Hello, that's all possible.
The Staff.keepAliveInterfaces part is a bit more tricky but I grappled with
it on this mailing list a few months ago:
https://mail.gnu.org/archive/html/lilypond-user/2023-11/msg00063.html
https://mail.gnu.org/archive/html/lilypond-user/2023-11/msg00072.html
Your
text {
> \Voice
> \consists #mmr-range-engraver
> printMmrRange = ##t
> }
> }
>
> music = \relative c' {
> c4 d e f
> }
>
> flute = \new Staff \with {
> instrumentName = "flute"
> }{
> \music
> \compressEmptyMeasures
>
Hello again list,
Is it possible to configure the bar number engraver so that *in addition to*
its regular behaviour, whatever that may be defined as*, it will also print
a bar number after a multi-measure rest?
Thank you.
* I usually go with
\set Score.barNumberVisibility =
"Violoncello I"
> shortInstrumentName = "Vc I"
> \RemoveAllEmptyStaves
> %\override VerticalAxisGroup.remove-layer = 1
> } { <>^"remove-layer = 1" \celloI }
> \new Staff \with {
> instrumentName = "
Hello list,
https://lilypond.org/doc/v2.25/Documentation/notation/hiding-staves
Is there a way I can get more control over the workings of
the Keep_alive_together_engraver for the purpose of engraving divisi staves?
Please consider the following, based on the linked example in the
. Lilypond has me covered!
On Wed, 1 Nov 2023, 05:30 Wols Lists, wrote:
> On 31/10/2023 01:36, Adam M. Griggs wrote:
> > Your second recommendation is situational. I see you have a *.uk
> > email address. I'm familiar with the British brass band context. I get
> > it—almost eve
on the target audience.
I'll definitely draft up a transposed version for when it's appropriate.
On Tue, 31 Oct 2023 at 03:26, Wols Lists wrote:
> On 29/08/2023 15:35, Adam M. Griggs wrote:
> > Here's a little self-help reference I made a little while back. Maybe it
> > will illustrate y
Second time sending this, but this time via "Reply all" for the list.
Pardon the spam.
How's this?
\version "2.25.8"
\relative c'' {
\mergeDifferentlyHeadedOn
\once \omit Staff.TimeSignature
<<
{2}
\\
{<
\tweak duration-log #1
c e>8[ g' g, g']}
>>
}
On Mon, 25
Here's a little self-help reference I made a little while back. Maybe it
will illustrate your point about different positions for different octaves
more clearly than words can.
Perhaps something in the tablature code can be adapted to this end.
On Mon, 28 Aug 2023, 21:44 samarutuk, wrote:
>
Werner's message here on footnote spacing has reminded me of something I
sometimes wish I had in LilyPond: endnotes.
Whereas footnotes are printed at the base of each page, endnotes would
appear in a block at the end of the score by default, with \pageBreak
optional. Also, their appearance could
Thank you David. Your code is well above my level for now, but it'll be
great study material. Is it for 2.25.x? I haven't quite got it working yet,
but that's probably my fault.
On Mon, 6 Feb 2023 at 23:24, David Kastrup wrote:
> "Adam M. Griggs" writes:
>
> > Hello li
s 100 -1))
> (tempi-list (filter (lambda (x) (> x 0)) tempi-list))
> (tempi-mus (map (lambda (t) #{ \tempo 4 = $t s$duration #}) tempi-
> list)))
> #{ #@tempi-mus #}))
>
> Cheers,
> Valentin
>
> Am Montag, 6. Februar 2023, 07:50:02 CET schri
tempo-list))). I feel like I'm almost there though.
Code attached, and thanks again.
On Mon, 6 Feb 2023 at 14:19, Adam M. Griggs wrote:
> Hello list,
>
> I'm trying to create a Scheme function that will automatically calculate
> and enact a *rall*. as a sequence of \tempo assignments
Hello list,
I'm trying to create a Scheme function that will automatically calculate
and enact a *rall*. as a sequence of \tempo assignments. I am aware of the
basic *rall*., *rit*., and *accel*. functions in "articulate.ly" but I
wanted something I have a little more control over.
I need help,
Hello, let me quickly ask:
Would that include handling of ties in MIDI output?
On Fri, 6 Jan 2023, 20:24 Lukas-Fabian Moser, wrote:
> Hi,
> Am 06.01.23 um 07:54 schrieb cc0_knight--- via LilyPond user discussion:
>
> Hi Everyone, Sorry for my english.
> Skip the first pedal stop(Because it's
Hello list,
Please consider the following:
\version "2.23.12"
>
> \markup
> \center-column
> {
> \huge
> \column {
> \fill-line { "Table of Contents" }
> \null
> }
> \overlay
> {
> \center-column
> {
> \override #'(line-width . 50) \fill-with-pattern #1 #RIGHT . "" ""
> \override #'(line-width .
How about Elysium?
http://elysium.thsoft.hu/getting-started
I have never tried it, but it is suggested on the Lilypond website:
http://lilypond.org/easier-editing.html
On Sun, 4 Sep 2022, 17:52 Thomas Morley, wrote:
> Am So., 4. Sept. 2022 um 08:51 Uhr schrieb Silvain Dupertuis
> :
> >
> >
Thanks Jean. Got them working the way I want.
Cheers!
On Mon, 4 Jul 2022, 22:43 Jean Abou Samra, wrote:
>
>
> Le 04/07/2022 à 06:20, Adam M. Griggs a écrit :
> > Hello list,
> >
> > \enablePolymeter seems to be messing with multimeasure rests. In
> > pa
Hello list,
\enablePolymeter seems to be messing with multimeasure rests. In
particular, MM rests with the shape of a breve rest are being rendered
as semibreve MM rests. Please see the following code:
\version "2.23.10"
music =
{
\time 2/2
R1*3
\time 3/1
R\breve.*2
\time 2/2
R1*2
}
\score
{
Sorry, \tag, with a backslash of course.
On Fri, 1 Jul 2022, 13:22 Adam M. Griggs, wrote:
> I use /tag #'midi { *tempo changes* }.
>
> If you don't want to use tags, you can /omit Score.MetronomeMark to keep
> your score tidy.
>
> On Fri, 1 Jul 2022, 08:56 Mark Probert, w
I use /tag #'midi { *tempo changes* }.
If you don't want to use tags, you can /omit Score.MetronomeMark to keep
your score tidy.
On Fri, 1 Jul 2022, 08:56 Mark Probert, wrote:
> Hi, all.
>
> I wondering how people deal with adding a fermata into MIDI output. The
> most obvious way I can think
d make it for the
> flag. I don't have my example on hand just now, but fear not, this can
> easily be achieved. I'm sure the others will give more detail.
>
> Andrew
>
>
> Adam M. Griggs wrote on 15/06/2022 1:53 PM:
> > Just a quick request today, if I may. What I'd like is a s
Wonderful! Thank you!
On Wed, 15 Jun 2022, 14:34 Jean Abou Samra, wrote:
>
>
> Le 15/06/2022 à 05:53, Adam M. Griggs a écrit :
> > Hello list,
> >
> > Just a quick request today, if I may. What I'd like is a stem-down
> > fusa (mensural-style quaver or eig
Hello list,
Just a quick request today, if I may. What I'd like is a stem-down fusa
(mensural-style quaver or eighth-note) with its flag extending to the right
instead of the left. A mirror image of the regular engraving.
I can get close by overriding the flag back into standard style but I want
Hi Jean,
Understood. Thanks for getting back to me. Glad to see it's a known issue,
even if not a priority right now.
Cheers!
On Sat, 11 Jun 2022, 21:40 Jean Abou Samra, wrote:
>
>
> Le 09/06/2022 à 14:11, Adam M. Griggs a écrit :
> > For future search findability, I'm corre
For future search findability, I'm correcting the email subject heading.
Sorry for the oversight.
On Thu, 9 Jun 2022, 14:46 Adam M. Griggs, wrote:
> Hello list,
>
> #(layout-set-staff-size) seems to mess with vertical positioning for
> r\longa, r\breve and multimeasure rests
Hello list,
#(layout-set-staff-size) seems to mess with vertical positioning for
r\longa, r\breve and multimeasure rests. Please see the attached
not-quite-minimal code sample.
If I adjust the score (book) size via #(set-global-staff-size)
instead, everything works as expected.
In case I'm
Welcome back, and thank you.
Having read your account of your situation, and knowing nothing else about
your circumstances or condition, I hope we'll have you around with us for a
good, long while yet.
On Fri, 27 May 2022, 17:27 Andrew Bernard,
wrote:
> Hello All,
>
> Having had to abandon
t;
> > On Jan 15, 2022, at 4:56 AM, Adam M. Griggs
> wrote:
> >
> > Try Audiveris.
>
> I downloaded the stuff from git but had failure at the build step. I
> looked for a mail group like this one for Audiveris but didn't find
> anything. Can somebody point me to a source of help building Audiveris?
>
> thanks
>
>
Try Audiveris.
https://github.com/Audiveris/audiveris
The output MusicXML will require cleanup and proofreading. I import it into
MuseScore for an initial editing pass, then export again to MusicXML. This
new file goes into Frescobaldi.
On Sat, 15 Jan 2022, 17:23 James B. Wilkinson, wrote:
>
Thanks a lot!
The /ezscore solution seems a very heavy-handed way to construct a time
signature, but it works. I appreciate having a simpler option though.
On Sat, 11 Dec 2021, 19:31 Lukas-Fabian Moser, wrote:
> Hi,
> >
> > if https://gitlab.com/lilypond/lilypond/-/merge_requests/1052 gets
>
Ew, pardon the mis-titled Ockeghem mass.
It is of course his Missa prolationum.
On Mon, 6 Dec 2021 at 10:31, Adam M. Griggs wrote:
>
> Thank you Leo!
>
> Having worked through it, I'd like to show you where I was going with this.
>
> Cheers!
>
> On Fri, 3 Dec 2021
I hope you won't mind me bumping this question. It seems to have slipped
under radar.
Thank you!
On Mon, 22 Nov 2021, 11:37 Adam M. Griggs, wrote:
> Hello again,
>
> I'm working with version 2.23.4.
>
> Looking at the documentation for \note and \note-by-number
> (https:
Hello again,
I'm working with version 2.23.4.
Looking at the documentation for \note and \note-by-number
(https://lilypond.org/doc/v2.23/Documentation/notation/music), it
lists style, flag-style and font-size as overridable if I'm reading it
correctly.
In a dotted \markup \note, a dotted minim
I borrowed this from Allen Garvin on IMSLP.
fourTwoCutTime = {
\once \override Staff.TimeSignature #'stencil = #ly:text-interface::print
\once \override Staff.TimeSignature #'text = \markup \musicglyph
#"timesig.C22"
\time 4/2
}
On Thu, 24 Jun 2021 at 10:54, Brent Annable wrote:
> Hi all,
>
>
Did the trick, thank you very much!
On Mon, 19 Oct 2020, 16:13 Aaron Hill, wrote:
> On 2020-10-19 12:00 am, Adam Griggs wrote:
> > Hello again,
> >
> > This has me stumped. I've been digging for hours.
> >
> >\version "2.21.7"
> >
> >global = {
> > \skip 1*24
> > \mark
Hello,
I would like to request an implementation for text emphasis points native
to East Asian scripts.
Please refer to the following:
https://en.wikipedia.org/wiki/Emphasis_point
https://www.w3.org/TR/jlreq/#composition_of_emphasis_dots
^ specific to Japanese usage
I understand that this is a
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