Hello,
I have a song with three different repeat endings and special volta bracket
text. Everything works fine except the middle volta bracket has no vertical
line at the right end. Can you please help me with this?
Thanks
Dominic
\version 2.14.2
voltaI = \markup { 1. 3. 5. }
voltaII =
Hi folks,
is it possible to use the LaTeX font Computer Modern SansSerif (selected by
\sffamily in LaTeX) as Lyrics font in LilyPond? Probably it is possible, but
how (under Debian Linux).
I already know the commands to set the font because I already use it under
Windows sometimes. I use:
Hi Gilles, hi Vincente and all,
thank you both for your answers. They helped me very much.
The only problem that I still have is that the first volta bracket has no end.
I played around with this as you, Gilles, said that using a |. bar the
bracket has an end line.
So I wrote this:
\override
this works great!
Thanks
Dominic
- Ursprüngliche Mail -
Von: Robin Bannister r...@dataway.ch
An: Dominic Neumann m...@dominicneumann.de, lilypond-user@gnu.org
Gesendet: Donnerstag, 25. November 2010 10:32:52
Betreff: Re: How to create a coda with a gap?
Dominic Neumann wrote
Hi,
I want to produce a special Coda which does not reside on a new line but is
separated by a gap. You can find the original in the attached file
examplecoda.jpg.
I already tried for a long time but the result isn´t exactly what I want.
Below you can find a minimal example code which I used
Hi,
is there a simple way to create a page break in a song that is build with
lilypond-book? \pageBreak doesn´t work there.
Dominic
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There is only the definition of leftbrace and rightbrace but these are
not used in any place. So they don´t show up. I´ve tried to add
\rightbrace after \dropLyrics which works quite good, but has one
fundamental problem: The brace uses one note as a syllable would.
Maybe someon else has a helping
Hi Naomy,
please explain what you did to produce a pdf file. If you don´t know
what to do, the Learning Manual is a good starting point:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/index
Dominic
2008/11/12 Naomy Gaudet [EMAIL PROTECTED]:
i just installed lilypond and i
Hi Simon,
welcome to LilyPond!
1. Increase vertical spaces between the verses, i.e. the spaces between verse
one and two and between verse two and three. I want to do that for both the
soprano lyrics and the lyrics of the accompanying men's choir.
You should you the following layout block.
Welcome to LilyPond, André!
1) I don´t know, but I´m interested, too!
2) You should set \germanChords or \semiGermanChords to meet your needs.
3) I don´t think, it´s possible to let LilyPond decide how to print
stanzas at the end.
Dominic
2008/11/6 Atte André Jensen [EMAIL PROTECTED]:
Hi
I
Hi Till,
to let the stanza number appear bold, just write
\set stanza = 4.
before syllable.
The issue is, that when having 4 repeats with 2 voltas, the fourth stanza
Do you mean 4 verses in a repeat with two voltas?
Please provide us a little example.
Dominic
I updated your file a bit and hope that it is what you wanted.
I added at the end of the lyrics of stanza 3. This shifts the
fourth verse to the place you wanted.
Additionally I replaced the first underline in the fourth verse by
for layout reasons. If you keep the underline, the syllable
2008/11/4 fiëé visuëlle [EMAIL PROTECTED]:
Am 2008-11-04 um 21:10 schrieb Mats Bengtsson:
fiëé visuëlle wrote:
Regarding those newbies who are looking for a GUI:
Why don't we publish a screenshot or two?
Users are looking for screenshots if they evaluate a new application (at
least I
I could help, too. But I also wouldn´t do it for such a low price if
it wasn´t published under such a license Valentin mentioned. If it was
to be published as a book where they earn money with, there should be
more money to get ...
Dominic
2008/10/25 Valentin Villenave [EMAIL PROTECTED]:
Hi Dmytro,
replace uplyr by the following:
uplyr = \lyricmode {
la -- la -- la -- la __ _ _
la -- la -- la
}
You should know, that _ does the same as \skip 1, but is easier to write.
Hope this helps!
Dominic
2008/9/29 Dmytro O. Redchuk [EMAIL PROTECTED]:
Hi, all.
In vocal scores i
I´m not sure what you exactly want, but maybe you can give us a short
.ly example?
You could try to use s followed by the value of the invisible rest.
Dominic
2008/9/4 Aaron Dalton [EMAIL PROTECTED]:
Is it possible to create hidden rests that do not create visible space? I
have used skips to
There was a similar question some days ago. Do the answers help you?
http://www.mail-archive.com/lilypond-user@gnu.org/msg39370.html
Dominic
2008/9/1 Grammostola Rosea [EMAIL PROTECTED]:
Grammostola Rosea wrote:
Joseph Haig wrote:
You want to add:
versetwo = \lyricmode {
% Second line
To add more lines of lyrics easily add another \addlyrics { ... }
after the first.
It doesn´t matter if there´s a repeat in the notes - LilyPond typesets
the lyrics as you see them on the paper.
Hope this helps
Dominic
2008/8/31 Grammostola Rosea [EMAIL PROTECTED]:
Hi,
I want to add lyrics
Hi Stefan,
Valentin has already started such a project. I don´t know how good it
works. Probably it´s only a starting point:
http://valentin.villenave.info/lilypond/
Dominic
2008/8/30 Stefan Thomas [EMAIL PROTECTED]:
Dear lilypond-users,
I have had an (maybee studpid) idea in the last days.
I´m not a MIDI expert, but why use the MIDI way if you could import MIDI
also directly into Finale? [This is probably possible.]
As MIDI does not contain any layout information it is not well suited for
producing MusicXML output. Additionally, I don´t know the current features
of MIDI files, but
As you can see at
http://lilypond.org/doc/v2.10/Documentation/user/lilypond-internals/TimeSignature#TimeSignatureyou
can say
\override Staff.TimeSignature #'style = #'C
to reset the TimeSignature behaviour to the default.
Here (
Hi Lara,
PLEASE give us some source code. Then we can probably help you! It´s much
easier for us if we do not have to create a sample for ourselves.
Thanks,
Dominic
2008/8/23 Lara Diamand [EMAIL PROTECTED]
Thanks everyone for the help with the skipping of text! It worked well with
the _
Welcome to LilyPond, Don!
Here on version 2.11.51 your source code compiles without any problem. Maybe
you should try the current development version?
And a little hint: If you replace r1 by R1 you get a rest that is centered
in the bar. That´s what´s looking better for fullbar-rests most time.
It can be, but this only works in \lyricmode:
OKAY: \repeat unfold 4 \skip 1
NOT OKAY: \repeat unfold 4 _
OKAY: \lyricmode { \repeat unfold 4 _ }
ALSO OKAY: \repeat unfold 4 \lyricmode { _ }
Instead of what Kieren said
\repeat unfold 42 \skip
doesn´t work, because \skip needs to be
{ \refrSkip \verseTwo }
\addlyrics { \refrSkip \verseThree }
Dominic
2008/8/20 Paul Scott [EMAIL PROTECTED]:
Dominic Neumann wrote:
It can be, but this only works in \lyricmode:
Which is the only way I do lyrics. :)
Paul
OKAY: \repeat unfold 4 \skip 1
NOT OKAY: \repeat unfold 4 _
OKAY
: The text in
the verses do not tek notice of the volta, so the text in verse two runs
through under volta 1. It should skip volta1 and go straight to volta 2.
Thanks! Lara
On Mon, Aug 18, 2008 at 3:18 PM, Dominic Neumann [EMAIL PROTECTED]
wrote:
Hi Lara,
the quick'n'dirty solution (I still
Hi Werner,
the bass notes being printed as capital letters is the standard
option, if I´m right. You should take a look at the Manual, section
2.7.2 Displaying chords. There are some predefined commands for
selected a special style. But I don´t know if it´s possible to print
minor chords with
I think, your problem is that you use \partial 4 but don´t remember
that when setting the harmonies. Please add s4 to the beginning of
your harmonies:
harmonies ={
\key e \major
\chordmode {
s4
e1
Hi Joseph,
welcome to LilyPond!
You have to set the encoding in jEdit. Menu Entry: Utilities - Global
Options - jEdit - Encodings. As Default character encoding you set
UTF-8. To change the encoding of existing files opened with jEdit,
you double-click onto the encoding on the right side of the
Hi Lara,
the quick'n'dirty solution (I still use) is the following:
\version 2.11.55
refrain = \lyricmode {
\set stanza = Refr.
bla blu blubb blubb
}
verseOne = \lyricmode {
\set stanza = 1.
one two three four five
}
verseTwo = \lyricmode {
\set stanza = 2.
six se
Hi Maarten,
I think it is standard behaviour.
I remember there was a command to let LilyPond display all the spaces
it uses and its names. But I don´t remember the command and couldn´t
find it by searching ...
Dominic
2008/8/13 SPAM [EMAIL PROTECTED]:
I'm transcribing a piece for six brass
If you don´t want the wide gap, add
ragged-bottom = ##t
to your paper section.
Dominic
2008/8/14 Dominic Neumann [EMAIL PROTECTED]:
Hi Maarten,
I think it is standard behaviour.
I remember there was a command to let LilyPond display all the spaces
it uses and its names. But I don´t
]:
On 2008/08/11 11:13 AM, Dominic Neumann [EMAIL PROTECTED] wrote:
Thanks Kurt! I already solved some problems, for example by using
\finalis, \divisioMinima and so on.
The main remaining problem is the bad positioning of notes and lyrics
when two or more noteheads are nearly in one place. After
2008/8/12 Ralph Palmer [EMAIL PROTECTED]:
Anyone else remember Booker T. and the . . . ?
In any case, it might make sense to use at least some of the acronyms
judiciously. There is a wide variety of users on this list, and many of the
discussions are, while not exclusive, at least aimed at a
to, make the discussion intelligible to a newbie.
Ralph
On Tue, Aug 12, 2008 at 4:14 PM, Dominic Neumann [EMAIL PROTECTED]
wrote:
2008/8/12 Ralph Palmer [EMAIL PROTECTED]:
Anyone else remember Booker T. and the . . . ?
In any case, it might make sense to use at least some of the acronyms
I understand your position very well, Graham. But we should also try
to improve the way of helping via the mailing list to convince
newcomers of the power of LilyPond.
What about providing a signature to the mailing list explaining these
abbreviations? I don´t know if this is possible, but it
[EMAIL PROTECTED]:
Thanks! I've been looking for a copy of this chant without success,
although you appear to have missed the second line. Possibly, this is
deliberate as the music is the same as the first line. I hope someone
can solve the problem of the spacing.
2008/8/11 Dominic Neumann
solve this?
Dominic
2008/8/1 Dominic Neumann [EMAIL PROTECTED]:
2008/7/31 Dominic Neumann [EMAIL PROTECTED]:
2008/7/30 Joseph Haig [EMAIL PROTECTED]:
An even more
unfortunate side effect of this is that if you have long melimata the
spacing gets messed up, because lilypond allocates a certain
2008/7/31 Dominic Neumann [EMAIL PROTECTED]:
2008/7/30 Joseph Haig [EMAIL PROTECTED]:
An even more
unfortunate side effect of this is that if you have long melimata the
spacing gets messed up, because lilypond allocates a certain amount of
space for each neume even though they are clustered
2008/7/30 Joseph Haig [EMAIL PROTECTED]:
2008/7/29 Dominic Neumann [EMAIL PROTECTED]:
Okay, then it breaks already after the fourth note ... this doesn´t help
much.
Now I added some more \noBreak commands after other notes and now it
fits into one line.
That´s not what I would call a clean
. Specifically, the double bar line is \finalis.
See section 7.7.9 (Divisiones) for the whole list. I think you will
still need to use \bar to indicate places where the line can be
split.
Regards,
Joe
2008/7/29 Dominic Neumann [EMAIL PROTECTED]:
Hi,
I´m new to gregorian typesetting but I´ve seen
Hi Matth,
Isn´t scribus capable of including pdf files directly?
In my opinion this would be the better way - if it´s possible.
Dominic
2008/7/29 Matthieu Jacquot [EMAIL PROTECTED]:
Hi, I use scribus to write an essay containing a lot of little music examples
(made with lily of course), the
,
Joe
2008/7/29 Dominic Neumann [EMAIL PROTECTED]:
Hi,
I´m new to gregorian typesetting but I´ve seen that there´s already
support for it in LilyPond. Can you tell me how I can add a double
bar at the end?
And there is a wrong note at the end? How can I delete it?
Is it at all
]:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Dienstag, 29. Juli 2008 schrieb Reinhold Kainhofer:
Am Dienstag, 29. Juli 2008 schrieb Dominic Neumann:
is it possible to typeset the attached gregorian piece in LilyPond? I
could find something similar in the documentation. I need to know what
Hi Jay,
nice example! But I think it would be even better if I could write
\brokenoctaves #1 { c4 d e f g8 a b c } meaning that the function also
recognizes the durations of the notes.
Maybe you could be so kind to explain how your functions work. Then we
could also learn from it and possibly
Hi Stefan,
are you sure you want c c' d d' ... instead of c c' d, d' e, e'?
You could write a scheme function for that. I´ll try it, but I´m not
too experienced in such things.
Dominic
2008/7/25 Stefan Thomas [EMAIL PROTECTED]:
Dear Lilypond-users,
I have in mind an input like:
\relative {
2008/7/14 Carl Sorensen [EMAIL PROTECTED]:
OK, I'll bite.
I propose some new predefined functions:
\pointAndClickOn
pointAndClickOn = #(ly:set-option 'point-and-click #t)
and
\pointAndClickOff
pointAndClickOff = #(ly:set-option 'point-and-click #f)
If I get approval, I'll add
Hi,
how do I create braces within lyrics to clarify that two lines of text
belong to the same verse (see textbrace1.jpg) or when there´s a part
of lyrics which belongs to all verses (see textbrace2.jpg)?
Dominic
attachment: textbrace1.jpgattachment:
this?
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Hi,
I´ve determined a strange problem. In some of my scores the distance
between note line and chord names differs from line to line. I´ve got
a song with 3 lines. In line 2 the chord names are around 1mm farther
away from the line.
I will try to build a minimal example, because the songs I
Hi Laura,
2008/3/2, Laura Conrad [EMAIL PROTECTED]:
A hack to get the included files to cause recompilation
I´m interested in that hack because I´ve got always problems when I
change my central include files. The only solution I use then is to
remove the complete out-directory and
Hi,
is there an easy way to use the LaTeX sans font for LilyPond lyrics? I
already search the mailinglist but I couldn´t find a solution for it.
Dominic
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Hi,
some days ago I moved my LilyPond production system from an older
computer (733MHz, 128 MB RAM) to a VMWare image on a notebook. Since
that time I very often get the error
/usr/local/lilypond/usr/share/lilypond/current/scm/backend-library.scm:24:15:
Nicht genügend Hauptspeicher verfügbar
Hi Kieren, Risto and Joe,
thanks for your answers. They were all very helpful for me. In detail:
1. I added the following to my \layout { } block:
\context {
\Lyrics
\override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 2.5)
}
which works very good.
Hi LilyPond freaks,
at the moment I´m creating a songbook with 200 modern church songs in
it. As you can imagine I use LilyPond for this task (together with
LaTeX, but that´s not that interesting now).
Now I´ve got some layout issues I don´t know how to fix them. I post
this all in one thread,
Hi,
I could´t find a way to create a bracket around a rest. According to
the way we parenthesize notes I tried it that way:
\parenthesize r8
but I got the error syntax error, unexpected RESTNAME, expecting
DRUM_PITCH or MUSIC_FUNCTION or NOTENAME_PITCH.
I also search the docs for it, but could
Hi,
I´m using jEdit together with LilyPondTool för typesetting music.
As I´m very keyboard-addicted I´d like to have some shortcuts for the typical
LilyPondTool-Buttons Run Lilypond and Preview output (PDF). I don´t want to
take the mouse every time I want to compile the music.
Can you help me?
give me a hint?
Thanks, Dominic
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Hi,
did you try to set the encoding in the TeX-file also to utf8?
You can do this by adding the following line to you LaTeX preamble.
\usepackage[utf8]{inputenc}
Does this help?
Dominic
2008/1/14, James E. Bailey [EMAIL PROTECTED]:
I'm new to LaTeX, but not lilypond. I'm using TeXShop, and
When I use Lilypond+LaTeX, both my TeX and ly files are written in
UTF-8 encoding. Therefore you should add the line
\usepackage[utf8]{inputenc}
into your LaTeX preamble. This works quite fine.
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
The main issue here is that LilyPond wants UTF-8
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E-Mail
I use LilyPond for commercial projects. I typeset songbooks and song
sheets primarily for church use.
Dominic
2007/11/1, notesetter [EMAIL PROTECTED]:
I'm just wondering (out of simple curiosity) if there are individuals in this
forum or elsewhere who are using LilyPond to engrave commercial
There are - at least - two ways.
The quick and dirty one is to substitute the _ _ _ by \repeat unfold
20 { \skip 1 }
(where 20 should be the number of notes).
The more elegant way can be found here:
http://lists.gnu.org/archive/html/lilypond-user/2007-03/msg00190.html
(I myself always use the
}
\addlyrics { \verseTwo }
\addlyrics { \verseThree }
}
}
% END %
2007/8/2, Reinhold Kainhofer:
Am Donnerstag, 2. August 2007 schrieb Dominic Neumann:
i´ve got the following snippet producing the output you can see in the
attached image file.
How can I set
Hi,
look at the following lilypond-file:
%% START %%
\version 2.10.33
\score {
{
\relative c' {
\key c \major
\time 4/4
f4 f f f | g g g g | a e cis e | \break
d d fis d | e e e e | gis e gis e |
}
Hi,
I still have problems with collisions. Sometimes the stanza numbers
collide with the text before it. I´ve created a minimal example:
%% START
\version 2.10.33
refrain = \lyricmode {
Test test test test.
}
verseOne = \lyricmode {
\set stanza = 1.
Testi tes --
Hi,
I want to try to have all my lyrics typeset in a Sans font. Therefor
I´ve used a snippet from LSR
(http://lsr.dsi.unimi.it/LSR/Snippet?id=221):
%%% BEGIN OF SNIPPET %%%
\paper {
myStaffSize = #20
#(define fonts
(make-pango-font-tree Bitstream Vera Sans
}
If you also want to be able to run the same .ly file standalone, then
you could
make a separate wrapper .ly file that just contains
\paper{ myStaffSize = #20 }
\include test.ly
/Mats
Dominic Neumann wrote:
Hi,
I want to try to have all my lyrics typeset in a Sans font. Therefor
I
with
\markups?
Dominic
2007/9/14, Mats Bengtsson [EMAIL PROTECTED]:
Dominic Neumann wrote:
Okay, that works good. I also added
\override StanzaNumber #'font-family = #'sans
for the stanza numbers to be in the same style.
But for consictency I´d like to have some other fonts also being Sans
2007/9/14, Mats Bengtsson [EMAIL PROTECTED]:
Dominic Neumann wrote:
Thank you for you hint. I´ve read section 9.3 and also found the
program-reference.
But in VoltaBracket I couln´t find a property to set to font(-family).
I only found the font-encoding property, but this doesn´t help
Wow!!! I want to have more of this!!! Good work!
2007/9/12, Valentin Villenave [EMAIL PROTECTED]:
Hello everybody, hello Graham, hello John;
Forget about GDP.
Now.
Here's *my* latest greatest Documentation project:
the SDPE!
(Smallest Documentation Project Ever -- it works with Silly
2007/9/4, Tomas Valusek [EMAIL PROTECTED]:
Hello,
There really is no mysetery here. r2. gives you a dotted half-note
rest. In 3/4 time, R2. gives you a full-measure rest. Use whichever
type of rest you want to see in your score.
Please note that there is a difference between 4
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2007/8/10, Bertalan Fodor [EMAIL PROTECTED]:
You can achieve almost the same using
b f'=''
Perhaps if you could turn off the warning written when the octave check
fails, you could use this as the feature you are talking about, just
writing
b f='', and it automatically puts the f to the
have tried to add the flag --verbose when you call
lilypond-book. It might give some more relevant information
to track what the problem is.
/Mats
Quoting Dominic Neumann [EMAIL PROTECTED]:
Hi,
I惴 developing a software for managing songbooks. As you can imaginge,
my typesetting
Hi,
I´m developing a software for managing songbooks. As you can imaginge,
my typesetting engine is ... LilyPond. To produce a songbook I use
lilypond-book together with LaTeX and this worked quite good until
now. I worked with a volume of about 10 to 15 songs.
But now I tried to compile a
2007/8/6, Laura Conrad [EMAIL PROTECTED]:
Dominic == Dominic Neumann [EMAIL PROTECTED] writes:
Dominic But now I tried to compile a bigger songbook with nearly
Dominic 100 lilypond songs in it.
I have books that size that compile with no problem.
Dominic The lilypondfiles
Hi out there,
the following code produces the collision you can see in the attached image.
How can I move the voiceTwo-note to the right of the voiceOne-note to
avoid this collision?
And how can I tell LilyPond to typeset the last notes (both d2)
side-by-side and not both at the same place?
2007/8/2, Gilles THIBAULT [EMAIL PROTECTED]:
And how can I tell LilyPond to typeset the last notes (both d2)
side-by-side and not both at the same place?
The only way i know is by using
\once \override NoteColumn #'force-hshift = #aNumber
(see doc 6.3.5 Collision Resolution )
Hi Tim,
try the switch \autoBeamOff:
\autoBeamOff
e16 e e e
Dominic
2007/8/2, Tim Sawyer [EMAIL PROTECTED]:
Hi,
I've just migrated to 2.10 under Ubuntu. With 2.6, this used to produce a
line of four single quavers, with tails - not joined together.
e16[] e[] e[] e[]
How do I achieve
Hi,
i´ve got the following snippet producing the output you can see in the
attached image file.
How can I set that the lyric extender line of the 2nd vers stops where
the one of the 1st verse stopped?
Dominic
%% START %%
\version 2.10.25
refrain = \lyricmode {
tes -- ti yeah.
}
2007/8/2, Reinhold Kainhofer [EMAIL PROTECTED]:
Am Donnerstag, 2. August 2007 schrieb Dominic Neumann:
i´ve got the following snippet producing the output you can see in the
attached image file.
How can I set that the lyric extender line of the 2nd vers stops where
the one of the 1st
Hi, type
c:6.9/d
i attached how it look likes in an PNG image.
I don´t know, if there´s a way to remove this add let it only say
6/9 or sth like this.
Dominic
2007/8/1, Eric Knapp [EMAIL PROTECTED]:
Hi, all.
Is it possible to create this chord name? I have attached an image of
what I
2007/8/1, Eric Knapp [EMAIL PROTECTED]:
On 8/1/07, Dominic Neumann [EMAIL PROTECTED] wrote:
Hi, type
c:6.9/d
Thanks, Dominic. That works fine. Does anyone know where this syntax
is documented? I would love to have a cheat sheet of all the chords.
This is documented in the manual
Hi,
how do I typeset a chord of notes with one of them being a smaller
sized notehead?
See the attachment for an example.
Dominic
attachment: chordscue.png___
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,
On 8/1/07, Dominic Neumann [EMAIL PROTECTED] wrote:
Hi,
how do I typeset a chord of notes with one of them being a smaller
sized notehead?
You can use the \tweak function for this:
d \tweak #'font-size #-3 f4
Regards,
Neil
___
lilypond-user
Maybe it would be a good idea to make all the chordname things more
flexible for the users. For example, it would be nice to rename some
chord names like one can already do with \set majorSevenSymbol =
\markup { ... }.
I´d like to have this for the sus4 chords, because i like it more to
have G4
Hi,
a dashed slur collides with the lyrics below. I reduced it to a small
LilyPond source you can see here:
%% BEGIN %%
\version 2.10.25
\score {
{
\relative c' {
%\slurDashed
b4( b) e g
}
\addlyrics { testtesttest test
'C:\Program' is not recognized as internal or external command, operable
program or batch file.
[...]
lilypond executable: C:\Program Files\LilyPond\usr\bin\lilypond.exe
It looks as if it treats everything after the space as an argument.
Maybe you have to put the path to lilypond into
This is possible, because LilyPond is completely open source. But
before trying to do this, please describe what you want to do. Maybe
others are interested in that way of printing chordnames, too. Maybe
there´s a way to provide a patch for LilyPond that your ideas can
become part of the official
Send it to the lilypond-user list and also to the devel-list
([EMAIL PROTECTED]).
Maybe we should at first discuss on the users list if this is a
special way of setting chordnames and only you need it or if its
needed by (maybe many) other users too ...
2007/7/24, PabloZum [EMAIL PROTECTED]:
Hi Peter,
to let LilyPond treat more syllables as one, easily encloses these in ...
On my (2.10.20) system the file compiles, but doesn´t show the cross
character. I would copy the character itself into the source code and
enclose it in ... together with the O like + O.
I don´t see what the
which works perfectly as you wanted.
No, it´s not the same, because in your version all stems face upwards
whereas the original poster wanted to have TWO voices and then the
stems should face into different directions.
___
lilypond-user mailing
Hi again,
I´m still searching for a way to solve this problem. Is there anyone
who has an idea how to tweak lilypond?
Dominic
2007/3/15, Dominic Neumann [EMAIL PROTECTED]:
okay, sorry for not posting an example. It´s not that easy to find a
simple one, because in the simple situations there´s
I wrote a perl script for these things, because i often have to fetch
the song data (title, authors, staffsize, ...) from a database. If
you´re interested I can mail it here ...
Dominic
2007/7/5, Kieren MacMillan [EMAIL PROTECTED]:
Hi Jesse,
Do any of you have a makefile for this type of
Hi,
I´m currently developing a system for the management of songbooks. It
allows me to compose different songbook collections which then are
created with lilypond-book and LaTeX.
Now I want the lyrics of the songs to be included in the database.
Then I could search for songtext snippets to find
hi seb,
have a look at marcus brinkmanns project he published recently.
He creates an environment called song which does the job for you.
\newenvironment{song}
{
% The -13pt is the first X coordinate of the bounding box in the EPS
% files generated by lilypond. The effect is to align the
Do you have a reference to that project?
It was presented on this mailinglist yesterday. The subject was
Pre-Release: Slave Songs of the United States. Here you can find the
thread in the mailinglist archive:
http://lists.gnu.org/archive/html/lilypond-user/2007-06/msg00178.html
/Dominic
Hi,
in song No. 27 the markup text Variation second. is placed too low,
so it´s directly printed onto the notes.
And why are there bar numbers on some systems and on others not. For
example, in song 39 only system two and four are printed WITH bar
numbers, the others not. In other songs (e.g.
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