approach:
\\* =
#(define-music-function (parser location n m) (index? ly:music?)
(make-music 'UnfoldedRepeatedMusic
'repeat-count n
'element m))
Knute Snortum ksnor...@gmail.com writes:
Works for me with 2.18.2. No error.
Okay, I was running 2.18.0.
Time to upgrade...
-- Johan
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Hi Knute,
On Fri, Jun 13, 2014 at 12:43 PM, Knute Snortum ksnor...@gmail.com wrote:
I'm having trouble getting shapeTieColumn to apply to ties that are not
after breaks. Is this function only for broken ties? If so, I don't have
a solution to my problem. If not, what am I doing wrong?
Hello,
2014-06-11 17:08 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi,
I'd like to understand why avoid-slur does not work on this old style
vibrato sign :
%%
\version 2.18.2
\markup\italic avoid-slur works with slur:
{
\override
Thanks, David.
I've looked into this, but have no idea what's going on there. Here's crippled version of extraWhiteout function - works only for TextScript and allows to set X-extent only. But still don't know how to turn this into \tweak.
extraWhiteout =#(define-music-function (parser location
2014-06-13 23:13 GMT+02:00 Janek Warchoł janek.lilyp...@gmail.com:
Hello,
Hi Janek
I believe that moving a tie like this (if it worked like in the case
of the slur) would be extremely confusing. A tie should look like a
tie.
Ok I understand.
Actually this thing is only for few
On Jun 13, 2014 5:46 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
2014-06-13 23:13 GMT+02:00 Janek Warchoł janek.lilyp...@gmail.com:
Hello,
Hi Janek
I believe that moving a tie like this (if it worked like in the case
of the slur) would be extremely confusing. A
On 13/06/14 12:07, Johan Vromans wrote:
Hi,
In a construct like
\parenthesize g bes2.
how can I get the parens to include the dot?
-- Johan
For completeness
https://code.google.com/p/lilypond/issues/detail?id=3750
and
http://code.google.com/p/lilypond/issues/detail?id=155
James
2014-06-13 23:53 GMT+02:00 Ralph Palmer palmer.r.vio...@gmail.com:
I think this is, on fact, a slur, not a tie. If the sounding of the notes
is separate, as would be implied by the staccato dots, that should make it
a bowing slur, not a tie.
Ralph
Thnaks Ralph !
Strange, I was told that
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