a yes or no question for y'all --
Is there a way to hide the ledger lines for a single notehead? I see that
it's possible to override a ledger lines stencil at the level of staff
context, but I don't see how to do it for a single notehead.
thanks,
Jeff
Hi there,
I'm having trouble grasping how a horizontally spanning custom markup can
reliably correspond to the graphic space occupied by several notes, aside
from lots of trial-and-error coordinate tweaking.
I'd like to do something like,
my_horizontal_markup = #'(eleventy_lineto_commands)
Hi Michael,
Do you still want legible accidentals? In that case, you might just invent
an alternate notation that gives you exact horizontal spacing by
eliminating all traditionally placed accidentals and places them over the
notes instead.
or something,
Jeff
On Wed, Feb 6, 2013 at 12:57 PM,
Hi there,
Could you please share the fingering catalogue code with the list, so that
we can make similar diagrams for the other instruments? It would be useful
to include a set of these in the documentation some how, come to think of
it.
cheers,
Jeff
On Wed, Feb 6, 2013 at 1:42 AM, James
Hi Paul,
A great trick! It looks like beaming and slurring across staffs works well
with this technique, which is marvelous. This could be the way to go, but I
need to figure out a few more things with this paradigm before I can use it:
Is there a way to attach a treble^8 clef at the beginning
Hi there,
I've got a rogue tuplet bracket trying to span notes on the note side
instead of the beam side, and I'd like to specify that the tuplet bracket
should always be on the beam side. Internals tell me that I need to
set ly:tuplet-bracket::calc-direction
equal to -1, but I'm not sure what
)
\override Stem #'no-stem-extend = ##f
\time 3/8
a,, c a c])
}
On Wed, Jan 30, 2013 at 2:35 PM, Jeffrey Trevino jeffrey.trevi...@gmail.com
wrote:
Hi there,
I've got a rogue tuplet bracket trying to span notes on the note side
instead of the beam side, and I'd like to specify
Hi there,
I'm curious about the behavior of chords that tie partially to other chords.
Why does the tie go from the C to nothing here, when it should go from e to
e?:
\version 2.17.0
\language english
\new Staff{
c' e' ~ g' ~4
e' g'4
}
Things display correctly when the lower note doesn't
of a
chord...)
cheers,
Jeff
On Sat, Jan 26, 2013 at 12:10 PM, Keith OHara k-ohara5...@oco.net wrote:
Jeffrey Trevino jeffrey.trevino2 at gmail.com writes:
the accidentals should be moved to the left to avoid collision with the
ledger
lines.
Yes, the ledger lines are discontinuous, so
Hi,
It should be pointed out that it's a common notational practice to hide the
unused non-center keys in fingering diagrams; this behavior is idiomatic.
(Although there's no reason why that means you can't display all the keys,
as you want.)
just sayin,
Jeff
On Mon, Jan 28, 2013 at 2:27 AM,
like they are in staff lines. What would you want?
--
Phil Holmes
- Original Message -
*From:* Jeffrey Trevino jeffrey.trevi...@gmail.com
*To:* lilypond-user lilypond-user@gnu.org
*Sent:* Friday, January 25, 2013 4:47 AM
*Subject:* ledger line crash with very high notes in first
Holmes m...@philholmes.net wrote:
- Original Message - From: Xavier Scheuer x.sche...@gmail.com
To: Jeffrey Trevino jeffrey.trevi...@gmail.com
Cc: lilypond-user lilypond-user@gnu.org
Sent: Friday, January 25, 2013 10:50 AM
Subject: Re: change staff for component notes of chord
On 25
PS disregard in first system in the subject -- for a moment I thought
this was the case, but it happens regardless of a chord's position
On Thu, Jan 24, 2013 at 8:47 PM, Jeffrey Trevino jeffrey.trevi...@gmail.com
wrote:
I think I've found a default behavior that could use a little work:
When
hi there,
I like the change staff interface for switching staffs and beaming across
them. Is there a similar interface available for chords, which allows the
user to specify that certain higher or lower notes should be drawn on a
different staff? I would find this much easier to use than the
So what's the sanest course with regard to new articulations?
From the perspective of contemporary music, the sanest course is to provide
basic utilities for drawing arbitrarily complex symbols in specified
locations, which Lilypond sort of does/doesn't have.
On Mon, Jan 21, 2013 at 12:59 AM,
:
Hi Jeff,
On Sat, Jan 12, 2013 at 11:37 AM, Jeffrey Trevino
jeffrey.trevi...@gmail.com wrote:
Hi David,
I just saw this fix. Thanks for spending so much time tweaking this.
Maybe there's a way it can be integrated into the Lilypond code, since
you've spent so much time developing
Hi David,
I just saw this fix. Thanks for spending so much time tweaking this. Maybe
there's a way it can be integrated into the Lilypond code, since you've
spent so much time developing it. I'll be using it in a score soon.
cheers,
Jeff
On Tue, Dec 11, 2012 at 3:04 PM, David Nalesnik
Dear Mikey,
Some chunk of this time might be usefully spent writing a crystal clear,
step-by-step Scheme tutorial that explains how to create custom engravers
and grobs, query position information of objects in the process, and use
these in-line in lilypond code. Thanks for asking and happy
How will this impact users who receive the list in digest mode each week?
(I don't get it this way, so I don't know)
Jeff
On Mon, Dec 17, 2012 at 11:37 PM, Werner LEMBERG w...@gnu.org wrote:
Given that, does anyone have any suggestions to how behave nicely
for list members like Harm
you,
Jeff
On Sun, Nov 25, 2012 at 5:19 PM, David Nalesnik david.nales...@gmail.comwrote:
Hi Jeffrey,
On Sat, Nov 24, 2012 at 11:47 AM, Jeffrey Trevino
jeffrey.trevi...@gmail.com wrote:
Hi David,
Yes, I think it's reasonable to confine the frame to a single line, even
though the arrow
Hi there,
Could someone please show me a short, working example of an .ly that sets
the spacing between the title and the first system? I was about to give it
a shot myself, until I saw, under known issues and warnings for version
2.16,
The titles (from the \header block) are treated as a
is it? Is the title treated as a system, or not?
J
On Wed, Dec 5, 2012 at 1:39 PM, Jeffrey Trevino
jeffrey.trevi...@gmail.comwrote:
Hi there,
Could someone please show me a short, working example of an .ly that sets
the spacing between the title and the first system? I was about to give it
a shot myself
PPS -- alright, I've found how to manipulate the spacing as I wanted;
however, it would be nice to hear a resolution to the above contradiction,
if one exists. J
On Wed, Dec 5, 2012 at 1:44 PM, Jeffrey Trevino
jeffrey.trevi...@gmail.comwrote:
... curious -- there's also this, in section 4.1
Thanks, everyone. That's exactly the solution I found, yes. J
On Wed, Dec 5, 2012 at 2:00 PM, Nick Payne nick.pa...@internode.on.netwrote:
On 06/12/12 08:39, Jeffrey Trevino wrote:
Hi there,
Could someone please show me a short, working example of an .ly that sets
the spacing between
and
Scheme code.
On Thu, Nov 29, 2012 at 10:51 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jeffrey,
On Wed, Nov 28, 2012 at 11:52 PM, Paul Morris p...@paulwmorris.com
wrote:
On Nov 28, 2012, at 7:02 PM, Jeffrey Trevino
jeffrey.trevi...@gmail.com
wrote:
It's a long-term
Hi all,
It's good to know how to do this. For metric notation, I found that it's
also useful to stop the duration line before the barline, instead of
continuing it to a subsequent notehead, if the following note is in the
next bar:
#(define flat-gliss
(lambda (grob)
(let ((left-Y
another paradigm that someone
with more experience might recommend as an alternative to this model.
thanks for all your help,
Jeff
On Wed, Nov 28, 2012 at 2:41 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/28 Jeffrey Trevino jeffrey.trevi...@gmail.com:
Hi all,
It's good
:10 PM, David Nalesnik david.nales...@gmail.comwrote:
Hi Jeffrey,
On Wed, Nov 14, 2012 at 1:05 AM, Jeffrey Trevino
jeffrey.trevi...@gmail.com wrote:
Hi David,
This is a very help description. Maybe you could describe for me: I see
both
the box duration as a spacer duration and the line
the Scheme is working here, so maybe you can try out two
of these in parallel and let me know if it's working for you.
best,
Jeff
On Sat, Nov 24, 2012 at 8:10 AM, David Nalesnik david.nales...@gmail.comwrote:
Hi Jeffrey,
On Sat, Nov 24, 2012 at 9:58 AM, Jeffrey Trevino
jeffrey.trevi...@gmail.com
On Tue, Nov 20, 2012 at 11:13 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/20 Jeffrey Trevino jeffrey.trevi...@gmail.com:
Hi there,
Is it normal for the pitched trill spanner to always display an
accidental
for its parenthesized pitch, even if the parenthesized pitch
Hi Orm,
It might not be the best way to go, but one solution is to override the
Y-offset of the Script object. I added this override into pfeilzwei in
the code below, and it works just fine on my machine:
pfeileins = {
\once \override NoteHead #'stencil = #ly:text-interface::print
\once
collisions.
thanks for your advise,
Jeff
On Sat, Nov 17, 2012 at 6:28 AM, Nathan when.possi...@gmail.com wrote:
On Fri, Nov 16, 2012 at 9:23 AM, Jeffrey Trevino
jeffrey.trevi...@gmail.com wrote:
Hi there,
I'm trying to get my parenthesized trill notes to stop colliding with
ties, and I think
Hi there,
Is it normal for the pitched trill spanner to always display an accidental
for its parenthesized pitch, even if the parenthesized pitch is natural and
doesn't need one? Is there a way to override this? I'm finding it immensely
frustrating to get at any of the attributes of this
Hi there,
I'm trying to get my parenthesized trill notes to stop colliding with ties,
and I think there are a couple things I can learn by solving this problem.
First, I can't tell why the collision is happening -- is there a best
practice for figuring out why elements collide?
Second, I know
Whoa --
It's marvelous to see such a detailed response to my question.
Most importantly, frameEngraver4 works! I will study the differences
between 3 and 4 to see what changed.
As mentioned, it seems to me that the best course of action would be to
make dynamic spanner creation a high
Hi there,
Three trill questions for you experts:
1) I'm having trouble spanning some notes with a trill spanner when the
first spanned note has a bass clef mark attached and the trill spanner has
a specified pitch in parentheses --
When my staff looks like,
\new Staff {
\pitchedTrill
Hi David,
This is a very help description. Maybe you could describe for me: I see
both the box duration as a spacer duration and the line duration as
extender length, in what seem to be unitless units.
Here is an addition -- although I'm not sure if it's an improvement -- that
might be important
Hi all,
I'm trying to get the frameEngraver3.ly code from this aleatoric notation
thread going on Lilypond 2.16.0-1, and I get the following errors:
GNU LilyPond 2.16.0
Processing `frameEngraver.ly'
Parsing...
frameEngraver.ly:27:1: error: GUILE signaled an error for the expression
beginning
Hi there,
I'd like to indicate that string instruments will need to re-bow during a
very long note, through a common symbol: A downbow followed immediately by
an upbow, appearing over a single note. (I guess string players might find
this obvious from the duration of a note, but I'm copying a
Eluze! Exactly. Thank you so much. But the two symbols are overlapping with
one another. How do you think I should make sure that the upbow symbol
isn't drawn on top of the downbow symbol? J
On Mon, Sep 3, 2012 at 3:33 AM, eluze elu...@gmail.com wrote:
Jeffrey Trevino wrote
Hi
Hi there,
I'm having trouble finding the correct overrides to change rehearsal mark
formatting. I'd like to change the font name used for the marks, as well as
the amount of white space between the number and the drawn circle or box
(so that there is more white space between the number or letter
Thanks, Eluze and David! It looks just how I want it now. J
On Mon, Sep 3, 2012 at 6:20 PM, David Nalesnik david.nales...@gmail.comwrote:
Hi Jeffrey,
On Mon, Sep 3, 2012 at 7:40 PM, Jeffrey Trevino
jeffrey.trevi...@gmail.com wrote:
Eluze! Exactly. Thank you so much. But the two symbols
Hi there,
How can I change the vertical order of articulation marks? I'd like tenuto
lines to be closest to notes, and accents further away, but I can only get
the reverse order. I see script priority in the docs, but it seems that
articulation marks would have equal script priorities -- right?
Hey all,
I'm a bit confused by the relationship between InstrumentName and
ShortInstrumentName. In the internals reference, the former seems to be an
autonomous layout object, but ShortInstrumentName is somehow a property of
this first object -- or? I hope someone can clarify what's going on for
25, 2012 at 2:14 PM, David Kastrup d...@gnu.org wrote:
m...@apollinemike.com m...@apollinemike.com writes:
On 25 juin 2012, at 23:02, Jeffrey Trevino wrote:
Hi there,
Is there a straightforward way to change a notehead glyph without
changing the note's duration? I'm doing a beamless
engraver for a main note, without turning off the engraver for its attached
grace notes?
thanks for your help,
Jeff
On Thu, Mar 15, 2012 at 11:54 PM, m...@apollinemike.com
m...@apollinemike.com wrote:
On Mar 16, 2012, at 7:16 AM, Jeffrey Trevino wrote:
Hi there,
I'm having trouble
Hi there,
How can I manually adjust the space between a barline and the first note in
the bar? I'm using proportional spacing with some grace notes attached to
the first note in the bar, and the grace notes are colliding with the
barline (because proportional spacing is putting the first note
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