Hi Andy,
2015-06-02 18:25 GMT+02:00 Jayaratna jayara...@gmail.com:
Dear Lilypondians,
I found a solution to a similar problem given years ago on the mailing
list,
but I can't understand it. Maybe it works on earlier versions?
Where is it?
Could you provide us any link?
Here is my
Hi,
How about simply draw lines?
E.g.:
\version 2.18.2
{
\override Staff.Clef.stencil = ##f
\once\override Staff.TimeSignature.transparent = ##t
\time 1/8
a''8
-\tweak style #'trill
\glissando
\time 3/16
a16
-\markup
\with-dimensions #'(0 . 0) #'(1 . 0) {
\combine
Hum, 'looks like the extender accepts 'null'...
So even more simple :
...
\addlyrics {
of Prin- ces all __ _ _
the __ _ flow'r.
Who took a-
%% volta 2
\tweak self-alignment-X #LEFT
\markup \null __ the __ _ flow'r.
}
...
Cheers,
Pierre
I use a solution as below.
This is great! Thanks.
1. Any thought about submitting a patch for inclusion in the main
distro?
No time currently, sorry.
2. Maybe along with Mike Solomon’s \absFontSize function (which has
proven invaluable to me): [...]
Nice! Maybe someone can
use [ ]
eg
%%%
\version 2.18.0
\score {
\new PianoStaff
\new Staff = upper
\relative c'' {
\clef treble
\key g \major
\time 6/8
\tempo \markup {Variation 5}
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/8)
\set Timing.beatStructure = #'(1 1
Hello Karol!
I was thinking of changing side bearings only.
I looked into *.mf files of Feta and noticed that there is some
kerning data applied to number glyphs. So I would:
1) remove kerning
2) set the same glyph width for all numbers.
Any progress?
And I wonder how time signatures
Consider this musical expression
a b c d
e f g a
It is possible whitout rewriting it multiple times and marking opportunely
the
music generate multiple scores like the followings:
1) a b c d
2) c d e f
3) a b c d e f g
Thank you, g.
--
View this message in context:
There would probably different approaches, but maybe they are just too
heavy.
Could you give us a little bit more context to understand what you are
after actually?
Am 02.06.2015 um 15:52 schrieb Gianmaria Lari:
Consider this musical expression
a b c d
e f g a
It is possible whitout
At 06:52 on 02 Jun 2015, Gianmaria Lari wrote:
Consider this musical expression
a b c d
e f g a
It is possible whitout rewriting it multiple times and marking
opportunely the
music generate multiple scores like the followings:
1) a b c d
2) c d e f
3) a b c d e f g
This (and more) is
Hi Simon,
after some trial and error and \displayMusic I got the attached solution with
a music function.
I look forward to checking it out — thanks!
It would have been nicer to receive an attachment ready for opening in
frescobaldi and starting work, though. I had to write some context
Urs Liska u...@openlilylib.org writes:
Am 01.06.2015 um 10:31 schrieb bobr...@centrum.is:
I suspect the combining refers to the adding of the elements of
the older/French style C clef to the G clef to represent tenor clef.
This was just confirmed by Daniel Spreadbury, yes.
I remember that
Thank you Urs and thank you Mark for you answers. The situation is the
following.
I have a two page score that I created with lilypond. For study reasons I
would
like to split it in multiple parts. Parts could overlap. Each part will be
like a separate exercise printed in succession. Each part
your welcome
Stephen
On Tue, Jun 2, 2015 at 12:05 PM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Stephen,
Thank you .
Mark
*From:* Stephen MacNeil [mailto:classicalja...@gmail.com]
*Sent:* Tuesday, June 02, 2015 4:49 AM
*To:* carsonm...@ca.rr.com; Lilypond-User Mailing List
this one centers it
Long =
#(define-music-function
(parser location str dyn)
(number? string?)
#{
-\markup
{
\halign #-1
\rotate #180
\combine
\draw-line #`(,str . 0.7)
\draw-line #`(,str . -0.7)
\vcenter
\dynamic $dyn
}
#}
)
{
c''4_\Long #-15.5 f
}
{
Thanks to all for your consideration of the problem I have been having
in placing a dynamic at the end of a bar.
Stephen's 2 solutions are quite effective in some cases, but so far as I
can see cannot be made to work when there is a single note (e.g. a
semibreve) which has to carry the hairpin.
Am 02.06.2015 um 17:50 schrieb Gianmaria Lari:
Thank you Urs and thank you Mark for you answers. The situation is the
following.
I have a two page score that I created with lilypond. For study reasons I
would
like to split it in multiple parts. Parts could overlap. Each part will be
like a
Stephen,
Thank you .
Mark
From: Stephen MacNeil [mailto:classicalja...@gmail.com]
Sent: Tuesday, June 02, 2015 4:49 AM
To: carsonm...@ca.rr.com; Lilypond-User Mailing List
Subject: tuplet beam
use [ ]
eg
%%%
\version 2.18.0
\score {
\new PianoStaff
\new Staff =
it works on one note and an none - i added dynamic markup for you
Long =
#(define-music-function
(parser location str dyn)
(number? string?)
#{
-\markup
{
\halign #-1
\rotate #180
\combine
\draw-line #`(,str . 0.7)
\draw-line #`(,str . -0.7)
\dynamic $dyn
}
#}
)
{
Dear Lilypondians,
I found a solution to a similar problem given years ago on the mailing list,
but I can't understand it. Maybe it works on earlier versions?
Here is my point, last bar extender should begin at the beginning of the
bar, not before:
\version 2.18.2
\score {
\new Staff
Hi David,
On Tue, Jun 2, 2015 at 10:47 AM, David Sumbler da...@aeolia.co.uk wrote:
Thanks to all for your consideration of the problem I have been having
in placing a dynamic at the end of a bar.
Stephen's 2 solutions are quite effective in some cases, but so far as I
can see cannot be made
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