Re: Parallel CueVoice with "too early" a clef change

Menu Jacques writes: > Hello folks, > > In the following, from Poulenc, I added a CueVoice to help the bassonnist > (i.e. > myself). The example is a bit long, sorry for that. > > The critial point is on the second beat of the bar at the « 1 » rehearsal > mark: > the clef

Re: [feature request:] fret diagrams with fingering indications and additional text

I just tried your code but get a different PDF result? See attachement. I get a warning in German: Warnung: staff-affinities sollten nur abnehmen Might mean something like staff-affinities should always decrease On 08.11.2015 12:23, pls wrote: Thomas Morley writes:

Re: [feature request:] fret diagrams with fingering indications and additional text

Thomas Morley writes: > 2015-11-08 12:23 GMT+01:00 pls : >> Hi Harm, >> >> I finally managed to test your code and I really, really like it! I >> especially like the option to >> turn the annotations on and off. > > Glad you like it. > > Ofcourse

Re: Invisible glissando, best fix?

On Sat, 2015-11-07 at 23:36 +0100, Simon Albrecht wrote: > On 07.11.2015 11:54, Richard Shann wrote: > > In some circumstances LilyPond leaves a glissando invisible: > > > > \version "2.19.25" > > > > { > > d'' 4\glissando cis'' 4 c'' b' } > > > > I looked up the issues list and found

Re: Invisible glissando, best fix?

On 08.11.2015 11:36, Richard Shann wrote: On Sat, 2015-11-07 at 23:36 +0100, Simon Albrecht wrote: On 07.11.2015 11:54, Richard Shann wrote: In some circumstances LilyPond leaves a glissando invisible: \version "2.19.25" { d'' 4\glissando cis'' 4 c'' b' } I looked up the issues

Re: [feature request:] fret diagrams with fingering indications and additional text

2015-11-08 12:23 GMT+01:00 pls : > Thomas Morley writes: > >> Hi Patrick, >> >> I did some experiments, result attached. >> >> Please test. There is a README in it. >> >> Please be aware it's experimental code, not ready yet to put up a >> patch,

Re: [feature request:] fret diagrams with fingering indications and additional text

Thomas Morley writes: > Hi Patrick, > > I did some experiments, result attached. > > Please test. There is a README in it. > > Please be aware it's experimental code, not ready yet to put up a > patch, although it compiles as far as I tested... > (some debugging code is

Re: Removing "cautionary" natural

\once \omit Accidental Best, Abraham On Sunday, November 8, 2015, Alberto Simões-2 [via Lilypond] < ml-node+s1069038n183251...@n5.nabble.com> wrote: > Hello > > I have a melody where, somewhere, there is a bes > a little later, the is a bes' > then a b' > and later a b > this last b has a

Re: Removing "cautionary" natural

On 08/11/15 18:16, tisimst wrote: \once \omit Accidental Like a charm. Thank you! Alberto ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: slashes and percent

Hello Peter, On 08.11.2015 22:54, Peter Berlau wrote: Hello, I like to use slashes and percent - repeaters but without a note in the beginning, The question likely is: For what purpose do you want that? Since obviously, if you really want a percent repeat (that is an abbreviated notation

Re: Cadenza... in the MIDI

THank you :) On 05/11/15 21:14, H. S. Teoh wrote: On Thu, Nov 05, 2015 at 09:00:26PM +, Alberto Simões wrote: Hello Probably this is in the manual, but I did not find it. Is it possible to change the tempo (playing speed) in a specific zone of the music? [...] Usually what I do is to

Removing "cautionary" natural

Hello I have a melody where, somewhere, there is a bes a little later, the is a bes' then a b' and later a b this last b has a natural mark (like the previous one) because (I think) it is in a different pitch. Nevertheless I would like to "remove" (hide) it. What is the easiest way? THank

slashes and percent

Hello, I like to use slashes and percent - repeaters but without a note in the beginning, I found \version "2.18.2" makePercent = #(define-music-function (parser location note) (ly:music?) "Make a percent repeat the same length as NOTE." (make-music 'PercentEvent 'length

Re: [feature request:] fret diagrams with fingering indications and additional text

2015-11-08 14:52 GMT+01:00 pls : > Thomas Morley writes: > >> 2015-11-08 12:23 GMT+01:00 pls : > >>> Hi Harm, >>> >>> I finally managed to test your code and I really, really like it! I >>> especially like the option to >>> turn

Re: slashes and percent

Hello Peter, On 09.11.2015 00:09, Peter Berlau wrote: Hello Simon, thanks for fast answer. I use this also, but in this case I need no first note written, I like to use the percent and slashes as we call in german 'faulenzer'. It is for an "arrangement" for jazz ensemble. I have to create

Re: transposition problem

Craig Dabelstein writes: > Hi David, > > I just realised that if "\partial 8" is added to the start of the global > variable that the build fails (see attached). Any ideas? There is no \partial 8 anywhere. -- David Kastrup

transposition problem

Hi Lilyponders, I have a score where all key changes, tempo changes etc are in a global variable, IN CONCERT PITCH. The first clarinet part has to change halfway through from Clarinet in Bb to Clarinet in Eb. These notes are entered in WRITTEN not SOUNDING pitch. Is there anyway to get the

Re: transposition problem

Hi David, I just realised that if "\partial 8" is added to the start of the global variable that the build fails (see attached). Any ideas? Craig On Mon, 9 Nov 2015 at 11:45 Craig Dabelstein wrote: > Thanks David. I never would have worked that one out on my own!

Re: LilyPond-aware text editors

> 1+ for Sublime Text. I am very happy with a Sublime Text / Frescobaldi combo. > > One of my favorite features with Sublime Text is multiple selections. It is > a time saver when it comes to selecting and changing the name for a number > of note, variable, or function instances. > > Zoran

Re: transposition problem

Thanks David. I never would have worked that one out on my own! Craig On Mon, 9 Nov 2015 at 09:26 David Kastrup wrote: > Craig Dabelstein writes: > > > Hi Lilyponders, > > > > I have a score where all key changes, tempo changes etc are in a global >

Re: slashes and percent

Hello Simon, thanks for fast answer. I use this also, but in this case I need no first note written, I like to use the percent and slashes as we call in german 'faulenzer'. It is for an "arrangement" for jazz ensemble. I have to create sheets for C-, Bb-, Eb- and Bass-Clef-C-Instruments so I use

Re: transposition problem

Craig Dabelstein writes: > Hi Lilyponders, > > I have a score where all key changes, tempo changes etc are in a global > variable, IN CONCERT PITCH. > > The first clarinet part has to change halfway through from Clarinet in Bb > to Clarinet in Eb. These notes are

Re: [feature request:] fret diagrams with fingering indications and additional text

2015-11-08 16:15 GMT+01:00 BB : > I just tried your code but get a different PDF result? See attachement. > I get a warning in German: > > Warnung: staff-affinities sollten nur abnehmen > > Might mean something like > staff-affinities should always decrease > Did you

Re: transposition problem

Apologies -- try this one. On Mon, 9 Nov 2015 at 12:14 David Kastrup wrote: > Craig Dabelstein writes: > > > Hi David, > > > > I just realised that if "\partial 8" is added to the start of the global > > variable that the build fails (see attached).

Fwd: transposition problem

Lilyponders, It appears that in this file the part is not inheriting the time signature and partial measure from the global variable. I've changed the time sig to 6/8 in the global but it still appears as common time in the output. Craig On Mon, 9 Nov 2015 at 12:30 Brian Barker

Re: Scorio Software

On Sun, 8 Nov 2015, Abraham Lee wrote: While perusing the main LilyPond website, in the announcements section, I only just discovered the online software Scorio that acts as a GUI front end to LilyPond 2.16. Does anyone on this list actually use it? I don't think I ever will for a number of

Scorio Software

While perusing the main LilyPond website, in the announcements section, I only just discovered the online software Scorio that acts as a GUI front end to LilyPond 2.16. Does anyone on this list actually use it? I don't think I ever will for a number of reasons, but I was just curious if anyone

Re: Scorio Software

It looks like I deleted some lines in my reply. It should start like this: I subscribed for a free account on the Scorio website long ago. But I forgot all about it until I read your post. I guess that shows clearly how much I have used it ;-) -- MT