\editionMod myed 1 0 Voice.A \3
\editionMod myed 1 0 Voice.A \rightHandFinger #3
\relative c' {
c4 d e f
}
Thank you.
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Choan Gálvez
http://www.choan.es/
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://lilypond.org/doc/v2.14/Documentation/learning/ties-and-slurs
Best.
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Choan Gálvez
Phil Holmes-2 wrote:
- Original Message -
From: yshhq pczh...@gmail.com
To: lilypond-user@gnu.org
Sent: Sunday, June 24, 2012 7:09 PM
Subject: input question
http://old.nabble.com/file/p34062961
\chordmode {
\besideCN #LEFT Capo1 d1 fis2:m7 b2:m e1:m7 a
}
any clues, anyone, please ?
Removing the $ prefixes from both $which-side and $added-text worked for
me. Actually, I'm not sure why it worked as I'm still an scheme illiterate.
Best.
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Choan Gálvez
)
See http://lists.gnu.org/archive/html/lilypond-user/2009-03/msg00052.html
or a case that an other chord is placed above the 'default' chord, like
(G7(#11)) placed above B7(b5)
You can use a parallel ChordNames context.
Best.
--
Choan Gálvez
http://choangalvez.nom.es
El 13/05/2012, a las 16:32, David Kastrup d...@gnu.org escribió:
Choan C. Gálvez choan.gal...@gmail.com writes:
Replying to myself as I've found a solution.
On Sat, May 12, 2012 at 3:41 PM, Choan Gálvez choan.gal...@gmail.com wrote:
Hi there.
I'm working on the transcription of some
this a bug?
Best.
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Choan Gálvez
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\stringTuning g c' e' a'
\makeDefaultStringTuning #'ukulele-baritone-tuning \stringTuning d g b e'
or alternatively, remove them.
What do you think?
Best.
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Choan Gálvez
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, that LilyPond is not overly skilled dealing
with non-increasing string pitches, so the standard ukulele would likely
not be fabulously supported either.
It is not. But that's something I can deal (and do deal) with... and a
starting point for maybe a hundred posts more ;)
Best.
--
Choan Gálvez
the process and make sure that the code corresponds best with what you
consider useful for your instrument.
:)
Best.
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Choan Gálvez
http://choangalvez.nom.es/
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'' e'' f'' fis'' g''
gis''
}
(@Choan: is this what you have in mind?)
This looks very nice and it's _exactly_ what I had in mind :)
But that's my opinion, I'm not the OP -- Christopher Webster is.
Best.
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Choan Gálvez
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On 5/9/12 09:34 , Christopher Webster wrote:
From: Choan Gálvez
Subject: Re: Adjustment to tablature output
Date: Wed, 09 May 2012 01:23:26 +0200
User-agent: Mozilla/5.0 (Macintosh; Intel Mac OS X 10.5; rv:12.0)
Gecko/20120428 Thunderbird/12.0.1
On 5/8/12 10:48 , Christopher Webster wrote
align that nicely... but I can't help any further.
Best.
--
Choan Gálvez
Ukecosas. Los ukeleles que nos gustan, también para ti
Visítanos: http://ukecosas.es/
Degústanos en Facebook: http://facebook.com/ukecosas
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remove that engraver by adding
\context {
\PianoStaff
\remove Keep_alive_together_engraver
}
to your \layout definitions.
Best.
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Choan Gálvez
Ukecosas. Los ukeleles que nos gustan, también para ti
Visítanos: http://ukecosas.es
staff if the
measure contains content. I can't get it to print the empty staff (or
even an empty measure). There's probably some way to do this, I just
haven't found it.
You can fill the empty staff by using
s1 * 32
Best.
--
Choan Gálvez
Ukecosas. Los ukeleles que nos gustan, también para ti
in a
separate file.
You must put the variable call inside a \layout block:
\score {
\myMusic
\layout {
\myLayout
}
}
will work fine.
Best.
--
Choan Gálvez
Ukecosas. Los ukeleles que nos gustan, también para ti
Visítanos: http://ukecosas.es/
Degústanos en Facebook: http://facebook.com
as if the cadenza were not there. However I would like to
continue with the next bar number after the cadenza (bar number 3 instead of
2).
Does anybody know how to write this?
You can set the bar number manually:
\set Score.currentBarNumber = #3
Best.
--
Choan Gálvez
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