Re: Behaviour of systemStartDelimiter

2021-04-30 Thread Jean Abou Samra
Le 30/04/2021 à 20:45, Timothy Lanfear a écrit : I would like a StaffGroup without any systemStartDelimiter -- staves grouped inside simultaneous music will not do because I would like a \with clause to modify the context plugins. Unsetting the systemStartDelimiter does the trick \new

Behaviour of systemStartDelimiter

2021-04-30 Thread Timothy Lanfear
I would like a StaffGroup without any systemStartDelimiter -- staves grouped inside simultaneous music will not do because I would like a \with clause to modify the context plugins. Unsetting the systemStartDelimiter does the trick \new StaffGroup \with { \unset systemStartDelimiter } <<  

Re: Tempo markings placement for trio music

2021-04-30 Thread Xavier Scheuer
On Fri, 30 Apr 2021 at 19:55, Rachel Green wrote: > > Hi, > For trios, I would like all the tempo markings to occur both above all parts (as seen above the flute in the example below) but also right above the harp part. When I add a tempo marking to the harp part, it places it above the flute

Re: Tempo markings placement for trio music

2021-04-30 Thread Kevin Barry
Hi Rachel, You can make this work by adding the engraver to the staff you want it to print above (in this case the harp's upper staff). Based on your example the code might look something like this: \new Staff \with { \consists Mark_engraver \consists

Re: Tempo markings placement for trio music

2021-04-30 Thread Jean Abou Samra
Le 30/04/2021 à 19:17, Rachel Green a écrit : Hi, For trios, I would like all the tempo markings to occur both above all parts (as seen above the flute in the example below) but also right above the harp part. When I add a tempo marking to the harp part, it places it above the flute part,

Tempo markings placement for trio music

2021-04-30 Thread Rachel Green
Hi, For trios, I would like all the tempo markings to occur both above all parts (as seen above the flute in the example below) but also right above the harp part. When I add a tempo marking to the harp part, it places it above the flute part, but when I add a regular markup to the harp part,

Re: Pitch value of previous note

2021-04-30 Thread David Sumbler
On Fri, 2021-04-30 at 16:41 +0200, David Kastrup wrote: > David Sumbler writes: > > On Fri, 2021-04-30 at 04:17 -0700, Aaron Hill wrote: > > > A duration without pitch is encoded as a NoteEvent with the > > > pitchproperty. expand-repeat-notes! is the internal procedure > > > thatcarries over

Re: repeatTie question

2021-04-30 Thread David Wright
On Fri 30 Apr 2021 at 05:31:50 (+), Werner LEMBERG wrote: > > > Okay, so here's a thing: I don't know this term (let vibrate), and > > if I did, I'm not sure how it would apply in this context (it's a > > tie, right?). > > Have you actually looked into the Notation Reference, section 'Ties'?

Re: Pitch value of previous note

2021-04-30 Thread David Kastrup
David Sumbler writes: > On Fri, 2021-04-30 at 04:17 -0700, Aaron Hill wrote: > >> A duration without pitch is encoded as a NoteEvent with the pitch >> property. expand-repeat-notes! is the internal procedure that >> carries over the most recent pitch. So long as you insert these >> events

Re: Pitch value of previous note

2021-04-30 Thread David Sumbler
On Fri, 2021-04-30 at 04:17 -0700, Aaron Hill wrote: > On 2021-04-30 3:39 am, David Sumbler wrote: > > I want to be able to insert a note of the same pitch as the preceding > > one. I don't mind what form the pitch information is in, so long as I > > can use it to create a new note. It could,

Re: Pitch value of previous note

2021-04-30 Thread David Kastrup
Mark Knoop writes: > At 12:15 on 30 Apr 2021, David Kastrup wrote: >> David Sumbler writes: >>> How can I access the pitch value of this most recent note for use in a >>> Scheme function after some rests? >> >> Other value-propating mechanisms exist for default durations (attached >> by the

Re: Pitch value of previous note

2021-04-30 Thread Mark Knoop
At 12:15 on 30 Apr 2021, David Kastrup wrote: David Sumbler writes: How can I access the pitch value of this most recent note for use in a Scheme function after some rests? Other value-propating mechanisms exist for default durations (attached by the parser upon reading expressions),

Re: Pitch value of previous note

2021-04-30 Thread Aaron Hill
On 2021-04-30 4:17 am, Aaron Hill wrote: On 2021-04-30 3:39 am, David Sumbler wrote: I want to be able to insert a note of the same pitch as the preceding one. I don't mind what form the pitch information is in, so long as I can use it to create a new note. It could, for example, be in the

Re: Pitch value of previous note

2021-04-30 Thread Aaron Hill
On 2021-04-30 3:39 am, David Sumbler wrote: I want to be able to insert a note of the same pitch as the preceding one. I don't mind what form the pitch information is in, so long as I can use it to create a new note. It could, for example, be in the form "b,,", or something similar to "(-2,

Re: Pitch value of previous note

2021-04-30 Thread David Kastrup
David Sumbler writes: > On Fri, 2021-04-30 at 12:15 +0200, David Kastrup wrote: >> David Sumbler writes: >> > In a \relative{ } passage, in order for Lilypond to work out >> > theabsolute pitch of a note, it must have a record of the absolute >> > pitchof the previous note, even if there have

Re: Pitch value of previous note

2021-04-30 Thread David Sumbler
On Fri, 2021-04-30 at 12:15 +0200, David Kastrup wrote: > David Sumbler writes: > > In a \relative{ } passage, in order for Lilypond to work out > > theabsolute pitch of a note, it must have a record of the absolute > > pitchof the previous note, even if there have been some intervening > >

Re: Pitch value of previous note

2021-04-30 Thread David Kastrup
David Sumbler writes: > In a \relative{ } passage, in order for Lilypond to work out the > absolute pitch of a note, it must have a record of the absolute pitch > of the previous note, even if there have been some intervening rests. > It seems probable that it has this information in all cases,

Pitch value of previous note

2021-04-30 Thread David Sumbler
In a \relative{ } passage, in order for Lilypond to work out the absolute pitch of a note, it must have a record of the absolute pitch of the previous note, even if there have been some intervening rests. It seems probable that it has this information in all cases, whether relative pitch notation

Re: \pushToTag and \appendToTag examples

2021-04-30 Thread David Kastrup
Gianmaria Lari writes: >> >> > Nota bene: I didn't yet add any examples that take advantage of David new >> > possibilities: >> >> Ah, but that was sort of the point. >> > > Sure, I'm sorry :( > I'll help with that too when I will be able to access this new feature. > >> P.S. I would have liked

Re: skylines and custom-code

2021-04-30 Thread Jean Abou Samra
Le 05/04/2021 à 12:00, Thomas Morley a écrit : Hi Jean, thanks for your reply, though the situation is more complex than the initial minimal. Consider the following: { b'4\glissando 4 4 4 2 b'' } The plan is to print a glissando from b' to b'' and at intermediate NoteColumns print a Stem

Re: \pushToTag and \appendToTag examples

2021-04-30 Thread Gianmaria Lari
> > > Nota bene: I didn't yet add any examples that take advantage of David new > > possibilities: > > Ah, but that was sort of the point. > Sure, I'm sorry :( I'll help with that too when I will be able to access this new feature. > P.S. I would have liked to add a screenshot of the generated

Re: repeatTie question

2021-04-30 Thread Mark Probert
Werner wrote: >> > Have you actually looked into the Notation Reference, section 'Ties'? > A few paragraphs after the start of the section you can find > documentation for `\laissezVibrer`! > May bad. I missed that, and this is exactly the symbol I wanted to use. What I skipped over was the