On Mon 15 Aug 2016 at 18:10:03 (+0200), ander...@notam02.no wrote:
> > "D" == David Wright writes:
>
> D> I've googled around for a file format, but all I find are
> D> applications and program fragments. OK, an application might be
> D> able to store
> "D" == David Wright writes:
D> I've googled around for a file format, but all I find are
D> applications and program fragments. OK, an application might be
D> able to store an OSC protocol stream in a file, but that does not
D> make that a file
On 2016-08-15 18:57, Simon Albrecht wrote:
In case any non-German speaking people might wonder: this is no spam
[...]
... and the "Edition Lilienteich" in the mail address means "Edition
Lilypond". And they have a logo... ;-)
Cheers!
On 15.08.2016 18:02, r...@lilienteich.de wrote:
Sehr
On Mon, 15 Aug 2016 12:33:44 -0500
David Wright wrote:
> My contention there was that the volta construction can produce the
> correct score and the correct midi when applied correctly (ie to all
> the voices).
How do you think I produced correct scores and MIDI for
David Wright writes:
> On Mon 15 Aug 2016 at 17:20:09 (+0200), Johan Vromans wrote:
>>
>> I change my remark to: "Specifying the structure of a score in
>> \global is wonderful, it just doesn't play nice with MIDI, because no
>> voice can impose a MIDI repeat
msk...@ansuz.sooke.bc.ca writes:
> The \retrograde function doesn't seem to handle ties at all, as seen in
> this example, which engraves only one tie:
>
> music = { c'4~ c'8 g'8 }
>
> \new Staff {
> \music
> \retrograde \music
> }
>
> The notation manual mentions that "manual" ties are not
On Mon 15 Aug 2016 at 17:20:09 (+0200), Johan Vromans wrote:
> On Mon, 15 Aug 2016 09:39:39 -0500
> David Wright wrote:
>
> > I'm sorry, but your wishlist has nothing to do with the statement
> > "Specifying the structure of a score in \global is wonderful, it just
> >
I reply to all questions of 'sprechen sie' with a firm 'nein'!!
On Mon, Aug 15, 2016 at 11:01 AM, Urs Liska wrote:
>
>
> Am 15.08.2016 um 18:57 schrieb Simon Albrecht:
> > In case any non-German speaking people might wonder: this is no spam
> > (for what I can tell), but
Am 15.08.2016 um 18:57 schrieb Simon Albrecht:
> In case any non-German speaking people might wonder: this is no spam
> (for what I can tell), but an automatic reply informing us that Herr
> Ried is on vacation and won’t answer. Ideally, Dennis, you might set
> up the absence note so that it
In case any non-German speaking people might wonder: this is no spam
(for what I can tell), but an automatic reply informing us that Herr
Ried is on vacation and won’t answer. Ideally, Dennis, you might set up
the absence note so that it isn’t sent to mailing lists – I hope that’s
possible.
Johan Vromans writes:
> On Mon, 15 Aug 2016 09:39:39 -0500
> David Wright wrote:
>
>> I'm sorry, but your wishlist has nothing to do with the statement
>> "Specifying the structure of a score in \global is wonderful, it just
>> doesn't work with
Sehr geehrte Dame, sehr geehrter Herr,
ich bin bis zum 23.08.2016 im Urlaub und kann Ihre Anfrage leider nicht beantworten. Gerne kümmere ich mich nach meiner Rückkehr um Ihre Wünsche.
Ihre eMail wird nicht weitergeleitet. In dringenden Fällen wenden Sie sich bitte an meine Kollegen
On Sun 14 Aug 2016 at 13:02:08 (+0200), ander...@notam02.no wrote:
> b> https://de.wikipedia.org/wiki/Open_Sound_Control is sayed to
> b> replace MIDI. Is this something usefull for lilypond?
>
> It should be. Storing and sending/receiving arbitrary data is
> straightforward in OSC, in
On Mon, 15 Aug 2016 09:39:39 -0500
David Wright wrote:
> I'm sorry, but your wishlist has nothing to do with the statement
> "Specifying the structure of a score in \global is wonderful, it just
> doesn't work with midi."
There is something called the principle of
On Mon 15 Aug 2016 at 09:18:57 (+0200), Johan Vromans wrote:
> On Sun, 14 Aug 2016 21:45:51 -0500
> David Wright wrote:
>
> > This is true, they are not. In fact, I don't quite understand what
> > you mean by "applying" \global "to the music parts". All the Voices
> >
b> https://de.wikipedia.org/wiki/Open_Sound_Control is sayed to
b> replace MIDI. Is this something usefull for lilypond?
It should be. Storing and sending/receiving arbitrary data is
straightforward in OSC, in MIDI you'll have to build and parse sysex for
any non-standard (e.g. rhythms,
Mark Knoop writes:
> At 10:32 on 15 Aug 2016, Johan Vromans wrote:
>>On Mon, 15 Aug 2016 10:22:14 +0200
>>David Kastrup wrote:
>>
>>> That's not really surprising. The "repeats are shown" just by
>>> changing the bar line type, ...
>>
>>That is the explanation
Johan Vromans writes:
> On Mon, 15 Aug 2016 10:22:14 +0200
> David Kastrup wrote:
>
>> That's not really surprising. The "repeats are shown" just by changing
>> the bar line type, ...
>
> That is the explanation of the current behaviour.
>
> What I want to
At 10:32 on 15 Aug 2016, Johan Vromans wrote:
>On Mon, 15 Aug 2016 10:22:14 +0200
>David Kastrup wrote:
>
>> That's not really surprising. The "repeats are shown" just by
>> changing the bar line type, ...
>
>That is the explanation of the current behaviour.
>
>What I want to say
On Mon, 15 Aug 2016 10:22:14 +0200
David Kastrup wrote:
> That's not really surprising. The "repeats are shown" just by changing
> the bar line type, ...
That is the explanation of the current behaviour.
What I want to say is that it would be nice if instead it would
be like the
Johan Vromans writes:
> On Sun, 14 Aug 2016 21:45:51 -0500
> David Wright wrote:
>
>> This is true, they are not. In fact, I don't quite understand what
>> you mean by "applying" \global "to the music parts". All the Voices
>> are just Voices,
On Sun, 14 Aug 2016 21:45:51 -0500
David Wright wrote:
> This is true, they are not. In fact, I don't quite understand what
> you mean by "applying" \global "to the music parts". All the Voices
> are just Voices, aren't they?
>
> Anyway, the repeat structure has to be
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