On Fri, May 5, 2017 at 3:24 PM, David Nalesnik wrote:
> On Fri, May 5, 2017 at 2:10 PM, Urs Liska wrote:
>>
>>
>> Am 5. Mai 2017 20:52:35 MESZ schrieb Karlin High :
>>>On 5/5/2017 1:16 PM, Benjamin Strecker wrote:
>>>> How would I go about glob
How would I go about globally reducing the size of the staccato dot?
Locally, I can do it with:
c'4-\tweak Script.font-size #-2 -.
but I'm having a difficult time figuring out how to do this for every
staccato dot without changing the size of other articulations.
Thanks!
Ben
___
I’m working on a project that involves one full size staff and several smaller
staves providing cues for other instruments. I’m using \magnifyStaff to
accomplish this, but it seems to be adjusting the horizontal spacing in ways
that I’m not liking. My hope is to have the spacing largely determ
On Mon, Nov 28, 2016 at 2:46 PM, tisimst wrote:
>
>
> On Mon, Nov 28, 2016 at 12:32 PM, Benjamin Strecker [via Lilypond] <[hidden
> email] <http:///user/SendEmail.jtp?type=node&node=197190&i=0>> wrote:
>
>> Abraham,
>>
>>
>> > On Tu
Abraham,
> On Tue, Nov 22, 2016 at 1:25 PM, Abraham Lee <[hidden email]> wrote:
>>
>>
>> Here's how you can use the same functionality as the markup macro
>> "bracket" to do the job:
>>
>> %%%
>>
>> \version "2.19.36"
>>
>> bracketAcc = {
>> \once \override AccidentalCautionary.paren
Hello!
I am working from an edition that uses square brackets for items added
by the editors. I was able to change the stencils property for
\parenthesize for most of these, but there are some accidentals that
have been added. Currently, I'm using the following to produce a
reasonable approximat
Hello,
On Fri, Jul 8, 2016 at 1:21 PM, Vaylor Trucks wrote:
> Vaylor Trucks gmail.com> writes:
>
>>
>> I'm not sure if this is a LaTeX question or a Lilypond question.
>
> After some digging, the definitely seems to be a Lilypond issue. If I look
> in the output directory I specify in invoking l
On Fri, Jul 8, 2016 at 1:32 PM, Vaylor Trucks wrote:
> I found the problem. Invoking lilypond-book with --left-padding 0 solved
> the problem.
>
That is a much better solution.
Cheers!
Ben
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David, Matteo,
On Sun, Jun 19, 2016 at 9:53 PM, David Wright wrote:
> On Mon 20 Jun 2016 at 00:40:08 (+0200), matpen3@gmail wrote:
>> I’m preparing parts for a quite complex score, and I’m using the ‘’\add
>> quote” command for cues.
>
> Why aren't you using cues rather than quotes?
>
>> Everyth
On Wed, Apr 27, 2016 at 11:51 PM, Michiel Sikma wrote:
>
> Hi all,
>
> I'm doing some tests trying to figure out repeating sections and voices, and
> I've written this so far:
> http://lilybin.com/mwafar/2
> My question is, does it look OK to you that the end of the second alternative
> is a rep
Ming,
I agree that the way you have your input file organized is a bit difficult
to read, and (I would argue) pretty unorthodox.
I was a little curious about the difference in the output, but I'm afraid I
can't offer a solution, only some observations after looking at it.
In my tinkering, it see
Thanks, Urs.
That occurred to me after a good night’s sleep. I think I have *a*
solution now, but I don’t know if it’s the recommended way to do things.
My project contains four scores where the melody is the same but in
different registers. There are some modifications that I want applied
univ
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