I've been around for a short while only. A month with lilypond and 3 weeks
on the list. Made a couple of scores, quite complex ones. But for each and
every one I had to fiddle for hours and hours trying to grab all the
details. All the while I had Sibelius at the ready and whenever I did
fallback
never try again, but not
just now.
Hou je goed / Keep well,
Erik
-Original Message-
From: Patrick McCarty [mailto:pnor...@gmail.com]
Sent: woensdag 11 november 2009 0:39
To: Erik Appeldoorn
Cc: lilypond-user@gnu.org
Subject: Re: quit
On Tue, Nov 10, 2009 at 11:36 AM, Erik
Thanks Nick,
Interesting to see how your solution differs from the one Kieren and Carl
offered. More than one way to reach the goal. Nice.
Erik
-Original Message-
From: Nick Payne [mailto:nick.pa...@internode.on.net]
Sent: zaterdag 7 november 2009 13:27
To: Erik Appeldoorn
Cc
[mailto:kieren_macmil...@sympatico.ca]
Sent: zaterdag 7 november 2009 1:31
To: Erik Appeldoorn
Cc: lilypond user group; Carl Sorensen
Subject: Re: slurs and ties
Hi Erik,
I WANT TO CREATE NICE SCORES!!!
Well, aren't you glad you're learning Lilypond, then!? ;)
Here's a final version
David,
If the composer has written them it is not to me to leave them out. Sensical
or not-so-sensical.
As I'm restoring an old manuscript I feel I'm bound to what I find. It is
difficult enough to recreate the score with only parts in different
handwriting available.
But I have to agree on the
Why doesn't the first bar tie to the second?
mus = \relative c {
\autoBeamOff
\key d \major
\time 3/4
\clef bass
{ d a' d2 d, d'4~ } \\ { d2 } |
d d'2. |
}
\score {
\mus
}
Hou je goed / Keep well,
Erik
___
It seems logical that someone has figured out how to create a \fermata on
the final barline \bar |.
Hou je goed / Keep well,
Erik
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
...@gnu.org] On Behalf Of Reinhold Kainhofer
Sent: woensdag 4 november 2009 9:56
To: lilypond-user@gnu.org
Subject: Re: fermata on final barline
Am Mittwoch, 4. November 2009 09:40:52 schrieb Erik Appeldoorn:
It seems logical that someone has figured out how to create a \fermata
on
the final
Did I understand correctly that hairpins and (de)crescendo's automatically
end on a volume specifier?
Like c\ d e f g\f, where the crescendo ends on (or just before) the g with
the forte. I shouldn't have to end them with an \!
I get errors: (de)crescendo on items with specified volume.
The
Thanks Frédérick,
As I said: I must have been blind (Or just plain stubborn)
Either way, problem corrected now. Thanks for pointing it out.
Erik
-Original Message-
From: Frédéric Bron [mailto:frederic.b...@m4x.org]
Sent: maandag 2 november 2009 19:36
To: Erik Appeldoorn
Cc: Kieren
-
Hash: SHA1
Am Dienstag, 3. November 2009 21:33:51 schrieb Erik Appeldoorn:
Did I understand correctly that hairpins and (de)crescendo's
automatically
end on a volume specifier?
Like c\ d e f g\f, where the crescendo ends on (or just before) the g
with
the forte. I shouldn't have
Francisco,
Reinhold has explained this behaviour in the group..
Keep well, Erik
-Original Message-
From: Francisco Vila [mailto:paconet@gmail.com]
Sent: woensdag 4 november 2009 0:19
To: Erik Appeldoorn
Cc: lilypond-user@gnu.org
Subject: Re: error
2009/11/3 Erik Appeldoorn
To: Frédéric Bron
Cc: Erik Appeldoorn; lilypond-user@gnu.org
Subject: Re: textspan
Hi Frédéric,
It is funny. I was quite sure to have the solution but I do not
understand why what I propose does not work: you have to separate
notes and TextSpan in parallel music expressions.
Can somebody tell
I have defined the following
\override TextSpanner #'(bound-details left text) = Ral.
Within a \time 3/4 I have the following notes:
d2\startTextSpan d4 | cis a2\stopTextSpan |
The Ral. now stops directly above the a2. Other voices above it have more
notes there, so the Ral. stops far
Why do I get ëscaped string error here. The compiled result looks ok to me
\layout {
\context {
\Staff
\override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
\fontSize = #-2
}
}
Hou je goed / Keep well,
Erik
___
[mailto:derhindem...@googlemail.com]
Sent: zondag 1 november 2009 0:28
To: Erik Appeldoorn
Cc: lilypond-user@gnu.org
Subject: Re: escaped string
If I remember correctly, \fontSize is not a known LilyPond string.
On 01.11.2009, at 00:20, Erik Appeldoorn wrote:
Why do I get ëscaped string
I have a snipped of code that doesn't quite come out is expected / wanted.
The score is a choir SATB with organ (two staffs)
I would like the normal bracket to be in front of the SATB staffs. It now
extends to the last staf.
2nd I'm missing the names of the voices before the staves
: vrijdag 30 oktober 2009 11:00
To: Erik Appeldoorn
Cc: lilypond-user@gnu.org
Subject: Re: bracket and staff names
Erik Appeldoorn wrote:
I have a snipped of code that doesn't quite come out is expected /
wanted. The score is a choir SATB with organ (two staffs)
I would like the normal
: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond-
user-bounces+ursus.kirk=ziggo...@gnu.org] On Behalf Of -Eluze
Sent: vrijdag 30 oktober 2009 11:20
To: lilypond-user@gnu.org
Subject: Re: bracket and staff names
Erik Appeldoorn wrote:
2nd I'm missing the names
, but for now I am
content.
Keep well, Erik
-Original Message-
From: lilypond-user-bounces+ursus.kirk=ziggo...@gnu.org [mailto:lilypond-
user-bounces+ursus.kirk=ziggo...@gnu.org] On Behalf Of Erik Appeldoorn
Sent: vrijdag 30 oktober 2009 11:45
To: '-Eluze'
Cc: lilypond-user@gnu.org
Can I tempt anyone?
After learning on one voice only pieces, I have now finished my first
multi-voice / multi-file piece.
The resulting pdf looks fine but I'm open to feedback. Would anyone be
tempted to give it the once over and give that feedback?
Some info on the project:
For my choir
As I'm brand spanking new I'm probably going to ask a lot of dumb questions.
If so, just tell me.
The point is building a SATB with organ score. Everything looks fine until I
activate/add the organ part. After that the score is rubbish. Would a basic
explanation of what I've done suffice?
Thanks Simon and Kieren, Indeed the r1 was the culprit. I will add the |
marks from now on.
Erik
in both these parts you had a 4-beat rest (r1) in a 3-beat bar. the
error message about a barcheck failing was also being output.
misplaced bars and beats will almost always cause a score to end
When I use r1 (4/4 time) the sign gets aligned left in the bar. R1 aligns it
properly, but when I want to use r2 at the start (or R2) of the bar it looks
awfull. So how do I align these rests centered?
I haven't done anything fancy
Hou je goed / Keep well,
Erik
You are quite right, and I have never even bothered to check. Although I
have a quite substantial library and am over 25 years active with music.
Erik
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: donderdag 29 oktober 2009 18:29
To: Erik
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