Here's the resultant pdf...attached.
On Mon, Sep 20, 2021 at 7:54 PM Kenneth Wolcott
wrote:
>
> Thanks, Carl.
>
> Here's the erroi stream with the reduced Lilypond code.
>
> Thanke,
> Ken
>
> GNU LilyPond 2.22.1
> Processing `Hungarian_March_from_La_Damnation_de_Faust_MWE.ly'
> Parsing...
>
Thanks, Carl.
Here's the erroi stream with the reduced Lilypond code.
Thanke,
Ken
GNU LilyPond 2.22.1
Processing `Hungarian_March_from_La_Damnation_de_Faust_MWE.ly'
Parsing...
Interpreting music...[8][8]
Preprocessing graphical objects...
Interpreting music...
MIDI output to
On 9/20/21, 7:10 PM, "lilypond-user on behalf of Kenneth Wolcott"
wrote:
see attachment of what looks fine (to me) even though I received the
warnings...
On Mon, Sep 20, 2021 at 6:06 PM Kenneth Wolcott
wrote:
>
> why must a full measure rest (2/2) have a direction
see attachment of what looks fine (to me) even though I received the warnings...
On Mon, Sep 20, 2021 at 6:06 PM Kenneth Wolcott
wrote:
>
> why must a full measure rest (2/2) have a direction that will cause a
> collision?
>
> I tried using \stemDown, but that had no effect.
>
> warning:
>
why must a full measure rest (2/2) have a direction that will cause a collision?
I tried using \stemDown, but that had no effect.
warning:
blah.ly:34:7: warning: cannot resolve rest collision: rest direction not set
{
d,1\rest d,1\rest d,1\rest d,1\rest b1\rest b1\rest }
Hi Kenneth,
{1\p\< <>\!}
Or :
{\clef bass e,1\p\< <>\!}
Hope this helps.
Le lun. 20 sept. 2021, à 19 h 58, Kenneth Wolcott
a écrit :
>
> HI;
>
> dynamic "p" followed by hairpin crescendo on the same level, how?
>
> See attached screenshot.
>
> Thanks,
> Ken Wolcott
--
Pierre-Luc Gauthier
HI;
dynamic "p" followed by hairpin crescendo on the same level, how?
See attached screenshot.
Thanks,
Ken Wolcott
Sure, I didn't mean that transforms weren't well-documented.
I just suggest a paragraph of NR documentation, possibly linking
back to the IR, simply because the kind of technical language
we use in IR isn't obvious to understand for most users I would
guess (linear transform? complex number?
Jean Abou Samra writes:
> Le 20/09/2021 à 23:55, David Kastrup a écrit :
>> Jean Abou Samra writes:
>>
>>> Le 20/09/2021 à 23:31, David Kastrup a écrit :
Jean Abou Samra writes:
> Thoughts? One would have to look at the most typical use cases
> to decide on an interface.
Le 20/09/2021 à 23:55, David Kastrup a écrit :
Jean Abou Samra writes:
Le 20/09/2021 à 23:31, David Kastrup a écrit :
Jean Abou Samra writes:
Thoughts? One would have to look at the most typical use cases
to decide on an interface.
Anything wrong with using a ly:transform? type? It's
Jean Abou Samra writes:
> Le 20/09/2021 à 23:31, David Kastrup a écrit :
>> Jean Abou Samra writes:
>>
>>> Thoughts? One would have to look at the most typical use cases
>>> to decide on an interface.
>> Anything wrong with using a ly:transform? type? It's straightforward to
>> create and
Jean Abou Samra writes:
> Thoughts? One would have to look at the most typical use cases
> to decide on an interface.
Anything wrong with using a ly:transform? type? It's straightforward to
create and manipulate.
--
David Kastrup
Le 20/09/2021 à 23:31, David Kastrup a écrit :
Jean Abou Samra writes:
Thoughts? One would have to look at the most typical use cases
to decide on an interface.
Anything wrong with using a ly:transform? type? It's straightforward to
create and manipulate.
I had already forgotten about
Le 20/09/2021 à 22:02, Lukas-Fabian Moser a écrit :
Question to the experts: Am I right in thinking that the
documentation is misleading here?
That is also my understanding. The rotation property works on a stencil
using its own extents, performing the equivalent of ly:stencil-rotate,
Question to the experts: Am I right in thinking that the
documentation is misleading here?
That is also my understanding. The rotation property works on a stencil
using its own extents, performing the equivalent of ly:stencil-rotate,
not ly:stencil-rotate-absolute. After that, LilyPond
Le 20/09/2021 à 17:23, Werner LEMBERG a écrit :
If I understand it correctly, the "reference point" of a layout object
should be its relative (0,0) coordinate. It is possible to display
that point using a small function: [...]
It would be very nice if appendix A.8, "The Emmentaler font", could
Le 20/09/2021 à 15:36, Lukas-Fabian Moser a écrit :
Hi Peter,
One thing puzzles me about the documentation when it comes to
placement - it continually refers to the 'reference point' for an
object. I sort of understand what it means, but it doesn't seem to
be defined anywhere. For
> If I understand it correctly, the "reference point" of a layout object
> should be its relative (0,0) coordinate. It is possible to display
> that point using a small function: [...]
It would be very nice if appendix A.8, "The Emmentaler font", could
display the metrics boxes as given in the
here my workround for this:
graceSchleifer =
#(define-music-function (parser location note) (ly:music?)
(make-music 'SequentialMusic
'elements (list #{
\once \override Voice.NoteHead #'stencil =
#ly:text-interface::print
\once \override Voice.NoteHead #'X-extent =
Hi Peter,
One thing puzzles me about the documentation when it comes to
placement - it continually refers to the 'reference point' for an
object. I sort of understand what it means, but it doesn't seem to be
defined anywhere. For instance - to rotate a hairpin you have to
specify the
Hello Lukas-Fabian,
Thanks again. I was looking at the wrong place in the documentation. There's a
fine line to be drawn between tweaking and changing a default when you only
want to do it once.
One thing puzzles me about the documentation when it comes to placement - it
continually refers
On Mon, 20 Sept 2021 at 11:26, Daniel Benjamin Miller
wrote:
>
> This works quite well for overlaying two staves.
>
> Now, I want to do something a little more complex, but in the same way,
and I'm trying to figure out the vertical axis group tweak necessary for
doing this.
>
> I want to have two
You have a few options, depending on the degree of alignment you do
want between the staves.
\version "2.22.0"
staffI = \new Staff \fixed c' { g4 a b a8 g | fis4 e f2 }
staffII = \new Staff \fixed c'' { c2 d4 b, | c4 d bes,2 }
zeroSpacing = \with {
\override
Thanks David,
Lukas-Fabian got there first!
You'd think so, but I staked my claim years ago:
commit e6895cdbcf30f3683a8c1b1c50dbb1b154ca6bdb
Author: David Kastrup
Date: Mon Aug 3 09:23:40 2015 +0200
:-)
I think it's quite hard to produce an example of easy and convenient
modern-day
Peter Toye writes:
> Thanks David,
>
>
> Lukas-Fabian got there first!
You'd think so, but I staked my claim years ago:
commit e6895cdbcf30f3683a8c1b1c50dbb1b154ca6bdb
Author: David Kastrup
Date: Mon Aug 3 09:23:40 2015 +0200
Issue 4537/1: Let \addlyrics accept an optional context mod
Hello Martin,
> 2021/09/20 15:46、Martin Straeten のメール:
>
> here my workround for this:
>
> graceSchleifer =
> #(define-music-function (parser location note) (ly:music?)
> (make-music 'SequentialMusic
>'elements (list #{
> \once \override Voice.NoteHead #'stencil =
>
On 20/09/2021 04:38, Calvin Ransom wrote:
Hello everyone,
I’m transposing a musical theatre book and sometimes the bar numbers
contain letters then go back to normal numbering.
Here is an example for the Bar Numbering that I am looking for:
1 2 3 3a 3b 3c 4 5 6
Does anyone know how to do
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