From: Federico Bruni [mailto:fedel...@gmail.com]
Sent: Saturday, January 04, 2014 3:11 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: \override NoteHead.style in drummode
please share your solution, others may be interested
I just added another percussion note to the table
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Saturday, January 04, 2014 8:12 AM
To: MING TSANG
Cc: lilypond-user mailinglist
Subject: Re: r on voice2
MING TSANG tsan...@rogers.com writes:
\version 2.18.0
\language english
{ f'2 r }\\{ r8 c' a4 q8 r d'
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Wednesday, January 01, 2014 3:22 PM
To: lilypond-user@gnu.org; Daniel Rosen
Subject: Re: No tremolo to end
On Wed, 01 Jan 2014 09:16:09 -0800, Daniel Rosen drose...@gmail.com
wrote:
Is there some kind
The automatic octaves snippet in the LSR
(http://lsr.dsi.unimi.it/LSR/Snippet?id=445) isn't working on 2.18.0, even
after using convert-ly (I gave it 2.14.0 as the from version). Is someone
able to update it?
DR
___
lilypond-user mailing list
Is it me, or is this slur too far away from the noteheads?
\version 2.18.0
\relative c''' {
c4.( c8~ c4 c)
}
DR
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
-Original Message-
From: Marc Hohl [mailto:m...@hohlart.de]
Sent: Friday, January 03, 2014 2:49 AM
To: lilypond-user@gnu.org
Subject: Re: Numbers over double percent repeats
Am 03.01.2014 06:51, schrieb Daniel Rosen:
How can I modify the code below so that it produces output more
-Original Message-
From: Marc Hohl [mailto:m...@hohlart.de]
Sent: Friday, January 03, 2014 1:25 PM
To: Daniel Rosen; lilypond-user@gnu.org
Subject: Re: Numbers over double percent repeats
Am 03.01.2014 19:08, schrieb Marc Hohl:
Am 03.01.2014 18:32, schrieb Marc Hohl:
Am
How can I get just the whole note in the example below to use the xcircle
style? \once \override NoteHead.style = #'xcircle doesn't work.
\version 2.18.0
#(define mydrums '((crashcymbal cross #f6)))
\drums {
\set drumStyleTable = #(alist-hash-table mydrums)
cymc4 cymc
-Original Message-
From: Daniel Rosen
Sent: Friday, January 03, 2014 7:48 PM
To: lilypond-user@gnu.org
Subject: \override NoteHead.style in drummode
How can I get just the whole note in the example below to use the xcircle
style? \once \override NoteHead.style = #'xcircle doesn't
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Monday, December 30, 2013 11:03 PM
To: lilypond-user@gnu.org; Daniel Rosen
Subject: Re: No tremolo to end
Warning messages are there only to help find problems, often flagging
ambiguous situations
I'm working on an extremely large project, and I've come across an error that I
can't reproduce in a minimal example, so I'll try to describe it as best I can.
When I compile a file containing this code,
\version 2.17.97
one = \relative c''' {
\time 3/8
\key f \minor
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Monday, December 30, 2013 4:57 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: No tremolo to end
Daniel Rosen drose...@gmail.com writes:
I'm working on an extremely large project, and I've come
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Monday, December 30, 2013 6:44 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: No tremolo to end
You don't have an example that shows the problem but only
offer some handwaving of what kind of code
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Monday, December 30, 2013 1:56 PM
To: lilypond-user@gnu.org
Subject: Re: No tremolo to end
Usually this appears when two parts tremolo and one of their notes is a
unison, in which case you probably want to
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Monday, December 30, 2013 11:03 PM
To: lilypond-user@gnu.org; Daniel Rosen
Subject: Re: No tremolo to end
Keith, would you be willing to help me debug this? The project is
hosted in a Git repository
-Original Message-
From: Johan Vromans [mailto:jvrom...@squirrel.nl]
Sent: Thursday, December 26, 2013 2:30 PM
To: lilypond-user@gnu.org
Subject: Re: ANN: Frescobaldi 2.0.12
Wilbert Berendsen wbs...@xs4all.nl writes:
Enjoy, and please report bugs as usual!
Oh, how wonderful
-Original Message-
From: Eluze [mailto:elu...@gmail.com]
Sent: Thursday, December 26, 2013 5:22 PM
To: Daniel Rosen; lilypond-user@gnu.org
Subject: Re: Possible bug with TrillSpanner.to-barline?
Am 26.12.2013 22:22, schrieb Daniel Rosen:
In the example below, uncommenting
-Original Message-
From: Janek Warchoł [mailto:janek.lilyp...@gmail.com]
Sent: Thursday, December 05, 2013 12:58 PM
To: Daniel Rosen
Cc: LilyPond Users; Jan Nieuwenhuizen; David Kastrup; Urs Liska; Noeck;
Kieren MacMillan; Joseph Wakeling; Benjamin CL; Richard Shann
Subject: Re
In the example below, uncommenting the indicated line results in the
TrillSpanner only printing the wavy line without the tr. Is this a bug?
\version 2.17.97
trillSharpMarkup = \markup {
\concat { \musicglyph #scripts.trill \hspace #0.4 \raise #1.9 \teeny \sharp
}
}
trillspanSharp = {
On Dec 6, 2013, at 5:06 PM, Urs Liska
u...@openlilylib.orgmailto:u...@openlilylib.org wrote:
Am 06.12.2013 22:51, schrieb SoundsFromSound:
Urs Liska wrote
Hi,
What is the official definition of a ponding?
http://lists.gnu.org/archive/html/lilypond-user/2012-04/msg00533.html
A website
-Original Message-
From: Joseph Rushton Wakeling [mailto:joseph.wakel...@webdrake.net]
Sent: Saturday, December 07, 2013 12:12 PM
To: lilypond-user@gnu.org
Subject: Re: on marketing
On 07/12/13 18:07, Jan Nieuwenhuizen wrote:
Beethoven's 104 Piano Sonatas
That would be 32 :-)
-Original Message-
From: Janek Warchoł [mailto:janek.lilyp...@gmail.com]
Sent: Monday, December 02, 2013 8:50 AM
To: LilyPond Users; Jan Nieuwenhuizen; David Kastrup; Urs Liska; Noeck;
Kieren MacMillan; Joseph Wakeling; Benjamin CL; Richard Shann
Subject: improving LilyPond
I suspect that many of the functions that are coming out as part of OpenLilyLib
will prove invaluable to me in future projects. I have a question though-in
what directory on my system should I keep them all for easy \including? I'm
running Windows 7 x86.
DR
My problem is the one documented at
http://code.google.com/p/lilypond/issues/detail?id=1127. Looking over that
issue, I see that multiple people have offered monies on multiple occasions (as
recently as a month ago, in fact) for it to be resolved, but that no one has
taken it up yet. What's
-Original Message-
From: Daniel Rosen
Sent: Saturday, November 23, 2013 9:54 AM
To: 'Ryan McClure'; lilypond-user@gnu.org
Subject: RE: MultiMeasureRestNumber centered between staves
From: Ryan McClure [mailto:ryanmichaelmccl...@gmail.com]
Sent: Friday, November 22, 2013 10:00 PM
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Tuesday, November 26, 2013 3:23 PM
To: Daniel Rosen
Cc: Lilypond-User Mailing List
Subject: Re: MultiMeasureRestNumber centered between staves
Hi Daniel,
I assume you found this?
http
From: Ryan McClure [mailto:ryanmichaelmccl...@gmail.com]
Sent: Friday, November 22, 2013 10:00 PM
To: lilypond-user@gnu.org
Subject: Re: MultiMeasureRestNumber centered between staves
I think that this may do the trick:
\version 2.17.29
\score {
\new PianoStaff
\new Staff {
I am typesetting an orchestral piece that includes a harp part with many full
bar rests. I'd like the MultiMeasureRestNumbers to appear centered between the
two staves, as in the attachment. How can I accomplish this?
DR
attachment: example.png___
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Tuesday, November 12, 2013 12:15 AM
To: Kieren MacMillan; Daniel Rosen
Cc: Lilypond-User Mailing List
Subject: Re: Horizontal alignment of MetronomeMarks
Now that I am looking for it, I do notice that tempo
I am forking this as a separate thread from Preventing tempo marks stacking
(redux).
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Monday, November 11, 2013 12:44 AM
To: Daniel Rosen; Kieren MacMillan
Cc: Lilypond-User Mailing List
Subject: Re: Preventing
Consider the following example:
\version 2.17.95
{
\compressFullBarRests
\tempo Allegro moderato 4 = 104
R1*20
\tempo Molto meno mosso 4 = 72
R1*20
\tempo Tempo primo
R1
}
I'd like the MultiMeasureRests to expand automatically so that the
MetronomeMarks don't get stacked on top of
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Sunday, November 10, 2013 7:24 PM
To: Daniel Rosen
Cc: Lilypond-User Mailing List
Subject: Re: Preventing tempo marks stacking (redux)
Hi Daniel,
Try this:
\version 2.17.29
\layout
In the following example, I can't figure out how to get the DynamicText to
appear inside the Slur:
\version 2.17.95
\relative c {
f16( f a'8\p a8)
}
This is exactly the same question as the one posed in this thread from a few
years ago
-Original Message-
From: Eluze [mailto:elu...@gmail.com]
Sent: Saturday, November 09, 2013 7:48 PM
To: lilypond-user@gnu.org
Subject: Re: Using the 'avoid-slur property (redux)
Am 09.11.2013 21:20, schrieb Daniel Rosen:
In the following example, I can't figure out how to get
-Original Message-
From: EdBeesley [mailto:edplaysdr...@gmail.com]
Sent: Wednesday, October 16, 2013 10:30 AM
To: lilypond-user@gnu.org
Subject: Re: ANN: Frescobaldi 2.0.11 released
EdBeesley wrote
Thank you for this release and in general for this amazing program
that has
\version 2.17.27
\figures { 6+ [6+] }
The above produces #6 [#6]. Is there a way for me to have JUST the sharp
symbol in brackets, [#]6?
(This exact question was asked on the list a while ago
(http://thread.gmane.org/gmane.comp.gnu.lilypond.general/64125/focus=64139),
and the person who asked
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Monday, October 07, 2013 7:42 PM
To: Steve Noland
Cc: lilypond-user@gnu.org
Subject: Re: Problem with LilyJAZZ.ily
Try replacing #(define (jazz-keysig grob) ...) with Keith's suggestion:
From: ryanmichaelmcclure [mailto:ryanmichaelmccl...@gmail.com]
Sent: Monday, October 07, 2013 11:38 PM
To: lilypond-user@gnu.org
Subject: Re: Slur goes way too high in this passage
That seems to work well. Is there another workaround, do you think? Seeing
the slur over that far bugs me
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Tuesday, April 30, 2013 1:21 AM
To: lilypond-user@gnu.org
Subject: Re: cre - - sen - - do
Derek cushy at shmerek.com writes:
Thanks for that. I assume this means at this juncture it isn't possible?
cheers
On Apr 29, 2013, at 1:38 AM, David Kastrup d...@gnu.org wrote:
Daniel Rosen drose...@gmail.com writes:
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, April 28, 2013 3:39 PM
To: lilypond-user@gnu.org
Subject: Re: change of plans for this final project
On Apr 29, 2013, at 10:17 AM, Francisco Vila
paconet@gmail.commailto:paconet@gmail.com wrote:
El 29/04/2013 14:03, Daniel Rosen
drose...@gmail.commailto:drose...@gmail.com escribió:
That which would solve a problem for pianists and composers, not so much for
singers, would pose a new
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, April 28, 2013 2:46 PM
To: lilypond-user@gnu.org
Subject: Re: change of plans for this final project
\transposition gives the relation between audible and visible pitch.
If you want to enter stuff in true
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, April 28, 2013 3:39 PM
To: lilypond-user@gnu.org
Subject: Re: change of plans for this final project
Can you explain in greater detail exactly what the difference is
between \transpose and
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Saturday, April 20, 2013 6:43 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: MetronomeMark markup
2013/4/20 Daniel Rosen drose...@gmail.com:
I have a tempo marking that I want to split
In the example below, how can I adjust the space between the second grace note
and the barline? I'd like for the barline to be closer.
\relative c'' {
#(define afterGraceFraction (cons 15 16))
c1 \afterGrace d1 { c16[ d] } c1
}
DR
___
Below are two examples, identical except for the fact that the second one has a
RehearsalMark where the first one doesn't.
\version 2.16.1
{ \time 9/4 c'1. c'2. | \time 6/4 c'1. | }
{ \time 9/4 \mark c'1. c'2. | \time 6/4 c'1. | }
When I compile them, the first example appears as
-Original Message-
From: Patrick or Cynthia Karl [mailto:pck...@mac.com]
Sent: Saturday, April 20, 2013 12:59 PM
To: lilypond-user@gnu.org; Daniel Rosen
Subject: Re: lilypond-user Digest, Vol 125, Issue 103
\mark requires an argument. In this case it is using c'1
I have a tempo marking that I want to split into two rows, as follows:
\version 2.16.1
{
\tempo \markup { \column { Line 1 Line 2 } } 4 = 100
c'1
}
Is there a way for me to have the 4 = 100 part appear after Line 2 without
having to write out the quarter note, equals sign, etc. in markup?
From: Mario Moles [mailto:mario.mole...@gmail.com]
Sent: Saturday, March 02, 2013 6:45 PM
To: lilypond-user@gnu.org
Subject: GrandStaff and \bar
Hi lilyponders!
I'm sorry! But I have not figured out how to get Grandstaff without the
connected bars! Do you know?
Thanks!
Is this what you're
Nathan when.possible at gmail.com writes:
On Sat, Mar 2, 2013 at 4:04 PM, Mario Moles mario.moles73 at gmail.com
wrote:
Hi lilyponders!
I'm sorry! But I have not figured out how to get Grandstaff without the
connected bars! Do you know?
Thanks!
\new ChoirStaff \with {
-Original Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Thursday, February 28, 2013 1:56 AM
To: lilypond-user@gnu.org
Subject: Re: Footnotes to lyrics
Can anyone recommend a workaround in the meantime?
You could place a working footnote nearby and fake the number in
I'm typesetting a piece of vocal music, and I want to have a melisma without a
slur being drawn. I tried \override Slur #'stencil = ##f, but when I compiled
it, the output appeared as if I had written \override Slur #'transparent =
##t--in other words, it occupies space, contrary to the
-Original Message-
From: Daniel Rosen
Sent: Thursday, February 28, 2013 8:29 AM
To: 'Phil Holmes'; lilypond-user@gnu.org
Subject: RE: #'stencil vs. #'transparent - UPDATED EXAMPLES
I need a LyricExtender though. Sorry, I should have mentioned that/put it in
my examples (new ones
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Wednesday, February 27, 2013 5:24 AM
To: lilypond-user@gnu.org
Subject: Re: Footnotes to lyrics
Conversion to 2.17.13 (what I have here) leaves this unchanged. The error
message is a different one, though. I can
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Wednesday, February 27, 2013 9:03 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: Footnotes to lyrics
Phooey. I assume that Lyric was supposed to be the text of the lyrics,
right?
Correct
-Original Message-
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Wednesday, February 27, 2013 6:44 PM
To: wjm; d...@gnu.org; Lilypond-User List
Subject: Re: Footnotes to lyrics
wjm wrote Wednesday, February 27, 2013 7:34 PM
From the NR LilyPond version 2.17.13
At http://www.lilypond.org/doc/v2.16/Documentation/notation/creating-footnotes,
it says that lyrics are events that can have footnotes attached to them, but I
can't figure out how to do this--when I use the \footnote offset footnote
music formula within a lyricmode block I get an unexpected
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Tuesday, February 26, 2013 7:24 PM
To: lilypond-user@gnu.org
Subject: Re: Footnotes to lyrics
Daniel Rosen drose...@gmail.com writes:
At
http://www.lilypond.org/doc/v2.16/Documentation/notation/creating-
foot
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, February 03, 2013 4:18 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: baseline-skip in headers
%% start
\version 2.16.1
\header {
composer = \markup \override #'(baseline-skip . 2
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, February 03, 2013 8:24 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: baseline-skip in headers
Daniel Rosen drose...@gmail.com writes:
Is this syntax ( \markup \override #'(...)
)mentioned
In the following example, I'd like to have less space between Lines A and B in
the header. How can I accomplish this?
%% start
\version 2.16.1
\header {
composer = \markup { \center-column { Line A Line B } }
}
{ c''1 }
%% end
DR
___
Below an example from the NR illustrating successive trill spanners
(http://www.lilypond.org/doc/v2.16/Documentation/af/lily-df4bb625.ly), followed
by a slight modification. The change I've made is to add a \startTrillSpan
command to the second whole note.
My issue is that when I compile this,
-Original Message-
From: Joseph Rushton Wakeling [mailto:joseph.wakel...@webdrake.net]
Sent: Friday, January 11, 2013 6:43 AM
To: lilypond-user@gnu.org
Subject: Re: Guide to Writing Orchestral Scores with Lilypond?
On 01/11/2013 12:44 AM, Urs Liska wrote:
I doubt very much
I'm trying to typeset a passage with two voices on the same staff. Both voices
use double slurs, and I need the slurs within each voice to be parallel (i.e.
both slurs in the top voice need to curve up). What would be the best way to do
this?
\version 2.16.1
\relative c'' {
{ \set
In the example below, I'd like to use the music that appears after the barline
because it lines up the rests visually with their respective voices. It looks
exactly the way I want it to, but I'm getting this warning:
document.ly:6:7: warning: cannot resolve rest collision: rest direction not
OK... but that doesn't fix my problem. I get the same thing when I use the
following:
{
\new Staff
\new Voice { \one }
\new Voice { \two }
}
DR
-Original Message-
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Sunday, December 30, 2012 3:19 PM
To: Daniel
-
From: Daniel Rosen
Sent: Sunday, December 30, 2012 3:21 PM
To: 'Trevor Daniels'; lilypond-user@gnu.org
Subject: RE: More cannot resolve rest collision warnings
OK... but that doesn't fix my problem. I get the same thing when I use the
following:
{
\new Staff
\new Voice { \one
In the internals reference, for each grob that has style as a property, the
explanation reads: This setting determines in what style a grob is typeset.
Valid choices depend on the stencil callback reading this property. How do I
determine what the valid choices are for a given grob (e.g.
In the following example, I'd like to have a little more space between the
tenor clef and the BarLine immediately preceding it. I'm pretty sure this will
entail modifying a #'space-alist property, but I can't figure out whether it
should be BarLine #'space-alist or Clef #'space-alist, or which
I'm trying to get VoltaBrackets to appear both above and below the Score. I've
come up with the solution below, which works quite well, but I'd like to get
the volta text to appear inside the bracket, as it does when VoltaBracket
#'direction is not altered. Is there a way to do this? I can't
In the example below, Tempo II is aligned differently from Tempo I, and the
only difference between the two that I can see is that there's a full measure
rest in the top staff immediately after Tempo II occurs. How can I get Tempo
II to align the same as Tempo I? I've tried playing around with
-Original Message-
From: Xavier Scheuer [mailto:x.sche...@gmail.com]
Sent: Wednesday, December 19, 2012 2:20 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org; Mike Solomon
Subject: Re: MetronomeMark alignment after break
On 19 December 2012 20:00, Daniel Rosen drose...@gmail.com
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Wednesday, December 19, 2012 2:38 PM
To: Daniel Rosen
Cc: Xavier Scheuer; lilypond-user@gnu.org
Subject: Re: MetronomeMark alignment after break
Hi Daniel,
Any ideas as to how to work around
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
The workaround is in the link above. Generally, bug-trackers try to include a
workaround.
Oh, I didn't see it the first time. Thanks.
DR
___
lilypond-user mailing list
-Original Message-
From: Keith OHara [mailto:k-ohara5...@oco.net]
Sent: Saturday, December 15, 2012 2:01 AM
To: lilypond-user@gnu.org
Subject: Re: Full bar rests in single-staff polyphony
Daniel Rosen drosen27 at gmail.com writes:
So far, there's no automatic support
No answer... should I send this to the bug list as a feature request? Here's an
example:
\version 2.16.1
\new Staff
\new Voice { \time 3/4 \voiceOne e' e' e' }
\new Voice { \voiceTwo R1*3/4 }
DR
-Original Message-
From: Daniel Rosen
Sent: Thursday, December 13, 2012 10
From a list conversation
(http://lilypond.1069038.n5.nabble.com/Full-bar-rests-in-multi-voiced-piano-scores-question-and-a-suggestion-td29115.html#a29121)
from 2008:
So far, there's no automatic support in LilyPond to avoid collisions between
multi-measure rests and other objects.
Is this
This code:
%% Start
\version 2.16.1
{ \partcombine
{ \times 2/3 { f'' f'' f'' } }
{ \times 2/3 { bes' bes' bes' } }
}
%% End
Gets me this error:
5:4: warning: No tuplet to end
{
\times 2/3 { bes' bes' bes' } }
The file compiles fine, so I'm not sure what this is all about. Does
Thanks a lot for this--if someone does know how to modify this to accept
metronome marks as well, that'd be great.
DR
-Original Message-
From: Xavier Scheuer [mailto:x.sche...@gmail.com]
Sent: Thursday, December 06, 2012 5:49 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re
Bump. Can anyone help me with this?
DR
-Original Message-
From: Daniel Rosen
Sent: Sunday, December 02, 2012 6:31 PM
To: lilypond-user@gnu.org
Subject: RE: Marks above and below simultaneously
OK, I think I've mostly figured this out:
\version 2.16.1
marks = {
\tempo Tempo
s1
Thanks a lot!
DR
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Wednesday, December 05, 2012 7:05 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: Marks above and below simultaneously
2012/12/5 Daniel Rosen drose...@gmail.com:
Bump. Can
}
The only problem now is that metronome mark is aligned with the start of the
music instead of the time signature. I'm guessing this has something to do with
the fact that it's in a Dynamics context--can someone tell me how to fix it?
DR
-Original Message-
From: Daniel Rosen
I have my rehearsal marks and metronome marks in a separate voice in the score
I'm typesetting, and I'd like to get them all to show up both above and below
the score. The best thing to do that I can think of is to use Dynamics contexts
above and below, but that throws off the vertical spacing
the mark occurs,
it won't show up.
DR
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Saturday, December 01, 2012 7:32 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: Marks above and below simultaneously
Maybe those snippets could help :
- http
Saul--I'm not sure I understand how exactly you want the spacing to look. Do
you have an example image? If not, what exactly do you want to line up between
the two staves?
DR
-Original Message-
From: Shevek [mailto:s...@saultobin.com]
Sent: Thursday, November 29, 2012 6:51 PM
To:
But of course :-) What does it look like with just the harp part?
DR
-Original Message-
From: Saul Tobin [mailto:s...@saultobin.com]
Sent: Friday, November 30, 2012 6:05 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: harp gliss spacing
I'm trying to find an example image
Since you never have more than two voices of music at once, there's no need for
you to have more than one voice within a Staff context. Just put all the music
for the each hand in its respective Staff context and use the \change function
to switch staves:
%%% start
\header{
title = glissando
,
Thanks much for the valuable tips. I was able to adapt your method for other
parts of the piece also.
I promise to follow the rules of Tiny Examples if I need to submit another
snippet. :-)
Bill
On Nov 27, 2012, at 12:24 PM, Daniel Rosen wrote:
Since you never have more than two
Works great. Thanks so much!
DR
-Original Message-
From: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Thursday, November 15, 2012 6:37 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: Parenthesized slurs
Hi Daniel,
On Wed, Nov 14, 2012 at 5:06 PM, Daniel Rosen
I'm trying to engrave a score with parentheses around a slur. Can't find
anything like this in the LSR; the last time this was brought up in the list
appears to be 2005
(http://news.gmane.org/find-root.php?message_id=%3c4343E72F.6000500%40s3.kth.se%3e).
Is this possible to do?
DR
Yup.
http://erato.uvt.nl/files/imglnks/usimg/5/57/IMSLP01776-Mozart_EineKleineNachtmusik_Score.pdf
from IMSLP; cf. pp. 2 and 4 in the violin parts.
DR
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Monday, November 12, 2012 12:59 AM
To: Daniel Rosen
Cc: Thomas
\version 2.16.0 \times 2/3 { c'8 c' c' }
Is there a way to get the TupletNumber to show up on the note head side instead
of the beam side? Seems to me that this would be a pretty common tweak, and I
can't find it in the manuals or the LSR or anywhere in the list archives.
DR
, 2012 11:52 AM
To: lilypond-user@gnu.org
Subject: Re: TupletNumber direction
Daniel Rosen drose...@gmail.com writes:
\version 2.16.0 \times 2/3 { c'8 c' c' }
Is there a way to get the TupletNumber to show up on the note head
side instead of the beam side? Seems to me that this would
direction
Daniel Rosen drose...@gmail.com writes:
\version 2.16.0 \times 2/3 { c'8 c' c' }
Is there a way to get the TupletNumber to show up on the note head
side instead of the beam side? Seems to me that this would be a pretty
common tweak, and I can't find it in the manuals or the LSR
Aha! That would explain it.
DR
-Original Message-
From: lilypond-user-bounces+drosen27=gmail@gnu.org
[mailto:lilypond-user-bounces+drosen27=gmail@gnu.org] On Behalf Of
lilypond-user-requ...@gnu.org
Sent: Sunday, November 11, 2012 3:47 PM
To: lilypond-user@gnu.org
Subject:
To: David Nalesnik
Cc: Daniel Rosen; David Kastrup; lilypond-user@gnu.org
Subject: Re: TupletNumber direction
2012/11/11 David Nalesnik david.nales...@gmail.com:
On Sun, Nov 11, 2012 at 3:36 PM, Daniel Rosen drose...@gmail.com wrote:
Fantastic. I had a feeling that it would be a relatively simple
, November 11, 2012 5:57 PM
To: Daniel Rosen
Cc: David Nalesnik; David Kastrup; lilypond-user@gnu.org
Subject: Re: TupletNumber direction
2012/11/11 Daniel Rosen drose...@gmail.com:
I can't speak to whether the code is sound, but if it is, this should be
added to the LSR. Quite frankly, I'm
I'm trying to find a way to print an ambitus between the key signature and time
signature, as here (http://www3.cpdl.org/wiki/images/3/37/TALL-SA1.pdf). Is
this possible?
DR
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lilypond-user@gnu.org
Works perfectly, thanks!
DR
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Monday, November 05, 2012 7:40 PM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: Ambitus placed after clef and key signature
2012/11/6 Daniel Rosen drose
This should do the trick by centering the Lyrics between the two staves:
\version 2.16.0
\score {
... music here ...
\layout {
\context {
\Lyrics
\override VerticalAxisGroup #'staff-affinity = #0
}
}
}
DR
From: Aristotle Esguerra [mailto:aristo...@esguerra.info]
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