Re: musicxml2ly 2.20 bug

Hello David*2, You may be interested in xml2ly 0.93, which I’m currently finalizing. The doc is at https://github.com/grame-cncm/libmusicxml/tree/lilypond/doc , in particular https://github.com/grame-cncm/libmusicxml/blob/lilypond/doc

Re: Chord options in leadsheets

Hello Hendry, You can have several ChordNames contexts and use \parenthesize in the corresponding \chordmode definitions. What I don’t know is how to have only a single pair of parentheses around the two harmonies in the attached. HTH! JM AlternateHarmoniesAttempt.ly Description: Binary

Lily 2.19.83 crashed

Hello folks, The attached file caused a crash: menu@macbookprojm: ~/libmusicxml-git/files/samples/musicxml > lilypond HelloWorld.ly GNU LilyPond 2.19.83 Processing `HelloWorld.ly' Parsing... Interpreting music... warning: no music found in score Preprocessing graphical objects... Interpreting m

Re: [Spam] RE: Clef change placement

Thanks Aaron, great example! JM > Le 4 févr. 2020 à 06:05, Aaron Hill a écrit : > > On 2020-02-03 1:54 pm, Rutger Hofman wrote: >> I would also welcome this feature. How difficult is it to write a >> [Scheme] engraver? > > The mechanics of defining and using a Scheme engraver are relatively si

Re: MEI to LilyPond conversion

Hello David, Thanks for the link. Python is not my line though, I use plain C++ for my tools. JM > You can of course take a more circuitous route with MusicXML as an > intermediary. For MusicXML to MEI there exist packages like this: > https://github.com/gburlet/musicxml-mei-conversion >

Re: MEI to LilyPond conversion

Thanks Urs! > Le 21 janv. 2020 à 10:25, Urs Liska a écrit : > > Am Dienstag, den 21.01.2020, 10:21 +0100 schrieb Jacques Menu: >> Hello Urs, >> >> Thanks for correcting me as to the relationship between MEIler and >> Verovio. >> >> In what

MusicXML to braille music conversion

Hello folks, There have been posts in the past on this subject in the Lily users’ list. I now have a first draft of such a translator producing braille music in Ascii BRF and Unicode files. It translates the basic elements, such as time signatures, measures, notes, etc. This development was fr

Re: MEI to LilyPond conversion

Hello Urs, Thanks for correcting me as to the relationship between MEIler and Verovio. In what respect is Verovio superior to Lily, and what do you mean by 'not really scalable’? JM > Le 21 janv. 2020 à 10:16, Urs Liska a écrit : > > Am Dienstag, den 21.01.2020, 10:09 +0100 s

MEI to LilyPond conversion

Hello folks, MEI has been mentionned at the Salzburg conference as more and more used in the academic circles. Jan-Peter said that an MEI to Lily translator would be useful, and RISM’s Laurent Pugin presented Verovio (https://www.verovio.org/index.xhtml), which features an XSL/XSLT such trans

Re: fret-diagram layout question

Hello Aaron, Fine, thanks. Can user-specific fret-diagrams be obtained with a FretBoards context, though? JM > Le 17 janv. 2020 à 06:01, Aaron Hill a écrit : > > On 2020-01-16 8:38 pm, Jacques Menu wrote: >> Hello Aaron, >> Thanks a lot for the hint, I’ll look int

Re: fret-diagram layout question

Hello Aaron, Thanks a lot for the hint, I’ll look into FretBoards contexts. JM > Le 17 janv. 2020 à 05:33, Aaron Hill a écrit : > > On 2020-01-16 8:18 pm, Jacques Menu wrote: >> [ . . . ] >> How can this be displayed with the two fret diagrams on one and the &g

fret-diagram layout question

Hello folks, This snippet is adapted from the LPNR, with whole notes replaced by quarter notes: \version "2.19.83" << \new ChordNames { \set chordChanges = ##t \chordmode { c4 d:m } } \new Staff { \clef "treble_8" 4^\markup { \fret-diagram #"6-x;5-3;4-2

Re: Easy cross staff

Hello Paolo, easyCrossStaff works fine here, thanks for contributing it! JM > Le 6 janv. 2020 à 18:15, Paolo Prete a écrit : > > Hello all, > > I was a little bit reluctant to publish this (the Scheme code has to be > cleaned, better indented etc.) but given that it seems to me that it works

Re: Lyrics on rest question

tput, uncomment the following line: % \midi {\tempo 4 = 92 } } % > Le 28 déc. 2019 à 23:46, Aaron Hill a écrit : > > On 2019-12-28 2:39 pm, Jacques Menu wrote: >> How can the « "Syll.3" » lyric be placed under the eigth rest at the >>

Lyrics on rest question

Hello folks, When converting the attached MusicXML file, extracted from the Echigo Jishi example, with musicxml2ly, I obtain a LilyPond file (simplified here) containing: %%% \version "2.19.83" % automatically converted by musicxml2ly from SyllableOnRest_musicxml2ly.xml \

Re: ANN: Frescobaldi 3.1 has been released!

Hello Wilbert and Davide, Thanks a lot for the great job issuing this Frescobaldi 3.1 release! I’ve switched to it on Mac OS 10.14.6 (Mojave, which still allows 32bit apps to be run), and it runs fine. Will let you know should any issue arise. A happy new year 2020 to all lilyponders! JM > Le

Re: lyluatex and HarfBuzz (was: Complex/Large Lilypond projects and build automation)

Thanks Urs, I don’t think I’ll give LuaTex/LuaLaTex a try then. A nice day! JM > Le 8 déc. 2019 à 09:49, Urs Liska a écrit : > > > Am 08.12.19 um 09:04 schrieb Rembrandt Wolpert: >> Here's the hickup (probably easily fixed, Urs?) that interrupts >> compilation in a small examples: > > > Wel

Re: Complex/Large Lilypond projects and build automation

Urs, who is the creator/maintainer of LuaLaTeX? There seems to be a mist cloud around it... JM > Le 8 déc. 2019 à 07:43, Urs Liska a écrit : > > > > Am 8. Dezember 2019 06:22:22 MEZ schrieb Jacques Menu : >> Hello folks, >> >> I’ll look into those alte

Re: Complex/Large Lilypond projects and build automation

Hello folks, I’ll look into those alternative build systems. Urs, where can I find a MWE of LuaLaTeX use for LilyPond? Didn't find any when I seached the web recently. I have MacTeX 2019 installed. JM > Le 8 déc. 2019 à 00:17, David F. a écrit : > > > On Dec 7, 2019, at 2:35 PM, Jim Duke <

Re: Poster for music engraving conference

Hello, A unique feature of Lily is the ability to place scores in markups at will, that may be impressive. JM > Le 5 déc. 2019 à 20:48, ma...@masonhock.com a écrit : > > On 12/04, Werner LEMBERG wrote: >> >> Folks, >> >> >> the music engraving conference in Salzburg (January 17.-19.) aims t

Re: Fingering orientation question

> Le 5 déc. 2019 à 18:02, Mark Stephen Mrotek a écrit : > > Jacques, > > You do not need to use chord notation and the \set command. > Fingering down indicated by the _ (underscore), e.g., a,4_3, and the up > fingering by the ^ (carat), e.g., e^1 > The - (dash) is a neutral setting and Lilypond

Re: Fingering orientation question

Thanks Thomas for the explanation and example! >> Would it be reasonable and feasible to apply such fingering orientation at >> the voice level? > > Not sure what you mean… In my piano example, all the fingerings for the left hand appear below the notes, so I wondered whether this could be spe

Fingering orientation question

Hello folks, In the attached score, I’ve had to create artificial one-note chords such as for the down fingering orientation to be taken into account: \set fingeringOrientations = #'(down) 4 a, e | % 2 I didn’t find other ways to achieve this result in the docs. Would it be reasonable a

Re: Markup problem

Thanks Leo and Malte, same solution already provided on the list. JM > Le 4 déc. 2019 à 12:38, Malte Meyn a écrit : > > > > Am 04.12.19 um 10:19 schrieb Jacques Menu: >> Hello folks, >> In the following example, the markup doesn’t show up in the score, one onl

Re: Markup problem

Hello Simon, Jean and Thomas, Thanks, that was the solution. I had tried to place the markup inside the score, to no avail. A nice day! JM > Le 4 déc. 2019 à 12:11, Thomas Morley a écrit : > > > > Am Mi., 4. Dez. 2019 um 11:03 Uhr schrieb Jacques Menu <mailto:imj

Markup problem

Hello folks, In the following example, the markup doesn’t show up in the score, one only gets: Removing the \book around the \score avoids this problem, though. I’ve missed something it seems... Thanks for your help! JM -- %% \version "2.19.83" \markup { \fill-line { \hs

Re: Choises

Hello Yoann, Maybe starting this way: \version "2.19.83" { % initial shared music c'1 e | % the two alternatives \override Staff.StaffSymbol.line-count = 0 \stopStaff \startStaff \hide Staff.BarLine << \new Staff { \hide Staff.Clef \hide Staff.KeySignature \h

Re: Scheme function to return pitchnames as markup/text

Oups, answered the wrong post, sorry… JM > Le 19 nov. 2019 à 09:43, Jacques Menu a écrit : > > Hello Steve, > > Maybe starting this way: > > \version "2.19.83" > > { > % initial shared music > c'1 e | > > % the two alter

Re: Scheme function to return pitchnames as markup/text

Hello Steve, Maybe starting this way: \version "2.19.83" { % initial shared music c'1 e | % the two alternatives \override Staff.StaffSymbol.line-count = 0 \stopStaff \startStaff \hide Staff.BarLine << \new Staff { \hide Staff.Clef \hide Staff.KeySignature \h

Re: acciaccatura & mis-predicted

First example runs fine with 2.19.83: Starting lilypond 2.19.83 [Untitled]... Processing `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T/frescobaldi-26x60_kc/tmpajvkw5n9/document.ly' Parsing... Interpreting music... Preprocessing graphical objects... Finding the ideal number of pages... Fitting

Re: repeat in alternative

Hello Sandro, > On 2019-11-15 8:02 am, Sandro Santilli wrote: >> Is there a way to obtain what I'm finding in this paper sheet ? >> http://strk.kbt.io/tmp/repeat-in-alternative.png >> It's basically a repating section starting within an alternative >> section… It’s in fact a second alternative (s

Re: 'Compressing' a 1 bar full bar rest

Thanks Malte and Jan-Peter! JM > Le 6 nov. 2019 à 09:47, Jan-Peter Voigt a écrit : > > Am 06.11.19 um 09:43 schrieb Malte Meyn: >> >> >> Am 06.11.19 um 09:38 schrieb Jacques Menu: >>> Hello folks, >>> >>> I’d like to show that explicit

Re: Mark placement problem

e: > > { > \time 4/4 > \compressFullBarRests > > R1*3 | > > \tempo "Easy jazz Walz (Swing)" > \tweak self-alignment-X #LEFT > \mark "IV. SUN AND SNOW" > \numericTimeSignature \time 3/4 > > R2.*10 \bar "||" | > } >

Mark placement problem

Hello folks, Why does the mark appear upon the first measure instead of the fourth in this example? \version "2.19.83" { \time 4/4 \compressFullBarRests R1*3 | \tempo "Easy jazz Walz (Swing)" \mark "IV. SUN AND SNOW" \numericTimeSignature \time 3/4 R2.*10 \bar "||" | } Than

'Compressing' a 1 bar full bar rest

Hello folks, I’d like to show that explicitly with a number, i.e. to have a ‘1’ above measure 2 in this example: \version "2.19.83" { \time 4/4 \compressFullBarRests R1*2 | R1*1 | c' | } How can that be achieved? Thanks for your help! JM

\woodwind-diagram shift problem

Hello folks, In the attached sample, the diagrams in the second measure are shifted right, and the second one is much above the others. Any hint is welcome! JM SaxophoneFingeringsProblem.ly Description: Binary data

Re: midi instrument for ChordNames

> Le 22 oct. 2019 à 09:54, Sandro Santilli a écrit : > > On Mon, Oct 21, 2019 at 12:15:47PM +0200, Thomas Morley wrote: > >> please always provide a MWE, with the lily-version in it. > > What's MWE ? > A Minimal Working Example. JM ___ lilypon

Re: connectArpeggios problem

Hello Toine, Thanks a lot! JM > Le 27 sept. 2019 à 09:06, Toine Schreurs a écrit : > > connectArpeggios connects arpeggios. The first voice does not contain > an arpeggio so there is nothing to connect. Change: > \grace { s16 s s } cis'''2 | % 1 > into: > \grace { s16 s s } cis'''2\arpe

connectArpeggios problem

Hello folks, connectArpeggios seems not to be taken into account in the example below : the cis half note in not included in the arpeggio. This used to work alright in older versions of Lily with '\set PianoStaff.connectArpeggios = ##t', though. Thanks for your help! JM —

Re: drinking song symbols

> Le 18 sept. 2019 à 22:02, David Kastrup a écrit : > > k...@aspodata.se writes: > >> Jacques Menu: >> ... >>> Now, how about a full 12xn table service? >> ... >> >> What is that ? > > I'd assume a set for 12 persons consisting

Re: drinking song symbols

Very interesting! Now, how about a full 12xn table service? JM > Le 18 sept. 2019 à 13:39, k...@aspodata.se a écrit : > > Peirre Perol-Schneider: >> #(define-markup-command (wineGlass layout props)() >> (interpret-markup layout props >> (markup >>(#:stencil >> (make-path-stencil >>

Re: \bookpart question

Thanks guys! JM > Le 18 sept. 2019 à 10:05, Thomas Morley a écrit : > > Am Mi., 18. Sept. 2019 um 08:22 Uhr schrieb Jacques Menu > : >> >> Hello folks, >> >> I naturally tend to specify a number of pages in a bookpart this way: >> >> \b

\bookpart question

Hello folks, I naturally tend to specify a number of pages in a bookpart this way: \bookpart { \layout { page-count = 1 } \new Staff = "HautboisDeux" \with { instrumentName = "Hautbois 2" shortInstrumentName = "Hbs 2" } << \context Voice = "Hautbo

Re: drinking song symbols

As the french saying goes: « Qu’importe le flacon, pourvu qu’on ait l’ivresse! » (No matter the bottle, as long as we get drunk!). JM > Le 18 sept. 2019 à 08:07, Andrew Bernard a écrit : > > After a few repeats, does it matter what the symbol is? > > Andrew > > > On 18/9/19 6:01 am, k...@as

Re: Producing scores for visually impaired and blind people

David,Braille music has alterations and all elements needed do indicate what is to be played, as well as specific repetition devices to avoid having to read again a fragment that was present before.There’s also a clef indication, to simplify communication with sighted musicians. It is optional, sin

Producing scores for visually impaired and blind people

Hello folks, I’ve thought of a possibility which surely others have already considered, and I’m not sure whether the idea makes sense at all. This would consist in printing LilyPond scores in 3D on thin plates, analog to was was done at the time when engravers built scores with pieces of metal.

Re: Running Frescobaldi 3 on OSX?

Hello Hraban, Is it OK just to install the needed components such as Python 3.7, Qt5 etc. with MacPorts? JM > Le 4 sept. 2019 à 14:26, Henning Hraban Ramm a écrit : > >> Am 2019-09-04 um 13:35 schrieb Stanton Sanderson : >> >>> On Sep 4, 2019, at 3:47 AM, Henning Hraban Ramm wrote: >>> >>>

Re: Running Frescobaldi 3 on OSX?

Hello Hraban, Can you send the resulting application off-list? I’d be happy to test it. JM > Le 4 sept. 2019 à 08:29, Henning Hraban Ramm a écrit : > > >> Am 2019-09-03 um 19:51 schrieb Henning Hraban Ramm : >> >> I guess *someone* did manage to compile Frescobaldi 3.x on a Mac. >> I juggled

Re: Glyph sample sheet

> Le 2 sept. 2019 à 11:43, Urs Liska a écrit : > > Hello Jacques, > > yes, this is exactly what I was thinking about, thank you. > > It will be non-trivial to integrate, though … > What’s the difficulty? JM ___ lilypond-user mailing list lilyp

Re: Chapter 2.1 Vocal music of LPNR

David, Now I see the point : if the two eighths were more distant, the extender would have to be displayed anyway - and this may depend on what other voices play during the first eighth, such a a large number of shorter notes. JM > Le 29 août 2019 à 18:19, Jacques Menu a écrit : > &

Re: Lyrics extend question

20:43, David Wright a écrit : > > On Thu 29 Aug 2019 at 19:27:15 (+0200), Jacques Menu wrote: >> Hello folks, >> >> In a MusicXML version of Amazing Grace I have, there is the syllable ‘Was’ >> on a first eighth, and then another eighth without lyr

Lyrics extend question

Hello folks, In a MusicXML version of Amazing Grace I have, there is the syllable ‘Was’ on a first eighth, and then another eighth without lyrics beamed with the first one: E -1 4 6 1 eighth up begin

Re: Chapter 2.1 Vocal music of LPNR

lily" > is the boilerplate code to produce MIDI "teach tapes" for each part. > The attached score used the unmangled source, with \unfoldRepeats > commented out, and the libraries included of course. > >> On 26.08.19 17:39, Jacques Menu wrote: >>> Hello

Re: Chapter 2.1 Vocal music of LPNR

tomatic } } >> >> << \new Staff = "Part_PFour_Staff_One" << \context Voice = "Part_PFour_Staff_One_Voice_One" << \music >> \new Lyrics { \lyricsto "Part_PFour_Staff_One_Voice_One" { \lyric

Re: Chapter 2.1 Vocal music of LPNR

"8 "cli"8 -- "mats"1 __ _ > Le 26 août 2019 à 17:39, Jacques Menu a écrit : > > Hello folks, > > The more I read this chapter, and the more I feel it is a kind of imbroglio, > mixing automatic and

Chapter 2.1 Vocal music of LPNR

Hello folks, The more I read this chapter, and the more I feel it is a kind of imbroglio, mixing automatic and manual alignment of lyrics to the voice. Do you also feel this would merit a rewrite? JM ___ lilypond-user mailing list lilypond-user@gnu.

Re: Arrowed quartertones notes snippet compilation problem

1c1 < \version "2.18.2" --- > \version "2.19.80" 116c116 < #(ly:parser-set-note-names parser pitchnames) --- > #(ly:parser-set-note-names pitchnames) JM > Le 18 juil. 2019 à 21:19, Thomas Morley a écrit : > > Am Do., 18. Juli 2019 um 21:15 Uhr schrieb Jacques M

Arrowed quartertones notes snippet compilation problem

Hello folks, The snippet at http://lsr.di.unimi.it/LSR/Snippet?id=784 leads to the error messages below with LP 2.19.83. Didn’t find eiseh nor feh in Lily's source code. I don’t know which version it was written for. Does anyone know? Thanks! JM — Starting lilypond 2.19.83 [ArrowedQuarterNo

MusicXML beat-repeat question

Hello folks, I’m trying to understand how is working in MusicXML. The example at https://usermanuals.musicxml.com/MusicXML/Content/EL-MusicXML-beat-repeat.htm is the only one I found, and: - the first measure has three two-notes chords, and a fourth one is missing; - adding

Re: Jazz chords layout question

ers/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T//lilypond-7Utxv9'...Converting to `TakeTheATrainWorkScoreTricky.pdf'...Deleting `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T//lilypond-7Utxv9'...Success: compilation successfully completedCompleted successfully in 0.9".JM TakeTheATrainWorkS

Re: Jazz chords layout question

Hello Robert and Carl,Thanks for your help!To summurize, after checking the docs for marks: - why do the marks appear without a box around them? because using ‘\mark "A"’ precludes the box. Since the AABA scheme is so common in jazz, using: \mark \markup {\box "A" } solves the issue. - why doe

Re: Numerical note head colors

Hello Ming, Here it is: \version "2.19.83" \relative { \once \override NoteHead.color = #(map (lambda (x) (/ x 255)) '(#XAC #X01 #XE3)) c'1 d \once \override NoteHead.color = #(map (lambda (x) (/ x 255)) '(#X00 #X00 #XFF)) e } JM > Le 2 juin 2019 à 03:20, yming tsang a > écrit :

Re: Numerical note head colors

Hello David, It does do the trick, thanks! JM > Le 1 juin 2019 à 22:15, David Kastrup a écrit : > > Jacques Menu writes: > >> Hello, >> >> MusicXML allows node head colors such as and 1 is interpreted as an RGB value, so something like > > #(map (la

Numerical note head colors

Hello, MusicXML allows node head colors such as

Re: There's a way to represent "graduated harmony" on LilyPond ?

Hello Gauco, What do you mean by 'graduated harmony’? JM > Le 20 mai 2019 à 02:30, Gauco Wander Beall a écrit : > > Hi there : > There's some way to represent "graduated harmony" on LilyPond ? > Am using "figurated bass" to set chord inversions: > > %% Code### > > \version "2.18.2" > \langua

Re: How to write notes for drums?

e from you on the list, which I am sure would be helpful to people.cheerio!AndrewOn Sun, 12 May 2019 at 19:13, Jacques Menu <imj-muz...@bluewin.ch> wrote: I sent the file privately because it’s no MWE and I don’t have any way to make it available on the net. I can share it on this list of co

Re: How to write notes for drums?

Hello Aaron and all, No offense, and thanks for the translation. I sent the file privately because it’s no MWE and I don’t have any way to make it available on the net. I can share it on this list of course if that fits. A nice day! JM > Le 12 mai 2019 à 10:13, Aaron Hill a écrit : > > On 2

Re: How to write notes for drums?

Hello Отправлено, I send you an example privately. JM > Le 12 mai 2019 à 08:04, Malte Meyn a écrit : > > > > Am 12.05.19 um 07:53 schrieb Данил Костенков: >> Hello everybody! >> I want to write notes for drums. But I don’t know how it do. Give me some >> advices and instructions about this.

Re: MIDI instrument for oboe d'amore

>> The pitch to use for \transposition should correspond to the real >> sound heard when a c' written on the staff is played by the >> transposing instrument. This pitch is entered in absolute mode, so an >> instrument that produces a real sound which is one tone higher than >> the printed music s

Re: MIDI instrument for oboe d'amore

> Le 1 mai 2019 à 10:01, David Kastrup a écrit : > > Jacques Menu writes: > >> Unfortunately, \transposition can only be used when the notes are written in >> « >> instrument » pitch, not concert pitch. > > Says who? The LPNR: The pitch to use for \tr

Re: MIDI instrument for oboe d'amore

pitch, instead of modifying them - hence my post. JM > Le 30 avr. 2019 à 11:20, David Kastrup mailto:d...@gnu.org>> a > écrit : > > David Kastrup mailto:d...@gnu.org>> writes: > >> Jacques Menu mailto:imj-muz...@bluewin.ch>> writes: >> >>

Re: MIDI instrument for oboe d'amore

instruments unknown to standard MIDI. Can that be done? JM > Le 29 avr. 2019 à 20:53, Aaron Hill a écrit : > > On 2019-04-29 9:28 am, Jacques Menu wrote: >> Hello, >> I find oboe and french horn, but no oboe d’amore in A.6 MIDI instruments. >> Which other setting can I

MIDI instrument for oboe d'amore

Hello, I find oboe and french horn, but no oboe d’amore in A.6 MIDI instruments. Which other setting can I use for this instrument in A? There’s no clarinet in A either. Thanks for your help! JM ___ lilypond-user mailing list lilypond-user@gnu.org

Re: .musicxml suffix

Hello Timothy and Graeme, Thanks for the information! JM > Le 27 avr. 2019 à 21:22, Timothy Lanfear a écrit : > > On 27/04/2019 05:39, Jacques Menu wrote: >> Hello folks, >> >> Who decided to switch from .xml to .musicxml, and what was the supposed gain >>

.musicxml suffix

Hello folks, Who decided to switch from .xml to .musicxml, and what was the supposed gain in the move? I now find that some text editors don’t propose such files in their file open dialog.. Thanks! JM ___ lilypond-user mailing list lilypond-user@gn

Re: LilyDev

Hello Federico, It’s probably better to follow the LilyPond release numbers. I’ll switch to 0.3 in the meantime. Thanks! JM > Le 10 avr. 2019 à 17:33, Federico Bruni a écrit : > > > > Il giorno mer 10 apr 2019 alle 17:15, Jacques Menu ha > scritto: >> Hello

LilyDev

Hello folks, I’ve been useing LilyDev4 for some time, and considered moving to LilyDev5, but I can’t find it. Is LilyDev 0.3 a successor to it? Thanks! JM ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/l

Re: fraction-with-notes problem as of version 2.21.0

Hello Harm, Thanks for your answer. I mistakenly used 2.19.82’s convert-ly… The second version is more explicit, by the way. Sorry for the noise, and a nice day! JM > Le 9 avr. 2019 à 20:52, Thomas Morley a écrit : > > Am Di., 9. Apr. 2019 um 07:42 Uhr schrieb Jacques Menu <ma

fraction-with-notes problem as of version 2.21.0

Hello folks, This snippet taken from LPNR 2.19.82 is handled alright by the latter, but fails with 2.21.0: %%% \version "2.21.0" \relative c'' { \once \override TupletNumber.text = #(tuplet-number::fraction-with-notes "4." "8") \tuplet 3/2 { c4. c4. c4. c4. } } %%% Starting lilyp

Re: Discussion about Lilypond(for GSoC 2019 project)

Hello Akshita, I have no idea what unreal music could be. Do you mean ‘user self-defined notations’? Unless you supply an example of what you’re after, this discussion will remain aimless and useless. JM > Le 8 mars 2019 à 14:41, m.tarensk...@zonnet.nl a écrit : > > As mentioned before please

Re: Multiple measures rests question

Thanks Malte! JM > Le 27 févr. 2019 à 10:32, Malte Meyn a écrit : > > > > Am 27.02.19 um 10:07 schrieb Jacques Menu: >> Hello, >> Compressing multiple measure rests can be handled with: >> \set Score.skipBars = ##t >> and: >> \compr

Multiple measures rests question

Hello, Compressing multiple measure rests can be handled with: \set Score.skipBars = ##t and: \compressFullBarRests as shown below by snippets taken from the LPNR. When and where should these be used? Thanks for your help! JM — For example, multimeasure rests will be combined

Re: \repeat volta question

Hello Federico, Thanks for the link, I had missed that! I asked the question because xml2ly currently generates the following for that example: Part_POne_Staff_One_Voice_One = \relative { \language "nederlands" \repeat volta 5 { <>^"5 times % HERE \key c \major \time 4/4

\repeat volta question

Hello folks, What does the ‘5’ mean in: \repeat volta 5 { \key c \major \time 4/4 \clef "treble" c'1 } d1 \bar "|." Lily produces the following score, but where is the ‘5’ in it? Thanks for your help! JM ___ lilypond-u

Re: Quarter tone sharp symbol in font

\version "2.19.82" { dih4 ^\markup { \raise #-1 "D"\semisharp } } JM > Le 20 févr. 2019 à 07:29, Andrew Bernard a écrit : > > OK. I am using it in markup. I found \semisharp, which answers the question. > > Now, how to align the semisharp higher here: > > { > dih4 > ^\markup

Re: Title Position Off

Hello Reggie, Why can't you just show us an MWE (Minimum Working Example) of your Lily code? That would make helping you so much easier! JM > Le 22 janv. 2019 à 04:57, Aaron Hill a écrit : > > On 2019-01-21 6:17 pm, Reggie wrote: >> For your information, top-system-spacing has zero effect on

Re: Lilypond not rendering PDF on Mac

Hello, Did you check the order of the folders in $PATH? Maybe there’s in a wrong order. I’m still running OS X 10.13.6 though, to avoid upgrading Finale which I use for tests. Always been installing Lily from the ready-to-install dmg’s, and never had such problems. My current version is 2.19.

Scheme question

Hello folks, I don’t succeed in using ‘#:concat’ to compute the second argument to ‘#(:note’ in the following Scheme code, where HERE occurs. What should I use instead? The aim is to use half the value of ‘den’ instead of 4 in the previous line. Thanks for your help! JM -- #(define-public

Re: automatic metronome mark parentheses

Thanks a lot, Ben! JM > Le 30 oct. 2018 à 13:25, Ben a écrit : > > On 10/30/2018 8:21 AM, Jacques Menu wrote: >> Hello folks, >> >> The LPNR states that: >> >> Combining a metronome mark and text will automatically place the >> metronome mar

automatic metronome mark parentheses

Hello folks, The LPNR states that: Combining a metronome mark and text will automatically place the metronome mark within parentheses Is there a way to remove those parentheses explicitly? Thanks for your help! JM ___ lilypond-user mailing

Re: Complex --evaluate command line option

> Le 26 oct. 2018 à 18:42, Hans Åberg a écrit : > > The devel is in the details. :-) That’s an excellent one! JM ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Newbie event question

Fine David, thanks! JM > Le 20 oct. 2018 à 11:16, David Kastrup a écrit : > > Jacques Menu writes: > >> Thanks David. Are after grace notes simply handled with positive grace time? > > Notation Reference, "Grace Notes": > > If you want to end a

Re: Newbie event question

Thanks David. Are after grace notes simply handled with positive grace time? Jm > Le 20 oct. 2018 à 00:35, David Kastrup a écrit : > > Jacques Menu writes: > >> Hello folks, >> >> IIUC, at some point in its work, LilyPond represents the music as a >> seq

Newbie event question

Hello folks, IIUC, at some point in its work, LilyPond represents the music as a sequene of events, each with a position in time and a duration. How are the grace notes handled in that context? They are actually displayed and played, but their duration is not taken into account in the duration

Re: Braille scores

Thanks Aaron, that makes things clear. A nice day! JM > Le 17 oct. 2018 à 21:58, Aaron Hill a écrit : > > On 2018-10-17 11:35 am, Jacques Menu wrote: >> Last questions : in a programming language a C or Python, what should >> one write as character strings to obtain

Re: Braille scores

PDF doc? Thanks! JM > Le 17 oct. 2018 à 16:00, Aaron Hill a écrit : > > On 2018-10-16 11:38 pm, Jacques Menu wrote: >> Hello folks, >> I read in the recent Export to MusicXML thread about braille scores. >> Sorry if this is offtrack : I didn’t find on the Inte

Braille scores

Hello folks, I read in the recent Export to MusicXML thread about braille scores. Sorry if this is offtrack : I didn’t find on the Internet how such scores are structured (the details of notes and the like is there alright) and what font(s) should be used to display them. Accessing non confide

Re: 3/2 unusual writing

gt;> >> \version "2.19.82" >> >> \relative d { >>\clef bass \key d \major >>\time 3/2 >>d1. | e1. >>\override NoteHead.duration-log = #1 >> | fis2 b,8*2[ cis d b] | >>\once\revert NoteHead.duration-log

Re: 3/2 unusual writing

a écrit : > > On 2018-10-04 2:09 am, Jacques Menu wrote: >> Hello folks, >> I’ve found this in Charpentier’s Te Deum, as engraved by the >> Centre de Musique Baroque de Versailles, which I had never seen >> before: >> It’s quite readable indeed, maybe more than usin

3/2 unusual writing

Hello folks, I’ve found this in Charpentier’s Te Deum, as engraved by the Centre de Musique Baroque de Versailles, which I had never seen before: It’s quite readable indeed, maybe more than using the modern notation with quarters, and I’ve wondered if there a way to obtain that with Lily. Th

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