Le 28/01/20 à 15h06, Aaron Hill a écrit :
> In fact, I would love to see something like articulate.ly that
> humanizes the performance more so by adding in natural imperfections.
So do I, for swing.ly as well :)
--
Denis
Le 28/01/20 à 16h27, Bric a écrit :
> One would want to control the timing of the HH closing for *artistic*
> purposes... the HH closing can make for rhythmic expression (and often
> does, in live performance)
Indeed.
> That said, however, the automation of the above (in lilypond) may be
>
Le 27/01/20 à 23h27, Aaron Hill a écrit :
> On 2020-01-27 11:13 pm, Denis Bitouzé wrote:
>> Thanks for this interesting information.
>>
>> I must admit I'm far to be an expert in Midi and synthesizer areas. I'm
>> using a Linux box (Mageia 7) and Timidity to listen
Le 27/01/20 à 17h45, Aaron Hill a écrit :
> On 2020-01-27 12:27 pm, Denis Bitouzé wrote:
>>
>> the following drum partition has (semi-)opening hihat. In the Midi
>> output, the resonance of this hihat is not stopped, even if followed
>> by an explicitly closed hihat.
Hello,
the following drum partition has (semi-)opening hihat. In the Midi
output, the resonance of this hihat is not stopped, even if followed by
an explicitly closed hihat.
Thank you in advance to who can tell me how to stop this resonance.
--8<---cut
Hi,
looks very nice though I currently have no time to read it carefully.
Just two remarks:
1. A table of contents would be nice.
2. I guess listings are typeset thanks to the listings LaTeX
package. IMHO, such listings are much more readable with monospace
characters (such as the ones
Le mercredi 10/04/13 à 22h18,
Federico Bruni fedel...@gmail.com a écrit :
maybe too fast to be understandable
I guess one is supposed to be replay at a lower speed if he's
interested in some point.
--
Denis
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Le jeudi 14/03/13 à 11h36,
Torsten Hämmerle torsten.haemme...@web.de a écrit :
here it is again in a second attempt:In the first place: I've
attached a zip file containing the current (albeit unfinished)
versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily
Le jeudi 14/03/13 à 00h04,
Keith OHara k-ohara5...@oco.net a écrit :
There is a bug report
http://code.google.com/p/lilypond/issues/detail?id=448 proposing
that LilyPond put the key signature and cancellation in one column,
when there is only one of each, and also a suggestion to work around
Hello,
in the following MWE:
%
\version 2.16.2
music = { c c c c }
musicA = \relative c'' {
\key c \major
\music
\key d \major
\music
}
musicB = \relative c'' {
\key g \minor
\music
\key c \major
\music
}
musicAPart = \new Staff \musicA
Le mercredi 13/03/13 à 09h19,
David Kastrup d...@gnu.org a écrit :
If you replace the c \major in musicB with d\major or g\major or
a\major, I think you'll see the point of this alignment choice.
In that cases, wow, nice and powerful!
But in my case (empty key after key cancellation), it
Hello,
I searched in the documentation and in the archives of the list but I
didn't find how to suppress clef and key at beginning of each line,
except the first one of course.
Thanks in advance for any hint.
--
Denis
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Hello again,
I want to suppress the bar / for the different parts of my chord
names. So I use the command:
\set chordNameSeparator = \markup { \hspace #0.45 }
and hence d:7.9+ gives (^ stands for exponent, as in LaTeX)
D^{7 #9}
rather than :
D^{7/#9}
which is exactly what I want. But the
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