I pulled lilypond sources from git today, and while trying to figure out
a botched configure invocation, I did a git clean -x -f, and now
INSTALL.txt doesn't exist anymore...? I did a fresh git clone from
git://git.sv.gnu.org/lilypond.git but same thing, INSTALL.txt seems to
have gone missing?
John,
This is a known issue.
To compensate place a spacer grace in each of the other voices/staves.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of John Burt
Sent: Friday, July 24, 2020 11:31 AM
To: lilypond-user
Subject: Strange
The only orchestral piece I have set in Lilypond until now was for 12
strings and a couple of other instruments. I had 2 versions of the
strings material, one of which kept all of the parts on separate staves
for the parts, and the other which combined them on to fewer staves
(where appropriate)
Please check the known issues in the notation reference:
https://lilypond.org/doc/v2.20/Documentation/notation/special-rhythmic-concerns
You must put grace skips in all staves when a grace note is at the start of a
piece.
HTH,
Carl
From: lilypond-user
on behalf of John Burt
Date: Friday,
When the first notes of a piece are grace notes, if there are other voices,
or other staves in the piece, the grace note is set in a separate bar, and
then the time signature and key are printed again. I notice the same thing
with appoggiatura and accacciatura. I tried to make this example as
> On Jul 24, 2020, at 11:14 AM, David Zelinsky wrote:
>
> Felipe Gasper writes:
>
>> I’m converting some Gregorian chant scores from GABC to
>> Lilypond. I’m looking for a way to put a bit of italicized text (e.g.,
>> “Ps.”) under a barline, as is typical with some chant genres.
>>
>>
Felipe Gasper writes:
> I’m converting some Gregorian chant scores from GABC to
> Lilypond. I’m looking for a way to put a bit of italicized text (e.g.,
> “Ps.”) under a barline, as is typical with some chant genres.
>
> You can see an example here, on the 3rd line:
>
Just out of curiosity (and because I moved from LP to Gregorio for all things
Gregorian):
What exactly is it that you miss in Gregorio that you hope to achieve with LP?
The provided example chant is easily typeset in Gregorio and I‘m not aware that
it is possible to achieve an acceptable result
