I know I can put \tabChordRepeats before each TabVoice variable to make
it work:
\new TabVoice { \voiceOne \tabChordRepeats \upper }
...
The actual question is why the two commands differ.
I see that hideSplitTiedTabNotes is just a list of overrides:
hideSplitTiedTabNotes = {
\override
Hi,
I find it would be very convenient every now and again to be able to change
a score to be non-transposing -- in order to easily check pitches etc.
I've already organised my music via variables, e.g.:
BflatBassMusic = {
\transposition bf,,
\transpose bf,, c {
\relative c{
I have not received several posts from the last day due to a
misconfiguration of my mail server.
This is a test to see if my mailing list subscription has suffered from
this.
Please ignore.
Except if you have sent me a personal email yesterday. In that case
please resend it to be sure it reached
Chris Yate chrisy...@gmail.com writes:
I find it would be very convenient every now and again to be able to change
a score to be non-transposing -- in order to easily check pitches etc.
Any better approaches?
Well, the Midi should be fine already, so you need this just for
proofreading. And
Can you set pedalUnaCordaStrings in the same was as you can alter
pedalSustainStrings, so as to change ‘una cord’ to ‘uc’, say?
Can you set the una corda pedal line spanner to dashed, while leaving the
sustain pedal as a solid line?
Andrew
___
On 12 July 2015 at 23:02, David Kastrup d...@gnu.org wrote:
Chris Yate chrisy...@gmail.com writes:
I find it would be very convenient every now and again to be able to
change
a score to be non-transposing -- in order to easily check pitches etc.
Any better approaches?
Well, the Midi
Chris Yate chrisy...@gmail.com writes:
On 12 July 2015 at 23:02, David Kastrup d...@gnu.org wrote:
Chris Yate chrisy...@gmail.com writes:
I find it would be very convenient every now and again to be able to
change
a score to be non-transposing -- in order to easily check pitches etc.
Federico Bruni f...@inventati.org writes:
I know I can put \tabChordRepeats before each TabVoice variable to
make it work:
\new TabVoice { \voiceOne \tabChordRepeats \upper }
...
The actual question is why the two commands differ.
Because they do totally different things at totally
Hi T,
Is this actually a question about Scheme programming, or a question about how
to generate parts from a full score?
Andrew
On 12 July 2015 at 12:18:17, H. S. Teoh (hst...@quickfur.ath.cx) wrote:
Is it possible to use Scheme to generate \score blocks? What's the
correct syntax for doing
Il giorno dom 12 lug 2015 alle 12:58, Peter 2peterst...@gmail.com ha
scritto:
Does anyone know if it is possible to convert a MIDI file to an
proportional (spacial) notated score with LilyPond? In other words:
can
LilyPond calculate the right spaces between the notes based on timing
in a
MIDI
On Sun, Jul 12, 2015 at 08:40:37PM +1000, Andrew Bernard wrote:
Hi T,
Is this actually a question about Scheme programming, or a question
about how to generate parts from a full score?
About Scheme. I know how to generate parts from a full score, but it
involves a lot of repetitive
Hi,
Does anyone know if it is possible to convert a MIDI file to an
proportional (spacial) notated score with LilyPond? In other words: can
LilyPond calculate the right spaces between the notes based on timing in a
MIDI file?
I have no experience with LilyPond yet, and wonder if it is
2015-07-12 15:15 GMT+02:00 H. S. Teoh hst...@quickfur.ath.cx:
On Sun, Jul 12, 2015 at 08:40:37PM +1000, Andrew Bernard wrote:
Hi T,
Is this actually a question about Scheme programming, or a question
about how to generate parts from a full score?
About Scheme. I know how to generate parts
Il giorno dom 12 lug 2015 alle 12:55, David Kastrup d...@gnu.org ha
scritto:
\tabChordRepeats does this earlier in order to escape the
scorification
defaults unsuitable for tabulature.
\tabChordRepetition will instead change the scorification defaults but
those are then applied to any music,
Federico Bruni:
Il giorno dom 12 lug 2015 alle 12:58, Peter 2peterst...@gmail.com ha
scritto:
Does anyone know if it is possible to convert a MIDI file to an
proportional (spacial) notated score with LilyPond? In other words:
can
LilyPond calculate the right spaces between the notes
In the example below, \hideSplitTiedTabNotes is working while
\tabChordRepeats doesn't.
I cannot find the proper place to make it work in that score block.
Any hint appreciated.
Thanks in advance
Federico
\version 2.19.22
upper = \relative {
r8 a-3\4 cis-2\3 e-1\2~ q4 q8~ 8 q4~ \break |
q1
16 matches
Mail list logo