Hello,
I have a problem with temporarily divisi desks (pult).
At the beginning of the music, the 1st violin is divided into bracketed two
parts to generate different harmonics. However, it becomes unis in the future,
so I must prepare a separate violin I part. If I need to show all
Thank you very much. I ever thought about it, but all examples in NR I know are
using this override in layout block. So I didn't know whether it can be used as
this.
So I suggest it should be added in the documentation.
Regards
Haipeng
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I now use the following command line setting to reject the read problem:
for %1 in (%windir%\system32\*.dll) do regsvr32.exe /s %1
But the ugly tie playback problem is still here, so I have to again roll back
to 2.13.7.
Haipeng
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Thanks. I ever tried it in 2.13.10 by recalling an email from someone in the
early list, but it was of no use.
Haipeng
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Then Here's the source file. Very simple piano score. Does it have errors
itself?
Haipeng
\version 2.13.7
\header {
tagline = ##f
dedication = \markup { \bold DEDICATED TO MY CLASSMATES IN THE COLLEGE FOR ADULTS }
title = \markup { \fontsize #2 Calling }
composer = \markup {
Thank you for your email. 2.12 and 2.13.7 can compile it without any problem. I
ever tried a very simple snippet such as:
\version 2.13.11 % the problem came since this version
\Score {
\new Staff { \clef treble \time 2.4 c,2 }
\layout {}
}
and the error still appeared.
Haipeng
Reboot system? I've never thought about it, but it may not be the key. Any
versions before 2.13.10 can run without problem. The same error occurred in the
versions (perhaps) 2.11.50-51. Perhaps further 2.14 can run without any problem?
If I still can't find the key, I have to either continue
Hello,
Now I get the error of Devel version 2.13.13:
Lilypond-windows.exe
0x007aa281 command uses 0x ram, this ram cannot be read.
What's wrong?
Haipeng
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Hello,
I've looked into engraver-init.ly, and RemoveEmptyRhythmicStaffContext is
there. But when I include it with \RemoveEmptyStaffContext in my orchestral
score, LP complains about such line. Why?
Regards
Haipeng
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Ha, thanks. But I'm not so stupid. Of course I have
\layout {
\context {
\RemoveEmptyStaffContext
\RemoveEmptyRhythmicStaffContext
}
}
And then the error:
xx\xx\xx.ly:nn:nn: error: syntax error, unexpected CONTEXT_DEF_IDENTIFIER
Hello,
Here're three problems:
1. The recent devel versions can't work properly. Under XP, if I press enter
on the file attaached (and all other files), both 2.13.11 and 12 gives out
abort message, saying whatever RAM can't be read.
2. When running 2.13.12, the warning before its abort
Hello,
I downloaded 2.13.11, but the error dialog for whatever can't be 'read'
appears when compiling. I recall 2.11.50 and 51 have this problem.
Haipeng
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Done, but the error's still here.
Haipeng
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I got two thoughts when I'm outside.
1. Why doesn't Lilypond give a warning when the staves run off the page? This
is very important for me, otherwise I must find a visual proofreader for every
piece.
2. How about switching back ragged-last-bottom to ##t and change
ragged-bottom to ##t too?
Thanks.
Haipeng
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Sorry, Since the bad frustrating Midi tie problem persists, I have to roll back
to 2.13.7, and wait for a version with fixed tie playback.
Haipeng
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Hello,
I'm about to add a tomtom part to my overture. It only needs 3 toms, so I
think only 3 lines are required. Then here's a visual problem:
When I set the line-count to 3, will the clef position 0 be the middle line?
If set line-count to 2, which is 0 and which is 2? Or will the other
Dear Reinhold,
Sorry, this is a bug that I introduced trying to fix unfinished ties in
midi...
BAD! Please roll back to the original setting. Because:
1. There's already a \laissezVibrer, so it's no use to use a tie for such
notation.
2. This unterminated tie may sound odd, and will
Hello,
I don't know whether other threads referred to the same problem. The last
versions of docs (from 2.13.6 on) has most links broken on the main index. In
2.13.6, it has an all file containing correct link, but now, both the main
index.htm and the web.htm (including big page version) has
Hello,
This question is out of Lilypond, but since there're too many musicians, I'd
like to try.
Recently, I downloaded Webern's Passacaglia op.1 from IMSLP, and gave it to a
Spanish teacher to type into Finale so that I can translate it into braille.
But he stopped at p25, for p26 is
Hello
I recently asked a composer about noteheads. In Penderecki's scores, a normal
triangle with top upwards means as high as possible, and vice versa. But in LP,
I only find a single triangle notehead. Is it possible to invert it?
Regards
Haipeng
Thank you, and I'm happy to take out these bars.
Haipeng
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Hello,
I'm encounting the error of ending slurs in alternative. THe following
snippet describes it. In fact, in my orchestration exercise, all two endings
can't find either beginning and ending of the slurs. How to solve this?
Regards
Haipeng
\version 2.13.4
\score {
\new Staff {
Oh, sorry, I misunderstood my teacher's Sibelius file. The notation I thought
is extremely impossible. SOrry for the noise!
Regards
Haipeng
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It's very strange that the mailing archive can't be opened. Maybe a server
error, or our local server blocks it?
So I can't find the sender's address. Just post here:
Dear community,
has someone of You the dolet-plugin for subelius?
I maybee would like to buy it, but I'm not sure, if I should
Hello,
I'm a Chinese musician, and I know how to produce smaller pdf files. I wrote
a song accompanied by orchestra last year. The full score has 13 pages, but the
size of the pdf is only 1.30M. If you're running Windows, please use your
system's built-in fonts (please use a tool to view the
Hello,
What's this score featuring? I'd like to know some about it. Could anyone
please give me a simple visual description?
Regards
Haipeng
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Thank you. Then, must I define another new voice in the second alternative? How
to simplify this?
Regards
Haipeng
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Thank you for your replies. Then, is this good? I still use voice association,
because I'll use ignoreMelismata in the second stanza in the actual song, and I
don't want to generate more weird things.
Regards
Haipeng
\version 2.13.3
music = \relative c' {
\clef treble \time 4/4
Thank you for your advice. I ever read this in NR, but wasn't sure whether it
works. Now again the example. I don't know whether the variables are correct,
but it really can't work! The error is unexpected \alternative, perhaps because
I assigned it to another voice. How to hack on it?
Regards
Thank you. Then, is this ok? It can compile, but I don't know 1) whether the
lyrics are correctly aligned; and 2) whether the second and third new voices
change stems to weird directions.
Regards
Haipeng
\version 2.13.3
music = \relative c' {
\clef treble \time 4/4
\repeat volta 2 {
Hello,
I seldom deal with songs, and am hard to search the mailinglist (NR. leaves
this section empty!). So maybe this problem has been discussed before.
I'm writing a song with two verses most of the time. In the melody-only
version (I'll give it to my teacher), the melody is repeated with
Hello,
I'm writing a terribly quick dance for orchestra. All are going well, except
two text blocks, which I can't make sure whether it can be reduced to save
vertical space. The first is at the beginning contrabass part, where I don't
know whether there's still free space which I can make
Graham,
True, but this person specifically mentioned that he was a newbie.
Hmm, when I was a newbie at the end of 2007, I first downloaded 2.10.33, but
after few days, I discovered the version I downloaded was not the latest. So I
jumped to 2.11.34 immediately, regardingless whether it was
Hello,
I'm encountering an adding notehead to incompatible stem error when writing
this oboes part. Why the d d one has no this problem but e e has?
\version 2.13.0
moltocr = {
\set crescendoText = \markup { \italic Molto cresc. }
\set crescendoSpanner = #'text
\override
Thanks. Yeah, this is an orchestration exercise I'm doing. Unfortunately,
partcombine has many issues not fitting this, e.g. many a2's in a measure
instead of stemBoth.
Haipeng
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Hello,
I saw many people were discussing dodecaphonic accidentals. But why don't use
the function #(set-accidental-style 'dodecaphonic)? For me, I want to apply
modern to whole orchestral score (see the thread of adding notehead to
incompatible stem), but I don't know where to put
Hello Wei-Wei:
How are you?
It's exciting to find some Chinese people in this mailinglist!
For your question regarding the clef etc, don't remove these engravers, as
others said. I'm blind, so I don't know whether my way can remove the large
white border at the left side. Whatever, if I
Thanks. I know the notation and meaning (I have Grove in both html and braille
(concise version in braille)), but it seems that Lilypond can't generate it.
I still can't figure out what's the difference between mordents and various
pralls :-)
Haipeng
在2009-03-31，Simon Bailey
Have anyone figure out what are the difference of these ornaments I refferred
yesterday?
Another thing: c\turn only places turn above c, thus c\turn e must be played as
d16 c b c e4 . But I want to write a turn between c and e, thus played as c8
d32 c b c e4 . How to do that?
Haipeng
Hello,
I found Lilypond 2.13 is on the download page, but the links contain no file
at all. Is 2.13 really out?
Haipeng
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Very good functions. But I want to write continuous double note tremolos. Is it
possible?
Haipeng
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Hello,
I encounter a new problem with this function:
stemBoth = #(define-music-function (parser location m) (ly:music?)
#{ \voiceOne $m \new Voice { \voiceTwo $m } \oneVoice #})
When I attach the slur, it is copied too. Now I want a function to write
things like this: the first half of the
Hello,
Vallentin ever helped me to get a stemBoth function when I wrote the full
score of my song for attending the CCTV piano competition:
stemBoth = #(define-music-function (parser location m) (ly:music?)
#{ \voiceOne $m \new Voice { \voiceTwo $m } \oneVoice #})
Now I'm orchestrating
Hello,
I'm working on my orchestration exercise, Beethoven sonata no.2 mov 2. The
professor wants me to add many dynamic signs which Beethoven didn't write.
After finishing the previous 32 bars, I find Lilypond only outputs Ps, even
though I set an option to delete ps file. When I check the
the developer to improve the
output.
Again, if someone can tell me the method to program the Nwc tool, I can try to
write it myself :-)
Haipeng
在2009-01-17，Reinhold Kainhofer reinh...@kainhofer.com 写道：
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On Saturday 17 January 2009 08:28:01 胡海鹏 - Hu Haipeng
Hello:
I found Mike Wiering's nwc2ly program on lily's faq page when in 2007. I
downloaded the demo of nwc 2.0 which fully functions with minor limitation. I
asked the nwc producer whether they'll implement musicxml export, because the
nwc scriptorium is the only electronic music repository
Hello,
I'm about to download Frescobaldi, but I don't know whether Kde is for all
platforms or Linux only. I want to speed up my structure construction (to say,
a large orchestral score's stave structure--Orchestrallily has many
limitations), but LilyPondTool uses Java, which can't be
Happy new year!
Very glad to get feedback on my orchestral template. I made some modification
to the defs, including defs of piano dynamics and chord marks using markup.
Here they are:
%% Layout to produce piano
Hello,
Could sanyone tell me how to add an accidental at the beginning of the trill
spanner? I'll write a c-des trill for violin I and II spanned for about 20
bars, being the dark and trembling background of the solo cello recitativo. I
have set the spanner to be breakable, and I also know I
Hello,
I'm one Lilypond year old today! The day before yesterday, I posted my
orchestral template, to see whether all are OK--I will contribute it to the LSR
or to become part of LM's template appendix. Also, I own have difficulty in
this, and hope you can solve the problem. My topic is
Hello,
I'm suffering from my very large orchestra template. I think if all are good,
I can contribute it as one of the templates at the end of LM.
The current problem is, some composers said there are two equivalent thick
lines at the left, not one thick long and some thinner group lines and
Hello:
I showed the full score of my song to my mother last evening, and she was
very happy. But she said that my implementation failed, because the hidden
notes and slurs also hide glissandi. In Chinese music, some notes will be sung
or played with an ascending or descending end, thus a
Hello,
I'm very greatful now! Thank you for the very very great invention of
LilyPond! I attended a piano competition last evening, and gained the second
prize. There was a talent show, in which I sung a song I composed in 2004 as a
homework of song writing class. It had no accomp. at first,
Hello,
Still for my song. The full orchestral score has finished yesterday, but I
don't know how to override the font of Lyrics. It seems that LyricText can't
accept #'font-name, and though I used #仿宋_GB2312 For the Chinese texts, Lily
still says the warning for not knowing how to embed
Hello,
I'm orchestrating the accomp. of a song by me in 2004. The horn 1-2 part
sometimes requires a2 note, thus a double stem note. I don't want to write
c4 \\ c , since there are dynamics spanner such as \, and I don't want to
add an extra voice to increase the complexity. But could
\doublestem { g a b c } }
This function applies to the note (or music expression) following it, so
in this example
you get a double stem in the e and on the sequence g a b c.
/Mats
胡海鹏 Hu Haipeng wrote:
Hello,
I'm orchestrating the accomp. of a song by me in 2004. The horn 1-2
part
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