2.1 to -2.1).
James Worlton
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I've attached the PDF output of your code, as run on my machine: Windows 7,
Frescobaldi 2.17.2, Lily 2.19.16.
James Worlton
On Tue, Mar 3, 2015 at 2:59 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-03-03 17:34 GMT+01:00 Kevin Barry barr...@gmail.com:
The problem also exists
Interesting little discrepancy -- I just found that consecutive spaces in
markup strings render correctly using the PDF backend, but get collapsed down
to one space in SVG.
I'm documenting a live-coding library, mainly using Emacs org-mode + LaTeX, but
I threw in a bit of LilyPond to make a
Here's how I do it:
R1*5/8*12
Whole note rest, scaled by the time sig, times the number of measures
you want.
James Worlton
On 2/11/2015 10:16 AM, Jay Hamilton wrote:
I've not figured out how to (if it's possible) get a skip for 12 bars
in 5/8
version 2.18.2
I tried skipping 15
R1*15
Looks brilliant! It's inspiring me to look into the edition engraver now...
James Worlton
On Feb 7, 2015, at 14:51 , Kieren MacMillan wrote:
Hello all!
Just a note to announce my newest Lilypond engraving: my Chaconne for
unaccompanied violin (2001).
(You can download the score at
http
-functions.html
).
With my words I'd say that it'll help you to add or reduce the space
before and/or after a grob.
Cheers,
Pierre
2015-02-06 20:08 GMT+01:00 James Worlton jworl...@gmail.com:
Thanks, Pierre. That's exactly what I'm looking for. So what does the
ParenthesesItem X-extent do?
James
This context override is getting me to where I need these to be. Thanks!
For this project (a Theory exam), There are no flats, so the strange
vertical offset it seems to make isn't an issue.
James W
On Fri, Feb 6, 2015 at 2:10 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote
Thanks, Pierre. That's exactly what I'm looking for. So what does the
ParenthesesItem X-extent do?
James W
On Fri, Feb 6, 2015 at 12:49 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi James,
I understand the idea but I thing you missunderstand the X-extent effect
}
}
Thanks,
James Worlton
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if the colliding stems point in the same direction.
Sorry to not be of more help. Maybe someone else has a solution?
James Worlton
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.
James
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have dotted (augmentum) at
every notes except \pes
This is note so terriffic since putting a s8*1/1000 at the western
piece or at the beginning of the gregorian piece solves the problem,
but I would say this is a bug...
Franck
can you provide a tiny example please?
James
I am using a template for generating some hymns, and I can't figure out
a couple of things.
The template that I use is below.
1. What do I need to do to have a refrain before the verses, so that the
stanza numbering is with the verses and not the refrain? For refrains in
the middle or end, I
On 20/01/15 07:29, Urs Liska wrote:
Forwarding to bug-lilypond.
Could someone please verify this
Verify what precisely?
James
and create a tracker entry?
(It's not my code BTW)
Am 20. Januar 2015 08:20:25 MEZ, schrieb Steve Lacy sl...@slacy.com:
Thanks, Urs.
Reading your code, seems
Oops this is actually superfluous because the preview app on Mac OS X
updates with any changes as soon as I click on it, so just leaving the pdf
open when compiling works no problem. (I'm a newb)
.mjb
On Sat, Jan 17, 2015 at 10:54 PM, Matthew James Briggs
matthew.james.bri...@gmail.com wrote
When calling LilyPond from the command line (I'm on Mac OS X) like this
exec /Applications/LilyPond.app/Contents/Resources/bin/lilypond pathtomy.ly
is there a flag to tell the program to open the compiled PDF when it's
finished like the GUI program does?
.mjb
Johan Vromans jvromans at squirrel.nl writes:
In fact, this is separation of content and structure. It works for many
structure-related items but unfortunately not for repeats.
For example, in the following snippet the score looks right, but in the
midi the repeats are not unfolded. Do you
On January 11, 2015 8:06:55 PM Phil Holmes m...@philholmes.net wrote:
So I assume the clarinet in A (which I'd missed) has a lower range than the Bb?
Clarinets in Bb and A have the same written range, extending down to the E
below middle C. This note sounds as concert D on the Bb clarinet,
Phil Holmes mail at philholmes.net writes:
I believe that, as a tutorial template, it would be more useful to
illustrate how to accommodate key signature indications with transposing
instruments, since this remains the norm for most music.
Ah, OK -- that makes perfect sense. It sounded at
From: Phil Holmes
Since the question came up about organizing LilyPond code for score and
parts, I thought I would make a quick demo of what I believe to be the
standard way to do it. Somehow I pieced these ideas together from LP code
that I found online (Mozart Horn Concerto, as I
}
composer = H. James Harkins
copyright = Licensed under Creative Commons CC-BY-NC-SA 4.0
poet = Score in C
}
\score {
\new StaffGroup
\new Staff \with {
instrumentName = Oboe
shortInstrumentName = Ob.
}
% this expression runs global simultaneously with the oboe notes
code instead of
MusicXML.
Alas I have to make a score or two the old fashioned way before I allow
myself to indulge further on this larger goal.
.mjb
On Thu, Jan 8, 2015 at 1:28 PM, Colin Campbell colinpkcampb...@gmail.com
wrote:
On 2015-01-08 04:10 PM, Matthew James Briggs wrote:
Hello, I
Hello, I just joined this list because I was searching unsuccessfully for
information about Lilypond's features for extracting and producing
individual parts from a score. Does Lilypond have features akin to
Finale's linked-parts?
I suspect my searching was unsuccessful since the work part is
I went trolling about the web this morning looking for public-domain scores
of some of the pieces on the Boston Camerata's excellent album /A Baroque
Christmas/. Most of them are too obscure to have made it onto IMSLP, except
Marc-Antoine Charpentier's breezy and charming /Messe de minuit sur
Jinsong Zhao jszhao at yeah.net writes:
I am wondering if there is a way to change the menu language (interface)
of LilyPad and/or LilyPad-ascii. I prefer English.
I am running Windows 7 under locale: Chinese (Simplified)_People's
Republic of China.936. The interface of LilyPad and
peter at chubb.wattle.id.au writes:
As an aside, dutch note names and \relative make data entry MUCH
faster. See below (part 2).
FWIW, English note names are shorter if you use f for flat and s for
sharp: cs vs cis is 33% more efficient.
I understand why some prefer the Dutch names, as you
\relative g { g4 b a a }
}
\oneVoice
}
}
James Worlton
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printing than just 'laser printing' (even so the
ink still costs them money).
James
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Let's see what happens when it gets tested.
There will be a new Rietveld though.
http://codereview.appspot.com/152600043
James
At some point I need to customize the drum MIDI stuff a bit. I have a
collection of percussion sounds that I need to custom-map, etc
want to wait for people to comment (and I am not qualified to ...
sorry) then that is fine, but it will still need to be in patch format
in the end, it's up to you.
It's more likely to get more constructive reviews if it is a proper
patch though.
regards
James
my biggest problems:
- 1h
suggest a place it could be added (I don't understand the
thread technically) am happy to try to improve our current document with
this addition.
reply and cc: bug-lilyp...@gnu.org
James
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https
/issues/detail?id=4147
Thanks.
James
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also a way to keep music and style separated.
Bug Squad, what about adding it to this chapter of Usage manual?
http://www.lilypond.org/doc/v2.19/Documentation/usage/general-suggestions
http://code.google.com/p/lilypond/issues/detail?id=4143
James
not sure (not being blind) how much more cumbersome that is that an
all in one IDE that has multiple windows.
On Windows I just use notepad++
James
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with perhaps?
James
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and this
http://lsr.di.unimi.it/LSR/Item?id=174
and the glyph list
http://lilypond.org/doc/v2.19/Documentation/notation/the-feta-font#clef-glyphs
This will probably help.
James
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the relevant properties of clefs in order to do
this, but not having any luck. Is there a way to do this?
Thanks,
James Worlton
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On 9/8/2014 9:06 PM, David Nalesnik wrote:
Hi James,
On Mon, Sep 8, 2014 at 8:36 PM, James Worlton jworl...@gmail.com
mailto:jworl...@gmail.com wrote:
Hello,
I'm trying to create a quiz for a Theory class, and I'm having
difficulty with clef changes. Normally, new clefs appear
you think we need to add something and come
up with some words, send it to the bug list and we can do the rest.
James
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://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=commit;h=6d611627eaef3fb5c754bdde106cd16c1ed23f31
James
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you have the correct name?
James
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On 02/09/14 21:58, Thomas Morley wrote:
2014-09-02 12:44 GMT+02:00 MING TSANG tsan...@rogers.com:
James Phil:
I comment out line 421 which call solfege-engravers - both versions run ok.
Un-comment out line 421 - v2.19.12 run ok; but fails with v2.19.13.
I don't know scheme. I cannot
the problem.
I know that might not help you in the short term.
Jameds
On 02/09/14 00:59, MING TSANG wrote:
James:
Thank you for answering.
Now I reduce the file and copy paste the two includes inline. The
.ly file compiles with error.
The same file run ok in v2.19.12
Emmanuel,
Ming
): ()
Exited with return code 1.
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This doesn't compile for me.
error: cannot find file: `include_solfege-engraver.ly'
James
.html
But I don't use this so I don't know if this is the same as the one you
are using or if you have some other issue.
Simplifying your example would help.
James
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and then that way we know if perhaps it could
be better explained or referenced.
We _do_ tell you how to do what you want Marco.
http://lilypond.org/doc/v2.18/Documentation/notation-big-page.html#default-layout-of-headers-and-footers
James
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On 29/08/14 15:44, Urs Liska wrote:
Am 29.08.2014 16:27, schrieb Knute Snortum:
James said, We should at least refer to the documentation as well,
if only to encourage users to check and then that way we know if
perhaps it could be better explained or referenced.
We _do_ tell you how to do
have in mind is
{ c'1~ | c'~ | c'~ | c'~ | c'~ | c'~ | c' }
where it would be nice to place numbers automatically over the repeated
bars.
Richard
http://lsr.di.unimi.it/LSR/Item?id=498
?
James
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On 27/08/14 18:46, James wrote:
On 27/08/14 17:07, Richard Shann wrote:
In the 2.18 docs there is a syntax for placing a counter above repeated
measures:
\relative c'' {
\set countPercentRepeats = ##t
\repeat percent 4 { c1 }
}
Is there something for doing this for written-out repeated
On 27/08/14 18:47, James wrote:
On 27/08/14 18:46, James wrote:
On 27/08/14 17:07, Richard Shann wrote:
In the 2.18 docs there is a syntax for placing a counter above repeated
measures:
\relative c'' {
\set countPercentRepeats = ##t
\repeat percent 4 { c1 }
}
Is there something
}
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Thanks.
This is
http://code.google.com/p/lilypond/issues/detail?id=2354
James
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) I expect it is one of these.
http://code.google.com/p/lilypond/issues/list?can=2q=cross+staffsort=patchcolspec=ID+Type+Status+Stars+Owner+Patch+Needs+Summary+Modifiedx=typecells=tiles
James
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https
and others put into LilyPond. I wish I was in a place to contribute
financially. Maybe this next year will be better.
James Worlton
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be avoidable by changing something in the makefile?
This is probably better aimed at the dev list.
James
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mentioned then it will probably be in the code in the next
week if not in an official unstable release.
James
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architecture
Is that a known issue?
http://code.google.com/p/lilypond/issues/detail?id=2208
There is a workaround in there I think.
James
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Does this have any bearing?
There are a quite a few issues known with partcombine.
http://code.google.com/p/lilypond/issues/list?can=2q=partcombine
James
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it is not a polyrhythm nor does it change from simple to compound.
Perhaps something from here will help:
http://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms#polymetric-notation
James Worlton
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lilypond
it to get some official reviews. Let me know and I'll send you the
file. Thanks!
Sure can you attach a git formatted patch that applies to current master
and I'll make a tracker and put it up for review for you.
James
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On Wednesday, July 30, 2014 8:09:21 AM EDT, Thomas Morley wrote:
This looks more like a MetronomeMark
\mark \markup { \fontsize #-2 { \note #4. #1 = \note #2 #1 } }
It should be possible to stack MetronomeMark and RehearsalMark
in some manner.
A... I had forgotten that \tempo can take
On 29/07/14 04:46, James Harkins wrote:
Hi,
Some time ago, a user here gave me a cadenzaToMusic function, which
could stretch rests in non-cadenza parts to match the duration of a
cadenza. (That's because I was having problems with compressing the
cadenza music to fit in a normal-length bar
On Jul 29, 2014 7:29 AM, James pkx1...@gmail.com wrote:
On 29/07/14 04:46, James Harkins wrote:
Some time ago, a user here gave me a cadenzaToMusic function, which
could stretch rests in non-cadenza parts to match the duration of a
cadenza. (That's because I was having problems with compressing
On Tuesday, July 29, 2014 11:15:50 AM EDT, David Kastrup wrote:
Uh, \unset Timing.measureLength? I don't think that LilyPond is going
to be happy with an unset measure length.
That makes sense, but does it apply to this case? There's a meter change
just after the \cadenzaToMusic call;
http://lilypond.org/doc/v2.18/Documentation/notation/horizontal-spacing-overview
says:
~~
The most common shortest duration is determined as follows: in every
measure, the shortest duration is determined. The most common shortest
duration is taken as the basis for the spacing, with the
In some places, I have a \markup-style mark over the same barline, and at
the same barline, I also want a rehearsal mark (produced by \mark
\default). Unfortunately it seems only one \mark is allowed at any given
moment.
This is a type of markup-style marking I mean:
\mark \markup {
Hi,
Some time ago, a user here gave me a cadenzaToMusic function, which could
stretch rests in non-cadenza parts to match the duration of a cadenza.
(That's because I was having problems with compressing the cadenza music to
fit in a normal-length bar.)
I've used it in a couple of pieces
use in the docs.
Now that doesn't mean that it translates straight to a SCM function (to
make youre \example function) but if you look in the source in
$LILYPOND_GIT/python/ all the various book* py files I think would give
you clues.
Regards
James
at the thread to this
to find out what example ' ... is much nicer ...' I am being taken back
to conversations from 2008!
Would you care to elaborate a bit more Marc (in case I am wrong) as I
cannot find anything else pertaining to this email.
James
-with-convert_002dly
I hope this helps.
James
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On 16/07/14 10:19, Thomas Morley wrote:
2014-07-14 20:21 GMT+02:00 James pkx1...@gmail.com:
Well I'm still no clearer from this thread if we do or do not need a doc
improvement.
If so could someone create a tracker issue or give me something I can use
(or tell me the doc is OK and nothing
and nothing needs improving).
Thanks
James
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the trackers more quickly.
Thanks
James
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On 13/07/14 15:21, David Kastrup wrote:
James pkx1...@gmail.com writes:
On 13/07/14 11:49, David Kastrup wrote:
Helge Kruse helge.kr...@gmx.net writes:
Am 13.07.2014 11:57, schrieb David Kastrup:
fis a d fis4f! a d f! f a d f q
Well, just write the latter version.
Well. this means
the magic Google incantation to make it appear.
Charlie
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You could put a manual \break in, if all else fails, and push a measure
or two over.
James
of new fonts and that it isn't going to start to create
more exceptions because one font's dynamic 'f' happens to be wider or
fatter than LilyPond's (if you see what I am getting at).
Regards
James
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#index-bar-lines
Thanks
James
On Fri, 2014-07-11 at 17:49 +0100, Richard Shann wrote:
For chord charts a barline is wanted at the start of each line of music
- \bar | is, of course ignored in this position.
Can anyone suggest how to force printing a barline here (after the time
signature
Something I've been wondering about for awhile... lilypond.org boasts of
optical spacing for notes with alternating up and down stems, but it
seems this feature has been lost somewhere (or disabled by default). In
this example, it's quite plain to my eyes that the stems are not equally
spaced
a place they can get it from) and report this to
'bug-lilyp...@gnu.org'.
James
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)
different places.
James
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to make sure that any
significant syntax changes we have made in the code are detected and
converted in your *.ly files.
http://www.lilypond.org/doc/v2.18/Documentation/usage/updating-files-with-convert_002dly.html
James
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on the list, I can tell you that
lilypond-book calls some of the files in ../lilypond/current/python/..
which again may give some clues as to what could be tweaked. Or perhaps
there is another way of constructing that variable that doesn't trigger
the problem.
Sorry that I don't have a solution.
James
(and
probably has this lists email address) in his address book, that that is
why we and anyone else in the list see this.
Mark it as spam (it was already in the spam folder in my own email).
I have cc'd the user.
Thanks
James
Mark Stephen Mrotek
-Original Message-
From: lilypond-user
/lilypond-user/2014-04/msg00450.html
Thomas Morely?
James
On Monday, June 30, 2014 11:01:34 PM, Colin Campbell c...@shaw.ca wrote:
On 14-06-30 07:39 PM, MING TSANG wrote:
Hi, Colin:
Thank you for the suggestion. But I want to preserve what is code in
the staff. I do not want to display
?
Are you using for instance the /rest markup command attached to a note
or are you explicitly using voices with a 'r'
James
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' syntax when it is included.
I hope this helps.
James
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. For snippets to be included in the NR they need to
be explicitly in $LILYPOND_GIT/Documentation/snippets/.. and then
referenced by the appropriate Texinfo entry in the Manual's *.tely files.
I guess you know that so am wondering what we can do if the manual is
not clear enough.
James
field is suboptimal as it only
states to typeset the text _below_ the hairpin.
Do we need to change the texidoc string for this snippet then? And if so
to what - I assume that this snippet in 'lilylib' is are in $LILYPOND_GIT?
James
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Thanks Keith, I've added that as a snippet and in the Notation Reference
http://code.google.com/p/lilypond/issues/detail?id=3976
James
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and get your PNG files using 2.19 then use the
same git repo and use the 2.18 branch and then try.
Then at least we can attempt to help, knowing we are all looking at the
same code as you.
Regards
James
2014-06-27 13:27 GMT+02:00 Aymeric ejisn...@gmail.com
mailto:ejisn...@gmail.com:
I'm
into the LSR.
James
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it should be?
James
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clef?
I'm just curious.
James
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when
learning to play would indicate it with a tick-like mark and bar breaks
are more often the best place to take this sneaky breath than in a
measure itself - it just depends. You take your air where you can!
James
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://enc2ly.sourceforge.net/en and 'go-enc2ly' -
https://github.com/hanwen/go-enc2ly
See if this is what you want. However, from a very quick glance it seems
these might not have a windows binary - but you may get some more luck
here on the User list.
James
If you ever need the score and a transposed part to have a different slur
shape in places... this does it :)
Just had to share -- actually I wasn't entirely sure this would work, but
it's perfect!
hjh
\version 2.18.2
\language english
music = \relative c' {
\tupletSpan 1*6/8
\tuplet 4/3
dis'4 \glissando fis8 \\ \stemUp a,4 \\ \afterGrace
fis4 \glissando a8
So it's something to do with that construction but I cannot tell you why.
If that helps?
James
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Thanks.
Added as http://code.google.com/p/lilypond/issues/detail?id=3956
James
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TL;DR version of the question: How could I define an accidental style that
behaves mostly like neo-modern, but also avoids repeating accidentals
within a beamed group?
Full explanation why --
I have a cadenza which, according to Frescobaldi's duration counter, spans
59 quarter notes. It's in
On Tuesday, June 17, 2014 8:21:10 AM HKT, David Nalesnik wrote:
Here's a variation which incorporates my little discovery :)
This is great! Thanks! I can safely say, it probably would have taken me
half a year to figure this out on my own...
In the second example, the ! forces the natural.
with partcombine
http://code.google.com/p/lilypond/issues/list?can=2q=partcombinesort=patchcolspec=ID+Type+Status+Stars+Owner+Patch+Needs+Summary+Modifiedx=typecells=tiles
See if one of these is yours as often there is a workaround suggested in
the tracker too.
James
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