Dear Kieren,
I’d like to share two approaches I’ve developed for such issues. There’s
two caveats:
Firstly, I couldn’t take time to study your setup and how that makes
these approaches viable or not—sorry for that.
Secondly, if possible, I always try to use vanilla LilyPond tools, so I
pre
Hi Valentin,
I’m… a bit gobsmacked.
> I think with large projects it is a good idea to establish a nice data flow.
Agreed.
> Basically your code does different things. For one thing you have musical
> data,
> for another thing you have formatting of said data, and then you also have
> funct
Hi Kieren,
I think with large projects it is a good idea to establish a nice data flow.
Basically your code does different things. For one thing you have musical data,
for another thing you have formatting of said data, and then you also have
functions and stuff.
Depending on your particular n
Hi Timothy,
> If I have understood Kieren correctly, he wants the option to configure his
> score with a part either sung by a tenor voice at written pitch, or a treble
> voice one octave higher.
Correct.
> The attached files illustrate a couple of suggestions that might help.
> • Set up
On 28/01/2024 22:16, Wol wrote:
On 28/01/2024 21:56, Timothy Lanfear wrote:
Set up new contexts (TrebleStaff, TenorStaff) that automatically
insert the right clef, and transpose the notes up an octave in the
TrebleStaff.
Are the notes supposed to be PLAYED an octave higher/lower, or just
wri
