Re: PDF author metadata

On 2016-07-10 7:06 PM, J Martin Rushton wrote: > Of course English poetry used to be alliterative, not rhyming, until > Chaucer introduced that new-fangled French habit of end rhymes! > Getting back to setting music though, would not the driving beat of > alliterative ballards and sagas not lend

Re: PDF author metadata

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On 10/07/16 23:44, Simon Albrecht wrote: > On 10.07.2016 22:20, Wols Lists wrote: >> I was taught fairly early in English lessons that rhyme was not a >> necessary component of poetry; metre, or "bounce" as I sometimes >> describe it, is much more

Re: PDF author metadata

On 10.07.2016 22:20, Wols Lists wrote: I was taught fairly early in English lessons that rhyme was not a necessary component of poetry; metre, or "bounce" as I sometimes describe it, is much more important. But not necessary either. Many modern poems don’t have any regular rhythm. It’s rather

Re: PDF author metadata

On Sun, 10 Jul 2016, Wols Lists wrote: I was taught fairly early in English lessons that rhyme was not a necessary component of poetry; metre, or "bounce" as I sometimes describe it, is much more important. Some languages, I understand, rarely rhyme their poetry. I would like to add Well

Re: PDF author metadata

J Martin Rushton writes: > On 10/07/16 19:48, David Kastrup wrote: >> J Martin Rushton writes: >>> >>> That rather depends upon the translation of the Bible used. The >>> KJV was given a polish from Genesis to Revelation to make

Re: PDF author metadata

On 10/07/16 17:47, David Wright wrote: > On Sun 10 Jul 2016 at 15:57:59 (+0100), J Martin Rushton wrote: >> On 10/07/16 15:09, David Kastrup wrote: >>> J Martin Rushton writes: On 10/07/16 00:29, Anthony Youngman wrote: > On 07/07/16 19:02, David Wright

Re: PDF author metadata

On Sun 10 Jul 2016 at 19:33:17 (+0100), J Martin Rushton wrote: > On 10/07/16 17:47, David Wright wrote: > > > > > While one might argue that a lot of religious translations might > > have been written with a view to intonement, or recitation at > > least, and therefore with particular

Re: PDF author metadata

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On 10/07/16 19:48, David Kastrup wrote: > J Martin Rushton writes: > >> On 10/07/16 17:47, David Wright wrote: >> >>> >>> While one might argue that a lot of religious translations >>> might have been written

Re: PDF author metadata

J Martin Rushton writes: > On 10/07/16 17:47, David Wright wrote: > > >> >> While one might argue that a lot of religious translations might >> have been written with a view to intonement, or recitation at >> least, and therefore with particular attention paid

Re: PDF author metadata

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On 10/07/16 17:47, David Wright wrote: > > While one might argue that a lot of religious translations might > have been written with a view to intonement, or recitation at > least, and therefore with particular attention paid to the rhythm > of

Re: PDF author metadata

On Sun 10 Jul 2016 at 15:57:59 (+0100), J Martin Rushton wrote: > On 10/07/16 15:09, David Kastrup wrote: > > J Martin Rushton writes: > >> On 10/07/16 00:29, Anthony Youngman wrote: > >>> On 07/07/16 19:02, David Wright wrote: > BTW one of the odd

Re: Exploring an idea for interactive display of annotations

Hi Urs, On 07/08/2016 08:34 PM, Urs Liska wrote: I would like to do the following: * Let ScholarLY add an 'id to the affected grob * Let ScholarLY export annotations to a JSON file (including the same ID). * Let LilyPond compile to SVG (where the elements get the ID) * Display the

Re: PDF author metadata

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On 10/07/16 15:09, David Kastrup wrote: > J Martin Rushton writes: > >> On 10/07/16 00:29, Anthony Youngman wrote: >>> >>> >>> On 07/07/16 19:02, David Wright wrote: BTW one of the odd "assumptions" made in

Re: PDF author metadata

J Martin Rushton writes: > On 10/07/16 00:29, Anthony Youngman wrote: >> >> >> On 07/07/16 19:02, David Wright wrote: >>> BTW one of the odd "assumptions" made in LP is in that variable >>> called poet. What about compositions whose lyrics are prose? >> >> Of

Re: PDF author metadata

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On 10/07/16 00:29, Anthony Youngman wrote: > > > On 07/07/16 19:02, David Wright wrote: >> BTW one of the odd "assumptions" made in LP is in that variable >> called poet. What about compositions whose lyrics are prose? > > Of which I guess there

Re: Position fingerings for diatonic accordion that include button name (not just finger)

On 9 July 2016 at 17:07, David Kastrup wrote: > Mojca Miklavec writes: > > This mechanism for pulling pitches and making graphics for them can be > changed into something specific for your task. However, we need > additional information because the assignment of buttons to notes is not > unique

Re: PDF author metadata

Anthony Youngman writes: > On 07/07/16 19:02, David Wright wrote: >> BTW one of the odd "assumptions" made in LP is in that variable called >> poet. What about compositions whose lyrics are prose? > > Of which I guess there are very few :-) "Jerusalem" is a pretty >

Re: Alla breve notation in Kyrie (2) from Bach's Hohe Messe

Op 09-07-16 om 22:37 schreef Simon Albrecht: On 09.07.2016 20:53, Jogchum Reitsma wrote: For me it still is odd to see cut C noted, and then not two, but four halves in each bar. The history of the c and cut c symbols is complex and difficult to grasp. Historically, both are derived from