Kieren,
You hit the nail on the head!
Living in the southwestern U.S., I find myself going nuts between 6/8 and 3/4 -
WSS is the perfect example - except that here we go back and forth without any
actual notational indication (except maybe a hasty pencil mark). My head hurts
by the end of my
On 6 April 2016 at 04:16, Kieren MacMillan
wrote:
> Hi Martin,
>
> On Apr 5, 2016, at 9:58 PM, Martin Neubauer wrote:
> > I was wondering how often the odd half measure beam really leads to
> ambiguity between 3/4 and 6/8 time in properly
Hi Martin,
On Apr 5, 2016, at 9:58 PM, Martin Neubauer wrote:
> I was wondering how often the odd half measure beam really leads to ambiguity
> between 3/4 and 6/8 time in properly typeset music.
In “West Side Story”, the half-measure beams in “America” indicate where the
On 6 April 2016 at 01:51, Simon Albrecht wrote:
> That would be unnecessary. Better use the beamHalfMeasure context
> property, which is also explained on that docs page.
>
Interesting. In my defence I can only say that this wasn't available back
when I started out with
Carl,
Thanks for the additional detail - it was very helpful - at least for me.
Unfortunately, it is probably a bit too much info for our young (second-year)
viola student. I'm trying to keep his parts as "playable" as possibly. He
needs to focus on tuning and confidence at the moment -
On 4/5/16 3:53 PM, "Karen Billings" wrote:
>Hi All,
>
>I have encountered an auto-beaming problem (actually, the Violist for
>whom I'm doing transcriptions brought it to my attention).
>
>When working in 3/4, Lilypond is autobeaming 8th notes in groups of 3 8th
>notes per
On 06.04.2016 00:20, Martin Neubauer wrote:
Hi Karen,
When working in 3/4, Lilypond is autobeaming 8th notes in groups
of 3 8th notes per pulse (as if it were 6/8) rather than in groups
of 2 8th notes per pulse.
That's not entirely accurate, in 3/4 time the autobeaming by default
Hi all,
the challenge: start a repeat with alternative endings in the second
volta of a previous repeat _and_ do BarNumbers correctly with
'numbers-with-letters _and_ correct midi while using \unfoldRepeats.
First attempt:
mus-tst = {
\set Score.alternativeNumberingStyle =
Even simpler (for the 3/4 case): /\set Timing.beamHalfMeasure = ##f/
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/AutoBeam-Behaving-Properly-tp189326p189330.html
Sent from the User mailing list archive at Nabble.com.
___
Martin,
Thank you so much - your recommendation worked like a charm!
Karen
On Tuesday, April 5, 2016 4:20 PM, Martin Neubauer
wrote:
Hi Karen,
When working in 3/4, Lilypond is autobeaming 8th notes in groups of 3 8th notes
per pulse (as if it were 6/8) rather than
Hi Karen,
> When working in 3/4, Lilypond is autobeaming 8th notes in groups of 3 8th
> notes per pulse (as if it were 6/8) rather than in groups of 2 8th notes
> per pulse.
>
That's not entirely accurate, in 3/4 time the autobeaming by default
creates a single beam for the whole measure. In
Hi All,
I have encountered an auto-beaming problem (actually, the Violist for whom I'm
doing transcriptions brought it to my attention).
When working in 3/4, Lilypond is autobeaming 8th notes in groups of 3 8th notes
per pulse (as if it were 6/8) rather than in groups of 2 8th notes per pulse.
2016-04-05 22:03 GMT+02:00 Rutger Hofman :
> Hello list,
>
> \version "2.18" .. "2.19.39"
>
> I would like the left and right bound-detail texts of a TextSpanner to keep
> apart. Right now, they overlap horizontally in a fearful way. What can I do
> to keep them apart?
>
> \score
Hello list,
\version "2.18" .. "2.19.39"
I would like the left and right bound-detail texts of a TextSpanner to
keep apart. Right now, they overlap horizontally in a fearful way. What
can I do to keep them apart?
\score {
\new Staff {
\override
There is really no way to do this? E.g., this source code
http://git.savannah.gnu.org/cgit/lilypond.git/tree/lily/midi-control-function-performer.cc#n74
seems to indicate that I can set values for properties
but I'm forced to name them, and the name gets
translated to a number via the table
at the
mj writes:
> Hi,
>
> Just trying out lilypond. I have created my first file, using the "new
> from template" function of frescobaldi.
Phil answered your main questions already. Here is another note:
> \version "2.19.2"
LilyPond offers "even-numbered" stable versions
- Original Message -
From: "mj"
To:
Sent: Tuesday, April 05, 2016 2:43 PM
Subject: two beginners questions
Hi,
Just trying out lilypond. I have created my first file, using the "new
from template" function of frescobaldi.
I am trying
Hi,
Just trying out lilypond. I have created my first file, using the "new
from template" function of frescobaldi.
I am trying to alter two things:
- make chord names display smaller
and
- get the correct fret guitar diagrams, like the ones shown in the docs
here:
On 05.04.2016 12:42, Simon Albrecht wrote:
On 05.04.2016 11:55, David Kastrup wrote:
That is because many people who get a go at LilyPond (such as me) are
not programmers, but musicians with little background knowledge about
or experience with programming.
Well, you seem to be faring pretty
On 05.04.2016 11:55, David Kastrup wrote:
That is because many people who get a go at LilyPond (such as me) are
not programmers, but musicians with little background knowledge about
or experience with programming.
Well, you seem to be faring pretty well.
Oh, thank you. All I learnt was
On 04-04-16 23:58, David Sumbler wrote:
I have been using Lilypond for a few years now (but admittedly there are
always periods of weeks or months at a time when I haven't touched it,
which of course makes things much more difficult to retain).
I still find the whole thing rather cryptic, and
Simon Albrecht writes:
> On 04.04.2016 22:19, Johannes Waldmann wrote:
>> The docs do make considerable effort to explain, e.g.,
>> http://lilypond.org/doc/v2.18/Documentation/learning/contexts-and-engravers
>> .
>> If at all, I might criticize this for being in the
Hi list,
I am working on a large score with several ties. You might have read
about Janek's thoughts on a tie-crusade and maybe this is related.
I don't have a perfect solution on this topic, but I could reduce the
needed shape-tweaks significantly. I want to share it - probably it
helps one
David Sumbler writes:
> I have been using Lilypond for a few years now (but admittedly there
> are always periods of weeks or months at a time when I haven't touched
> it, which of course makes things much more difficult to retain).
>
> I still find the whole thing rather
David Wright writes:
> It's interesting to compare this structure with NM5.1.1 where \score
> is the topmost context and StaffGroups are "top-level" contexts.
>
> And why book, score and not Book, Score?
You mean \book and \score. Because those are elements of
Ciao Martin,
- Which Lilypond version did you installed?
- If you installed Frescobaldi could you test if the "import midi" feature
works? To test it: File/Import/Import midi and then specify a simple midi
file. In my tests it should not work IF you have Lilypond version 2.19.39
and 2.19.36
On Mon, 4 Apr 2016, Gianmaria Lari wrote:
Ciao Martin,
if you can, could you please check the folder
\Program Files (x86)\LilyPond\usr\bin
to see if you have python.exe inside it? I'm curious to know if the
lilypond installer installed the bundled python even if you unchecked it.
That's
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