Re: Markup for repeated notes or phrases

On 2015-11-09 19:40, David Kastrup (and Simon Albrecht) wrote: > Stephan Neuhaus writes: [...] Thanks, both solutions work like a charm! Now another thing, in the same context. Let's say I have pattern = { 8 8 } \relative c' { \repeat unfold 4 \pattern } And let's say I

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

On Tue, 2015-11-10 at 10:09 +0100, Urs Liska wrote: > > > > Am 09.11.2015 um 17:34 schrieb Graham King: > > > > > (This note describes an issue arising from the separate thread, > > "Scholarly footnotes" [1]) > > > > I would like to use Urs' annotate.ily[2] to add some footnotes to an > >

Documentation web address change?

I am no longer able to open the development version documentation web address through Frescobaldi. The program seeks to append /Documentation/index to the address, but I am no longer able to find the prefix to achieve the desired website. Has the development documentation address changed? --

Re: fatal error on MetronomeMark font-name override

Hello Kieren, Removing Century makes that to work on my Mac. Is this font actually installed on your system? JM > Le 10 nov. 2015 à 16:56, Kieren MacMillan a > écrit : > > Hello all, > > In 2.19.30, the snippet > > SNIPPET BEGINS > \version "2.19.30" >

fatal error on MetronomeMark font-name override

Hello all, In 2.19.30, the snippet SNIPPET BEGINS \version "2.19.30" \score { { \tempo "Tempo Test" c''1 } \layout { \context { \Score \override MetronomeMark.font-name = #"Century Schoolbook" } } } SNIPPET ENDS leads [on my computer] to the error

Re: Scholarly footnotes

Hi Urs, first, I'm deeply grateful for your time and thoughtful insights. Further comments interjected, below... all the best -- Graham On Tue, 2015-11-10 at 10:43 +0100, Urs Liska wrote: > Hi Graham, > > now I'll try to go into that somewhat more detailed. > > > Am 09.11.2015 um 17:33

Can I vary the system width for 1 system only

Hello, I like to have a Sheet with 34 bars divided in 4 bars per system ( line ) 2 bars rest and a coda 8 bars I know it is just 'cosmetic', but I really like this, especially as musician, it is a good reminder that the form is "something special" and avoids mistakes if improvising over

Re: scholarly/annotate

Hi Craig, somehow I missed answering this one, and I only realized that after writing several other posts about the topic earlier today ... Am 05.11.2015 um 02:27 schrieb Craig Dabelstein: > Hi Urs, > > Thanks for your detailed email. I agree wholeheartedly with your > examples 1-4 above --

Re: two consecutive \mark at end and beginning of line

On 10 November 2015 at 09:28, David Kastrup wrote: > > It's still the same musical moment and LilyPond has no general way of > distinguishing them. Try putting the first mark an infinitesimal amount > earlier, like > > \grace { \mark ... \skip 32 } > > to move it backward a 32th

Re: Scholarly footnotes

Am 10.11.2015 um 17:08 schrieb Graham King: > ... long snip ... > > I confess I'm a bit daunted by the LaTeX learning curve, and it is > possible that I'm not uniquely inadequate in that respect. So a > Lilypond-only solution would be ideal for me, and would save others > the prospect of

Re: fatal error on MetronomeMark font-name override

Hi Jacques, > Removing Century makes that to work on my Mac. Is this font actually > installed on your system? Yes. And it shows up in the list returned by calling lilypond -dshow-available-fonts x Thanks, though. Kieren. Kieren MacMillan, composer ‣

Re: fatal error on MetronomeMark font-name override

> Le 10 nov. 2015 à 17:53, Kieren MacMillan a > écrit : > > Hi Jacques, > >> Removing Century makes that to work on my Mac. Is this font actually >> installed on your system? > > Yes. And it shows up in the list returned by calling > >lilypond

Re: fatal error on MetronomeMark font-name override

tisimst wrote > Does it just happen with 2.19.30? It worked for me with 2.19.29 on > Windows. > Wasn't able to check 2.19.30 yet. Will try in a few minutes. Yeah, it works for me with .30 and .31 as well. Sorry. If there aren't too many instances you need to un-bolden, then you can always use a

Re: Documentation web address change?

Il giorno mar 10 nov 2015 alle 18:21, RomanticStrings ha scritto: Thank you, Federico. I suppose it is not LilyPond's responsibility to match its address to Fresco's preference. Did the address just change, however? A week or two ago the link worked. I don't know

Chords with "optional" notes

Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier way? (as in, less verbose). In fact, I have a bunch of octave chords, where the upper

Re: Documentation web address change?

Thank you, Federico. I suppose it is not LilyPond's responsibility to match its address to Fresco's preference. Did the address just change, however? A week or two ago the link worked. -- View this message in context:

Re: fatal error on MetronomeMark font-name override

Hi Abraham, > Normally, this should work, but it doesn't seem to for me: > \override Score.MetronomeMark.font-series = #'medium This is what I wanted to do, of course… But I think that “feature” is part of the [long-standing, and somewhat irritiating] issue around MetronomeMark formatting.

Re: fatal error on MetronomeMark font-name override

Does it just happen with 2.19.30? It worked for me with 2.19.29 on Windows. Wasn't able to check 2.19.30 yet. Will try in a few minutes. - Abraham On Tuesday, November 10, 2015, Jacques Menu-3 [via Lilypond] < ml-node+s1069038n183356...@n5.nabble.com> wrote: > > > Le 10 nov. 2015 à 17:53,

Re: A command-line wrapper for OpenLilyLIb

Am 05.11.2015 um 18:27 schrieb Matteo Ceccarello: > On 04/11/2015 15:23, Mark Knoop wrote: >> >> You might consider using the pygit2 python module [1] rather than >> calling calling git with subprocess. This could perhaps replace a >> substantial part of your OpenLilyLibRepo class. >> >> [1]

Re: Documentation web address change?

Hmm... That certainly does work. I though that is what I was using originally, and since it stopped working, I was looking to find the correct address. Now it works and I'm not sure what happened. Problem solved, in any case! Thank you again for your help. -- View this message in context:

Re: A command-line wrapper for OpenLilyLIb

Hi Matteo, thank you for your renewed activity for openLilyLib. Am 04.11.2015 um 14:59 schrieb Matteo Ceccarello: > Hello everybody, > > I just implemented a small command line tool that I hope will simplify > the use of OpenLilyLib [1] in multiple projects. You can find a > motivating example

Re: Documentation web address change?

Il giorno mar 10 nov 2015 alle 17:33, RomanticStrings ha scritto: I am no longer able to open the development version documentation web address through Frescobaldi. The program seeks to append /Documentation/index to the address, but I am no longer able to find the

Re: Documentation web address change?

Il giorno mar 10 nov 2015 alle 18:30, Federico Bruni ha scritto: Il giorno mar 10 nov 2015 alle 18:21, RomanticStrings ha scritto: Thank you, Federico. I suppose it is not LilyPond's responsibility to match its address to Fresco's preference. Did

Re: Chords with "optional" notes

Am 10.11.2015 um 20:31 schrieb Alberto Simões: Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier way? (as in, less verbose). In fact, I

Re: Chords with "optional" notes

On 10.11.2015 21:59, Alberto Simões wrote: On 10/11/15 20:57, Simon Albrecht wrote: The cheapest way would be (using a syntax introduced very recently) %% sm = \tweak #'font-size #-4 \etc { } %% This sounds awesome. Love that \etc there :) David K.’s work :-)

Re: Chords with "optional" notes

On 10.11.2015 20:31, Alberto Simões wrote: Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier way? (as in, less verbose). The cheapest

Re: Chords with "optional" notes

On 10/11/15 19:36, Marc Hohl wrote: Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier way? (as in, less verbose). In fact, I have a

Re: Documentation web address change?

On 11/11/2015 03:33, RomanticStrings wrote: I am no longer able to open the development version documentation web address through Frescobaldi. The program seeks to append /Documentation/index to the address, but I am no longer able to find the prefix to achieve the desired website. Has the

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

Am 10.11.2015 um 18:06 schrieb Graham King: > On Tue, 2015-11-10 at 10:09 +0100, Urs Liska wrote: >> >> >> Am 09.11.2015 um 17:34 schrieb Graham King: >> >>> (This note describes an issue arising from the separate thread, >>> "Scholarly footnotes" [1]) >>> >>> I would like to use Urs'

Re: Chords with "optional" notes

On 10/11/15 19:36, Marc Hohl wrote: Am 10.11.2015 um 20:31 schrieb Alberto Simões: Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier

Re: two consecutive \mark at end and beginning of line

Il giorno mar 10 nov 2015 alle 9:28, David Kastrup ha scritto: It's still the same musical moment and LilyPond has no general way of distinguishing them. Try putting the first mark an infinitesimal amount earlier, like \grace { \mark ... \skip 32 } to move it backward a 32th

Re: Chords with "optional" notes

On 10/11/15 20:57, Simon Albrecht wrote: The cheapest way would be (using a syntax introduced very recently) %% sm = \tweak #'font-size #-4 \etc { } %% This sounds awesome. Love that \etc there :) ___ lilypond-user mailing list

Cross-staff arpeggio line AND arpeggio bracket on the same notes

Hello, I am trying to transcribe some music which has notation like the attached example image. There is a cross-staff arpeggio, with a nested bracket indicating a cross-staff voicing. As per the examples I have found, we can have only one or another, since the bracket should be printed using the

Re: two consecutive \mark at end and beginning of line

Hello Federico, Someone on this list contributed a multi-mark-engraver, does that help you? JM \version "2.18.2" % From: http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00157.html #(define (multi-mark-engraver ctx) (let ((texts '()) (final-texts '()) (events

Re: Markup for repeated notes or phrases

Stephan Neuhaus writes: > Dear list, > > I have a piece that contains phrases that are repeated often. For > example, let us assume that the phrase consists of two sixteenth notes. > In the piece in question, the unit of repetition is in fact much longer; > this is just an

Re: two consecutive \mark at end and beginning of line

Federico Bruni writes: > Hi folks > > There's any way to let lilypond print the second mark in this minimal > example? > > \version "2.19.31" > > \relative { > \repeat unfold 8 c'1 > \once \override Score.RehearsalMark.break-visibility = > #end-of-line-visible > \once

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

Am 10.11.2015 um 00:56 schrieb Kieren MacMillan: > Hi Graham, > >> I've just realised that, under my system as I described it, a part could >> have the same bar number twice. > My proposed solution would be an “analytic continuation” (to borrow a > mathematical term) of the non-polymetric

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

Am 09.11.2015 um 17:34 schrieb Graham King: > (This note describes an issue arising from the separate thread, > "Scholarly footnotes" [1]) > > I would like to use Urs' annotate.ily[2] to add some footnotes to an > edition of sixteenth-century polyphony. But, before investing too > much time, I

Re: Scholarly footnotes

Hi Graham, now I'll try to go into that somewhat more detailed. Am 09.11.2015 um 17:33 schrieb Graham King: > I'm preparing an edition of sixteenth-century polyphony, using the > book-titling template[1]. The edition would benefit from some > footnotes/endnotes (the sort that say things like:

Re: two consecutive \mark at end and beginning of line

Oops, completely missed the target… The complex example by Arnold Theresius on LSR boils down in your case to the following. HTH! JM \version "2.19.30" % http://lsr.di.unimi.it/LSR/Snippet?id=892 %by: ArnoldTheresius %% %

Development projects (was: Scholarly footnotes)

Am 10.11.2015 um 03:52 schrieb Craig Dabelstein: > Hi Urs, > > What can I do to help you advance ScholarLY (or any of your other > projects)? Well, the next thing is to constantly nag (but in a friendly manner of course) ;-) But if you would want to do some active contribution you're of course

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

On Tue, 2015-11-10 at 22:50 +0100, Urs Liska wrote: > Am 10.11.2015 um 18:06 schrieb Graham King: > > On Tue, 2015-11-10 at 10:09 +0100, Urs Liska wrote: > >> > >> > >> Am 09.11.2015 um 17:34 schrieb Graham King: > >> > >>> (This note describes an issue arising from the separate thread, > >>>

Re: [feature-request] optional duration for temporary

On Tue, 10 Nov 2015 21:58:10 -0500 Kieren MacMillan wrote: > Rather than having to \revert an \override (or set of \override-s), might > it be possible to set an optional duration for which the override would > be in effect? e.g. > > \temporary #’(10 1/8)

Poly rithm

Hi all, I can't seem to get the poly-rhytm to display properly... flute = \relative c'' { \global \repeat volta 2 { g'4.^"Inzet bij couplet 4" e | fis d | e c | d b | } \time 2/4 a8 d fis e | d4. d8 | e8 d e fis | \time 3/4 \tuplet 3/2 { g fis e } d [c] b [g] | \time 2/4 a b c e |

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

Hi Graham, > On the positive side: > +1This scheme guarantees a unique id for each bar. The id increases in a > sensible manner. > +2The scheme is robust with respect to re-formatting, if systems are > split or joined. > +3Since Lilypond's default behaviour is to break lines only

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

Hi Urs, > I have no idea if it is also appropriate for ancient music. Well, the absence of [any] barlines makes barline numbering more complex… ;) > Aren't there any useful references, how have others dealt with that challenge? I can’t find any! Cheers, Kieren.

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

Am 10.11.2015 um 14:28 schrieb Kieren MacMillan: > Hi Urs, > >> I have no idea if it is also appropriate for ancient music. > > Well, the absence of [any] barlines makes barline numbering more complex… ;) Of course it depends on the way an edition deals with that. > >> Aren't there any

Re: ScholarLy and polymetric music? (bar numbering, \RemoveEmptyStaffContext)

On Mon, 2015-11-09 at 21:53 -0600, David Wright wrote: > On Mon 09 Nov 2015 at 23:22:14 (+), Graham King wrote: > > On Mon, 2015-11-09 at 14:55 -0600, Christopher R. Maden wrote: > > > > On 11/09/2015 02:47 PM, Kieren MacMillan wrote: > > > The very first thing they said to me was,

[feature-request] optional duration for temporary

Hello all, Rather than having to \revert an \override (or set of \override-s), might it be possible to set an optional duration for which the override would be in effect? e.g. \temporary #’(10 1/8) \override LyricText.extra-offset = #’(0 . -1) would lower the LyricText(s) for exactly 10

PDF portfolio of 2.19.31 docs

A fully indexed portfolio of the 2.19.31 PDF docs is available at https://www.dropbox.com/s/sb4bon4xgwx11vn/lilydoc-2.19.31.pdf?dl=0 (39Mb). Needs Adobe Reader for the indexing to work - I haven't found a 3rd party PDF viewer that can use the index in PDF portfolios. Nick