On 7/8/09 6:27 PM, Graham Percival gra...@percival-music.ca wrote:
Now for *my* rant.
As I've said before, I stopped using lilypond 4-5 years ago. Last
Fall, I briefly got back into improving the engraving of my old
compositions, but that stopped when I went to Singapore.
So why am
On 7/7/09 5:38 AM, Werner mey@web.de wrote:
Hello,
is there a possibility to print e.g.
F
_
C
instead of
F/C
???
As far as I know, this is not easily done right now.
The chord naming code is currently under revision; I think that it will be
more easily done in the
On 7/7/09 6:44 AM, Werner mey@web.de wrote:
Hello.
For accidentals there is the possibility to obtain them also if not needed by
adding an exclamation mark !
How to get a chordsymbol if \set chordChanges = ##t ?
Is there a hint?
(Would be nice with the exclamation mark too.)
Mike, great work!
I have some comments below
On 7/7/09 2:46 PM, Mike Solomon mike...@ufl.edu wrote:
Hey lilypond-users,
Before I put this on the LSR, please play around with this.
Specifically, please
1) Make it less sprawling.
Decrease your tab settings. Follow the indentation
On 7/2/09 1:41 AM, Graham Percival gra...@percival-music.ca wrote:
On Wed, Jul 01, 2009 at 03:50:14PM +0200, Mats Bengtsson wrote:
Graham Percival wrote:
where is the gui is unfortunately still common, but the
new website and the 10.5 GUI work should fix that.
Actually, I beg to
On 6/25/09 8:37 AM, Hajo Dezelski dl1...@googlemail.com wrote:
Possibly we should also think of
- a better slogan? it seems to me that Sibelius 6 - Perfect scores
is more attractive than music notation for everyone.
possibly something vaguely like:
...
Jan.
Lilypond -
On 6/25/09 2:37 PM, Jay Hamilton jay...@linuxquestions.net wrote:
A: I have tried over and over to follow the docs. AND I have copy and pasted
both Mats suggestions and now Simon's .
Mats has never worked. Yes the version info is in the file. No it did not
work.
Simon's suggestion, I
On 6/23/09 9:16 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote:
Tim McNamara wrote:
On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote:
Wol et al:
Would it be reasonable to separate the functions of putting notes on
the staff and chord names above the staff, and let the
On 6/23/09 5:19 PM, Tim McNamara tim...@bitstream.net wrote:
On Jun 23, 2009, at 12:24 PM, Carl D. Sorensen wrote:
On 6/23/09 9:16 AM, Grammostola Rosea
rosea.grammost...@gmail.com wrote:
Tim McNamara wrote:
On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote:
Wol et al
On 6/21/09 9:49 AM, Hans Aberg hab...@math.su.se wrote:
On 21 Jun 2009, at 16:47, Trevor Daniels wrote:
SubdivideBeams will break beams at intervals
defined by beatLength, which by default is set
to 1 over the denominator of the time signature.
Yes, but this is what goes wrong, as my
I've forwarded Ian's message from the Frogs mailing list, because I don't
know how to answer his question. I'm sure somebody on -devel will.
Thanks,
Carl
-- Forwarded Message
From: Ian Hulin i...@hulin.org.uk
Reply-To: fr...@lilynet.net
Date: Sat, 20 Jun 2009 17:25:42 -0600
To: Reinhold
On 6/21/09 3:27 PM, Hans Aberg hab...@math.su.se wrote:
Yes, beatLength will do a (2+2)+(2+1) beaming. Though this is one
possible beaming for what I am writing now, my problem is that I have
bunch of different meters. For example, I may want (2+2)+3,
(2+2)+3+(2+2) and so on.
I have
On 6/21/09 4:25 PM, Mark Polesky markpole...@yahoo.com wrote:
Carl D. Sorensen wrote:
By default, beatLength is the numerator of the time signature.
Don't you mean denominator? I would call the numerator beatCount
or something. Haven't followed this thread, just wanted to make
On 6/18/09 8:45 AM, Laura Conrad lcon...@laymusic.org wrote:
Carl == Carl D Sorensen c_soren...@byu.edu writes:
Carl Does this seem at all promising?
Yes, but there's still the problem of extra space at the barline. I
tried Michael's solutions and doing nothing at all and there's
On 6/15/09 2:37 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
Joe Neeman wrote:
I've started working on a new system for doing vertical layout in one
pass (ie. positioning and stretching the systems simultaneously). This
should give better default behaviour than the current code and it
On 6/14/09 3:38 AM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Hi all,
I'm running into several problems with figured bass while writing another
large
orchestral piece. Attached is a sample file highlighting these issues:
1) How
On 6/12/09 9:10 AM, Tim McNamara tim...@bitstream.net wrote:
On Jun 12, 2009, at 1:28 AM, Tao Cumplido wrote:
I think it's great that you did this. Have you put this on LSR?
Thanks. I haven't put this on LSR yet because the function hasn't
been much tested yet. Maybe I should have
On 6/8/09 6:15 PM, Laura Conrad lcon...@laymusic.org wrote:
Carl == Carl D Sorensen c_soren...@byu.edu writes:
Carl Here's my attempt to get the spacing you're looking for. I've
Carl done it manually, but if you like it, I think that I can write
Carl a music function
On 6/12/09 12:28 AM, Tao Cumplido tao_lilypondu...@gmx.net wrote:
I think it's great that you did this. Have you put this on LSR?
Thanks. I haven't put this on LSR yet because the function hasn't been much
tested yet. Maybe I should have done anyway.
When the function is updated I will
On 6/11/09 4:36 PM, Father Gordon Gilbert fatherg...@gmail.com wrote:
Hi Bertalan,
Looking in jEdit plugin options, the line which shows were the program and
convert-ly are shows /usr/bin . And Lily fires up just fine, so you'd think
convert-ly should work as well. I did 'which
On 6/10/09 2:03 AM, Tao Cumplido tao_lilypondu...@gmx.net wrote:
But as I said before, if anybody wants to create a chordname input mode
that
takes a root, and arbitrary name string, and an optional added bass,
they're
welcome to do so.
On 6/10/09 8:16 PM, hendr...@umn.edu hendr...@umn.edu wrote:
This issue may be too elementary for this mailing list or may have already
been addressed, however I cannot find answers in digging through the
archives and am not sure where to ask more basic questions. If I need to be
On 6/9/09 9:16 AM, Jean-Alexis Montignies j...@sente.ch wrote:
You can find an example of a chord notated as 'phrygian' (well it's more a
modal indication, but that's what the composer Gary Peacock intended) in the
lead sheet for Vignette.
More arguments for using names: Alt is much
In our discussion about chord names, Jean-Alexis pointed out that we are
probably missing some modifiers in our chord mode input. He pointed out one
example:
alt: 7.3-.5-.9-.11-.13-
What are some other modifiers that should be added, in your opinion?
Remember that m7b5 doesn't qualify as a
On 6/9/09 11:16 AM, lasconic lasco...@gmail.com wrote:
maybe bass ?
for removing third and fifth and keeping the root only?
Does this mean that you'd like to have a one-note chord? I've never seen
this before in notation (but that doesn't mean too much).
If you do want a one-note
On 6/9/09 10:39 AM, Federico Bruni brunol...@gmx.com wrote:
Hi all,
as far as I can see there is not an italian documentation for lilypond.
I'd like to help with that, could you please tell me how can I contribute?
If other italians want to join, either for just proofreading or
On 6/2/09 3:55 AM, Jean-Alexis Montignies j...@sente.ch wrote:
Hi there, as a jazz player I would like to share my input.
Thanks for sharing, Jean-Alexis.
What I need in scores is really chord names.
The chord name denotes the intent of the composer and is much subject
to
On 6/1/09 12:50 PM, Grammostola Rosea rosea.grammost...@gmail.com wrote:
Tim McNamara wrote:
On Jun 1, 2009, at 4:13 AM, Tim Rowe wrote:
2009/6/1 Carl D. Sorensen c_soren...@byu.edu:
You are welcome to pursue this, if you are interested in it. It is
not my
interest.
I think
On 6/1/09 1:38 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
Mats Bengtsson wrote:
Mark Austin wrote:
Thanks James. Works a treat now. However, this means the error is in
the template in the Learning Manual, since I copied it straight over.
The first few lines of the first \score
On 6/1/09 8:56 PM, Tim McNamara tim...@bitstream.net wrote:
On Jun 1, 2009, at 2:33 PM, Carl D. Sorensen wrote:
A chordnamemode *input* mode has been proposed a couple of times.
This mode
would take only a root (and optionally, a slash or alternate bass
note), and
everything else
On 6/1/09 5:29 PM, Peter Chubb lily.u...@chubb.wattle.id.au wrote:
Hi,
I've put up a page on how to get more realistic sounding MIDI output
from current LilyPond, along with the scripts and scheme code used, at
http://www.nicta.com.au/people/chubbp/articulate
Peter,
I haven't
On 6/1/09 1:45 PM, lasconic lasco...@gmail.com wrote:
Hi,
Just in case it can be helpful, someone (Karl) post a pdf he wrote on
MuseScore (http://www.musescore.org) mailing list about chord name display.
Musescore is a free GPL WYSIWYG scorewriter (with lilypond export
capabilities)
On 5/30/09 10:55 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Carl D. Sorensen wrote:
I assume that there would still have to be some means of creating
exceptions. If someone wants chords named mainly in the Real Book style,
but with minors notated slightly differently ( Cm / Cmi / C
On 5/31/09 7:34 AM, Johannes Schöpfer j...@schoepfer.info wrote:
Hi,
As I already said some time ago when I made my own chordnames functions, I
still believe chordnames should be seperated from chords, or at least chords
shouldn't produce chordnames since it'll never be clear. And the
On 5/30/09 3:21 AM, Brett Duncan bdd1...@bigpond.net.au wrote:
Grammostola Rosea wrote:
Do we have an Jazz/pop chord expert on the list (I'm sure he/she exist)?
And who wants to help with this?
I don't consider myself an expert, but after 20 years of playing with
various pop, rock and
On 5/30/09 9:53 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote:
Tim McNamara wrote:
On May 30, 2009, at 9:50 AM, Carl D. Sorensen wrote:
On 5/30/09 3:21 AM, Brett Duncan bdd1...@bigpond.net.au wrote:
Grammostola Rosea wrote:
Do we have an Jazz/pop chord expert on the list
On 5/30/09 5:15 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Carl D. Sorensen wrote:
My currently-planned starting point for chord naming is
http://www.dolmetsch.com/musictheory17.htm#namechords
If you have any disagreement with this reference, please let me know.
It looks like
On 5/30/09 7:16 PM, Carl D. Sorensen c_soren...@byu.edu wrote:
Right now we have a naming problem, separate from the display problem. If
we can get the code to recognize that we have a Ebmaj7b5, then we can figure
out how to display it in a way that the users will like. Right now, we
On 5/29/09 2:05 AM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
[...]
Here's one way to do it:
deadNote =
#(define-music-function (parser location note) (ly:music?)
(set! (ly:music-property note 'tweaks)
(acons 'stencil ly:note-head::print
On 5/29/09 6:10 AM, Grammostola Rosea rosea.grammost...@gmail.com wrote:
Hi,
In the last months there where some questions about Jazz/pop chords.
About the notation of the default chords but also about chords with an E
in the bass, A/E, sus4 etc.
Some people even posted ways to do it
On 5/29/09 1:56 AM, Marc Hohl m...@hohlart.de wrote:
David Stocker schrieb:
If I may chime in...
This may just be a matter of editorial taste, but would it be possible
to make it so the 'X' on in the Tab staff is not the musical glyph
from Feta, but rather the character 'capital X' from
On 5/29/09 9:20 AM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
On 5/29/09 2:05 AM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
[...]
There is some drawback/difference: the crosses are drawn without
whiteout, so they look different
On 5/28/09 1:21 AM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
[...]
I think it's better to have the duplication and the ability to switch
between \tabNumbersOnly and \tabFullNotation, than to avoid the duplication,
and have \tabFullNotation be a non-undoable setting
On 5/28/09 7:22 AM, Julian jul...@casadesus.com.ar wrote:
But still not within the tablature staff
At the moment, I don't know how to manage this.
I found it,
% Dead Note
\tweak #'stencil #ly:note-head::print
\tweak #'glyph-name #2cross
\tweak #'style #'special
On 5/28/09 6:28 PM, David Stocker dstoc...@thenotesetter.com wrote:
If I may chime in...
This may just be a matter of editorial taste, but would it be possible
to make it so the 'X' on in the Tab staff is not the musical glyph from
Feta, but rather the character 'capital X' from the same
On 5/26/09 4:03 PM, Trevor Bača trevorb...@gmail.com wrote:
Snip some good comments about this code
%%% BEGIN #3 PROPORTIONAL SPACING WITHOUT STRICT NOTE SPACING AND WITH EOL
ADJUSTMENT %%%
adjustEOLMeterBarlineExtraOffset = #(define-music-function (parser location)
()
#{
On 5/27/09 2:50 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/5/23 Marc Hohl m...@hohlart.de:
Neil Puttock schrieb:
Since none of this works properly (I suspect it will require more than
Scheme hacking to get everything working), I don't think it's suitable
for inclusion.
Hm,
On 5/26/09 7:33 AM, David Bobroff bobr...@centrum.is wrote:
Brandon Olivares wrote:
Hi,
One of the tracks starts with this:
s16*259 a' b 16 e' d 16 a, b 16 s16 a b 16 e' d 16
The * is a multiplication sign. s16*259 means skip (i.e. invisible
rest) a 16th note 259 times.
I'd
On 5/25/09 12:13 PM, Julian jul...@casadesus.com.ar wrote:
Hello Marc,
Well at first, english is no my native lang, so sorry for don't speak it well.
I'm the admin of tuxguitar (a tablature editor) project and now i'm trying to
implement some of these features to the lilypond
On 5/25/09 10:57 AM, Henning Plumeyer h.plume...@web.de wrote:
Am 25.05.2009, 02:13 Uhr, schrieb Carl D. Sorensen c_soren...@byu.edu:
There are some issues though - not with Laura's example where no bar lines
are needed. But when you want bar lines the bars are too full.
You can
On 5/25/09 4:43 PM, Patrick McCarty pnor...@gmail.com wrote:
On Mon, May 25, 2009 at 03:26:42PM -0700, Patrick McCarty wrote:
On Mon, May 25, 2009 at 2:49 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
It looks like a whole note but has the duration of a quarter note, when
LilyPond
On 5/24/09 8:56 AM, Laura Conrad lcon...@laymusic.org wrote:
I think so. There's a lot of stuff where modern transcribers typically
halve or even quarter the note values, and I'd prefer not to but it's
problematic with the normal lilypond spacing. (One reason it probably
became common
On 5/23/09 1:09 AM, Marc Hohl m...@hohlart.de wrote:
Neil Puttock schrieb:
2009/5/22 Marc Hohl m...@hohlart.de:
% for ties in tablature, fret numbers that are tied to should be invisible
% or -after a line break - put in parentheses. Since this is not (easily?)
% possible in lilypond, we
On 5/22/09 7:27 AM, Paul Hodges p...@cassland.org wrote:
Hi all,
I have looked around, but I can't find anything about this in the pdf
documentation or snippets (v2.12.2):
At the start of my piece, I have \partial for an upbeat. However, I
wish to have a full bar (a semibreve in 2/2)
On 5/22/09 4:25 PM, Nick Payne nick.pa...@internode.on.net wrote:
-Original Message-
From: Patrick McCarty [mailto:pnor...@gmail.com]
Sent: Saturday, 23 May 2009 8:15 AM
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Should sample code in NR build correctly?
On Sat, May
On 5/21/09 1:08 AM, Stjepan Brbot stjepan.br...@zg.t-com.hr wrote:
M Watts wrote:
There are at least 2 versions in UTF-8; a normal one U+00AC, and a
full-width one U+FFE2.
To use these within lilypond, do \markup { \char ##x00AC } or \markup {
\char ##xFFE2 }.
Or, if your
On 5/21/09 12:41 AM, Stjepan Brbot stjepan.br...@zg.t-com.hr wrote:
Tim McNamara wrote:
You need to define exceptions to the way that LilyPond writes
chords. One way is to use one of the alternative chord rendering
methods that you can find in the snippet repository. You can put
On 5/21/09 2:54 PM, Stjepan Brbot stjepan.br...@zg.t-com.hr wrote:
But this should be the whole snippet code form snippets guide, look at:
Yes, but in your file there are apparently 16 lines that come before the
lines you showed in your email.
The line that caused the error is line 2
On 5/21/09 2:07 PM, Stjepan Brbot stjepan.br...@zg.t-com.hr wrote:
Carl D. Sorensen wrote:
Stjepan,
First, you should know that this has been fixed in the git sources and
will
be available in the next development release.
You can read the documentation about it here:
http
On 5/20/09 9:20 AM, Graham Percival gra...@percival-music.ca wrote:
On Tue, May 19, 2009 at 11:04:30AM +0200, Mats Bengtsson wrote:
I've played several orchestral pieces where the violin parts include
glissandi ranging over several strings.
Mahler Symphony no. 4 comes to my mind, for
On 5/20/09 10:41 AM, Graham Percival gra...@percival-music.ca wrote:
On Wed, May 20, 2009 at 10:19:47AM -0600, Carl D. Sorensen wrote:
Nonsense. You can push down a string without a fingerboard... ok,
granted this *really* makes the ideal string calculations
questionable, since you're
On 5/18/09 6:04 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
Carl,
I'm working on your suggestions and have come across a problem.
\relative c' { \chordmode { c \relative c'' { c }}
This last example won't compile. (It was missing the last curly brace
but I added it.) Here's
On 5/18/09 4:09 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/5/18 Mark Polesky markpole...@yahoo.com:
Helge Kruse wrote:
I want to add
markups... circled T and the
half-moon... How do I add such special markups?
See the 2 attached files.
Nice curve. :)
Here's a slightly
On 5/15/09 5:05 AM, Jonathan Kulp jonlancek...@gmail.com wrote:
Chip wrote:
Patrick McCarty wrote:
On Thu, May 14, 2009 at 8:05 PM, Chip c...@wiegand.org wrote:
I think this is the issue mentioned in the Known Issues for Chapter
1.1.2 Transpose in the Notation Reference. However, the
On 5/15/09 8:43 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Carl D. Sorensen wrote:
Music inside a \transpose or \chordmode block is absolute, unless a
\relative is included inside the the \transpose or \chordmode block. When
\relative blocks are nested, the innermost
On 5/15/09 3:06 PM, Anthony W. Youngman lilyp...@thewolery.demon.co.uk
wrote:
In message 200905151909580...@1654122929, David Pounder
pound...@lineone.net writes
I don't know if it's worth mentioning, but you can also run into
problems using \repeat inside a \relative block if an
On 5/15/09 4:13 PM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
The notation reference states in section 1.6.3 that \quoteDuring is typically
used for two instruments that play the same notes during a passage of music.
Unfortunately,
On 5/14/09 8:07 AM, Tim McNamara tim...@bitstream.net wrote:
into the \chords feels clunky and intrusive to me. I'd prefer to
minimize putting formatting code in the music content as much as
possible. Being able to write something like nc1 (or r1) and have it
interpreted by LilyPond as
On 5/14/09 9:03 AM, Gilles Sadowski gil...@harfang.homelinux.org wrote:
Hi.
This solution to the N.C. problem (use r to indicate N.C.)
^^^
Will R also work?
Not right now. I will investigate to see if it is
On 5/14/09 3:24 PM, Holger Hellebro hol...@gmail.com wrote:
Hi
I'm a new Lilypond user and I'm really enjoying the program so far. However I
am having difficulties typesetting a certain trill. You can see in the
attached picture what I want to achieve. I run into two difficulties:
1.
On 5/12/09 4:44 AM, Tim Rowe digi...@gmail.com wrote:
Now on to my next exercise -- working out how to print capo chords in
parentheses after the regular chord, so I get:
(capo 3) C (A) G7 (E7)
The nearest I can find is at
On 5/12/09 10:35 AM, Stjepan Brbot stjepan.br...@zg.t-com.hr wrote:
Kieren MacMillan wrote:
Hi Stjepan,
I'd like to get the following chord D7/F#. How to define this F#
as bass in
chord? I can use d:7/fis but I get fis, not wanted F# as bass.
If you're using english.ly, you
On 5/12/09 12:41 PM, James E. Bailey derhindem...@googlemail.com wrote:
I will be the first one to admit that I don't work with chords frequently. I'm
also trying to understand them. I understand that I can enter c:7 and lilypond
will recognise that I want to display c7, and display it
On 5/12/09 1:51 PM, Tim Rowe digi...@gmail.com wrote:
I can get them all except for the last; when I try to remove the 9th
(c:m11^7^9) lilypond gets stuck :-(
If you read the notation reference carefully, you'll see that only the
*first* pitch to be removed is preceded by ^. (6 examples
On 5/5/09 9:03 PM, Victor Eijkhout vic...@eijkhout.net wrote:
This looks really bad:
harpchords = \relative c' { \time 15/8
s2^C s2^G/B s2^Am s4. | s2^Cmaj7/B s2^Em/G s2^F s4. |
s2^G s2^F/A s2^G/B s4. | s2^Dm/A s2^Dm/F s2 s4. |
\repeat volta 2 {
s2^C s2^G/B s2^Am
Jonathan,
On 5/2/09 2:23 PM, Jonathan Townes edmundtow...@gmail.com wrote:
Hello all,
Does anyone have suggestions for tweaking the position of accidental in
chord names. For example, the flat sign in in the chord name Ab? I
find in the default Lilypond setting the flat symbol is too big
On 5/2/09 5:50 AM, Daniel Hulme s...@istic.org wrote:
On Wed, Apr 29, 2009 at 09:54:09PM +0800, Graham Percival wrote:
Is it worth defining our own function
replaceOnly(\\octave, ...)
which does
re.sub(\\octave[?a-z,A-Z], ...)
or whatever the regex was?
\\octave\b would work fine.
Christian,
This kind of question is better asked on lilypond-user.
Thanks,
Carel
On 4/30/09 12:57 PM, grisu_76 christian.hum...@univie.ac.at wrote:
As for I get some helpful hints for solving the spacing-problem in
pickup-bars starting with a grace note, now I struggle with the
On 4/30/09 1:36 AM, Marc Hohl m...@hohlart.de wrote:
[snip]
I have reworked my tablature.ly according to all suggestions and
improvements by Neil and Carl.
The modern tab clef seems to be scaling properly, I played a bit with
some values for staff-space,
and it looks now as it should
On 4/29/09 3:12 AM, Marc Hohl m...@hohlart.de wrote:
Neil Puttock schrieb:
2009/4/27 Carl D. Sorensen c_soren...@byu.edu:
Neil,
Thanks for your input. I think it's all really good.
On 4/26/09 1:49 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/25 Marc Hohl m
On 4/28/09 4:42 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
Carl D. Sorensen wrote:
Thanks for the offer, Chip. I've just finished a preliminary run
through all of the snippets. I downloaded the tarball of the entire
repo and ran them through the convert-ly script, then did
On 4/27/09 3:38 AM, Marc Hohl m...@hohlart.de wrote:
Neil Puttock schrieb:
2009/4/25 Marc Hohl m...@hohlart.de:
(font-size (- (* num-strings 1.5) 7))
(base-skip (cond ((= 4 num-strings) 1.55)
((= 5 num-strings) 1.84)
On 4/27/09 12:47 PM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
On 4/27/09 3:38 AM, Marc Hohl m...@hohlart.de wrote:
No, I didn't get this mail. I played around with your suggestions and the
improvements given by Neil and have now:
#(define-markup-command
Neil,
Thanks for your input. I think it's all really good.
On 4/26/09 1:49 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/25 Marc Hohl m...@hohlart.de:
Hello tablature users*,
Like Carl, I'm not a tablature user, so I can only comment on matters of
coding.
Some suggestions and
On 4/25/09 9:37 AM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/23 Jonathan Kulp jonlancek...@gmail.com:
Graham Percival wrote:
1. Log in to LSR as an editor. (I remember the discussion now;
this isn't your fault)
2. Find the tags section for each snippet.
3. Click on the
On 4/25/09 1:31 PM, Neil Puttock n.putt...@gmail.com wrote:
Perhaps the point I was trying to make got lost in my slightly
facetious reply: if we're talking about LSR snippets which are in the
docs, the LSR editor must be mindful of the fact that editing such
examples in LSR may have no
On 4/25/09 12:52 PM, Pekka Siponen pekka.sipo...@bastu.net wrote:
Here are some thoughts about the default chords in LilyPond:
1. The suffixes should not be scaled (see attachment). The weight of the
smaller character gets too light if it is simply scaled down from the
original font.
Looks great, Marc! *Very* nicely done.
On 4/25/09 4:06 AM, Marc Hohl m...@hohlart.de wrote:
Hello tablature users*,
SNIP
3) some more tunings are defined:
guitar-seven-string-tuning
guitar-drop-d-tuning
bass-four-string-tuning
bass-drop-d-tuning
On 4/25/09 2:36 PM, Pekka Siponen pekka.sipo...@bastu.net wrote:
Indeed it (suffix position) is a personal preference, and not correct
most likely. I find that there is no standard for chord names, they have
been around only for a short time historically, and mostly everything is
based on
On 4/25/09 3:38 PM, -Eluze elu...@gmail.com wrote:
Carl D. Sorensen wrote:
You use the Internals Reference. You find the object you want engraved
under 3.1 All layout objects: 3.1.111 TextSpanner.
The IR tells you that TextSpanners are created by Dynamic_engraver
On 4/25/09 5:38 PM, Nick Payne nick.pa...@internode.on.net wrote:
I'm putting together a book of pieces, and using a particular font for
headers, footers, titles, subtitles, etc. The one place where I haven't
figured out how to get that font used is for the header text for the table
of
On 4/25/09 5:38 PM, Nick Payne nick.pa...@internode.on.net wrote:
I'm putting together a book of pieces, and using a particular font for
headers, footers, titles, subtitles, etc. The one place where I haven't
figured out how to get that font used is for the header text for the table
of
On 4/24/09 1:51 PM, Toine Schreurs a.m.m.schre...@chem.uu.nl wrote:
1. You would need (the nonexisting) RemoveEmptyDrumStaffContext. But
inspection of engraver-init.ly points to the solution:
SNIP
Toine,
Thanks for a great, clear answer. You're making a great contribution to
LilyPond by
On 4/24/09 4:22 PM, Peter Chubb lily.u...@chubb.wattle.id.au wrote:
I'd really appreciate an appendix or something that gives Lily syntax
as BNF, or as a syntax diagram. The syntax is very complex, and I've
been caught out a number of times by things not being as I expected
them to be
On 4/23/09 9:31 AM, Graham Percival gra...@percival-music.ca wrote:
On Thu, Apr 23, 2009 at 09:56:05AM -0500, Jonathan Kulp wrote:
Graham Percival wrote:
I will admit that outputting the version number appears in the
Text list, rather than the titles. In fact, both snippets should
On 4/23/09 12:04 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
Graham Percival wrote:
On Thu, Apr 23, 2009 at 10:31:22AM -0600, Carl D. Sorensen wrote:
And we really (IMO) need to be doing it as part of moving to a 2.12 LSR.
We should also be evaluating:
A) Does it run in 2.12?
B
On 4/22/09 5:09 AM, Shayne Picard shay...@gmail.com wrote:
How can I play a file in midi?
See Notation Reference Section 3.5 in the LilyPond documentation.
Thanks,
Carl
___
lilypond-user mailing list
lilypond-user@gnu.org
On 4/22/09 9:13 AM, Mischa Falkenburg
because_producti...@myfairpoint.net wrote:
Hello All,
I'm using version 2.12.1, and my piece utilizes a GrandStaff with 6 Staffs.
The .pdf file generated shows all the pages, except for the final page,
with a big space between two GrandStaffs.
I
On 4/20/09 3:11 PM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
Is there any way to position a dynamic sign at an explicit staff-relative (not
note-relative) vertical position?
Here's a hack that uses staff-padding together with a change in the Y-extent
that makes it work.
However,
On 4/20/09 4:32 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/20 Reinhold Kainhofer reinh...@kainhofer.com:
Is there any way to position a dynamic sign at an explicit staff-relative
(not
note-relative) vertical position?
Since the dynamic's X-parent is the notehead, you can
1 - 100 of 381 matches
Mail list logo
