Re: Swedish letters in Lilypond lyrics?

2016-01-21 Thread Simon Albrecht
On 18.01.2016 20:33, Karin wrote: There are three specific characters in Swedish and only onle of them is available in the Lilypond "list of special characters". I need the letters å, ä, ö, Å, Ä and Ö - or as a HTML-person would put it: Can you help me fix this? I have only found and

Re: Ossia problem - different timing

2016-01-21 Thread David Kastrup
Kevin Barry writes: > On 21 January 2016 at 13:02, Ralph Palmer wrote: > >> I can't figure out how to revert for that one bar > > > There are two ways to do this: > 1) move your \override from the \with {} block into the beginning of the > music

Re: Ossia problem - different timing

2016-01-21 Thread Ralph Palmer
On Fri, Jan 15, 2016 at 10:39 AM, Kevin Barry wrote: > Hi Ralph, > > This snippet might help: > > http://www.lilypond.org/doc/v2.19/Documentation/snippets/rhythms#rhythms-changing-time-signatures-inside-a-polymetric-section-using-_005cscaledurations > > I've attached my

Re: Ossia problem - different timing

2016-01-21 Thread Kevin Barry
On 21 January 2016 at 13:02, Ralph Palmer wrote: > I can't figure out how to revert for that one bar There are two ways to do this: 1) move your \override from the \with {} block into the beginning of the music expression so that you can \revert it later on, when you

unfoldRepeats and : shortcut

2016-01-21 Thread james
Hello, I've discovered something that looks to be intentional behavior, just not expected. The : shortcut for tremolos doesn't expand in unfoldRepeats. Is the only way to get tremolos to expand to use the full notation? \version "2.18.2" test = \relative c' { \repeat tremolo 4 { 16 e } \repeat

Re: Controlling hairpin length

2016-01-21 Thread David Sumbler
On Tue, 2016-01-19 at 23:00 +0100, Thomas Morley wrote: > %% a helper: > #(define (look-up-for-parent name-symbol axis grob) > "Return the parent of @var{grob}, specified by it's @var{name-symbol} > in > axis @var{axis} of @var{grob}. If @var{grob} is already equal to the > grob > named

Re: Compressing percent repeats.

2016-01-21 Thread Pierre Perol-Schneider
E.g.: \version "2.19.35" compressPercentRepeat = #(define-music-function (repeats notes) (integer? ly:music?) (let* ( (mea (ly:music-length notes)) (num (ly:moment-main-numerator mea)) (den (ly:moment-main-denominator mea)) (dur (ly:make-duration 0 0 (* num (1-

Re: unfoldRepeats and : shortcut

2016-01-21 Thread lilypond
Am 2016-01-21 15:57, schrieb james: Hello, I've discovered something that looks to be intentional behavior, just not expected. The : shortcut for tremolos doesn't expand in unfoldRepeats. Is the only way to get tremolos to expand to use the full notation? \articulate (from articulate.ly) does

Re: unfoldRepeats and : shortcut

2016-01-21 Thread james
> On Jan 21, 2016, at 6:36 PM, lilyp...@maltemeyn.de wrote: > > Am 2016-01-21 15:57, schrieb james: >> Hello, I've discovered something that looks to be intentional >> behavior, just not expected. The : shortcut for tremolos doesn't >> expand in unfoldRepeats. Is the only way to get tremolos to

Re: Algorithm for calculating slur shape

2016-01-21 Thread Simon Albrecht
On 21.01.2016 23:49, Michael Kassler wrote: I am a user of the Guido music notation system. I believe that Lilypond has developed an algorithm for calculating slur shape given parameters such as the (x,y) positions of notes in a passage to be slurred, the number of notes in such a passage, etc.

How to retrieve information?

2016-01-21 Thread Luca Danieli
Dear List, I am wondering if anyone can suggest a sort of "methodology" to retrieve those information which are (for me) no easy to find online or in the web guide. For example, I am right now looking for "open", "half-open" and "very open" embouchure for flute.I can find only the "open" symbol

Algorithm for calculating slur shape

2016-01-21 Thread Michael Kassler
I am a user of the Guido music notation system. I believe that Lilypond has developed an algorithm for calculating slur shape given parameters such as the (x,y) positions of notes in a passage to be slurred, the number of notes in such a passage, etc. Have the details of any such algorithm been