Unfortunately it does not...
In this case it's not about shifting the middle voice left but shifting
the g' right.
Of course, it's only a small difference and in most cases neglegible,
but sometimes you want to shift a voice in the other direction than
standard and
it can be laborious to find
Attached another example, where changing the shift direction could be
helpful...
-- Originalnachricht --
Von: Keith OHara k-ohara5...@oco.net
An: lilypond-user@gnu.org
Gesendet: 16.06.2015 06:11:40
Betreff: Re: Control which voice if shifted left
Simon Albrecht simon.albrecht at
Am 16.06.2015 um 06:11 schrieb Keith OHara:
Simon Albrecht simon.albrecht at mail.de writes:
Am 15.06.2015 um 16:50 schrieb Knute Snortum:
I haven't had any replies to this. How can I ask the question better?
Probably that’s because there is no way to automate this. At least I’d
be very
Am 16.06.2015 um 14:39 schrieb musicus:
Attached another example, where changing the shift direction could be
helpful...
I don’t think so:
\version 2.19.20
{
\time 3/2
\key d \minor
{ \voiceOne g''2 e'' d''8 cis'' d''4 }
\\
{ \voiceFour d''2 bes' b' }
\\
{
That's great, Mario! Thanks for sharing!
On Tue, Jun 16, 2015 at 2:43 AM, Mario Moles-2 [via Lilypond]
ml-node+s1069038n177902...@n5.nabble.com wrote:
Hi!
The video I uploaded on youtube is my arrangement for four guitars of the
famous Libertango by Astor Piazzolla. It was done using
Hi Simon,
gives exactly the layout of your example. This is the standard way.
Actually, if you notice, the layouts are different: in the OP’s image, the top
two voices are vertically aligned, and the low voice is shifted right; in your
example (at least here on my Lily), the top and low voice
On Mon, 30 Jun 2014 15:25:07 -0500
David Nalesnik david.nales...@gmail.com wrote:
Hello,
Thank you so much for your answer to my question re: string
letters instead of numbers. I have seen ringed letters in violin
music as well as in the guitar music of Villa Lobos. I don't think
HVL made it
Interesting. I'm running on Windows - maybe that's the problem!
--Steven
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Tuesday, June 16, 2015 3:26 PM
To: Steven Weber; 'lilypond-user'
Subject: Re: After-line-breaking behavior?
Am 17.06.2015 um 00:12 schrieb Steven Weber:
Am 17.06.2015 um 00:12 schrieb Steven Weber:
Is there any way to guarantee that the order of items processed
through after-line-breaking is the exact order they are in the score?
I’m doing some fun things with bar lines, and I’m having issues
because my scheme code isn’t getting them in the
Is there any way to guarantee that the order of items processed through
after-line-breaking is the exact order they are in the score? I'm doing
some fun things with bar lines, and I'm having issues because my scheme code
isn't getting them in the order I expect. In the attached file, for
Hi Harm,
thanks a lot - that's what I needed.
Klaus
--
View this message in context:
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Sent from the User mailing list archive at Nabble.com.
___
2015-06-17 0:34 GMT+02:00 Steven Weber pant...@hotmail.com:
Are you running on Linux? This might be a weird Windows related issue.
Yep and yep
And on my system, glyph and glyph-name return the same values, so I was using
glyph to save on typing.
Some bar-line-types will behave special at
On Tue, Jun 16, 2015 at 5:30 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-06-17 0:12 GMT+02:00 Steven Weber pant...@hotmail.com:
Is there any way to guarantee that the order of items processed through
after-line-breaking is the exact order they are in the score? I’m doing
some
On Tue, Jun 16, 2015 at 5:51 PM, Steven Weber pant...@hotmail.com wrote:
Interesting – how did you get the location information?
I added
(display (grob::rhythmic-location g))
to your function. This is only available in the last few development
releases.
David
2015-06-17 0:12 GMT+02:00 Steven Weber pant...@hotmail.com:
Is there any way to guarantee that the order of items processed through
after-line-breaking is the exact order they are in the score? I’m doing
some fun things with bar lines, and I’m having issues because my scheme code
isn’t
Hello David and Trever,
Pardon me if I miss spelled your name. So… what exactly does
\compressFullBarRests do? Here is what I tried to do:
\score {
\new Staff {
… music …. \compressFullBarRests R1*32 … more music }
\layout { }
}
Is there anything that I am missing to accomplish the
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
Curiously, switching voices as
[...]
results in a “left-shifted” voicing that closely resembles what the Satie-
engraving did. =)
In any case, it would be great to have a setting like
Context.voice-shifting = #’(3 1 2 4)
Hello all,
I was just curious as to what the difference is between the commands
\compressFullBarRests and \set Score.skipBars = ##t ?
I arranged some salsa charts that were performed over the weekend, My friend
who played trumpet mentioned that I had a rest that was 32 bars long. He told
me
Daniel Contreras daniel.c.9...@gmail.com writes:
I was just curious as to what the difference is between the commands
\compressFullBarRests and \set Score.skipBars = ##t ?
skipBars prints nothing and gives no indication about what was left.
I arranged some salsa charts that were performed
Hi!
The video I uploaded on youtube is my arrangement for four guitars
of the famous Libertango by Astor Piazzolla. It was done using
Rosegarden, Frescobaldi and Lilypond with beautiful
OpenMandriva2014.2.
Those interested in the source files, pdf or midi me they can ask with
private mail
David Kastrup wrote Tuesday, June 16, 2015 8:24 AM
\compressFullBarRests is probably named a bit confusingly: LilyPond
merely refrains from uncompressing the rests then, but it does not
actively compress them.
It is poorly named, but for a different reason. \compressFullBarRests
merely sets
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