On Fri, May 15, 2015 at 8:06 AM, David Nalesnik david.nales...@gmail.com
wrote:
One problem that Kieren noticed is evident in the last example When the
padding is set to 0, all names are as far right as they can go and still be
properly aligned one to another. When, however, the padding
Hi Andrés,
On Fri, May 15, 2015 at 7:21 AM, Andrés Pérez cont...@andresperezlopez.com
wrote:
Hi,
David, the code you provided is almost perfect for our purposes.
However, there are still some aspects that need to be refined. I still
don't understand clearly the lilypond code, but so far I
On Fri, May 15, 2015 at 10:04 AM, Urs Liska u...@openlilylib.org wrote:
Am 15.05.2015 um 16:52 schrieb Kieren MacMillan:
Hi David,
When I used Finale, I was dissatisfied with a lot
Who wasn’t (or, poor souls, isn’t currently)? ;)
The editors of the last big composers (print)
On Fri, May 15, 2015 at 8:24 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
First of all, many [public] thanks for having done this work: it’s
remarkable, and extremely helpful to me.
q.v. On Wednesday night, I was out for a drink with a musician friend, who
“admires”
On Fri, May 15, 2015 at 9:52 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
When I used Finale, I was dissatisfied with a lot
Who wasn’t (or, poor souls, isn’t currently)? ;)
In retrospect, I really should have stuck with Score at the time--which I
abandoned mostly
Hi,
On Sun, Apr 26, 2015 at 12:45 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all,
In the snippet http://lsr.di.unimi.it/LSR/Snippet?id=383, the
instrument names are centered [beautifully!] based on the total indent
value.
How would one make the instruments be
On Mon, May 11, 2015 at 10:04 AM, tisimst tisimst.lilyp...@gmail.com
wrote:
Fantastic work, David!
Appreciate that!
Definitely more involved code than you would expect, but very thoroughly
done, allowing for non-centered alignments even. This would make an
excellent addition to the core
Hi Phil,
On Mon, May 11, 2015 at 10:26 AM, Phil Holmes m...@philholmes.net wrote:
Do you think a similar approach could solve
http://code.google.com/p/lilypond/issues/detail?id=766 ?
I don't think so. I don't know how you'd go about changing the indentation
automatically, but I imagine it
On Mon, May 11, 2015 at 11:02 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Oh, and some/all of the [Short]InstrumentName settings (e.g., padding)
should be adjustable after the score is “in progress.
=)
This is possible to a limited extent. You can't drop in a change when
you
On Mon, May 11, 2015 at 10:57 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David (et al.),
Not sure what the best practice would be. After all, you do want the
numbers you set for indent and short-indent to exactly match what you
specify.
It depends on how you define
Hi Andrés.
On Mon, May 11, 2015 at 7:06 PM, AndrésPérezLópez
cont...@andresperezlopez.com wrote:
Dear all,
it's a pleasure for me to write my first email in the list. I'm still very
new to Lilypond, so please forgive my ignorance.
Welcome to Lilypond and to the list!
We are in the
On Mon, May 11, 2015 at 11:16 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David (et al.),
This brings back the days of getting my dissertation--an orchestral
composition--through all the final hoops. Did the explicit requirement of
1.5\in at the left (if I remember
On Mon, May 11, 2015 at 10:39 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Abraham,
Fantastic work, David!
+1
This would make an excellent addition to the core code, IMHO.
+1
The only thing that I would further request (and this applies to
instrumentName in
On Sat, May 9, 2015 at 4:10 PM, Urs Liska u...@openlilylib.org wrote:
Am 09.05.2015 um 23:06 schrieb David Bellows:
I'm not sure so this maybe wrong. But AFAIK copyright for content posted
to the list is by default with the author and has no license by itself. So
I think you can't assume
Hi David.
On Sat, May 9, 2015 at 3:17 PM, David Bellows davebell...@gmail.com wrote:
Hello all,
I have a big coding project that generates Lilypond files to be
processed by Lilypond in an external process. My software is GPL. I
make use of a couple of scripts that were produced on this list
Hi Holland,
On Wed, May 6, 2015 at 9:45 AM, holl...@hollandhopson.com
holl...@hollandhopson.com wrote:
Hello all,
I’m using frameEngraver for a harp part and the repeat signs are not
aligned. The problem appears when I use compoundMeter. Below is a minimal
example that demonstrates the
On Wed, May 6, 2015 at 2:02 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Holland,
On Wed, May 6, 2015 at 9:45 AM, holl...@hollandhopson.com
holl...@hollandhopson.com wrote:
Hello all,
I’m using frameEngraver for a harp part and the repeat signs are not
aligned. The problem
On Mon, May 4, 2015 at 10:04 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Kieren,
On Sat, May 2, 2015 at 6:29 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Out of curiosity, do you get results with color-tweaks2.ly (attached
somewhere above)?
Same
Hi Andrew,
On Tue, May 5, 2015 at 8:36 PM, Andrew Bernard andrew.bern...@gmail.com
wrote:
Well, having just posted this I find the technique described on the
lilypond blog. But I am unable to download the code from the attached email
link from 2013. Can anybody help?
This came up recently.
Hi Kieren,
On Tue, May 5, 2015 at 8:57 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
And it works with that editionEngraver example.
It definitely works with a minimal EE example… Nice work!
However, I added it to my current (definitely non-minimal!) score, and it
On Mon, May 4, 2015 at 3:56 AM, Menu Jacques imj-...@bluewin.ch wrote:
Hello folks,
Someone recently supplied on this list a way to draw large, colored
brackets to emphasize repeats, with fixed X offsets though.
I tried to go one step further by defining functions in order to be able
to
Hi Kieren,
On Sat, May 2, 2015 at 6:29 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Out of curiosity, do you get results with color-tweaks2.ly (attached
somewhere above)?
Same thing: the EE-added tweak gets executed, but doesn’t appear in the
log output.
So it
On Fri, May 1, 2015 at 3:28 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
This looks pretty amazing so far — thanks for the great work!
When I try to apply it to a score with edition-engraver tweaks, it doesn’t
seem to colour anything tweaked using the EE.
It does
On Sat, May 2, 2015 at 10:20 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Sat, May 2, 2015 at 9:38 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Could you clarify how you are defining \theScore here?
Sorry… that was pseudocode. My actual [minimized
On Sat, May 2, 2015 at 10:20 AM, David Nalesnik david.nales...@gmail.com
wrote:
the function \colorOverride[1]
Forgot the footnote.
[1} This really ought to be named \colorTweaks instead.
___
lilypond-user mailing list
lilypond-user@gnu.org
https
On Sat, May 2, 2015 at 9:38 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Could you clarify how you are defining \theScore here?
Sorry… that was pseudocode. My actual [minimized] score code was:
\score {
\colorOverride
\new Staff \someMusic
….
}
Hi Harm,
On Sat, May 2, 2015 at 11:45 AM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-05-02 17:20 GMT+02:00 David Nalesnik david.nales...@gmail.com:
[...]
OK! Though I am disappointed you don't have a magical way to put scores
in
variables :)
[...]
David
start
On Fri, May 1, 2015 at 6:02 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Would you mind trying an extremely small score with the
edition-engraver, something like (however you would set it up)
\displayMusic
{
\override NoteHead.font-size = 2
c’’
}
I
On Sat, May 2, 2015 at 3:56 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Aha. So in the console do you see something like
No… =)
(make-music
'SequentialMusic
'elements
(list (make-music
'NoteEvent
'pitch
(ly:make-pitch 1
Kieren,
On Fri, May 1, 2015 at 3:28 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
This looks pretty amazing so far — thanks for the great work!
When I try to apply it to a score with edition-engraver tweaks, it doesn’t
seem to colour anything tweaked using the EE.
On Sat, May 2, 2015 at 6:08 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Out of curiosity, do you get results with color-tweaks2.ly (attached
somewhere above)?
Same thing: the EE-added tweak gets executed, but doesn’t appear in the
log output.
So it doesn't get
On Fri, May 1, 2015 at 6:21 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Kieren,
I suppose the way to get at context modifications is through
\applyContext.
Nope. Well, there's \applyOutput, which works a single time-step at a time.
Since all modifications are tracked
Hi Kieren,
On Fri, May 1, 2015 at 6:02 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
Would you mind trying an extremely small score with the
edition-engraver, something like (however you would set it up)
\displayMusic
{
\override NoteHead.font-size = 2
Hi Jim,
On Mon, Apr 27, 2015 at 3:55 PM, Jim Long lilyp...@umpquanet.com wrote:
On Mon, Apr 27, 2015 at 04:44:52PM +0200, Urs Liska wrote:
What we have in Frescobaldi depends on what we can catch by either
listening through engravers or by redefining command. So far I haven't
found a
Hi,
On Tue, Apr 28, 2015 at 10:29 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Mon, Apr 27, 2015 at 6:13 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Joram,
On Mon, Apr 27, 2015 at 5:30 PM, Noeck noeck.marb...@gmx.de wrote:
There is something which has
On Fri, May 1, 2015 at 10:56 AM, David Nalesnik david.nales...@gmail.com
wrote:
The code below will work much better.
Drat. Somehow we need to get the context name into the override. Otherwise
\override Staff.Clef.extra-offset = #'(0 . 5)
\clef alto
will lose its extra-offset
On Fri, May 1, 2015 at 11:15 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Fri, May 1, 2015 at 10:56 AM, David Nalesnik david.nales...@gmail.com
wrote:
The code below will work much better.
Drat. Somehow we need to get the context name into the override.
Otherwise
Hi Kieren and all,
On Fri, May 1, 2015 at 3:28 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
This looks pretty amazing so far — thanks for the great work!
When I try to apply it to a score with edition-engraver tweaks, it doesn’t
seem to colour anything tweaked using
On Fri, May 1, 2015 at 3:49 PM, David Nalesnik david.nales...@gmail.com
wrote:
In other news:
**Attached please find a version that handles tweaks and overrides. It
will also deal with \temporary, too.**
Drat...wrong file!
\version 2.19
override-color = #red
tweak-color = #blue
On Fri, May 1, 2015 at 3:49 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Kieren and all,
On Fri, May 1, 2015 at 3:28 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
This looks pretty amazing so far — thanks for the great work!
When I try to apply
Hi Leah,
On Thu, Apr 30, 2015 at 7:28 PM, Leah Velleman leah.velle...@gmail.com
wrote:
To do something like you want, you really would need access to context
properties
Ok — good to know I haven't missed some simple solution.
It seems like there ought to be some way of smuggling
On Fri, May 1, 2015 at 7:48 AM, David Nalesnik david.nales...@gmail.com
wrote:
test =
#(define-music-function (parser location music) (ly:music?)
(let ((k ERROR))
#{
\applyContext
#(lambda (context)
(set! k (ly:context-property context 'tonic
Hi Shane,
On Thu, Apr 30, 2015 at 12:34 PM, Shane Brandes sh...@grayskies.net wrote:
O.k. here is the desired result Rubato. quarter note glyph = c.90.
there used to be a way to hide the resulting parenthesis and also
adding a little bit of text between the equal sign and the numbers.
e.g.
On Thu, Apr 30, 2015 at 6:41 PM, David Nalesnik david.nales...@gmail.com
wrote:
P.S. Now I'm going to set out to break it...
Well, with simultaneous music you do end up having to repeat the key.
\test
\new PianoStaff
\new Staff
\new Voice {
\key re \major
\voiceOne
On Thu, Apr 30, 2015 at 7:40 PM, Shane Brandes sh...@grayskies.net wrote:
Thanks, that was exactly what I was after I just had forgotten about
the rest of the code that needed to go with it. Absolutely good
question why isn't it been folded into LilyPond proper?
I think that more formatting
Leah,
On Thu, Apr 30, 2015 at 6:34 PM, Leah Velleman leah.velle...@gmail.com
wrote:
Ah! I hadn't even gotten as far as thinking about key-change events
*within* the scope of the music function, though you're right that those
would be an issue too (and your suggestion looks like a sensible way
Hi Leah,
On Thu, Apr 30, 2015 at 3:16 PM, Leah Velleman leah.velle...@gmail.com
wrote:
I'm looking to write a \transpose-like music function that will need to be
able to find out what the current key is.
(In case it matters: The reason I'm doing this is to make it possible to
enter music
Hi Harm,
On Thu, Apr 30, 2015 at 6:36 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-05-01 1:23 GMT+02:00 David Nalesnik david.nales...@gmail.com:
%%
\version 2.18
\language italiano % the closest preset :)
test =
#(define-music-function
On Wed, Apr 29, 2015 at 2:45 AM, Urs Liska u...@openlilylib.org wrote:
Am 29.04.2015 um 09:42 schrieb Urs Liska:
I conclude that the lookup function used in ly:font-config-get-font-file
is not absolutely correct, but has never been so.
So I tend to ignore this for now and open an issue
On Tue, Apr 28, 2015 at 1:43 PM, Urs Liska u...@openlilylib.org wrote:
Am 28.04.2015 um 20:16 schrieb David Nalesnik:
Hi Urs,
On Tue, Apr 28, 2015 at 11:38 AM, Urs Liska u...@openlilylib.org wrote:
Am 28.04.2015 um 18:14 schrieb Urs Liska:
Am 28.04.2015 um 17:53 schrieb Urs Liska
Hi Steven,
On Tue, Apr 28, 2015 at 5:40 PM, Steven Weber pant...@hotmail.com wrote:
I finally managed to hack together highlighting code for key signatures
that does what I want (ignores the initial key signature, and only
highlights key signatures at the beginning of the line if it was
Andrew,
On Tue, Apr 28, 2015 at 4:46 AM, Andrew Bernard andrew.bern...@gmail.com
wrote:
Hi Urs and David,
Thanks so much. Yes, my chords are in voices so the slurs all face the
same direction accordingly. I was completely unaware of this aspect of
engraving. I had better study more scores
On Tue, Apr 28, 2015 at 6:58 AM, David Nalesnik david.nales...@gmail.com
wrote:
Andrew,
On Tue, Apr 28, 2015 at 4:46 AM, Andrew Bernard andrew.bern...@gmail.com
wrote:
Hi Urs and David,
Thanks so much. Yes, my chords are in voices so the slurs all face the
same direction accordingly. I
On Mon, Apr 27, 2015 at 6:13 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Joram,
On Mon, Apr 27, 2015 at 5:30 PM, Noeck noeck.marb...@gmx.de wrote:
There is something which has to be fixed, though. All clefs get
colored,
Can this be avoided (even at the cost
Hi Stephen,
On Tue, Apr 28, 2015 at 9:57 AM, Stephen MacNeil classicalja...@gmail.com
wrote:
I have line as a markup.. every time the spacing changes I have to adjust
the line. is there a way for it to follow (till the end) of the the note
region?
Please provide a short code example showing
Hi Urs,
On Tue, Apr 28, 2015 at 11:38 AM, Urs Liska u...@openlilylib.org wrote:
Am 28.04.2015 um 18:14 schrieb Urs Liska:
Am 28.04.2015 um 17:53 schrieb Urs Liska:
I think I have found something.
After some experimenting with a copy of font-config-get-font-file and
trying different
On Mon, Apr 27, 2015 at 12:16 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Mon, Apr 27, 2015 at 12:12 PM, David Nalesnik david.nales...@gmail.com
wrote:
Here's a code snippet to show that it is possible to tell if a grob has
been altered. Right now you have to add the procedure
Hi Urs,
On Mon, Apr 27, 2015 at 4:57 PM, Urs Liska u...@openlilylib.org wrote:
Hey David,
this is terrific. Nice that something I've done comes back to me this way
...
When I'll have the time I'll look into integrating this into Frescobaldi's
Layout Control Options.
Thanks!
There is
Hi Joram,
On Mon, Apr 27, 2015 at 5:30 PM, Noeck noeck.marb...@gmx.de wrote:
Hi David,
thank you very much! This is great. It is by far enough for my purposes.
For an automatic option like in Frescobaldi it has some issues still –
as you describe.
There is something which has to be
Hi Andrew,
On Mon, Apr 27, 2015 at 8:34 PM, Andrew Bernard andrew.bern...@gmail.com
wrote:
Greetings All,
The tie machinery for ties between chords puts them all one way, up or
down, when using a simple tilde for tying.
The following snippet has one upward tie and two downward ties.
{
Hi,
On Mon, Apr 27, 2015 at 9:44 AM, Urs Liska u...@openlilylib.org wrote:
Am 27.04.2015 um 16:27 schrieb Noeck:
Dear all, dear Urs,
I would like to color tweaks of a particular edition of the edition
engraver. I know that there is a checkbox in Frescobaldi to color, so it
seems
On Mon, Apr 27, 2015 at 12:12 PM, David Nalesnik david.nales...@gmail.com
wrote:
Here's a code snippet to show that it is possible to tell if a grob has
been altered. Right now you have to add the procedure for each grob you
want to examine.
Oh, I should mention that overrides have been
Hi,
On Sun, Apr 26, 2015 at 11:17 PM, Carl Sorensen c_soren...@byu.edu wrote:
Hi all,
I'm still trying to get a list of musical concepts that you commonly use
to talk about music that are either missing or hard to find in LilyPond.
So far we have a set of two:
Instruments
Measures
Are
On Sun, Apr 26, 2015 at 11:08 AM, Urs Liska u...@openlilylib.org wrote:
Am 26.04.2015 um 17:16 schrieb Paul Morris:
but engravers can have both listeners and acknowledgers, and more than
one of each.
You can also use an end-acknowledger to catch the end of a spanner.
It’s probably
Hi Kevin,
On Thu, Apr 23, 2015 at 11:49 PM, Kevin Tough ke...@toughlife.org wrote:
On Thu, 2015-04-23 at 13:06 -0500, David Nalesnik wrote:
On Wed, Apr 22, 2015 at 4:16 PM, Thomas Morley
thomasmorle...@gmail.com wrote:
Hi all,
in this long thread (and some
On Thu, Apr 23, 2015 at 11:07 AM, Carl Sorensen c_soren...@byu.edu wrote:
On 4/23/15 7:55 AM, H. S. Teoh hst...@quickfur.ath.cx wrote:
On Thu, Apr 23, 2015 at 12:34:32PM +, Carl Sorensen wrote:
On 4/22/15 10:57 PM, Super-User david...@qq.com wrote:
Seheme, as a dialect of Lisp,
On Thu, Apr 23, 2015 at 11:09 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Thu, Apr 23, 2015 at 11:07 AM, Carl Sorensen c_soren...@byu.edu
wrote:
On 4/23/15 7:55 AM, H. S. Teoh hst...@quickfur.ath.cx wrote:
On Thu, Apr 23, 2015 at 12:34:32PM +, Carl Sorensen wrote
On Wed, Apr 22, 2015 at 4:16 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-04-22 22:38 GMT+02:00 tisimst tisimst.lilyp...@gmail.com:
All,
On Wed, Apr 22, 2015 at 2:21 PM, Noeck [via Lilypond] [hidden email]
wrote:
this is a triviality for most of you and it does not solve
On Thu, Apr 23, 2015 at 9:55 AM, H. S. Teoh hst...@quickfur.ath.cx wrote:
On Thu, Apr 23, 2015 at 12:34:32PM +, Carl Sorensen wrote:
On 4/22/15 10:57 PM, Super-User david...@qq.com wrote:
Seheme, as a dialect of Lisp, can be annotated with ;; so that our
Scheme codes implementing
On Thu, Apr 23, 2015 at 3:25 AM, Johannes Rohrer s...@johannesrohrer.de
wrote:
* 2015-04-23 01:29 +0200:
Translators are program elements that convert music expressions to
output.
Engravers are translators that create printed output. Performers are
translators that create midi output.
On Thu, Apr 23, 2015 at 8:22 AM, David Nalesnik david.nales...@gmail.com
wrote:
The list at
http://lilypond.org/doc/v2.18/Documentation/internals/music-classes
lists the various sorts of stream events which are input for translators.
Simply renaming this section Stream Events
Hi Stephen,
On Wed, Apr 22, 2015 at 12:24 PM, Stephen MacNeil classicalja...@gmail.com
wrote:
Harm , Thomas Morley and others
I like to follow the discussions even if I don't understand/need something
because I usually learn a lot and sometimes even adapt some ideas or code
into something I
Hi Steven,
On Mon, Apr 20, 2015 at 3:40 PM, Steven Weber pant...@hotmail.com wrote:
Since I always highlight clef changes in my music and I have access to a
color printer, I thought it’d be more efficient to let Lilypond do the
highlighting for me. I wrote a handy function that places a
On Mon, Apr 20, 2015 at 3:40 PM, Steven Weber pant...@hotmail.com wrote:
Is there a way in scheme to say “is this grob being typeset because of an
explicit command (\clef bass), or implicitly (because of a line break)”?
To highlight based on an explicit command you will need to analyze
On Mon, Apr 20, 2015 at 4:55 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Mon, Apr 20, 2015 at 3:40 PM, Steven Weber pant...@hotmail.com
wrote:
Is there a way in scheme to say “is this grob being typeset because of an
explicit command (\clef bass), or implicitly (because
GMT+02:00 Neil Thornock neilthorn...@gmail.com:
See the exchange below between myself and David. Hoping for an elegant
solution to this problem.
-- Forwarded message --
From: David Nalesnik david.nales...@gmail.com
Date: Thu, Oct 16, 2014 at 11:18 AM
Subject: Re
On Sat, Apr 18, 2015 at 4:51 AM, Urs Liska u...@openlilylib.org wrote:
Hi all,
I just stumbled over a terminology issue: are procedure and function
synonyms in Scheme or do they refer to different things?
From my earliest experiences with programming I'd recall the difference to
be that
Hi,
On Sat, Apr 18, 2015 at 11:57 AM, Jacques Menu imj-muz...@bluewin.ch
wrote:
Hello,
Yes, historically a disctinction was made between the « sub-programs »
that return a value and those that don’t, but the Scheme docs seem to use
the terms function and procedure interchangeably.
And the
Hi,
2015-04-16 3:36 GMT+02:00 Trevor Bača trevorb...@gmail.com:
Hi,
Using the \shape command to length repeat ties works great between notes.
But weird behavior seems to arise with lengthened repeat ties between
chords:
### BEGIN ###
\version 2.19.17
\language english
\new Staff
On Fri, Apr 17, 2015 at 10:06 AM, Calixte Faure calixte.fa...@gmail.com
wrote:
Hi all,
Thanks for all this solutions!
Of course using a script with sed would do the work, but like Urs, I
prefer keeping input file unmodified.
Therefore the snippet solution of Klaus is not the best, because
On Mon, Apr 13, 2015 at 5:26 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Mon, Apr 13, 2015 at 4:44 PM, Simon Albrecht simon.albre...@mail.de
wrote:
Am 13.04.2015 um 01:55 schrieb David B. Stocker:
David,
Thank you for this. This is exactly what I'm after.
It seems like
On Mon, Apr 13, 2015 at 4:44 PM, Simon Albrecht simon.albre...@mail.de
wrote:
Am 13.04.2015 um 01:55 schrieb David B. Stocker:
David,
Thank you for this. This is exactly what I'm after.
It seems like you're a Scheme guy. Is there a learning resource you would
recommend to a very green
Hi Urs,
On Sun, Apr 12, 2015 at 9:05 PM, Urs Liska u...@openlilylib.org wrote:
Hi David,
thank you for your head start.
See my attached results. I'd be grateful for any comments to improve the
coding.
I'd like to look through this, but unfortunately I won't be able to give
good feedback
Hi Peter,
On Sun, Apr 12, 2015 at 7:08 AM, Peter Toye lilyp...@ptoye.com wrote:
Sorry for the late reply - been rather busy.
This is the LP that gives the error - I don't think I can cut it down any
more.
I got round it by accident - changed quite a few details and it worked OK,
but I'm
On Sun, Apr 12, 2015 at 9:58 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Simon,
I couldn’t carry it out, but what about the following approach: Create a
music function to add \times before /every/ bar, add that function to
toplevel-music-functions, \omit them except for
Hi Urs,
On Sat, Apr 11, 2015 at 3:31 AM, Urs Liska u...@openlilylib.org wrote:
Hi,
this is related to my previous thread and particularly to the file
attached to
http://lists.gnu.org/archive/html/lilypond-user/2015-04/msg00263.html
If I have a Scheme engraver listening to TextScript-s I
On Sat, Apr 11, 2015 at 9:01 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Urs,
On Sat, Apr 11, 2015 at 3:31 AM, Urs Liska u...@openlilylib.org wrote:
Hi,
this is related to my previous thread and particularly to the file
attached to
http://lists.gnu.org/archive/html/lilypond
On Fri, Apr 10, 2015 at 1:48 PM, Klaus Blum benbigno...@gmx.de wrote:
Hi Eljakim,
all I can offer you is a function to simplify things a little bit.
However, it is necessary to pass two parameters:
- a destination pitch for transposition and key signature
- a markup for use in the title
%
Hi Kieren,
On Sat, Apr 11, 2015 at 4:03 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Pierre,
I'm not sure you'll like it since it is no incantation but a workaround.
I appreciate the work… but I have multiple instances of this issue, with
different combinations of time
On Sat, Apr 11, 2015 at 7:32 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
No promises, just something hacked together. This only moves time
signatures belonging to the same paper column as a criteron of vertical
relatedness. Can't say if that's a valid assumption.
Hi Kieren,
On Thu, Apr 9, 2015 at 9:48 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi all,
I’m looking for an \uppercase function to use in Lilypond — this one
(which I found somewhere, but can’t remember where now) doesn’t seem to
work:
\version 2.19
On Thu, Apr 9, 2015 at 10:31 AM, David Nalesnik david.nales...@gmail.com
wrote:
Note that the following will work with your simple example, though
\uppercase has to be directly before the markup:
I meant in case you do something like:
\markup \bold \italic \uppercase Test
The \uppercase
Hi David,
On Thu, Apr 9, 2015 at 9:32 AM, David B. Stocker notesetters...@gmail.com
wrote:
Hello LilyPonders,
I have a client who is working on a hymnal, and they would like for the
beginning of the lines of verses to be left justified. The best way I can
see to do this, from a visual
Kieren,
On Thu, Apr 9, 2015 at 10:37 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
You are only using part of the code which I find here:
http://www.autoindustry536.bllog.opensubscriber.com/message/lilypond-de...@gnu.org/12807136.html
Yes! That was it. Thanks for
On Thu, Apr 9, 2015 at 11:48 AM, David Nalesnik david.nales...@gmail.com
wrote:
HTH Who knows what HTHm stands for.
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On Thu, Apr 9, 2015 at 12:48 PM, tisimst tisimst.lilyp...@gmail.com wrote:
Pierre,
Following Paul's advice, here's working code (which you probably already
figured out, but just for the record). Note that you must use equal? for
comparisons since it's the only one suited for strings:
You
On Thu, Apr 9, 2015 at 3:02 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
you could just as easily write the following:
\header {
myTitle = #myOtherTitle
title = \markup {
from \italic #(string-upcase myTitle)
}
}
Yes, but at that point, why not
Hi,
On Thu, Apr 9, 2015 at 9:10 AM, Jinsong Zhao jsz...@yeah.net wrote:
Hi there,
I don't want the natural sign to be displayed. However, I don't find a way
to do so.
Many thanks!
Regards,
Jinsong
\version 2.19.18
\relative c'' {
\clef treble
% \set Staff.extraNatural = ##f
r4
On Thu, Apr 9, 2015 at 9:21 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
On Thu, Apr 9, 2015 at 9:10 AM, Jinsong Zhao jsz...@yeah.net wrote:
Hi there,
I don't want the natural sign to be displayed. However, I don't find a
way to do so.
Many thanks!
Regards,
Jinsong
On Wed, Apr 8, 2015 at 1:20 AM, Anton Curl curl.an...@gmail.com wrote:
Thanks!
I hope it'll be integrated natively in Lilypond.
This is a rather old issue
https://code.google.com/p/lilypond/issues/detail?id=155
Looks like the issue was abandoned, I don't know why.
--David
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