Hi Allen,
Please find hereunder a easyer-to-use function.
Limitation: work in one way (pitch up), won't work with whole notes and
slurs.
\version "2.19.82"
amb = #(define-music-function (parser location arg mus) (integer? ly:music?)
(let ((amb1 (ly:make-pitch 0 0 0))
(amb2
Hi folks,
The original discussion was MacOS-focused, but it got me thinking about
the Windows side of life. I run a bit of an odd setup where I use the
Windows Subsystem for Linux and have LilyPond installed there, but I do
all my editing in Windows with Visual Studio Code. This setup works
Hello,
My choice to move barlines to the EE is based on the fact that I have many
large-scale works — operas, musicals, and the like — made up of small movements
which may join together in different ways. For example, "Waiting", the
11-o'clock number from "Fairy Tale Ending", continues attacca
Hi gents,
Thanks for your advice. Jan-Peter, I do something similar with a global
"timeline" or structure with barlines, key signatures, repeats, rehearsal
marks. I was just wondering if I was behind the times and not keeping up
with the EE. I'm just trying to make my code as concise as possible.
Il giorno lun 9 lug 2018 alle 20:32, Mats Behre
<"mb.maillists"@gmail.com> ha scritto:
On 2018-07-09 07:56, Federico Bruni wrote:
As the syntax is not Emacs, I guess that Eddie is the editor you
want to use and all the emacsclient variables are just the variables
you took from the
Am 09.07.2018 um 21:09 schrieb Hwaen Ch'uqi:
I have found snippets that produce a series of blank systems, each
system naturally spreading across the page. How can I do this for a
single system?
\paper {
ragged-right = ##f
}
___
lilypond-user
Greetings All,
I suspect that the answer to this is extremely obvious, but it
currently eludes me. I would like to produce a blank staff that fills
the page horizontally. Here is my code for an eleven-line staff.
\version "2.19.80"
\paper {
#(set-paper-size "letter") tagline = ##f
}
\score
On 2018-07-09 07:56, Federico Bruni wrote:
As the syntax is not Emacs, I guess that Eddie is the editor you want to use
and all the emacsclient variables are just the variables you took from the
original example. (BTW, I don't think you found it on lilypond website)
You're guessing
Hello Ben,
Yes, I can use the MIDI player slide bar alright, but typing a number would be
easier and more accurate if one often does that.
JM
> Le 9 juil. 2018 à 13:54, Ben a écrit :
>
> On 7/8/2018 3:52 PM, Urs Liska wrote:
>>
>> Am 8. Juli 2018 20:15:09 MESZ schrieb Menu Jacques
>>
On 7/8/2018 3:52 PM, Urs Liska wrote:
Am 8. Juli 2018 20:15:09 MESZ schrieb Menu Jacques :
Hello folks,
Frescobaldi is quite a great tool, and I often think it could even be
enhanced in the following ways:
- add a command to select all the skips in the window or current
selection.
Aaron Hill wrote
> On 2018-07-09 01:54, Torsten Hämmerle wrote:
> Thanks, Torsten. Based on this, I wonder if \scale would be the better
> choice to avoid what happens with \magnify:
On the one hand, \scale is completely independent of font-sizes and will
work without much ado.
On the other
On 2018-07-09 01:54, Torsten Hämmerle wrote:
In other words: the object's individual font-size property is getting
in the
way when using the \magnify command and you'll have to take the current
font-size into account.
Just declare
#:properties ((font-size 0))
in order to make the current
Aaron Hill wrote
> However, there is something odd with the units returned. I
> experimentally found that a fudge factor of 1.125 appeared to mostly
> correct things, but I am almost certainly just overlooking something
> important.,
Hi Aaron,
Your coding (without fudge factor) will work
I cannot think of any simple solution. So here it goes :
\version "2.18"
\relative c' {
%% Stem defs to be set manually;
\once\override Stem.Y-offset = #-4
\once\override Stem.length = #4.5
\once\stemDown
2
%% defaulft stem length:
\once\stemDown c
\once\override
Hi Craig, Kieren,
I actually use kind of a global variable for the global time line. So
all repeat signs, time-signatures *and* key-signatures there. Before I
implemented the EE I started with a template-engine where the tamplates
take care of creating the simultaneous music ( << \getMusic meta
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