I wrote a function \sw, against LilyPond 2.12, a while back.
It takes music as an argument, and returns two copies of the music, one
tagged 'layout and one tagged 'midi. The 'midi tagged one has eighth
notes changed to quarter-eighth triplets (i.e., swung).
I’ve run it through convert-ly a coupl
Jay,
The format for alternative endings: \alternative { {} {} }.
See this does what you want.
\alternative {{ g2. ~ g2.\breathe } {g2.\fermata}}
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
> "Br" == Br Samuel Springuel writes:
Br> 1) Some notes that don't collide (to my eye), are getting shifted
Br> as if they did. When the same pair of notes are set as a chord,
Br> there is no shift. Clearly there's a difference between what
Br> lilypond considers a collision between notes
Hi Jay,
> The 1st ending should be after the tied g2. ~ g and it's not. What have I
> got wrong?
Alternative takes a **brace-enclosed** set of [possibly brace-enclosed]
expressions:
\alternative { { alt1 } { alt2 } }
Below is your snippet, heavily re-formatted (because I found your versi
I'm resetting a cello part for a student everything works except the
last 3 measures.
The 1st ending should be after the tied g2. ~ g and it's not. What have
I got wrong? I've always hated this 'volta' thing I wish one could just
somehow put these endings in with \markup because I'm not intere
So, I'm trying out voices for the first time, switching a piece I had
written using chords for single staff polyphony to using voices. In the
process I have run into a couple of things I don't understand:
1) Some notes that don't collide (to my eye), are getting shifted as if
they did. When
You need to remove the circumflex ^, as that shows the text should be placed
above. A simple underline _ shows that the text should be placed below.
发自我的 iPad
> 在 2014年12月21日,下午2:25,William Marchant 写道:
>
> The Documentation 2.1.5 shows an example of placing text below the note.
> c2^"espr" a_
The Documentation 2.1.5 shows an example of placing text below the note.
c2^"espr" a_"legato"
When I copy this verbatim into my script it works. espr goes above the c and
legato goes below the a. But the following does not work.
r2 r4 a4^_"3. One"^_"2. Be -" \bar ":|"
cs2^_"eat" r2 \bar "|."
Hi Jay,
try this:
%<
\version "2.19.5"
\relative c' {
\override Score.BarNumber.break-visibility = #'#(#t #t #t)
\override Score.BarNumber.direction = #DOWN
c1 d e f c d e f c d e f }
%<---
Hello,
I am trying to typeset scales for two hands on the piano like so :
http://postimg.org/image/bq0hqyv1z/
I was able to get to this point: http://postimg.org/image/qfsrmlo85/
but I can't seem to find a way to disconnect the upper voice from the
lower voice. I am using \autochange which I b
Hello
Where in the manual(s) is the alignment for bar numbers below staff? I
found the engrave details but nothing (that I could find with my limited
wisdom) refers to putting them below the staff.
Thanks
Jay
BTW gang my opera "The Map" which was completely set and somewhat
composed with lil
Werner LEMBERG wrote
>> Vertical spacing can get tricky, so here's a helpful visual guide:
>>
>> http://lilypond.1069038.n5.nabble.com/attachment/164161/0/vertical-spacing-paper-variables.pdf
>
> Very nice! Do we have a comparable image in the lilypond documentation
> already?
Abraham gets the
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