> On Jul 6, 2022, at 1:20 PM, Jean Abou Samra wrote:
>
> How about changing \Staff into \Voice?
>
> \layout {
> \context {
> \Voice
> \aikenHeads
> }
> }
>
> That way, it won't affect those NullVoice contexts.
>
> Best,
> Jean
>
Perfect. That does exactly what I
On 7/6/22 19:56, David F. wrote:
I have a collection of SATB hymns that I would like to engrave using shape
notes. The Lilypond files are all structured the same, as seen below—treble
clef with music and a NullVoice for aligning lyrics, then the lyrics, then the
bass clef.
%
\version
On 7/5/22 16:03, Kevin Cole wrote:
But your answer makes more sense to me and is what I really want to go
with. (The introduction starts with a "\partial" and ends with an
incomplete measure also. Then, when the vocals start it's another
"\partial".) I just have no idea what the syntax for
Hi David;
Thank you for the elaboration, I think I will finally get this!
Thanks,
Ken
On Wed, Jul 6, 2022 at 11:41 AM David Wright wrote:
>
> On Tue 05 Jul 2022 at 23:56:36 (-0700), Kenneth Wolcott wrote:
> > On Tue, Jul 5, 2022 at 11:43 PM Hans Aikema wrote:
> > > On 6 Jul 2022, at 07:25,
On Tue 05 Jul 2022 at 23:56:36 (-0700), Kenneth Wolcott wrote:
> On Tue, Jul 5, 2022 at 11:43 PM Hans Aikema wrote:
> > On 6 Jul 2022, at 07:25, Kenneth Wolcott wrote:
> > > However, the first measure that follows a repeat section (without
> > > alternatives) there is a slashed grace note that
On Wed 06 Jul 2022 at 11:56:52 (-0600), David F. wrote:
> [ … ]
> The command to use aikenHeads comes from a separate style file that gets
> included for each hymn. But there is an unfortunate interaction between
> aikenHeads and NullVoice: Lilypond outputs the following error message:
>
>
On Tue, Jul 5, 2022 at 10:07 PM Andrew Bernard
wrote:
> Hi Kevin,
>
> For an eight bar intro you would normally leave the vocal line staff and
> use full bar rests. This actually makes it easier for the vocalist, and
> if you were making parts you would have to do this anyway. I would not
> try
On Tue, Jul 5, 2022 at 8:47 PM William wrote:
Kevin, if you don’t mind, I’m interested what you mean by the first system
> ending with a partial measure and the second system including vocals
> beginning with a partial measure? If you mean to break in the middle of one
> continuous measure, you
I have a collection of SATB hymns that I would like to engrave using shape
notes. The Lilypond files are all structured the same, as seen below—treble
clef with music and a NullVoice for aligning lyrics, then the lyrics, then the
bass clef.
%
\version "2.22"
\language “english"
%
On 7/5/22 01:10, Thomas Morley wrote:
Am Di., 5. Juli 2022 um 00:34 Uhr schrieb Jean Abou Samra :
I just detected I can't compile my code with 2.22. any more, due to
the internal changes in \repeat volta.
Ofcourse it could have been any other change as well.
Should I code for both
On 7/4/22 11:06, Jean Abou Samra wrote:
Do you volunteer to go update the installation instructions for the
new binaries (https://gitlab.com/lilypond/lilypond/-/issues/6310) and
test them on Linux + macOS + Windows? That would be very welcome (no
irony intended).
Well, saying that actually
Am 05.07.22 um 23:39 schrieb Lukas-Fabian Moser:
Hi Viktor,
Am 05.07.22 um 20:17 schrieb Viktor Mastoridis:
For educational purposes, I would like to see whether it's possible
to add a small note head after the key signature?
Like a single Ambitus note, really.
Why would I do it?
For
Hi Hans;
Thank you. I thought I had done that :-( I had placed the grace
note with the skip in lh_two, but apparently it had no effect
I placed a << {} \\ {} >> construct in the lh_one bar 10 containing
the grace note with the skip and it works.
Wow, intricate little bug, eh? Guess it
> On 6 Jul 2022, at 07:25, Kenneth Wolcott wrote:
>
> Hi;
>
> grace note (first note) in a measure that follows an end of a repeat
> volta displays weirdly
>
> Lilypond 2.22.2 (Mac, homebrew, Guile 2.2)
>
> I have lots of slashed grace notes, many of which occur at the
> beginning of a
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