to line/space where the lowest and highest notes align with the lowest
and highest lines? The intervals are not entirely uniform. The pitches
are as follows:
g2 b2 c3 e3 f3 g3 b3 c4 e4 f4 g4 a4 b4 c5 d5 e5 f5 g5 a5 b5 c6
Any help would be greatly appreciated!
Hwaen Ch'uqi
Greetings All,
I see from the NR that there are ways of rotating individual objects
or text markups. Is there a way of rotating an entire score?
Thank you for any help.
Hwaen Ch'uqi
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https
?
Something like
\relative c'' {
\key e \minor
\clef treble
\time 6/8
\set tieWaitForNote = ##t
g,8~ b~ d~ 4. }
And then manipulate ties individually if needed?
Hwaen Ch'uqi
On 11/24/15, Mark Stephen Mrotek <carsonm...@ca.rr.com> wrote:
> Hello,
>
>
>
> Everything is correct ex
page, you could use
\override-lines #'(line-width . 100) { . . . }
to affect those particular margins.
Hwaen Ch'uqi
On 11/21/15, David Sumbler <da...@aeolia.co.uk> wrote:
> I have not used a Table of Contents before, and I am having some
> difficulty in getting the result I wan
Century Schoolbook as the default font, but that font
wasn't present on her system. Anyway, all has since been squared away.
Thank you again.
Hwaen Ch'uqi
On 5/3/15, Martin Tarenskeen m.tarensk...@zonnet.nl wrote:
On Sun, 3 May 2015, Janek Warchoł wrote:
it's New Century Schoolbook. I don't
Greetings All,
I realize that this may be an obvious question, but could anyone tell
me what is the default font used for text in LilyPond? What is the
nearest Microsoft equivalent?
Hwaen Ch'uqi
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to relative mode. Again, why deprecate it when you have the
option of simply not using it?
Hwaen Ch'uqi
On 4/22/15, Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
Hi Gilles,
deprecate \relative, which I now avoid like the plague.
Why?
1. It doesn’t play well with reuse: both trivial reuse (i.e
use extralilypond programs on occasion - such as pdftk -
in order to put together scores for piano, four hands.
Hwaen Ch'uqi
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Greetings David,
Is the command \markLengthOn possibly what you are looking for?
Hwaen Ch'uqi
On 1/14/15, David Sumbler da...@aeolia.co.uk wrote:
On Mon, 2015-01-12 at 23:17 +0100, Thomas Morley wrote:
2015-01-12 22:37 GMT+01:00 David Sumbler da...@aeolia.co.uk:
The default position
with
\arpeggioNormal, otherwise, all future arpeggiated chords will be
altered!
Hwaen Ch'uqi
On 1/14/15, Alistair Millar alistair.mil...@blueyonder.co.uk wrote:
I hope this is enough. Thanks
\version 2.18.2
\language english
\relative c'
{
\clef treble
\time 4/4
\key g \major
g b d
?
Thank you so much.
Hwaen Ch'uqi
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Greetings All,
Is there a way to influence the spacing between each flat of a
double-flat? I would like to increase the distance between the two.
Thank you in advance for any help.
Hwaen Ch'uqi
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the images. I hope this helps.
Hwaen Ch'uqi
On 12/2/14, Kevin Patrick Barry barr...@tcd.ie wrote:
Dear lilypond users,
My apologies in advance if the answer to this is already out there and I
just didn't find it.
I would like to be able to access the lilypond docs in emacs using the
.info files
to your
question. Also, the actual page on the LilyPond website where you can
download the version for mac should have clear instructions on how to
install it. Unfortunately, I can't seem to access the site at the
moment.
Hwaen Ch'uqi
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instruction on how to
install on mac.
I hope this helps, and do not worry: I will not mention this again on
this post. Only it troubled me to see the same problems discussed when
a solution, though perhaps challenging in the beginning to set up, is
very simple indeed.
Hwaen Ch'uqi
On 9/20/14
linux
distributions, the installation of emacspeak and orca are easily
automated with a couple of softwares which you may urchase for a very
small fee at http://oralux.org/.
I hope this helps.
Hwaen Ch'uqi
On 9/19/14, Antonio Gervasoni agervas...@gmail.com wrote:
Hi all! I'm trying to help one
Greetings Mark,
A quick look at your code reveals that you are still using the \times
command, which I believe has been replaced. In your longer run of
tuplets, you might change the code to
\tuplet 3/2 8 { ... }
Hwaen Ch'uqi
On 9/9/14, Mark Stephen Mrotek carsonm...@ca.rr.com wrote:
Mfr
Greetings All,
What is the best way of achieving a cross-staff voice where one of the
staves must be modified? I fear that I may be missing something very
fundamental. Please see the code below, and thank you for any help.
Hwaen Ch'uqi
\version 2.18.2
\score{
\new PianoStaff
\new Staff
Greetings Simon,
Thank you so much for your response. Yes, there was a silly oversight
in my code which I have now corrected. Below is the code again
followed by the compilation messages. I have also attached the rather
strange result as a pdf.
Hwaen Ch'uqi
\version 2.18.2
\score{
\new
Oops, forgot to send to All!
-- Forwarded message --
From: Hwaen Ch'uqi hwaench...@gmail.com
Date: Fri, 5 Sep 2014 22:40:01 -0400
Subject: Re: Cross-staff voice with modified context.
To: Mark Stephen Mrotek carsonm...@ca.rr.com
Greetings Simon and Mark,
Thank you both for your
to me off-list, as I
believe the necessary information for Lily users who use texinfo
manuals on emacs has now been covered.
Hwaen Ch'uqi
On 8/19/14, Steven Arntson ste...@stevenarntson.com wrote:
Hwaen Ch'uqi hwaench...@gmail.com writes:
Greetings,
I have never used `C-u C-h i', and my emacs
folder called /usr/share/info. N.B. -- You may need to be root to do
this. Then you should be able to access the files with `c-h i'. I hope
this helps.
Hwaen Ch'uqi
On 8/17/14, Steven Arntson ste...@stevenarntson.com wrote:
I've installed the newest stable version of Lilypond on my system
whether the --documentation flag was neded to
obtain the .info files. I do hope this works.
Hwaen Ch'uqi
On 8/18/14, Steven Arntson ste...@stevenarntson.com wrote:
Hwaen Ch'uqi hwaench...@gmail.com writes:
Greetings Steven,
The manuals are in Texinfo format, and the good news
, dir~, will be made, and you should find your
changes there. Copy them and insert them into the new dir file. It is
a small inconvenience, but it is worth the ability to use the latest
versions of LilyPond!
I hope this answer was somewhat useful.
Hwaen Ch'uqi
On 8/18/14, Steven Arntson ste
.
Hwaen Ch'uqi
On 7/17/14, Larry Kent kentla...@gmail.com wrote:
This issue comes up from time to time for me, and I hope someone can help.
Occasionally I need to make minor revisions to a score that was engraved
with LilyPond version 1.4.12. That version was long before I started
trying
is
going on in emacs. This is where emacspeak comes in. A quick search
appears to indicate that emacs can be run on Windows, and I would
presume then that emacspeak can as well.
I hope this helps.
Hwaen Ch'uqi
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lilypond
LilyPond to give it a
horizontal value and thus to place other objects with recognition of
that value. This is my understanding; if I am speaking amiss, please,
anyone, feel free to correct me.
I hope this helps.
Hwaen Ch'uqi
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Greetings David,
Following the problem I was having with dynamics in a flute part and a
piano part not lining up, on the advice of the list I upgraded my
LilyPond from v2.14.2 to 2.18.0.
Problem of non-alignment solved.
But I still find that dynamics often contact or even cross a bar-line.
On 1/27/14, David Kastrup d...@gnu.org wrote:
David Sumbler da...@aeolia.co.uk writes:
Thanks to all for your responses to my enquiry about misaligned
dynamics. Thanks especially to Hwaen Ch'uqi, who tried to answer my
question: unfortunately,
\override Dynamics.DynamicText.self-alignment-X
. All should work well then.
Hwaen Ch'uqi
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means.
Hwaen Ch'uqi
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can use
other numbers between those given.
I hope this helps.
Hwaen Ch'uqi
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Greetings Eluze,
On 1/19/14, Eluze elu...@gmail.com wrote:
Hwaen Ch'uqi wrote
David Nalesnik provided some invaluable code which dealt with the
switch from Roman to Arabic page numbers and its reflection in the
table of contents. It is set up so that the first page number of the
score does
perfectly! Thank you so much.
Hwaen Ch'uqi
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number of the
score does not show. How can I cause that first page number to appear?
Attached is the aforementioned code for your reference. I don't doubt
that the solution is quite simple; I have not yet been brave enough to
enter the world of Scheme.
Thank you in advance for any pointers.
Hwaen
On 1/18/14, Hwaen Ch'uqi hwaench...@gmail.com wrote:
Greetings All,
At this link,
https://lists.gnu.org/archive/html/lilypond-user/2012-08/msg00665.html
David Nalesnik provided some invaluable code which dealt with the
switch from Roman to Arabic page numbers and its reflection
;
however, when clicking on the link to the next page, the URL correctly
changes, but snippets 11-20 do not appear. Is there no solely
text-based solution to this problem?
Thank you for any help.
Hwaen Ch'uqi
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Greetings All,
I am alas discovering that with emacs-w3m, the text browser which I
had long been using, I now only have browsing functionality in the
LSR: I can no longer conduct searches. Does there yet remain a purely
text alternative to that website?
Hwaen Ch'uqi
actual music, using \set Score.currentBarNumber to adjust the measure
number accordingly. Finally, you can remove the unneeded pages and
replace them with those containing your graphic notation. This can be
easily done with a tool like pdftk.
I hope this helps.
Hwaen Ch'uqi
On 10/26/13
a file with a .ly extension. I hope this helps.
Hwaen Ch'uqi
On 5/28/13, Kevin Barry barr...@tcd.ie wrote:
Dear LilyPond users,
A friend recently persuaded me to try emacs for text editing (LaTeX +
LilyPond), however I can't quite understand the instructions for
installing lilypond-mode
Greetings All,
Is it possible, once PianoStaff.connectArpeggios has been set to
##t, to revert this change within an instantiated voice? Any acvice is
welcome. Thank you so much.
Hwaen Ch'uqi
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of calling \relative in the
first place and is then used immediately - that is, before the braces
- in establishing a different reference point as desired by the user?
Hwaen Ch'uqi
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to use
LilyPond most effectively), I encourage you never to flag in your
resolve; for, though its inception was centered around a different
need and demand, it has certainly proven to be a godsend to a wider
clientelle.
I hope this has been somewhat helpful to you, and best of luck to you.
Hwaen
common reference point of middle c. Regardless, I would imagine
that someone wishing to use a \relative block has already familiarized
himself with the rules that govern the coding of intervals.
Hwaen Ch'uqi
On 3/2/13, David Kastrup d...@gnu.org wrote:
Hwaen Ch'uqi hwaench...@gmail.com writes
On 8/18/12, David Nalesnik david.nales...@gmail.com wrote:
Hello,
On Thu, Aug 16, 2012 at 5:59 AM, Hwaen Ch'uqi hwaench...@gmail.com wrote:
Greetings All,
There must surely be an easy answer to this, though I have yet
to
find it. How does one produce page numbers in Roman numerals
and Arabic page numbers?
Many thanks.
Hwaen Ch'uqi
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, but it appears that this
thread might be of some use:
https://lists.gnu.org/archive/html/lilypond-user/2011-04/msg00290.html
Hwaen Ch'uqi
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On 5/12/12, Janek Warchoł janek.lilyp...@gmail.com wrote:
Hi Hwaen,
On Fri, May 11, 2012 at 7:01 PM, Hwaen Ch'uqi hwaench...@gmail.com wrote:
Greetings All,
In this snippet, the second arpeggio overlaps with the preceding
cross-staff notation. How may I best solve this? Ideally, I
not
yielded anything fruitful.
Many thanks.
Hwaen Ch'uqi
\version 2.15.38
\score{
\new PianoStaff
\set PianoStaff.connectArpeggios = ##t
\new Staff = up{
\key c \minor \time 2/4 \clef treble \relative{
{
c4\arpeggio d\arpeggio
is correctly engraved. Am I missing something obvious?
Many thanks for any help.
Hwaen Ch'uqi
\version 2.14.2
\score{
\new PianoStaff
\new Staff = up{
\key c \major \time 4/4 \clef treble \relative{
\stemDown \times 2/3 {dis8-4\p cis b} a8*2/3 \change Staff = down
of the Notation Reference gives many details concerning
page layout.
Hwaen Ch'uqi
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Greetings All,
I am attempting to tie two notes of an arpeggiated chord into the
chord proper. However, one of the ties appears more as a tiny dot
rather than a curve. Can anyone explain the reason for this and offer
a solution? Please find the code below.
Many thanks.
Hwaen
On 4/15/12, Xavier Scheuer x.sche...@gmail.com wrote:
On 16 April 2012 00:36, Hwaen Ch'uqi hwaench...@gmail.com wrote:
Greetings All,
I am attempting to tie two notes of an arpeggiated chord into the
chord proper. However, one of the ties appears more as a tiny dot
rather than
On 3/5/12, Phil Holmes m...@philholmes.net wrote:
- Original Message -
From: Hwaen Ch'uqi hwaench...@gmail.com
To: lilypond-user@gnu.org
Sent: Monday, March 05, 2012 12:12 PM
Subject: Ossia requiring an entire PianoStaff, urgent.
Greetings All,
I am entering a composition
All,
I am glad this is being dealt with, for I have been receiving several
of these -- all, as has already been pointed out, from the same
address.
Hwaen Ch'uqi
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a half note? `\tweak #'duration-log #3*2' does not work. Perhaps I am
misunderstanding the process? Any help is greatly appreciated.
Hwaen Ch'uqi
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Greetings Elouze,
Many thanks for pointing me in the right direction. It took a while
for me to understand it. But if I may ask further, how then does one
apply this to, say, realize dotted or tied durations?
Hwaen Ch'uqi
On 8/18/11, -Eluze elu...@gmail.com wrote:
Hwaen Ch'uqi wrote
into
returning the new resulting page numbers rather than the literal
number of pages which have transpired? Many thanks.
Hwaen Ch'uqi
http://lists.gnu.org/archive/html/lilypond-user/2011-06/msg9.html
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Greetings All,
I have just downloaded and installed the x86 distribution of
LilyPond-2.14.1. I may be missing something fantastically obvious, but
I am unable to locate a manual which I can read through Emacs' texinfo
facility. Any help is appreciated!
Hwaen Ch'uqi
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