It has been practically forever since I did any serious LP work, but just
looking at you code, the ability to draw the 'dot' with the 'A' implies the
possibility of what you want IF you can a. control the vertical location of
the dot and cause it to be filled in as black. Given that, then your
A somewhat pragmatic approach would be to use a single page suitably
subdivided if no scrolling is involved. Else use a two page solution.
The fewer pages a user has to link to the faster that person finds
what they are looking for.
--hsm
On Fri, May 7, 2010 at 8:13 AM, Graham Percival
Graham,
My area of expertise is editing and one of the things that often make
or break a set of docs are the indexes for each manual. Do we have any
kind of regression scheme (sorry about the pun) to check for problems
peculiar to an index? For instance does each citation in the index
lead to a
Go right a head and implement your suggestion--- Lilypond is open
source you know...
---hsm
On Thu, Mar 11, 2010 at 8:38 AM, David Raleigh Arnold
d...@openguitar.com wrote:
On Saturday 06 March 2010 03:12:11 David Kastrup wrote:
David Raleigh Arnold d...@openguitar.com writes:
Ideally the
If they don't do the same thing then clearly change the documentation.
To the degree that they do something different, changing the name of
the command would be good as well. I also like the idea of independent
changes as well--- which if possible should be more clearly reflected
in the docs.
Given the distance in the index between page and
print-first-page-number I'd like to suggest changing the text in
notation\spacing.itely starting at line 645 from:
@item print-first-page-number
@funindex print-first-page-number
If set to true, a page number is printed on the first page.
Default:
The first URL mentioned in:
C:\Users\hsmyers\Desktop\Lily Projectsabc2ly -h
Usage: abc2ly [OPTION]... FILE
abc2ly converts ABC music files (see
http://www.gre.ac.uk/~c.walshaw/abc2mtex/abc.txt) to LilyPond input.
Options:
--version show version number and exit
-h, --help
You might want to add abc2ly to their software list as well, since the
old write-up seems to have fallen along the wayside.
--hsm
On Sun, Jan 31, 2010 at 7:49 PM, Patrick McCarty pnor...@gmail.com wrote:
On 2010-01-31, Hugh Myers wrote:
The first URL mentioned in:
C:\Users\hsmyers\Desktop
What mechanism creates the index(s) for the documentation? I ask this
because while my printed documentation is badly out of date(I'm
waiting for 12.14 ;-) ) I by chance noticed three problems just in one
project this afternoon; no entry for page number, both entries for
page break point to wrong
Will do. Perhaps this is a way for me to help out.
--hsm
On Sun, Jan 31, 2010 at 8:33 PM, Graham Percival
gra...@percival-music.ca wrote:
On Sun, Jan 31, 2010 at 08:26:21PM -0700, Hugh Myers wrote:
What mechanism creates the index(s) for the documentation?
Texinfo. Somebody adds @cindex
SVG is not specific to Windows--- it is a web standard. If Inkscape
can manipulate SVG then you can do as described...
--hsm
On Tue, Jan 19, 2010 at 4:32 PM, Gerard McConnell gerry...@indigo.ie wrote:
Am I wrong in thinking that when the SVG output is usable
for Windows machines, then that
Keeping in mind that I agree with Graham on all points, here is a
recent quote from Wikipedia:
All major modern web browsers except Microsoft Internet Explorer
support and render SVG markup directly.[3] To view SVG files in
Internet Explorer, either users have to download and install a browser
'const'--- bah humbug; crutch for newbs who don't know how to program ;-)
--hsm
On Thu, Dec 31, 2009 at 4:09 PM, Matthias Kilian k...@outback.escape.de wrote:
On Thu, Dec 31, 2009 at 12:42:10PM -0800, Patrick McCarty wrote:
Second, if you really want to compile for some reason, compile
...@internode.on.net wrote:
On 20/12/09 12:17, Hugh Myers wrote:
In Segovia's 'Diatonic Major and Minor Scales', under the notes shown
for a given scale are marks beginning with a number surrounded by
parenthesis followed by a line vaguely parallel to the notes,
concluding with an uptick between a given
Right you are! This should take care of that oversight. Either place
it in the same directory as cards.ly or in some some place that
Lilypond can find--- then try again.
--hsm
On Sat, Dec 19, 2009 at 2:21 AM, Herbert Liechti
herbert.liec...@thinx.ch wrote:
Hugh Myers schrieb:
I have previously
In Segovia's 'Diatonic Major and Minor Scales', under the notes shown
for a given scale are marks beginning with a number surrounded by
parenthesis followed by a line vaguely parallel to the notes,
concluding with an uptick between a given pair of notes. What is this
called and how might I
-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of Hugh
Myers
Sent: Sun 20/12/2009 1:17
To: lilypond-user
Subject: Need help before I can ask the right question...
In Segovia's 'Diatonic Major and Minor Scales', under the notes shown
for a given scale are marks
it was a good way to learn a bit more about Lilypond.
--hsm
On Fri, Dec 18, 2009 at 3:08 AM, Alexander Kobel n...@a-kobel.de wrote:
Alexander Kobel wrote:
Hugh Myers wrote:
How do I remove it such that each page begins at same top-left corner?
If you're not afraid of using the command line, if you're
\mm
between-title-space = 0\mm
head-separation = 0\mm
page-top-space = 0\mm
ragged-last-bottom = ##f
}
so thanks for the pointer to ragged-last-bottom.
--hsm
On Fri, Dec 18, 2009 at 1:20 AM, -Eluze elu...@gmail.com wrote:
Hugh Myers wrote:
I had expected each page to begin in the same
Given:
\version 2.13.7
\header {
tagline = ##f
}
\layout {
\context {
\Staff
\remove Time_signature_engraver
}
}
\paper{
indent = 0\mm
paper-width = 3\in
line-width = 1.5\in
paper-height = 5\in
print-page-number = ##f
after-title-space = 0\mm
before-title-space = 0\mm
Given:
flashNote = #(define-music-function (parser location note)(ly:music?) #{
$note s2. \pageBreak
#}
)
I'd like to modify it so that a fixed duration for the note can be
within the function rather than in the calling sequence. Like so:
instead of
\flashNote e,4
I'd rather
Thanks again Alexander--- thats the third time today you've bailed me
out! Hope I can return same someday.
--hgsm
On Fri, Dec 18, 2009 at 3:49 PM, Alexander Kobel n...@a-kobel.de wrote:
Hugh Myers wrote:
Given:
flashNote = #(define-music-function (parser location note)(ly:music?) #{
$note
I have previously seen inquires about making flash cards with
Lilypond. Thinking that this would be a good way to learn more about
the world of musical typesetting I decided to re-invent this
particular wheel. With a fair amount of help from the list here is
cards.ly:
%%
%%
%% cards.ly --
How do I remove it such that each page begins at same top-left corner?
--hsm
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Given what is out there in open source land for MFC capable
programmers, I have to admit to the DIY vice myself. However when I
wake up and realize that I don't particularly want to be 'there', I'm
thankful for the editor I use most--- EditPlus
http://www.editplus.com/index.html It has everything
Given:
\version 2.13.7
\header {
tagline = ##f
}
\layout {
\context {
\Staff
\remove Time_signature_engraver
}
}
\paper{
indent = 0\mm
paper-width = 3\in
line-width = 1.5\in
paper-height = 5\in
print-page-number = ##f
}
\relative c'{
\set Score.barNumberVisibility = ##f
it in the regression tests.
On 18.12.2009, at 03:54, Hugh Myers wrote:
Given:
\version 2.13.7
\header {
tagline = ##f
}
\layout {
\context {
\Staff
\remove Time_signature_engraver
}
}
\paper{
indent = 0\mm
paper-width = 3\in
line-width = 1.5\in
paper-height = 5\in
print-page
Adding page-top-space = 0\mm to \paper doesn't seem to make any
difference. Perhaps my incantation is incorrect?
--hsm
On Thu, Dec 17, 2009 at 11:32 PM, Hugh Myers hsmy...@gmail.com wrote:
Thanks James,
I'll give it a go.
--hsm
On Thu, Dec 17, 2009 at 11:21 PM, James Bailey
derhindem
For windows(or dos for that matter) to 'know' what midi2ly(I presume
an .exe file) is you have to either be in the same directory or the
file has to be in a directory that dos knows about--- one of the
directories shown when you type path at the command line. For
instance:
C:\Users\hsmyerspath
Since this:
\version 2.13.7
upper = {
b\4 e\3 gis\2 e' 4 s2
}
lower = {
s2.
}
{
\time 3/4
\new Staff \relative c'' {
\set Score.barNumberVisibility = #all-bar-numbers-visible
\bar
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\set
Thanks Federico,
Not so much wrong, but 'doesn't match the original' ;-)
--hsm
On Fri, Dec 4, 2009 at 11:10 AM, Federico Bruni brunol...@gmx.com wrote:
Hugh Myers wrote:
Since this:
\version 2.13.7
upper = {
b\4 e\3 gis\2 e' 4 s2
}
lower = {
s2.
}
{
\time 3/4
\new
= {
b\4 e\3 gis\2 e' 4 s2
}
to avoid the string number indications.
By the way: There is a LilyPond mailing list for tablature users:
http://lists.lilynet.net/tablatures/
hth
patrick
Original-Nachricht
Datum: Fri, 4 Dec 2009 11:17:18 -0700
Von: Hugh Myers hsmy
I asked the question (after googling I might add ;-) ) because I
figured if anything was on going it would have been heard about here.
Mostly I asked in order to avoid re-inventing the wheel. While I don't
claim to have solved the problem, what I do have is what I call an 80%
solution. It will
for example, look at FAQs for instance. There
what might be an annoyance is changed to a resource, usually without a
great deal of effort.
--hsm
On Thu, Dec 3, 2009 at 5:19 AM, Alexander Kobel n...@a-kobel.de wrote:
Hugh Myers wrote:
[...] As long as I'm exposing my thinking to the world
and vice
versa but I haven't tried it.
http://www.gnmidi.com/handbook/english/txt2midi.htm
hth
patrick
Original-Nachricht
Datum: Thu, 3 Dec 2009 05:05:00 -0700
Von: Hugh Myers hsmy...@gmail.com
An: Federico Bruni brunol...@gmx.com
CC: lilypond-user lilypond-user@gnu.org
, Marc Hohl m...@hohlart.de wrote:
Hugh Myers schrieb:
Since the project can't be done in 2.12, what do you suggest?
I inserted a paper block after the \header:
\paper {
indent = 0
between-system-space = 2\cm
between-system-padding = #5
ragged-bottom=##f
ragged-last-bottom=##f
}
You
Given this:
\version 2.13.7
upper = {
e \times 2/3 { e,8 gis [ b e ] } s4
}
lower = {
e,,2.
}
{
\time 3/4
\new Staff \relative c'' {
\set Score.barNumberVisibility = #all-bar-numbers-visible
\bar
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
that I'm still adding tricks to my bag--- this approach will certainly
be one of them.
I'll wait until I've read (and hopefully, understand) you enclosure
before going further.
--hsm
On Wed, Dec 2, 2009 at 3:56 AM, Alexander Kobel n...@a-kobel.de wrote:
Hugh Myers wrote:
Second point taken. I
James,
e,8 gis b e
--hsm
On Wed, Dec 2, 2009 at 9:47 AM, James Bailey
jameselihubai...@googlemail.com wrote:
What notes should be in the chord?
On 02.12.2009, at 09:31, Hugh Myers wrote:
… How do I go about achieving a triplet chord--- clearly the above
doesn't, neither does inclusion
to be played in this time span? I understand one of the three
notes is a chord, e gis b e, what are the other two?
On 02.12.2009, at 18:30, Hugh Myers wrote:
James,
e,8 gis b e
--hsm
On Wed, Dec 2, 2009 at 9:47 AM, James Bailey
jameselihubai...@googlemail.com wrote:
What notes should
You know I could swear that I already tried that, but at 3a.m. who
knows what slips across my keyboard--- Thanks Phil!
--hsm
On Wed, Dec 2, 2009 at 1:37 PM, Philip Potter philip.g.pot...@gmail.com wrote:
2009/12/2 Hugh Myers hsmy...@gmail.com:
Same chord repeated three times.
This works
02, 2009 at 05:33:55AM -0700, Hugh Myers wrote:
Hadn't realized that a policy of
collateral damage was allowed. Given your approach to testing (and
your experience) this should work as well as more conservative
approaches.
As Alexander wrote, it's not so much that collateral damage is
allowed
The link to Building documentation without compiling LilyPond. on
http://lilypond.org/doc/v2.13/Documentation/web/help-us is broken
(404).
--hsm
p.s. which list is correct for such things?
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Should probably support at least some advanced timing measures ala
Guitar-Pro or some such... Pointers?
--hsm
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Err--- that would be a chortle yes?
--hsm
On Wed, Dec 2, 2009 at 11:07 PM, James Bailey
jameselihubai...@googlemail.com wrote:
On 03.12.2009, at 02:33, Hugh Myers wrote:
Graham,
…
I do know that you've already discovered the value of enlisting your
user community, having said that, I
Often I get the following pattern--- say I'm working on bar 59 and
make a mistake. After the compilation process, the error message
refers to bar 22! Given that I'm working in relative mode, I'm
confused as to how code that was moments before correct is now in
error?
Another pattern I see
Clearly this doesn't work:
\version 2.13.7
upper = {
b c d
}
lower = {
gis, d e, 2.
}
{
\time 3/4
\new Staff \relative c'' {
\set Score.barAlways = ##t
\set Score.defaultBarType = |
\new Voice = 1 { \voiceOne \upper }
\new Voice = 2 { \voiceTwo \lower }
I've yet to chase down a working example that given:
\version 2.13.7
upper = {
e,, f g
a b c
d e f
g a b
c d e
f g a
b c d
e s2
}
lower = {
s2.
s2.
s2.
s2.
s2.
s2.
s2.
s2.
}
{
\time 3/4
\new Staff \relative c'' {
\new Voice = 1 { \voiceOne
So for the truly picky, insert:
\set Score.barNumberVisibility = #all-bar-numbers-visible
\bar
just before you change and let the bar numbers fall where they may!
Much thanks Brett...
--hsm
On Tue, Dec 1, 2009 at 9:17 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Hugh Myers
Pardon the length of the piece of code, but clearly demonstrates the
problem where as other pieces don't (got to be a page long for
instance...):
%
% malaguena.ly -- qd testbed for mixed notation score and tab.
%
\version 2.13.7
\header {
title = Malaguena
subtitle = none
composer = Music
I'll see what I can do--- lucky for me my editor has unlimited undos.
--hsm
On Tue, Dec 1, 2009 at 11:12 PM, Francisco Vila paconet@gmail.com wrote:
2009/12/2 Hugh Myers hsmy...@gmail.com:
Often I get the following pattern--- say I'm working on bar 59 and
make a mistake. After
Percival
gra...@percival-music.ca wrote:
On Tue, Dec 01, 2009 at 09:57:00PM -0700, Hugh Myers wrote:
Pardon the length of the piece of code, but clearly demonstrates the
problem where as other pieces don't (got to be a page long for
instance...):
\version 2.13.7
I hope that you realize
to modify it according to the example you sent?
--hsm
On Wed, Dec 2, 2009 at 12:18 AM, Hugh Myers hsmy...@gmail.com wrote:
Second point taken. I hope you realize that 2.13 has bug fixes for
2.12--- yes? Without those, there is no project... I don't suppose you
took a look? Did you notice
After some length of time, I've determined the 'undo' method won't get
me there! This will have to wait until it happens again.
--hsm
On Wed, Dec 2, 2009 at 12:08 AM, Hugh Myers hsmy...@gmail.com wrote:
I'll see what I can do--- lucky for me my editor has unlimited undos.
--hsm
On Tue, Dec
Since the project can't be done in 2.12, what do you suggest?
--hsm
On Wed, Dec 2, 2009 at 12:41 AM, Marc Hohl m...@hohlart.de wrote:
Hugh Myers schrieb:
Second point taken. I hope you realize that 2.13 has bug fixes for
2.12--- yes?
Yes, but 2.13.x is work in progress. There is a new
Ah! That should be easy enough to work with--- I'll see what I can come up with.
--hsm
On Wed, Dec 2, 2009 at 12:43 AM, Marc Hohl m...@hohlart.de wrote:
Hugh Myers schrieb:
Here is the shortest template I use:
\version 2.13.7
upper = {
b c d
}
Use
upper = {
\repeat unfold 100
Given the nature of the guitar fret board a note like a b may be
indicated in tablature in at least two ways. For instance in this
example:
\version 2.13.7
upper = {
\times 2/3 { e,8 [ e' b ] } \times 2/3 { gis8 [ e' b ] } \times 2/3 {
b [ e b ] }
}
lower = {
s2.
}
{
\time 3/4
\new Staff
Eluze,
Thanks for the RTFM pointer--- I did but plead dementia :)
--hsm
On Sun, Nov 29, 2009 at 3:35 PM, -Eluze elu...@gmail.com wrote:
Hugh Myers wrote:
So how do I get from here to there?
reading the Notation Reference (NR), in this case
http://lilypond.org/doc/v2.12/Documentation
How do I force tupletBracket printing if
\override TupletBracket #'bracket-visibility = ##t
is ignored?
--hsm
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In the following:
\version 2.13.7
upper = {
\stemDown
\times 2/3 { e,8 e' b } \times 2/3 {gis8 e' b } \times 2/3 { b e b }
\times 2/3 { e,8 e' b } \times 2/3 {gis8 e' b } \times 2/3 { b e b }
}
lower = {
s2.
s2.
}
{
\time 3/4
\new Staff \relative c'' {
\new Voice = 1
Thanks Alexander,
Looks like good information all around. I'll give it a go.
--hsm
On Sat, Nov 28, 2009 at 8:21 PM, Alexander Kobel n...@a-kobel.de wrote:
Hugh Myers wrote:
In the following:
\version 2.13.7
upper = {
\stemDown
\times 2/3 { e,8 e' b } \times 2/3 {gis8 e' b } \times 2/3
of being aligned beneath a note. Is this
behavior controllable?
--hsm
On Fri, Nov 27, 2009 at 3:02 AM, -Eluze elu...@gmail.com wrote:
Hugh Myers wrote:
the spanning text in bar 14 does not align with the first note of the
bar as I had expected. Is there a way to control this?
it starts
Lovely! Much thanks Nick--- also nice to have code to examine prior to
the point I need to roll my own :)
--hsm
On Fri, Nov 27, 2009 at 12:20 PM, Nick Payne
nick.pa...@internode.on.net wrote:
Hugh Myers wrote:
Perhaps I misunderstand your reply, but bar 14(where the problem is)
has nothing
Is there a way to repeat the text automagically with each wrap?
--hsm
On Fri, Nov 27, 2009 at 12:24 PM, Hugh Myers hsmy...@gmail.com wrote:
Lovely! Much thanks Nick--- also nice to have code to examine prior to
the point I need to roll my own :)
--hsm
On Fri, Nov 27, 2009 at 12:20 PM
Hugh Myers wrote:
Is there a way to repeat the text automagically with each wrap?
--hsm
On Fri, Nov 27, 2009 at 12:24 PM, Hugh Myers hsmy...@gmail.com wrote:
Lovely! Much thanks Nick--- also nice to have code to examine prior to
the point I need to roll my own :)
--hsm
On Fri, Nov 27
by the presence of the tablature staff. Also the
location of the dashes on wrapped lines indicates that they will be in
the wrong place--- although this could be related to the missing text
element? Hints?
--hsm
On Fri, Nov 27, 2009 at 6:18 PM, Hugh Myers hsmy...@gmail.com wrote:
Commenting out
, Nov 26, 2009 at 1:29 AM, Federico Bruni brunol...@gmx.com wrote:
Hugh Myers wrote:
On a related note (:;) this piece is a mixture of polyphony and
monophony. Is there an example of the two with tablature?
--hsm
If you use mainly polyphony, the following template should help you.
Actually
On Thu, Nov 26, 2009 at 3:04 AM, Marc Hohl m...@hohlart.de wrote:
Hugh Myers schrieb:
I see nothing in the sample that allows for monophonic. As given I
only see polyphonic. The piece I'm working on is a mixture of both---
which obviously means I must be able to switch from one to the other
The following fails twice over; it leaves out the indicated text and
ignores \textSpannerDown:
\version 2.13.7
upper = {
c4 d e \startTextSpan f % polyphonic
g4 a b c % monophonic, see below
b4 \stopTextSpan g e c % polyphonic again
}
lower = {
c,2 g2 % polyphonic
s1 % a spacer
Much thanks Kieren,
This works:
\new Staff \relative c'' {
\override Staff.TextSpanner #'(bound-details left text) = let ring
\new Voice = 1 { \textSpannerDown \voiceOne \upper }
--hsm
On Thu, Nov 26, 2009 at 8:02 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi
Thanks, Alexander!
Now I have not just one but two solutions that work...
--hsm
On Thu, Nov 26, 2009 at 8:10 AM, Alexander Kobel n...@a-kobel.de wrote:
Hugh Myers wrote:
The following fails twice over; it leaves out the indicated text and
ignores \textSpannerDown:
Hi.
Both
I think I was keeping track of individual bars that way (with braces
that is)--- you are right, newline would work just as well and few
characters='s less clutter. Regards \stop etc. I got it to work more
or less as you say. It is on another machine, I'll show you the
template in the next email.
}
\new TabVoice = t2 { \voiceTwo \lower }
}
This demonstrates mixed mono and poly with tab. It also has spanned text.
--hsm
2009/11/26 Hugh Myers hsmy...@gmail.com:
I think I was keeping track of individual bars that way (with braces
that is)--- you are right, newline would work just
In the following:
\version 2.13.7
chord = e b gis e b e,
upper = {
\tempo 4=90
\chord \chord \chord
\repeat volta 2 {
\tempo 4=200
b c d
d c b
c a b
\acciaccatura d8 \voiceOne c4 b a
b a g
a g f
}
\alternative {
{ r4 \times 2/3 { gis8 \startTextSpan b
I have two \tempo 4=200 which admittedly follow each other without
intervening change. The second is not displayed. Why? How may this
behavior be modified?
--hsm
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I'm looking for an example of text spanning that does not invoke an
extra staff--- is there such a thing?
--hsm
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The following seems broken:
\version 2.13.7
\new Staff \relative c'' {
c1
\textSpannerDown
\override TextSpanner #'edge-text = #'(rail . )
c2
\startTextSpan
b c
\stopTextSpan
a
}
in that the word rail does not appear. Work around?
--hsm
...@a-kobel.de wrote:
Hugh Myers wrote:
I have two \tempo 4=200 which admittedly follow each other without
intervening change. The second is not displayed. Why? How may this
behavior be modified?
If without intervening change means at different locations, you probably
can just make a hidden change
Opps! Spoke to soon.
\set Score.tempoHideNote = ##t
\tempo 4 = 199
\unset Score.tempoHideNote
Doesn't work in the it prints the make work \tempo 4 = 199 without
regard to the tempoHideNote. Hints?
--hsm
On Wed, Nov 25, 2009 at 11:59 AM, Hugh Myers hsmy...@gmail.com wrote:
The work
When will the 2.13 docs be available?
--hsm
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Thanks Neil,
That did it! Is the \unset line needed or no?
--hsmn
On Wed, Nov 25, 2009 at 3:38 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/11/25 Hugh Myers hsmy...@gmail.com:
Opps! Spoke to soon.
\set Score.tempoHideNote = ##t
\tempo 4 = 199
\unset Score.tempoHideNote
Doesn't
This:
firstPolyRepeat = {
{ r4 \startTextSpan \times 2/3 {gis'8 b e } e,4 \times 2/3 {gis8
b e} e,2 } \\ {e,2.~e}
}
secondMono = {
{ e'8 [e'] gis, [e'] b [e] }
{ e,8 [e'] gis, [e'] b [e] }
{ a,8 [e'] c [e] b [e] }
{ a,8 [e'] g, [e'] f, [e'] }
}
thirdMono = {
{ e,8 [e'] gis, [e'] b
...@gmail.com wrote:
Le Wed, 25 Nov 2009 16:39:08 -0700,
Hugh Myers hsmy...@gmail.com a écrit :
So where do I place it? Bearing in mind that note-wise, both the start
and stop are correctly placed?
\stopTextSpan is unexpected because \startTextSpan is in another Voice !
There was a warning
: error: errors found, ignoring music expression
{
error: failed files: malaguena.ly
--hsm
On Wed, Nov 25, 2009 at 8:25 PM, Hugh Myers hsmy...@gmail.com wrote:
Since the piece in question, Malaguena, already has mixed monophony
and polyphony, as well as tablature, adding voices to it doesn't seem
The 2.10 manual says that:
\upper \\ \lower
is equivalent to
\new Voice = 1 { \voiceOne \upper }
\new Voice = 2 { \voiceTwo \lower }
Which in simple situations seems true enough. However as soon as
tablature is added the above is broken; for example:
\version 2.13.7
firstPolyRepeatV
On a related note (:;) this piece is a mixture of polyphony and
monophony. Is there an example of the two with tablature?
--hsm
On Wed, Nov 25, 2009 at 10:12 PM, Hugh Myers hsmy...@gmail.com wrote:
Thanks Carl,
I'll give it a try...
--hsm
On Wed, Nov 25, 2009 at 10:10 PM, Carl Sorensen
Since I normally program in lisp, I don't have any problems with
nested delimiters. Are you suggesting that excess (at least to your
eyes) braces are the problem or are you suggesting that the \stop is
at the wrong level?
--hsm
2009/11/25 Frédéric Bron frederic.b...@m4x.org:
It would also help
with acciaccatura. However, the second one works well and gets rid of the
warning:
{ \acciaccatura d'8 \voiceOne c4 b a } \\ { a,2. }
/Mats
Hugh Myers wrote:
Mats,
The workaround does not give correct results:
{ \acciaccatura d'8 c4 b a } \\ { a,2. } engraves correctly
although with warning
Given:
eMinor = e b gis e b e,
I'd like to be able to do something like \eMinor' since I'm working in
relative mode. Is this possible. Same thing for chord length, i.e.
\eMinor2. etc.
--hsm
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eMinor=\relative c { ... } does not allow either eMinor' or eMinor, etc.
--hsm
On Mon, Nov 23, 2009 at 6:02 PM, Frank Steinmetzger war...@gmx.de wrote:
Am Montag, 23. November 2009 schrieb Hugh Myers:
Given:
eMinor = e b gis e b e,
I'd like to be able to do something like \eMinor
The following doesn't work(the commented out line in the TabStaff):
\version 2.12.2
%
% test5.ly -- qd testbed for mixed notation score and tab.
%
eMinor = e b gis e b e,
firstBar = { \eMinor \eMinor \eMinor }
{
\time 3/4
\new Staff \relative c'' {
\firstBar
{ b c d } \\ {
When processing this:
\version 2.13.7
\relative c' {
\time 3/4
{ \acciaccatura d'8 c4 b a } \\ { a,2. }
}
I get this warning message:
C:\Users\hsmyers\Desktop\Lily Projectslilypond.exe test4.ly
GNU LilyPond 2.13.7
Processing `test4.ly'
Parsing...
Interpreting music...
Preprocessing
Is it possible to slur the second voice in:
{ r4 \times 2/3 { gis'8 b e } e,4 } \\ { e,2. }
{ \times 2/3 { gis'8 b e } e,2 } \\ { e,2. }
I feel that it must be but have not stumbled apon the solution as yet.
--hsm
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I'm looking for a symmetrical version of \bar |: which roughly
speaking should produce colon, thin line, thick line, thin line,
colon. Is there a way?
--hsm
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any effort to shorten the volta bar?
On Sun, Nov 22, 2009 at 6:16 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Hugh Myers wrote:
I'm looking for a symmetrical version of \bar |: which roughly
speaking should produce colon, thin line, thick line, thin line,
colon. Is there a way?
--hsm
seen thus far(hardly exhaustive) match what I need, so
what I wrote was a guess based on what I saw. More hints welcome at
this point ;)
--hsm
On Sun, Nov 22, 2009 at 7:15 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Hugh Myers wrote:
Brett,
Much thanks, missed that combination. Now how do I
Duncan bdd1...@bigpond.net.au wrote:
Hugh Myers wrote:
Brett,
Thanks for the hint. The URL is where I got the notion for what I
wrote in the first place. In the source, firstPoly repeats, once with
firstPolyRepeat as an ending and once with secondMono as an ending.
That is what I want, but as you
be one bar, not 'N' bars.
--hsm
On Sun, Nov 22, 2009 at 8:24 PM, Hugh Myers hsmy...@gmail.com wrote:
What I have/want is a phrase repeated twice with two alternate
endings, then continuing on with the main line. Written out entire it
would be phrase, ending A, phrase, ending B, main line
Let's say that it is--- what would the different structure look like?
--hsm
On Sun, Nov 22, 2009 at 9:12 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Hugh Myers wrote:
Here is the 'close--- but not quite ready for cigar time' code that
I've cobbled together:
\version 2.13.7
wrote:
Hugh Myers wrote:
Let's say that it is--- what would the different structure look like?
Try this:
\version 2.13.7
%
% malaguena.ly -- qd testbed for mixed notation score and tab.
%
\header {
title = Malaguena
subtitle = none
composer = Music by Unknown
}
eMinor = e b gis
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