Tweak beam slashes for small staves

2018-07-21 Thread Edward Neeman
Hello, This snippet produces very nice slashed grace note beams: http://lsr.di.unimi.it/LSR/Snippet?id=721 However the slashes don’t adjust properly for smaller staves that are tweaked with the \magnifyStaff function. In the example below, the slash on the second (smaller) staff is too high

Re: Some text formatting advice

2018-07-21 Thread Andrew Bernard
Hi Urs, I have been wanting a way to specify an absolute width for measures since I started using lilypond. It would be great to have this. But I fear it will never be forthcoming. I understand this is difficult if not impossible. Although I personally think it is a sort of musical abuse of what

Re: How to set up polymetric situations

2018-07-21 Thread David Kastrup
Simon Albrecht writes: > Which may still entail different metronome markings for different > groups or performers simultaneously, as in the example I gave, or for > example in Britten’s War Requiem. True, it would require the user to > really specify the metronome markings only in the top staff

Re: How to set up polymetric situations

2018-07-21 Thread Simon Albrecht
On 21.07.2018 12:47, David Kastrup wrote: Simon Albrecht writes: On 21.07.2018 09:08, David Kastrup wrote: It’s also sensible as well as intuitive and mnemonic to address the Timing alias here: \set Timing.tempoHideNote = ##t Only if you move the Metronome_mark_engraver in polyrhythmic

Some text formatting advice

2018-07-21 Thread Urs Liska
Hi, I need some advice on text formatting. This page: http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10527451_00056.html (http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10527451_00056.html) exposes a number of challenges that I'm not sure how to solve. The

Staff-brace-like horizontal spanner

2018-07-21 Thread lists
Hi all, I'm looking for a way to create a horizontal spanner that looks like a PianoStaff brace, which automatically grows horizontally without scaling the whole shape. The model can be seen on this page: http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10527451_00050.html Of

Change vertical spacing of piano system (single)

2018-07-21 Thread Ben
Hi all, What is the best way to go about changing the vertical distance between piano staves (RH/LH) for only one /particular/ system, as needed, rather than the whole instrument throughout the piece? Here's my code so far, as an example: \version "2.19.81" \new PianoStaff \with {  

articulate with grace notes and contexts fails barline check

2018-07-21 Thread Knute Snortum
I think this is a bug, but I wanted to run it past the users' group first. The heart of the problem is that the function articulate is not producing the correct MIDI output with grace notes in certain situations. The symptom is that a bar check fails. Below is a MWE. I know it doesn't look

Re: How to set up polymetric situations

2018-07-21 Thread David Kastrup
Simon Albrecht writes: > On 21.07.2018 09:08, David Kastrup wrote: >>> It’s also sensible as well as intuitive and mnemonic to address the >>> Timing alias here: >>> >>> \set Timing.tempoHideNote = ##t >> Only if you move the Metronome_mark_engraver in polyrhythmic situations. >> If you don't

How to set up polymetric situations

2018-07-21 Thread Simon Albrecht
On 21.07.2018 09:08, David Kastrup wrote: It’s also sensible as well as intuitive and mnemonic to address the Timing alias here: \set Timing.tempoHideNote = ##t Only if you move the Metronome_mark_engraver in polyrhythmic situations. If you don't and Timing is at Staff level... The Midi is

Re: Hairpin.to-barline doesn't always work

2018-07-21 Thread Michael Gerdau
> why would the default setting for to-barface be true? If I wanted my spanner > to end on the immediately preceding bar line, I could easily set "\!" after > the last note of the preceding bar. > Have you actually tried what you claim could easily be done? Setting "\!" after the last note

Re: Hairpin.to-barline doesn't always work

2018-07-21 Thread Malte Meyn
Am 21.07.2018 um 08:55 schrieb Thomas Morley: Afaik, we do so to follow the usual type-setting-rules. I could be wrong here, though. I don't own Gould Gould states that the to-barline default ##t is correct *but* in places where the first beat of the next bar is far from the bar line (f. e.

Re: Hairpin.to-barline doesn't always work

2018-07-21 Thread Urs Liska
Am 21.07.2018 um 08:55 schrieb Thomas Morley: 2018-07-21 5:08 GMT+02:00 Patrick Karl : The to-barline property I have a couple of questions about this section. The first is, why would the default setting for to-barface be true? Afaik, we do so to follow the usual type-setting-rules. I

Re: \set Staff.tempoHideNote not working

2018-07-21 Thread David Kastrup
Simon Albrecht writes: > On 19.07.2018 22:07, David Kastrup wrote: >> Patrick Karl writes: >>> Neither of the following attempts at hiding the "quarter note = nnn" works: >>> >>> >>> { \set Staff.tempoHideNote = ##t >>>   \tempo "Allegro" 4=120 >>>   c''4 d'' e'' f'' >>> } >>> >>> { \tempo

Re: Hairpin.to-barline doesn't always work

2018-07-21 Thread Thomas Morley
2018-07-21 5:08 GMT+02:00 Patrick Karl : > The to-barline property > I have a couple of questions about this section. The first is, why would > the default setting for to-barface be true? Afaik, we do so to follow the usual type-setting-rules. I could be wrong here, though. I don't own Gould