7;ll bake a working example if it
is not clear.
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2009/6/17 Federico Bruni :
> Francisco Vila wrote:
>>
>> 2009/6/17 Federico Bruni :
>>>
>>> 3. the MIDI output is polyphonic according to timidity (I think, see
>>> below),
>>> but not when I import it in TuxGuitar:
>>>
>>> Playi
'd better write it from scratch..but I'd like to try some smart
> solutions before giving up :-)
> If you have hints, please share it.
Maybe you should try to \partcombine both on a single staff, only for
MIDI. Staves become MIDI channels with their voi
perfect MIDI show, but there is still a large gap between
those worlds, given their respective, very different requirements.
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of \new in more deep, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Contexts-explained
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Creating-contexts
etc.
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ws blink, but I am not transported from the PDF back to the edit window
> -- as used to happen before.
This has never worked for me. Even more, you assume that a single
pressing on Alt+Tab will bring you to the editor, but no, you need to
press Alt+Tab _twice_ to get the editor up. Which is eye-st
f OOoLilyPond, the software that
> combines the power of OpenOffice.org and LilyPond.
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rtcut for the Oly button?
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2009/6/12 Patrick McCarty :
> On Thu, Jun 11, 2009 at 4:43 PM, Valentin
> Villenave wrote:
>> 2009/6/12 Francisco Vila :
>>> Hello, anyone knows what's happened to the lilypond wiki?
>>>
>>> wiki.lilynet.net
>>
>> OMG. I'm on it.
&
2009/6/11 Mario Moles :
> Perché R1*2 non funziona in questo file?
Why the << >> and \voiceOne? This makes the whole rests to raise on the staff.
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Hello, anyone knows what's happened to the lilypond wiki?
wiki.lilynet.net
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cumentation%2F+preview
the two first links in the results list, are the two we have mentioned.
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the new website.
does not
lilypond -dpreview file.ly
work for you?
it is listed in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Command-line-options-for-lilypond#Command-line-options-for-lilypond
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is a pity because the tikz package is awesome. I have no idea
about how to debug the interaction between it and lilypond-book.
This minimal LaTeX file spits the error when I try to process it
through lilypond-book:
\documentclass{article}
\usepackage{tikz}
\begin{document}
Hello
\end{document}
ot;, line 1770, in
get_latex_textwidth
columns = int (m.group (1))
ValueError: invalid literal for int():
TIA
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\new Staff \flute
>>
\midi {}
\layout{}
}
Granted, \transposition is not useful in general if it does not
support \transpose in it (or outside of it).
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ry next. i've defined instruments
> for example:
>
> tenorsax = \transpose c d' \relative c {
> % tenor notes (in concert pitch)
> }
Please use \transposition for this.
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-pitches#Instrument-tra
all-headers = ##t
}
as explained in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Creating-titles
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r am I missing something obvious?
>
> This \override will only work with 2.13.0 or 2.13.1, since the change
> was made between 2.12.2 and 2.13.0.
Well, I'm testing it on 2.13.1 and it works only for the whole score
or nothing, try removing the \revert part.
Something you can do to
2009/6/2 Vivian Barty-Taylor :
> I can't get the SeparationItem spacing tweak to work in 2.12.2 (on OSX). See
> code and attached PNG. Does anyone have any suggestions as to an alternative
> workaround?
it is now called Score.NonMusicalPaperColumn
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}
> }
>
>
> \bookpart {
> \header {
> subtitle = "II. Intermezzo."
> }
>
> \score {
> <<
> \new Staff \SecondMov
>>>
> }
> }
>
> \bookpart {
This bookpart produces your unwanted page break (That's what bookparts
are inte
>
> I use Agent newsreader to access it that way. I read it and post to it
> just like any other Usenet newsgroup.
Only if this 'replication' is made in both directions, you could post
to the list by posting to the newsgroup. Not i
-to-all function?
You can always cc to lilypond-user@gnu.org
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ntation/user/lilypond/Single-voice#Chorded-notes
Here, the first two chords are and the c is a common
pitch between them. Obviously, this would only be possible if the
second c were relative to the first one. No need to write c, to lower
the pitch of the second c despite of being a fifth down f
2009/5/26 Gilles Sadowski :
> Hi.
>
>>>> python script that removes tailing spaces
>>>> from lines.
>
> [if: s/Python/Perl/]
>
> perl -i -pe 's/\s+$/\n/' some_file
I use
sed -i -e 's/[ \t]*$//'
> Plus another 50-100 minutes for dealing with trailing whitespaces
> in the python script itself.
LOL !
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x27;8 -. ] }
> % the beginning of this measure looks not good, in my opinion
Ah, yes, I see. It looks like a collision bug but you can workaround
it by means of
\once \override NoteColumn #'X-offset = #4.0
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hronised, my advice is to make two
independent staves joined by << >>.
Or, make two scores.
Or, remove the indent of the first staff.
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2009/5/26, Carl D. Sorensen :
> I tried to apply your patch, but I got the following:
It must not be anything wrong with the patch itself, It applies
perfectly on my machine.
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important
Well, if you delete that line, nothing happens (in this example) so
maybe it's not that important, after all. If a large score gets this
engraver removed and it looks different, we could have a clue of what
it does. The source code does not help because its lack of meaningful
comme
27;t know, either, but note that this engraver is by default a part
of the most common contexts Score, Staff and Voice.
BTW if nobody complains, I'll change
<< \lower >>
by
\lower
in this template.
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low the guidelines given in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Minimal-examples
especially the two last paragraphs. There is a very high probability
of that you will find the problem before sending the actual minimal
example.
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2009/5/24 Mario Moles :
> Ciao a tutti!
> Perché usando \partial rimane dello spazio bianco dopo i 3/4?
Your input has
s2 \partial 4*1
and this makes the blank space to appear. Delete the 's2' part and
you'll have a normal upbeat.
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kes lilypond to match both measures. Unless...
Unless you are wrapping the note durations from the start. The problem
is usually a misunderstanding of the argument to the \partial
function. For example, If your upbeat is a fourth note in 2/2, do not
use
\partial 2.
but
\partial 4
Hello, first I saw these videos
http://www.youtube.com/watch?v=crfrKqFp0Zg
http://www.youtube.com/watch?v=IAioUkd1aSI
and then tried to do the same on lilypond, but it didn't work:
\new Staff { <<
{ c' d' e' f' } \\
\drummode { hh4 hh bd bd }
>> }
Just a
the appropriate chapter in the docs, the ask
again if something is not covered there:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Fitting-music-onto-fewer-pages
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gt; even don't know how to make the four notes smaller).
This seems to work as true one-staff polyphony with automatic stem
orientation. fontSize applies per voice so once the voice ends, so
does its effect (at least that is how it behaves here):
<< { f2 g4 f } \\ { \set fontSiz
rk:
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Expressive-marks#creating-simultaneous-rehearsal-marks.ly
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ppet?id=368
it is the first definition under %%% Utility markups , just copy it in
your file.
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harmonic, the
string vibrates on full length, at both sides of your finger; if you
press more, vibrations end on the finger. Not a node here of a longer
string, but simply an effective end of the string.
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nave or Reinhold Kainhofer once set up a
web interface for online lilyponding.
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2009/5/16 Reinhold Kainhofer :
> Simple use chords with those notes in the first voice, too:
> << { 8 a a a a a a b 4 } \\
:-)
Sometimes I'm tempted to think that my mails spend too much time to
reach the Internet from this corner of the World.
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ypond to get closer to the original?
Add the lower notes as chords to the upper voice, noteheads merge automatically.
<< { 8 a a a a a a b 4 } \\
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2009/5/15 :
> Would someone be able to help me get this on one page?
By brute force I'do:
\paper { between-system-padding=0
...
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with this code? Not having \new Staff
(because I assume it's not needed) it creates three staves!
\relative c'''{ \afterGrace a2 {g16[ a]} a2 }
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ng bug). Latest version behaves as expected.
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to files not made by the user, but how to distinguish them?
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autofill - anybody have any ideas?
Until you get a more stable solution (upgrade the software) you can
press ESC before the auto-completion occurs, or CTRL+Z if it did
occur.
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. 4)
If you have lyrics, remember to do the same for the \Lyrics context.
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2009/5/13 Francisco Vila :
> I obtained this on the following [wrong] code:
>
> R1 \fermata
>
> And the warning dissapeared on changing the code to
>
> R1 ^\fermataMarkup
BTW \fermataMarkup is a markup:
fermataMarkup = \markup { \musicglyph #"scripts.ufermata"
could give you a
clue on how to workaround it.
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want this
text to be strongly linked to that voice, you create the voice with a
name and then link the lyrics to the voice by \lyricsto-ing it by its
voice name.
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lilypo
I forgot to include the list in my last reply to Valentin:
2009/5/11 Valentin Villenave :
> 2009/5/9 Francisco Vila :
>> It was typeset by the pianist and composer Pascual Marchante. As for
>> the license of the score: well thougth, if it is not published at all,
>> how can
2009/5/9 Valentin Villenave :
> 2009/5/8 Francisco Vila :
>> I can hear you think, is the score available? No, it isn't, yet.
> That is certainly good news. Who typeset the score? How is it licensed?
It was typeset by the pianist and composer Pascual Marchante. As for
the lic
y
The baselines are evenly spaced, but if a typesetting engine tries to
reduce the empty space, it could lead to uneven baselines.
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fm.es
http://www.lastfm.es/event/672673
I can hear you think, is the score available? No, it isn't, yet.
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ttached example could confirm this. The length of the columns are
inverted when compared to the original example.
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\version "2.12.1"
\markup {
\fill-line {
\hspace #0.1 % moves the column off the left margin;
% can be r
Voice ="1" { \voiceOne s2 s4 e ~ e1 }
\new Voice ="2" { \voiceTwo < g,, d' >1 < c g' > }
but the tie in voice 3 still has to be tweaked.
Read about "The double backslash construct" in NR 1.5.2
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han the articulations, thus
making them to be printed closer to the staff as explained in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Vertical-collision-avoidance.html
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2009/4/27 Dmytro O. Redchuk :
> 2009/4/27 Francisco Vila :
>> 2009/4/27 Dmytro O. Redchuk :
>>> % or even, i guess, this should work:
>>> _\markup { \italic "poco" \rit }
>>
>> Yes, it does, but how would you do it for \upbow and \downbow?
>
2009/4/27 Dmytro O. Redchuk :
> % or even, i guess, this should work:
> _\markup { \italic "poco" \rit }
Yes, it does, but how would you do it for \upbow and \downbow?
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way you get independent snippets/pieces of music.
Yes, I vote for this solution too. Remember to set the indent to zero.
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y are listed in
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-internals-big-page#item_002dinterface
For what you want, use
\override Staff.TimeSignature #'break-visibility = #end-of-line-invisible
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PDF files. First make sure that lilypond did not print
any errors and then try to open and view the PDF with another program.
If it is not viewable, try to open the PS, because it is possible for
the xpdf program to be unable to open certain [
ser/2005-07/msg00438.html
and
http://lists.gnu.org/archive/html/lilypond-user/2007-10/msg00157.html
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2009/4/22 Carl D. Sorensen :
> I think you want to set system-count.
Maybe you could play with
systems-per-page
max-systems-per-page
min-systems-per-page
as well. Not available until next release, though.
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age and
min-systems-per-page, for v2.13.1
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f you can help me (how shall I send the "config.log" file?)
> Alexis
I you are a newbie in Linux, just download the compiled binary
installer for your operative system and run it. It can be found in
http://lilypond.org/web/install/
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5PhZn64p6uM
Warning: awful sound, see notes at the right.
Still they say that the piano is difficult to play...
As for the engraving: great work!
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that way.
> and then
> if binding is on we swap the margins over for left hand pages.
If binging is on, we can still have an onesided book, so the fact that
binding exists does not indicate that even and odd pages have to be
different.
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a base for scores including some versioning control.
Why it is intriguing for you? a CVS is better than none.
Sorry for making more questions than answering them. As I see it,
Mutopia looks more like an long-term storage than a live code
repository which is what lilypond sources need.
t see.
In LaTeX you can specify an oneside or twoside option that lets you
easily handle both cases.
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left margin of
> odd-numbered pages, and the right margin of even numbered pages to
> leave space for the ring binding, and don't (unless necessary) want to
> have to increase the size of both margins on all pages?
>
> --
> Mark Austin
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`}', and `\' with a German
> keyboard...
...or a Spanish one.
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re several times.
>
> It may turn readers away from LP.
The Bach fragment also suffers from this.
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extent of this all, we could give the measure a sensible
width.
I'm sorry here is where my knowledge ends. Please share whatever you find.
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Thanks to all!
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hink?
Definitely, it should.
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opera next year in England. LilyPond scores are
> used for real, serious stuff.
>
> Nicolas
Bravo. Just curious, how do you manage to get informed of this?
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...and those certificates are $599. Ouch.
If other GNU software is not paying this, I propose to treat LilyPond
as such and never pay to avoid a click on an alert. IMHO
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aconet.org/opera-actual-v-villenave-montpellier.zip
The opera has its own site: http://valentin.villenave.info/opera
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px
What's the status of other pieces of free software such as firefox,
for example, regarding to this?
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rps. Transpose it from c to d flat, which has the same effect but
simplifies the resulting key. Also remember to include the original
\key command into the expression being transposed, if you want it to
be transposed as well.
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names by inserting \include "espanol.ly" before any
explicit note name is invoked. Just insert your language command for
English at the top and write all the note names in English.
If the snippet does not apply to 2.8.6 is another question.
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2009/3/29 Neil Puttock :
> 2009/3/29 Francisco Vila :
>> Hello,
>>
>> Does
>>
>> \version "2.13.0"
>> {
>> c' \snappizzicato
>> }
>>
>> work for you on latest released binary?
>
> Fingers crossed it&#x
Hello,
Does
\version "2.13.0"
{
c' \snappizzicato
}
work for you on latest released binary?
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Francisco Vila. Badajoz (Spain)
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file is included in every link,
so you'll be surprised if you compile the document into a short
pathame folder such as /tmp
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Francisco Vila. Badajoz (Spain)
The incredible carnival of Badajoz
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_
2009/3/23 Francisco Vila :
> I have git version 1.5.6.3 and both git-format-patch and
> git[nohyphen]format-patch do work.
>
> James, what's the output of git --version?
>From your patch I see it is 1.6.2.1 ; has the hyphenated command been
deprecated? this form is still
2009/3/23 Carl D. Sorensen :
> git format-patch is what you type at the command line.
I have git version 1.5.6.3 and both git-format-patch and
git[nohyphen]format-patch do work.
James, what's the output of git --version?
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Francisco Vila. Badajoz (Spain)
The incredible carnival of
ff with context lines.
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2009/3/17 Francisco Vila :
> Oh, I've just realized that you said "my third voice" but you could
> adapt the construct so that the new Voice contains polyphony.
Or maybe
<<
{ c'4 d' e'
{ << \new Voice = "newVoice" { f'4 }
\
2009/3/17 Francisco Vila :
> 2009/3/17 Florian Hollerweger :
>> But making a voice "(dis)appear" equals using skips, right? Or is there a
>> way of saying (at the coding level, not only the layout level), my third
>> voice starts in bar 34 and ends in bar 42, an
s for before and after that?
Yes, there is a way. You can start a \new Voice = "nameOfTheVoice" {
music... } wherever you want, nested into another expression.
<<
{ c'4 d' e'
\new Voice = "newVoice" { f'4 }
g' f' e' d' }
\new
t/LSR/Item?id=330
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it).
>
> It is called the segno symbol. Look in 1.2.5 Bars - Rehearsal Marks
Also, don't look for Repetitions but Repeats.
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"context" is a bad choice as a product name, as is "latex"...
Or as is 'idle' as the Python IDE
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one
for tex in $(TEXINCLUDES); do ($(LPBOOK) $$tex); done
$(LPBOOK) $(NAME).tex
NAME is the name of my master file and TEXINCLUDES are the included
files. Not perfect (sure!) but it works.
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Francisco Vila. Badajoz (Spain)
The incredible carnival of Badajoz
2009/3/1 Grammostola Rosea :
> Hi,
>
> Imho Lilypond uses to many bars on one 'row' in a-4 format. I got about 8
> bars (4/4), I prefer to have 4.
Adding
\paper { system-count=8 }
works as another solution.
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