On 7/8/22 02:23, Neo Anderson wrote:
Hi!
I've been trying to add an ossia to an existing guitar part with the
tabulature. However, I run into this issue that the ossia gets doubled
as long as the tab part is uncommented. As soon as I don't use the tab
staff, everything is fine.
I guess
Hi!
I've been trying to add an ossia to an existing guitar part with the
tabulature. However, I run into this issue that the ossia gets doubled as long
as the tab part is uncommented. As soon as I don't use the tab staff,
everything is fine.
I guess it's all because of my /score block, but I
Hi Viktor,
Please forgive my ignorance, I have two follow-up questions:
1. How do I change the pitch of the 'root' note? I tried playing with
the three numbers from "(+ tonic-position 3) 7) 3)))". But I can't
understand their logic.
I'm not quite sure what you mean: The pitch of the 'root'
Hello to everyone,:)
I'm José Carlos and I'm newbie on lilypond and I can not be able to do the
following idea:
I want to add two HorizontalBracket over the same note (one of ending and
one for starting, to put the numbers of tones or semitones that the
interval have)
On Wed, 6 Jul 2022 at 08:07, Lukas-Fabian Moser wrote:
>
> Am 05.07.22 um 23:39 schrieb Lukas-Fabian Moser:
>
> Hi Viktor,
> Am 05.07.22 um 20:17 schrieb Viktor Mastoridis:
>
> For educational purposes, I would like to see whether it's possible to add
> a small note head after the key signature?
On 7/7/22 18:23, David F. wrote:
On Jul 7, 2022, at 1:59 AM, Valentin Petzel wrote:
A different way to approach the problem would be to also specify something like
\context {
\NullVoice
shapeNoteStyles = ##()
}
It is still questionable why NullVoice would hickup on simply
> On Jul 7, 2022, at 1:59 AM, Valentin Petzel wrote:
>
> A different way to approach the problem would be to also specify something
> like
>
> \context {
> \NullVoice
> shapeNoteStyles = ##()
> }
>
> It is still questionable why NullVoice would hickup on simply changing the
>
> On Jul 6, 2022, at 12:40 PM, David Wright wrote:
>
> On Wed 06 Jul 2022 at 11:56:52 (-0600), David F. wrote:
>> [ … ]
>> The command to use aikenHeads comes from a separate style file that gets
>> included for each hymn. But there is an unfortunate interaction between
>> aikenHeads and
A different way to approach the problem would be to also specify something like
\context {
\NullVoice
shapeNoteStyles = ##()
}
It is still questionable why NullVoice would hickup on simply changing the
NoteHead style, so think this is worth creating a bug report.
Cheers,
Valentin
Good morning to everyone,
I am preparing a large orchestral work.
In my writing style, each instrument often has two voices in its staff, for
various reason (for example, each clarinet can handle two voices when
playing multiphonics trills with threshold tones, or other techniques), but
in some
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