On 11/27/22 5:38 PM, Jean Abou Samra wrote:
Le 25/11/2022 à 04:08, Paul Scott a écrit :
How do I add a totally blank bar (something like \stopStaff s1
\startStaff) between the D.S. and the Coda in the following example?
Or a new line?
\version "2.23.81"
music = {
\repeat segno 2 {
On 11/27/22 5:24 PM, Jean Abou Samra wrote:
Le 15/11/2022 à 21:37, Paul Scott a écrit :
The new segno repeat structure is great!
Most codas I am used to are either in a new indented staff (which I
know how to do before the new segno repeat structure) or after some
blank space on the same
On Sun, Nov 27, 2022 at 11:13 AM Jonas Hahnfeld via LilyPond user
discussion wrote:
>
> We are happy to announce the release of LilyPond 2.23.82. This is the
> third release candidate towards the next stable version 2.24.0 expected
> in December. Please test your scores with this version and
Hi Jean,
I just finished my reply when I saw your next message. :)
> Sorry, I was starting to forget about the "transposing" bit.
>
> Well, how about
>
> \version "2.22.2"
>
> t =
> #(define-music-function (text) (markup?)
> #{
> \once \set chordNameFunction =
> #(lambda (sorted-pitches bass
Le 25/11/2022 à 04:08, Paul Scott a écrit :
How do I add a totally blank bar (something like \stopStaff s1
\startStaff) between the D.S. and the Coda in the following example?
Or a new line?
\version "2.23.81"
music = {
\repeat segno 2 {
c'1 1 1
\alternative{
\volta 2
Le 15/11/2022 à 21:37, Paul Scott a écrit :
The new segno repeat structure is great!
Most codas I am used to are either in a new indented staff (which I
know how to do before the new segno repeat structure) or after some
blank space on the same line/staff as the previous music.
How can I
Le 28/11/2022 à 01:01, Jean Abou Samra a écrit :
Le 28/11/2022 à 00:41, Koen van Walstijn a écrit :
Hi Robin,
Thanks a lot! I read over that bar lines snippet indeed.
Adding the text engraver and tweaking it a bit, I managed to print
the markup above the chord symbol, so that definitely
Le 28/11/2022 à 00:41, Koen van Walstijn a écrit :
Hi Robin,
Thanks a lot! I read over that bar lines snippet indeed.
Adding the text engraver and tweaking it a bit, I managed to print the
markup above the chord symbol, so that definitely helped me along and
it will do for the moment.
Hi Robin,Thanks a lot! I read over that bar lines snippet indeed. Adding the text engraver and tweaking it a bit, I
managed to print the markup above the chord symbol, so that definitely helped me along and it will do for the
moment.After reading the documentation and Scheme source a bit more,
Le 18/11/2022 à 07:48, Jeff Olson a écrit :
The attached score generator hints that the crashes in these three
releases may be different manifestations of the same 32-bit address limit.
A previous thread
(https://lists.gnu.org/archive/html/lilypond-user/2022-11/msg00189.html)
indicated a
We are happy to announce the release of LilyPond 2.23.82. This is the
third release candidate towards the next stable version 2.24.0 expected
in December. Please test your scores with this version and report back
the experience as well as any problems you encounter. Please refer to
the Installing
Hi Molly,
you can subdivide beams. F. ex.:
\score {
\absolute {
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1/8)
\set beatStructure = 2,2,2,2
\tuplet 3/2 { f ''16 c''f'' } c''f''
I am working with a texture of triplet 16ths that occasionally are duple
16ths. I am wondering if there is a way to turn the beam into a single beam
between the second f'' in the triplet to the c'' in the below example. I'm
not sure what that's called and couldn't find it in the notation manual.
Hi Mark,
Am 27.11.22 um 04:01 schrieb Mark Mathias:
Using \rest, I can place rests from each of two voices on a staff on
top of each other without interference, thereby allowing use of the
material from each voice in separate scores elsewhere without editing.
Cf:
To explicitly specify a
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