Thanks Klaus - works perfectly.
jsmcwilliam
-
John McWilliam
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On Mon, Jun 08, 2015 at 10:23:03AM -0500, Cynthia Karl wrote:
Suppose I have a piece of music to perform that has both simple and difficult
passages. It would be helpful if I could derive a practice piece that had
only the difficult passages. My first attempt at doing this is:
\version
Point and click works great in KDE with okular and kate.
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On Mon, Jun 8, 2015 at 9:03 PM, Marco Bagolin bagolin.ma...@gmail.com
wrote:
Hello all.
How can I obtain what you can see in What_I_want.png file?
My best result is in myresult.png file.
The code I wrote is the following:
\tempo \markup {\column {\line { \tiny {''Do You Want to smile?''}}
Hello all.
How can I obtain what you can see in What_I_want.png file?
My best result is in myresult.png file.
The code I wrote is the following:
\tempo \markup {\column {\line { \tiny {''Do You Want to smile?''}} \line
{Moderate - rhytmic, but expressive}}}
But I want to obtain the formattation
Hey all,
I have a situation where I would like to use a square bracket (like the
square arpeggio bracket) around only two notes in a piano chord to indicate
that the pianist should play both of them with their thumb. I've tried
searching the manuals, list archives, and LSR for snippets relating
Hello,
I'm using musicxml2ly to process a large orchestral piece, to see
how the composer deals with percussion parts with various kinds of
pitched and unpitched instruments switched in the middle of the piece.
But musicxml2ly reports lots of problems, and ends up with failure. I
remember
On Mon, 2015-06-08 at 17:56 +0800, Haipeng Hu wrote:
Hello,
I'm using musicxml2ly to process a large orchestral piece, to see
how the composer deals with percussion parts with various kinds of
pitched and unpitched instruments switched in the middle of the piece.
But musicxml2ly reports
Federico == Federico Bruni f...@inventati.org writes:
Federico Does anybody here use point-and-click from an external PDF viewer
Federico (either Evince or Xpdf) to the lilypond editor?
I've been using point-and-click between Xpdf and emacs for years. I've
thought of switching to
Suppose I have a piece of music to perform that has both simple and difficult
passages. It would be helpful if I could derive a practice piece that had only
the difficult passages. My first attempt at doing this is:
\version 2.19.20
music = \relative c'' {
c1 d
\tuplet 3/2 16 {
Laura Conrad lcon...@laymusic.org writes:
Federico == Federico Bruni f...@inventati.org writes:
Federico Does anybody here use point-and-click from an external PDF
viewer
Federico (either Evince or Xpdf) to the lilypond editor?
I've been using point-and-click between Xpdf and
I have tried several approaches to remove an end of line key signature but
without success. Is there anyone who can provide me with a solution and
explanation for this problem. If you run my code given below you will note
the b at the end on the piece before the Coda.
Sommar_sommar-Kl1.ly
Hi John,
\override Staff.KeySignature.break-visibility = #end-of-line-invisible
only affects the key signature that has been set at the beginning.
You shouldn't set it to #end-of-line-invisible: note the b at the
beginning of every bar in the coda.
To affect key changes during the piece, use
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