Re: tuplets in compound meter

Am 26.07.2016 um 20:34 schrieb David Wright: >What I didn't take into account is tuplet's optional argument for the >tuplet spanner duration. Can you do this in compound time? What would be the syntax? Of course, you can use scaled and dotted durations like \time 6/8 \tuplet 7/6 2. { … }

Re: Is it possible to do this without the warning?

You can safely switch to 2.19.44 I guess. Jacques Menu, iPhone > Le 27 juil. 2016 à 01:13, Peter Terpstra a écrit : > > Jacques Menu Muzhic wrote: > >> Adding ‘\voicexxx’ and removing '\stem*', I get something that works >> alright: >> >> >> >> \version "2.19.44"

Re: Is it possible to do this without the warning?

Jacques Menu Muzhic wrote: > Adding ‘\voicexxx’ and removing '\stem*', I get something that works > alright: > > > > \version "2.19.44" Thank you very much for your answer. It does not seem to work for version "2.18.2" as some voices become invisible. Kindly, Peter

Re: Midi entry

On 26 July 2016 at 17:01, Richard Shann wrote: > On Tue, 2016-07-26 at 15:45 +0200, Mojca Miklavec wrote: > > I think the first track is just being used to vary the tempo. Whether > that is because it originated in a human performance (it would be a > sophisticated program that generated this in

Re: Is it possible to do this without the warning?

Hello Peter, Adding ‘\voicexxx’ and removing '\stem*', I get something that works alright: \version "2.19.44" global = { \time 3/8 } % 1: highest classicalGuitarVoiceOne = \relative c' { \global \voiceOne d4 d8 | e4 e8 } % 2: lowest classicalGuitarVoiceTwo = \relative c { \global

Re: Generating music expressions from within \applyContext?

"H. S. Teoh" writes: > On Tue, Jul 26, 2016 at 09:48:36AM +0200, David Kastrup wrote: >> "H. S. Teoh" writes: > [...] >> > The background of this is that I'm writing a Scheme function that >> > generates single-note crescendos by emitting a series

Is it possible to do this without the warning?

Dear people, lilypond file is: \version "2.18.2" global = { \time 3/8 } % 1: highest classicalGuitarVoiceOne = \relative c' { \global d4 d8 | e4 e8 } % 2: lowest classicalGuitarVoiceTwo = \relative c { \global b4. | b } % second highest classicalGuitarVoiceThree = \relative c' {

Re: Create a \bookpart in a Scheme function

Hi Harm, Am 26.07.2016 um 20:58 schrieb Thomas Morley: > 2016-07-26 20:03 GMT+02:00 Urs Liska : >> Hi all, >> >> one more of my recent confusing ideas: I would like to generate a number of >> \bookpart-s in a Scheme function. The reason is that I have to loop over a >>

Re: More problems with hor. alignment of button numbers when misusing lyrics (for accordion)

On Tue, Jul 26, 2016 at 1:23 PM, David Nalesnik wrote: > On Tue, Jul 26, 2016 at 1:01 PM, David Nalesnik > wrote: >> On Tue, Jul 26, 2016 at 12:52 PM, David Nalesnik >> wrote: >> >>> >>> Something is messed up. >>> >>

Re: Create a \bookpart in a Scheme function

2016-07-26 20:03 GMT+02:00 Urs Liska : > Hi all, > > one more of my recent confusing ideas: I would like to generate a number of > \bookpart-s in a Scheme function. The reason is that I have to loop over a > number of works and create scores for them that are in a bookpart

Re: tuplets in compound meter

On Mon 25 Jul 2016 at 12:21:21 (+0200), Urs Liska wrote: > Am 25.07.2016 um 12:00 schrieb Malte Meyn: > > Am 25.07.2016 um 11:44 schrieb Andrew Bernard: > >> So they are tuplet 10/9. Can you not simply set the tuplet numbers > >> accordingly? > >> > >> \once \override TupletNumber.text = "" > > >

Re: More problems with hor. alignment of button numbers when misusing lyrics (for accordion)

On Tue, Jul 26, 2016 at 1:01 PM, David Nalesnik wrote: > On Tue, Jul 26, 2016 at 12:52 PM, David Nalesnik > wrote: > >> >> Something is messed up. >> > > > Same results in 2.18.2 and 2.19.45 (Win10) > Adding \set Lyrics.lyricMelismaAlignment

Re: More problems with hor. alignment of button numbers when misusing lyrics (for accordion)

On Tue, Jul 26, 2016 at 12:52 PM, David Nalesnik wrote: > > Something is messed up. > Same results in 2.18.2 and 2.19.45 (Win10) DN ___ lilypond-user mailing list lilypond-user@gnu.org

Re: More problems with hor. alignment of button numbers when misusing lyrics (for accordion)

On Tue, Jul 26, 2016 at 12:47 PM, David Nalesnik wrote: > Hi Mojca, > > On Tue, Jul 26, 2016 at 7:44 AM, Mojca Miklavec > wrote: > >> To summarise again: I want to add button numbers (and optional finger >> numbers) on top of pitches

Re: More problems with hor. alignment of button numbers when misusing lyrics (for accordion)

Hi Mojca, On Tue, Jul 26, 2016 at 7:44 AM, Mojca Miklavec wrote: > To summarise again: I want to add button numbers (and optional finger > numbers) on top of pitches (usually one to three buttons at the same > time) to aid diatonic accordion players. > >

Re: Generating music expressions from within \applyContext?

On Tue, Jul 26, 2016 at 09:48:36AM +0200, David Kastrup wrote: > "H. S. Teoh" writes: [...] > > The background of this is that I'm writing a Scheme function that > > generates single-note crescendos by emitting a series of \set > > Staff.midiExpression = ... events. > >

Re: bis

On Mon, Jul 25, 2016 at 7:56 AM, David Nalesnik wrote: > Another solution is available on the LSR: > http://lsr.di.unimi.it/LSR/Snippet?id=954. > > Add this function: > > textedMeasureBracket = > #(define-music-function > (parser location str mus) > (markup?

Re: Midi entry

On Tue, 2016-07-26 at 15:45 +0200, Mojca Miklavec wrote: > Hello, > > Just before I give up about midi2ly: > > On 22 July 2016 at 17:50, David Kastrup wrote: > > Mojca Miklavec writes: > > > >> That said, I wouldn't mind suggestions for some good OpenSource (GUI) > >> MIDI editors. I have a

Re: Midi entry

On 7/26/2016 8:45 AM, Mojca Miklavec wrote: > I have to keep playing with more MIDI files. The ones I tried last > time were more problematic (or maybe I just didn't get the parameters > right). Attached is a MIDI file you can try importing. This was done with the SpeedyMIDI program from

Re: Midi entry

Hello, Just before I give up about midi2ly: On 22 July 2016 at 17:50, David Kastrup wrote: > Mojca Miklavec writes: > >> That said, I wouldn't mind suggestions for some good OpenSource (GUI) >> MIDI editors. I have a bunch of weird MIDI files that I would like to >> turn into scores. They sound

More problems with hor. alignment of button numbers when misusing lyrics (for accordion)

Hi, Sorry for a bit of "top-posting", but all I wanted was to include some minor background (started in the thread "Vertical clash of contents"). You can ignore that if you want. If replying, please CC me. To summarise again: I want to add button numbers (and optional finger numbers) on top of

repeating bar numbers and rehearsal marks in frenched score

Further to this thread from 2013 (https://lists.gnu.org/archive/html/lilypond-user/2013-09/msg00857.html) I've still not come up with a satisfactory method of duplicating a dedicated BarNumber/RehearsalMark context at two or more vertical positions in a frenched score. The context should only stay

display multi measure rest span

[image: Inline images 1]Hi Lilyponders, Could anyone point me in the right direction of this. I'm trying to get the bar number range of a multi measure rest printed below it as in the attached example (bars 13-14). It would need to be visible on the parts, but not on the score. I thought tags

Re: Horizontal shifting of a figured bass symbol

On 26 Jul 2016, at 11:40 , David Kastrup wrote: > Robert Blackstone writes: > \new FiguredBass { \figuremode { \override BassFigure #'font-size = #-2 < \sh >1 < _ >1 | }} >> } >>> >>> Any reason you are

Re: Horizontal shifting of a figured bass symbol

Robert Blackstone writes: >>> \new FiguredBass { >>> \figuremode { \override BassFigure #'font-size = #-2 >>> < \sh >1 < _ >1 | >>> }} > >>> } >> >> Any reason you are using \sh here instead of _+ ? > > > Hi David, > Yes, I do not at all like

Re: Horizontal shifting of a figured bass symbol

On 26 Jul 2016, at 11:03 , David Kastrup wrote: > Robert Blackstone writes: > >> Dear all, >> >> In my experience, figured bass symbols are, or rather look, always perfectly >> aligned vertically with their bass note. >> Not, however, in this case.

Re: Horizontal shifting of a figured bass symbol

Robert Blackstone writes: > Dear all, > > In my experience, figured bass symbols are, or rather look, always perfectly > aligned vertically with their bass note. > Not, however, in this case. That is, the sharp is well aligned with the left > side of the whole

Re: Generating music expressions from within \applyContext?

David Kastrup writes: > "H. S. Teoh" writes: > >> I have a Scheme function that returns a music expression. Unfortunately, >> the expression returned depends on the properties of the context it's >> evaluated in. I.e., based on the current setting of >>

Horizontal shifting of a figured bass symbol

Dear all, In my experience, figured bass symbols are, or rather look, always perfectly aligned vertically with their bass note. Not, however, in this case. That is, the sharp is well aligned with the left side of the whole note, as seen in the ME. ++ sh = \markup { \fontsize #-2

Re: Generating music expressions from within \applyContext?

"H. S. Teoh" writes: > I have a Scheme function that returns a music expression. Unfortunately, > the expression returned depends on the properties of the context it's > evaluated in. I.e., based on the current setting of > Staff.dynamicAbsoluteVolumeFunction it will

Re: getting repeat bar lines to print across an entire system

Am 24.07.2016 um 18:10 schrieb David Kastrup: [...] Well, accolades are nice and everything, but if we are talking about frequently desired functionality, it makes sense that enough hooks are in LilyPond itself that a custom layout can then be called upon with one rather than 20 pages of Scheme