--- Original Message ---On Thursday, April 27th, 2023 at 05:03, Stu
McKenzie wrote:
>
>
> On 2023-04-26 16:24, mail-login+lilyp...@protonmail.com wrote:
>
> > Hi,
> >
> > I'm just getting started with lilypond so I hope this issue is not obvious.
> > As I'm playing the drums,
Hi,
> Quasi all I write for drum is in multiple small chunks of this format :
> <<
> { hh4 hh q }
> \\
> { bd4 r bd r }
> >>
>
>
> Using lots of variables of reused patterns for hh and whatnot.
Oh I like this notation. Just being curios, are the voices somehow linked if I
create another
Hi Mario,
> No idea? From no one? Ok! Thank you!
Lots of ideas… One is that you’re likely to get more responses if you give a
*minimal* working example — yours is far larger than is necessary to
demonstrate the problem and work on a solution. Anyway…
Did you try manually drawing the lines?
No idea? From no one? Ok! Thank you!
Il 26/04/23 01:13, Mario Moles ha scritto:
I apologize because I explained myself badly. I use the glissando to
indicate the sliding of the same finger of the left hand on the same
string of the guitar. The blue lines I drew with Gwenview. The score
Le jeudi 27 avril 2023 à 21:39 +0200, Immanuel Asmus a écrit :
> Hi all,
> I am engraving a leadsheet for a song. It includes section labels (verse,
> chorus etc.), chords, and text annotations (as "clap") – all above the staff.
> Unfortunately, the position of the different text seems
Hi all,
I am engraving a leadsheet for a song. It includes section labels
(verse, chorus etc.), chords, and text annotations (as "clap") – all
above the staff. Unfortunately, the position of the different text seems
arbitrary.
Here is a snippet:
\version "2.24.1"
chordNames = \chordmode {
Thank you Jean, Kieren and Robin.
I had a look at the edition engraver but it was not trivial to understand
how to install it. Maybe I will try it again in the future.
I had a look at the SendTo thread, thanks!
And finally I tried the Robin code. Well, it looks like it's doing the
job
Le jeudi 27 avril 2023 à 10:14 -0400, Kieren MacMillan a écrit :
> Hi all,
>
> > This sounds like it might be a use case for Jan-Peter Voigt's "Edition
> > engraver" tool.
> > https://github.com/openlilylib/edition-engraver
>
> Ehhh… sounds to me more like a case for that “sendTo“ code we were
Gianmaria Lari wrote:
This thing always seemed so inconvenient to me that I thought it was
practically unusable. Or that there was some trick to maybe have
Frescobaldi tell me the "position" of the note (meant as numbers of quarter
or eight notes from the beginning).
Here is a primitive
Hi all,
> This sounds like it might be a use case for Jan-Peter Voigt's "Edition
> engraver" tool.
> https://github.com/openlilylib/edition-engraver
Ehhh… sounds to me more like a case for that “sendTo“ code we were
brainstorming last year:
Le mercredi 26 avril 2023 à 20:27 -0700, Flaming Hakama by Elaine a écrit :
> Thanks for the help.
> I forgot to mention that am still on 2.22, so I am still using the
> traditional syntax of \repeat and \alternative
>
> It appears that this is actually the MWE, at least for 2.22
> all the other
Le jeudi 27 avril 2023 à 14:57 +0200, Gianmaria Lari a écrit :
> Regarding my second question, let me try to be more clear
>
> I have a score.
> I want to write the dynamics using a separate variable.
> Suppose that on the first quarter of the tenth measure there is a "forte" and
> then on the
Thank you Leo for your answers and help.
> you’ll probably need to be a little more specific about the use case,
> perhaps also supply example code.
>
Regarding my second question, let me try to be more clear
I have a score.
I want to write the dynamics using a separate variable.
Suppose that
Le jeudi 27 avril 2023 à 08:32 +, Werner LEMBERG a écrit :
> Hmm, maybe using alists that override this global setting? Something
> like
>
> ```
> \paper {
text-font-size = 16
fonts.sans = "Foo"
fonts.sans.size = 18
> }
> ```
Yes, but the interactions with my plans for simplifying
>> \paper {
>> text-font-size = 16
>> }
>
> I would want to create a better interface for it before documenting
> it. For example, right now, it must be put after
> set-global-staff-size, and it also can't be different for the sans
> or typewriter font.
Hmm, maybe using alists that override
Le jeudi 27 avril 2023 à 07:58 +, Werner LEMBERG a écrit :
> If you use version 2.25.4, then it's possible to set the size for
> text fonts [...]
>
> \paper {
> text-font-size = 16
> }
>
> This is great! And completely undocumented. There isn't even a
> regtest...
I would want to create
> If you use version 2.25.4, then it's possible to set the size for
> text fonts [...]
>
> \paper {
> text-font-size = 16
> }
This is great! And completely undocumented. There isn't even a
regtest...
Werner
(Adding back the list in CC)
Le mercredi 26 avril 2023 à 15:07 +0200, Jakob Pedersen a écrit :
> Thank you very much, Jean
>
> I fiddled with the #:factor in an attempt to adjust the global size of the
> Libertinus text which looks "smaller" than C059 text, and forgot to change it
>
Le jeudi 27 avril 2023 à 01:54 +0300, Dimitri Sykias a écrit :
> I’ve set in paper block “ragged-bottom = ##t”. Can I change it for a couple
> of pages to ##f ? Thanks!
If those pages are for a specific score / set of scores, you could create a
\bookpart enclosing them and add `\paper {
On 2023-04-26 16:24, mail-login+lilyp...@protonmail.com wrote:
Hi,
I'm just getting started with lilypond so I hope this issue is not obvious. As
I'm playing the drums, many tutorials I found regarding lilypond do not quite
apply in the details. So far the two things I've found
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