Briefly- Age: 75, using LilyPond since 2003, many Mutopia submissions which
others have updated. Most challenging project (2003-2004): Joseph Archer's
parlor piano transcription of his "Alice, Where Art Thou?." Mutopia was my
example and teacher back then. I'm a retired physics teacher, frustrat
2015-09-13 0:11 GMT+02:00 David Sumbler :
> I have yet another problem related to repeats. The piece I am setting
> has one instrument which is tied from the last note in the
> first-time-bar to the note at the start of the repeat. (Moving the
> repeats does not help, because there are a lot of o
I have yet another problem related to repeats. The piece I am setting
has one instrument which is tied from the last note in the
first-time-bar to the note at the start of the repeat. (Moving the
repeats does not help, because there are a lot of overlapping ties.)
I tried to produce an untermina
Mike:
> I have a nasty vertical kerning issue where the mezzo forte
> above the tenor’s “off” is sandwiched between the lyrics “Oz.”
> and “to” in the alto.
Yes, nasty.
> Does anyone know how to force the dynamics (and therefore the
> tenor staff) below the lyrics in this case?
What if you move
David,
Here is a snippet. I am not sure where it is located in the manual, V 2.18.
\once \override Score.BreakAlignment #'break-align-orders = #(make-vector 3
'( staff-bar
clef
key-cancellation
key-signature
time-signature))
The order of the items can be changed to suit needs. All of them need n
63 years old, recently retired computer scientist, and an amateur double reed
player after playing the double bass for some time.
Started with LP 2.12, across which I came looking for a LaTeX complement for
producing scores.
After using TextMate on Mac OS X I switched to Frescobaldi some time a
PMA wrote:
PMA wrote:
Martin Tarenskeen wrote:
This thread makes me wonder: what's the average age of LilyPond users
and developers?
My average age is 75.
Better answer -- My age is 75. I've been using Lilypond for ca 5 years,
without an editor (other than VI), and entirely for original
comp
At a repeat, if there is a clef sign within the first-time-bar, then it
is essential to restate the appropriate clef at the start of the
second-time-bar - but of course the clef sign needs to come after the
repeat barline, not before it in its usual position at a barline.
I tried the solution post
Blöchl Bernhard writes:
> Thanks for help! Obviously the correct terms for manual search are
> "unmetered" or "cadencas" ... sorry, I did not know.
>
> If I understand that correctly
> \remove "Bar_engraver"
> and/or
> \remove "Default_bar_line_engraver"
> is not enough?
More like too much.
> M
> > Martin Tarenskeen wrote:
> >> This thread makes me wonder: what's the average age of LilyPond users
> >> and developers?
47! I've used LilyPond from the very first versions back in 1996. Actually,
I first used the MPP (MusiXTeX PreProcessor) by Han-Wen and Jan and then
started to test LilyPon
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
59 year old system manager with a background in system programming,
down to assembly language. Generally I dislike GUIs, so vi + Lily is
"sweet music to my ears", though I do admit to Frescobaldi on
occasions. I use it for a little composing, more ar
Thanks for help! Obviously the correct terms for manual search are
"unmetered" or "cadencas" ... sorry, I did not know.
If I understand that correctly
\remove "Bar_engraver"
and/or
\remove "Default_bar_line_engraver"
is not enough?
My simple minded interpretation of that \remove something was t
Blöchl Bernhard writes:
>> Am 12.09.2015 20:39, schrieb:
>>> There is nothing "polymetric" at all in that code. You just have two
>>> separate scores, one after the other.
>>>
>>> It is not clear what you are trying to achieve here.
>
>
> I did not claim that to be polyrhythm. Anyway, if you co
I did not claim that to be polyrhythm. Anyway, if you compile the code
you get a couple of double bars in the second half without any logic, at
least for me.
However you name that, I want a double bar between the rising and
descending scales (with different length/rhythms?) and one double bar
Blöchl Bernhard writes:
> Am 10.09.2015 15:33, schrieb Phil Holmes:
>>
>> I think what you need to look for is "polymetric notation" in the
>> Notation Reference.
>>
>> --
>> Phil Holmes
>>
>
> Indeed my starting point was
> http://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythm
I'm 19 years old and a student of Music at the University of Birmingham.
I started to dabble in Lilypond a few years ago when it piqued my interest.
Nowadays I use it for engraving composition work and musical examples for
essays and other written work. I find Lilypond really useful because I can
Simon Albrecht:
> Am 09.09.2015 um 16:55 schrieb k...@aspodata.se:
...
> > http://turkos.aspodata.se/choir/osthammar/faur%C3%A9/requiem.pdf
>
> Some remarks:
> – In choral music by convention the dynamics, sometimes also
> articulations, phrasing slurs &c. are placed above the staff, at least
>>> This thread makes me wonder: what's the average age of LilyPond users
I'm ~30 years age.
Background:
At first using Music Sculptor(for about two years), then Note
Worthy(For about 2 years), then Finale(for about 6 years) and then a
rather abrupt transition(not being a programmer at all) to th
Am 10.09.2015 15:33, schrieb Phil Holmes:
I think what you need to look for is "polymetric notation" in the
Notation Reference.
--
Phil Holmes
Indeed my starting point was
http://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms#polymetric-notation>
In reality I did not mix \
> On Sep 12, 2015, at 1:06 PM, Thomas Morley wrote:
>
> 2015-09-11 15:31 GMT+02:00 Mike Solomon :
>> Hey all,
>>
>> I have a nasty vertical kerning issue where the mezzo forte above the
>> tenor’s “off” is sandwiched between the lyrics “Oz.” and “to” in the alto.
>> Does anyone know how to f
PMA wrote:
Martin Tarenskeen wrote:
This thread makes me wonder: what's the average age of LilyPond users
and developers?
My average age is 75.
Better answer -- My age is 75. I've been using Lilypond for ca 5 years,
without an editor (other than VI), and entirely for original
compositions.
My
I'm 57. Full-time orchestra musician (bass trombone). I've been using
LilyPond for at least 12 years, maybe longer. First heard of it when there was
an announcement on the MusiXTeX list that version 0.0.1(?) was released having
grown from being a pre-processor to MusiXTeX. It still required
On 12/09/15 13:24, David Kastrup wrote:
> Depends on the composer's date of death and whether you are transcribing
> editorial annotations as well or just sticking to the Urtext. "we were
> given photocopy music sheet" does not exactly sound a lot more legal
> either, though I have indeed (from Ho
I guess I had better join in this "off"-topic.
I use Lilypond and Emacs on Ubuntu 12.04. I previously use Score for
the flute-and-harp arrangements that my former partner and I used to
publish. I found learning to use Lilypond effectively much harder to
than Score was.
It's always much easier t
Michael Gerdau writes:
>> Meanwhile I reinstalled jEdit and changed java:
>>
>> $ java -version
>> java version "1.6.0_36"
>> OpenJDK Runtime Environment (IcedTea6 1.13.8) (6b36-1.13.8-0ubuntu1~14.04)
>> OpenJDK 64-Bit Server VM (build 23.25-b01, mixed mode)
>>
>> No success, at least neither C
Thomas Morley writes:
> 2015-09-12 12:37 GMT+02:00 BB :
>> Beside the \version line the file has no content.
>
> A real minimal example ;)
I don't see anything in there requiring 2.19.26. The file looks as if
it would compile fine with 2.18.0.
--
David Kastrup
___
MING TSANG writes:
> I'm 68 years old and an IBM mainframe programmer using COBOL. Now retired.
> I've been using Lilypond since v1.12. One of the reason I choose
> lilypond because it supports UTF-8 for lyrics. Now I am gladly using
> V2.18.2 and V2.19.26.
> I sing in a choir. Time and time, we
Which mail program do you use? May be the editor of the provider in a
browser? Might make some difference.
On 12.09.2015 13:36, Thomas Morley wrote:
2015-09-12 13:02 GMT+02:00 Michael Gerdau :
Meanwhile I reinstalled jEdit and changed java:
$ java -version
java version "1.6.0_36"
OpenJDK Runt
I'm 68 years old and an IBM mainframe programmer using COBOL. Now retired.
I've been using Lilypond since v1.12. One of the reason I choose lilypond
because it supports UTF-8 for lyrics. Now I am gladly using V2.18.2 and
V2.19.26.
I sing in a choir. Time and time, we were given photocopy music s
2015-09-12 13:02 GMT+02:00 Michael Gerdau :
>> Meanwhile I reinstalled jEdit and changed java:
>>
>> $ java -version
>> java version "1.6.0_36"
>> OpenJDK Runtime Environment (IcedTea6 1.13.8) (6b36-1.13.8-0ubuntu1~14.04)
>> OpenJDK 64-Bit Server VM (build 23.25-b01, mixed mode)
>>
>> No success, a
> Meanwhile I reinstalled jEdit and changed java:
>
> $ java -version
> java version "1.6.0_36"
> OpenJDK Runtime Environment (IcedTea6 1.13.8) (6b36-1.13.8-0ubuntu1~14.04)
> OpenJDK 64-Bit Server VM (build 23.25-b01, mixed mode)
>
> No success, at least neither Ctrl+c Ctrl+v nor via mouse-menu
>
2015-09-12 12:35 GMT+02:00 David Kastrup :
> Thomas Morley writes:
>
>> 2015-09-12 8:58 GMT+02:00 Blöchl Bernhard :
>>> jEdit is available for
>>> Windows
>>> Unix/Linux
>>> Mac OS X
>>> VMS
>>> So, Windows is not a hindrance to use jEdit. jEdit needs Java, also
>>> available for all platforms.
>>
2015-09-12 12:37 GMT+02:00 BB :
> Beside the \version line the file has no content.
A real minimal example ;)
> I can copy/paste it withot
> any problem.
>
> \version "2.19.26"
>
>
>
> On 12.09.2015 12:15, Thomas Morley wrote:
>
> I attach a file, where I'm not able to c/p
> Can't see anyhing fis
Thomas Morley writes:
> 2015-09-12 8:58 GMT+02:00 Blöchl Bernhard :
>> jEdit is available for
>> Windows
>> Unix/Linux
>> Mac OS X
>> VMS
>> So, Windows is not a hindrance to use jEdit. jEdit needs Java, also
>> available for all platforms.
>>
>> Actual version is jEdit 5.2. I actually do not use
Beside the \version line the file has no content. I can copy/paste it
withot any problem.
\version "2.19.26"
On 12.09.2015 12:15, Thomas Morley wrote:
I attach a file, where I'm not able to c/p
Can't see anyhing fishy there.
___
lilypond-user mai
2015-09-12 8:58 GMT+02:00 Blöchl Bernhard :
> jEdit is available for
> Windows
> Unix/Linux
> Mac OS X
> VMS
> So, Windows is not a hindrance to use jEdit. jEdit needs Java, also
> available for all platforms.
>
> Actual version is jEdit 5.2. I actually do not use jEdit, I stopped it about
> 20 yea
> >> Can somebody confirm?
> >> Or ever heard of?
Neither.
I just installed jEdit 5.2.0 on 64bit ArchLinux and there seems to be
no such problem whatsoever.
$ java -version
openjdk version "1.8.0_60"
OpenJDK Runtime Environment (build 1.8.0_60-b24)
OpenJDK 64-Bit Server VM (build 25.60-b23, mixe
2015-09-12 4:30 GMT+02:00 Nick Payne :
> On 12/09/2015 07:59, Thomas Morley wrote:
>>
>> 2015-09-11 23:36 GMT+02:00 Thomas Morley :
>>>
>>> Hi all,
>>>
>>> right now I'm not able to copy/paste code from jEdit into a mail.
>>>
>>> I'm using gmail on Ubuntu 14.04
>>
>> 64-bit (the host)
>> $ uname -a
2015-09-11 15:31 GMT+02:00 Mike Solomon :
> Hey all,
>
> I have a nasty vertical kerning issue where the mezzo forte above the tenor’s
> “off” is sandwiched between the lyrics “Oz.” and “to” in the alto. Does
> anyone know how to force the dynamics (and therefore the tenor staff) below
> the ly
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