Aha! Found the culprit. As you can see if other staves have different
durations (shorter than the span that needs to be covered), the spanner
terminates at the first next duration it finds. Could you make the spanner
to see only the relevant duration of the context it is applied to? Voice,
Staff et
Excuse my mistake in the tiny example: It is supposed to be a TrillSpanner
not a TextSpanner override.
The tiny example works apparently but the issue still remains in my
real-scenario file.
Sorry let me find a better example to highlight the issue in case it was a
simple user-error.
On Sat, Feb 6
Sorry for resurrecting the thread after months. I ran into a strange bug(?)
I think.
Using this code in combination with \partCombine confuses Lilypond and the
spanner is terminated mid-bar where the invisible full-measure rest of the
other part is hidden.
I could tweak the right padding but hones
Thanks
I just wanted the option to have the look I'm more used to (beam-like
everywhere).
In regard to the length-fraction you are correct. In my case it looked
weird because I had modified the regular beam fraction so the rectangles
were a bit too close for my taste.
Best,
Dimitris
On Thu, Feb
All this Music related things are just a hobby for me. No one has paid me
to do it. So any form of payments and paid arrangements are out of
question, I am afraid.
I still believe the right coder will come out from somewhere as PMN is
quite close to a Tablature (i. e. 'renova rows' resemble pseudo-
Hi Pashkuli,
> I will look that Scheme script or language up. I hope it is not going to be a
> steep learning curve, as I also do not have the time to learn coding.
> I tried some C++ basic stuff many ears ago... and it was... painful.
Well, this system won’t code itself. ;)
As with everything
> On 6 Feb 2021, at 16:23, Pashkuli Keyboard
> wrote:
>
> From Hans' comment, it seems Lilypond is also heavily attached to the
> "standard" notation.
Yes, it is hardwired, so one has to introduce special rules to cope with E12
enharmonic equivalences.
I will look that Scheme script or language up. I hope it is not going to be
a steep learning curve, as I also do not have the time to learn coding.
I tried some C++ basic stuff many ears ago... and it was... painful.
Hi Pashkuli,
> If you do not want to know, there is no reason to know about my Plain Music
> Notation system.
Except if my reason is to help you engrave your system, right? I don’t need to
believe or be convinced that (e.g.) rap music is superior to jazz in order to
help someone who *does* bel
Hi, David
Never heard of this 'Scheme' language. In terms of coding all I can do for
now is "Hello, world!" or assigning variables... 😶
Thanks for the info. Will check it out now.
Hi, Kieren
If you do not want to know, there is no reason to know about my Plain Music
Notation system.
There are no
On Sat, Feb 6, 2021 at 10:19 AM Pashkuli Keyboard
wrote:
>
> Hi, Kieren
> PMN is finished in terms of how it will look and how function.
> The problem is it is quite radically different from any Music Notation I have
> encountered on http://musicnotation.org
>
> All need now is a skilful software
Hi Pashkuli,
> PMN is finished in terms of how it will look and how function.
Ah… well, I didn’t pay close attention to the thread, because it seemed like
more of a proselytizing (or, perhaps more kindly, “philosophical”) discussion,
rather than a “here are the precise rules of my system, how c
Hi, Kieren
*PMN is finished in terms of how it will look and how function.*
*The problem is it is quite radically different from any Music Notation I
have encountered on *http://musicnotation.org
All need now is a skilful software developer who can at least help me
(guide me) build it (JavaScript
Hi Pashkuli,
> Yes, seems I am at the wrong place (again).
> Please, delete the thread. There is no reason to confuse the users.
When you have worked out what your “improved notation system” looks like and
how it works, feel free to come back here to figure out how Lilypond can help
you engrave
Yes, seems I am at the wrong place (again).
Please, delete the thread. There is no reason to confuse the users.
Hello Pashkuli,
I'm sorry to say that this discussion of yours should take place elsewhere,
since this forum is meant to help LilyPond users.
JM
> Le 6 févr. 2021 à 16:33, Pashkuli Keyboard a
> écrit :
>
> *** Unsatisfied criteria ***
> Criteria 8
> The notation possesses a fully proportio
*** Unsatisfied criteria ***
Criteria 8
The notation possesses a fully proportional pitch coordinate, where each of
the twelve common pitches is spaced in a graphic manner, so that
progressively larger pitch intervals have progressively larger spacing on
the coordinate.
***
This I questioned (as
The staff system that LilyPond uses originally refers to the Pythagorean
tuning, which has two generators. A symphony orchestra uses adaptive Just
Intonation which requires an additional generator, but that is normally not
notated, but microtonalist do, one can use for example Helmholtz-Ellis no
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